Spring 1990, Volume One Box

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August 8, 2012 - 10:43am

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Anonymous (not verified)

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jq171(document).ready(function (jq171) { jq171("h2.product_title").each(function(){ var title = jq171(this); var new_title = title.text().replace(' - SOLD OUT', ''); title.text(new_title); }); var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });
What's Inside:
• 60 page hardcover Smyth-Sewn book featuring essays by Dennis McNally, David Lemieux, and Blair Jackson and photos by Jim Anderson & Mike Laurentis
• 25th Anniversary Tour Program
• Official Band Letters
• 6 Ticket Stubs
• 6 Cloth Sticker Backstage Passes
• 1 Tour Laminate
• Official 1990 Band publicity shot
• 6 complete shows on 18 discs
      • 3/16/90 Capital Center, Landover, MD
      • 3/19/90 Civic Center, Hartford, CT
      • 3/22/90 Copps Coliseum, Hamilton, ON, Canada
      • 3/26/90 Knickerbocker Arena, Albany, NY
      • 3/30/90 Nassau Coliseum, Uniondale, NY
      • 4/2/90 The Omni, Atlanta, GA

Box Dimensions: 12-1/8" x 3-1/8" x 12-1/8"
Recorded and Mixed Live by John Cutler
Mastered by Jeffrey Norman in HDCD
Original art by Wes Lang
Individually Numbered, Limited Edition of 9,000

Introducing The Next Box: Spring 1990!

And now for something a little different. This year's box set - Grateful Dead: Spring 1990 - offers six complete shows from the epic spring '90 tour, one concert from each city the band played, personally selected by Dead vaultmeister and archival release producer David Lemieux. The sizzling six are: 3/16/90 Capital Centre (Landover , MD), 3/19/90 Hartford Civic Center, 3/22/90 Copps Coliseum (Hamilton, Ontario), 3/26/90 Knickerbocker Arena (Albany, NY), 3/30/90 Nassau Coliseum (Uniondale, NY) and 4/2/90 The Omni (Atlanta, GA).

In his "Producer's Note" in the beautiful book that is part of the box, Lemieux, who attended the first 10 shows on the tour, states, "To my ears this was the last tour that was consistently great, where every show is excellent, not a dud in the bunch." And Grateful Dead historian Dennis McNally's comprehensive and informative insider's essay in the box is titled "The Last Great Dead Tour." These guys know what they're talking about.

Basically, the band had been on an upward trajectory since Garcia's return to the road in the spring of '87, following his near-death the previous summer. Of course, 1987 was a trip in itself, what with the unexpected mega-success of In the Dark and their first hit single, "Touch of Grey." But the momentum just kept building with each subsequent tour, as Garcia got back up to full speed (and then some!) and the group as a whole was as unified as they had ever been since Brent joined the band in the spring of '79. New original tunes were popping up and the old favorites were imbued with a freshness and spirit that was so uplifting and inspiring. The band was having fun again, and it was downright infectious.

The group's fall 1989 shows-as documented two years ago on the Formerly the Warlocks box (two shows from Hampton, VA, 10/8-9/89) and on the 2001 release Nightfall of Diamonds (a single night in NJ, 10/16/89)- kicked the energy level up another couple of notches, as the band reintroduced such loved classics as "Help on the Way" > "Slipknot!," "Attics of My Life," "Death Don't Have No Mercy" and "Dark Star."

And when the band hit the road in mid-March 1990, they had a bunch of other cool tunes to lay on their unsuspecting crowds, including the return of "Loose Lucy" (last played in 1974; it's not on this box), Brent's "Easy to Love You" (missing since 1980), a rollicking cover of the Rolling Stones' "The Last Time," The Band's "The Weight" (with all four singers taking a verse each) and a lyrically retooled "Black-Throated Wind" (absent since 1974), which elicited huge cheers every time it was played.

Over these six shows, most of the cornerstones of the Dead's repertoire from the era appear-splendid versions of "Scarlet Begonias" > "Fire on the Mountain," "China Cat Sunflower" > "I Know You Rider," "Playing in the Band," "Uncle John's Band," "Eyes of the World," "Estimated Prophet," "Truckin'," "Sugar Magnolia," "The Other One," "Terrapin," "Stella Blue," "Feel Like a Stranger," "Bird Song," "Let It Grow," "China Doll," "Box of Rain," "Morning Dew"; you name it. From the fall '89 breakouts come "Help-Slip-Frank," "Attics of My Life" and "Death Don't Have No Mercy." Among the still newish tunes are "Picasso Moon," "Blow Away," "Foolish Heart," "Just a Little Light," "Victim or the Crime," "Standing on the Moon," "We Can Run" and a couple that would get their final plays from the Grateful Dead on this tour-"Built to Last" and "Believe It or Not." There are stirring renditions of "Dear Mr. Fantasy" and "Black Muddy River," rockin' takes on "Gimme Some Lovin'" and "Iko Iko" and the only version of the full "Hey Jude" the band attempted in the modern era. And the "Rhythm Devils" and "Space" jams at the heart of each second set are as noisy-beautiful-scary-funny-intense-mysterious-wild as you'd expect/hope for.

Of course, we understand that some of you may have other favorite shows from this tour you wish were included on this box. Really, you can't go wrong with any of them. But at 18 discs, this is still the second largest Grateful Dead box (after Europe '72: The Complete Recordings) that's been released, and the non-inclusion of any other shows from the tour definitely does not preclude their future release! But this seemed like a more manageable way to go, while still giving a sense of the tour's amazing depth and breadth.

Besides the discs themselves, Grateful Dead: Spring 1990 has much to offer, including: a gorgeous 60-page hardcover book containing copious color photos by Jim Anderson and Michael Laurentus, unique artwork by Brooklyn-based fine artist Wes Lang, fascinating business letters and communications related to the tour, a detailed historical essay by Dennis McNally, a Producer's Note by David Lemieux and individual show descriptions by Blair Jackson; a reproduction of the Dead's 1990 tour program (printed and sold later in '90, for the fall and Europe '90 tours); tickets and backstage passes of all six shows; a band publicity photo from 1990 by Ken Friedman; Dennis McNally's tour laminate; and reproductions of the colored 8x10 sheets GDTS sent out with hotel, food and other information for each city on the tour.

With recordings made by longtime Grateful Dead recordist and producer John Cutler, mastered by Jeffrey Norman in HDCD, you just know it's gonna sound great-and it does!

So, that's the skinny this time 'round. This box is limited to just 9,000 numbered copies - please note, this is the only time these shows will ever be officially available on CD. There will not be an All Music Edition and single shows will not be available physically. Due to ship out August 31st, we anticipate that this extraordinary set will sell-out, so order your copy today!

If you're looking for more of a bite-sized taste of the '90s, Spring 1990: So Glad You Made It, a 2-CD set featuring a handful of favorites, will be in stores on September 18th.

-Blair Jackson

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September 30, 2015 - 10:21am

#21

Direwolf93

Joined:
April 9, 2014

Hey There Ziffle

I saw that you had problems with some ALAC Road Trips Downloads. I did as well months back with RT 3.3. I was wondering if you (or anyone else for that matter) have downloaded the Spring 90 or May 77 boxes in ALAC. I'd like to know that they aren't corrupted before buying. It was kind of a slog to get the RT downloads fixed. Thanks.
September 12, 2015 - 9:21pm

#22

Ziffle

Joined:
July 21, 2015

D/L sound quality

Spring TOO is maximum audio quality - 192 kHz/24 bits, like having the master tape. Also it is from a (then) state of the art analog multitrack source. So, it is noticeably better, mostly - in some songs I prefer Volume 1, but I think that's personal taste, I just like some of the mixes on 1 more than TOO (and some on TOO more than 1). There are songs on TOO that don't appear on 1 & vice versa, so they don't duplicate entirely. TOO is like a live-in-the-studio recording, it is crystal clear, the vocals are more up front, where 1 has more of a concert feel, with the vocals slightly further back in the soundstage. lgreen, maybe you can connect your hi-res player to your hi-fi aux input?
September 4, 2015 - 6:57am

#23

lgreen

Joined:
December 20, 2007

D/L sound quality

Thanks Ziffle I bought the hi-res FLAC not the Apple Lossless and used this as an excuse to get a portable hi-res player - wonderful!!! So good I haven't even tried to see if I can burn to a CD my hi-fi will play... if this sounds this good then what must Spring 90 TOO sound like in hi-res?
August 26, 2015 - 3:30pm

#24

Ziffle

Joined:
July 21, 2015

Apple Lossless d/l, HDCD adventures YMMV

A follow up to my original post - there were two corrupt files, the one file that I was able to use (non-HDCD) barely plays through, and skips around. I've notified dead.net. We shall see. I bought another download, this time I specified FLAC. Worked perfectly. Converted to AIFF, imported to iTunes, burned CD from iTunes, a perfect HDCD was the result. Original post below: I purchased the ALAC download version of Road Trips 4 #2. I brought the files into iTunes, created a playlist, burned to CD, and yes, I ended up with an HDCD disc, sounds great. I put the files into the right order (they are mixed between 3/31 and 4/1 on the CD's). BUT one file did not transcode. I had to bring it into Audacity, and export to AIFF in order to get it on a CD, and that single file did not appear (or sound) as HDCD, just common CDDA. I'm going to report to dead.net customer service about the corrupt file, hopefully they will send a replacement. I might try this again with a different Road Trips set and go from the FLAC files to AIFF make CDs, see if they are HDCD (and then back up to iTunes as ALAC). In the case of this set, I still believe that the 88.2kHz FLAC are the way to go. They are superior to any 44.1/16 file even with HDAC encoding. Transcode to WAV (not AIFF) for listening. Sublime. Hope this helps.
July 31, 2015 - 4:02am

#25

lgreen

Joined:
December 20, 2007

Apple Lossless d/l and HDCD

Hi Can anyone who has purchased the standard Apple Lossless d/l edition [44.1/16bit] tell me if the download - when burnt to CDR - is HDCD encoded like the physical CDs were? I asked the dead.net 'customer service' and they refused to answer [and were quite rude too] which suggests the answer is no but I am still hoping...
July 17, 2015 - 9:31am

#26

The Rat

Joined:
July 17, 2015

Please sell me your extra Spring 1990 Box Set

If anyone has one to sell I would be GRATEFUL. Reach me at tomrathbun@bellsouth.net ~~~Thanks and Peace Out~~~
March 28, 2015 - 10:38am

#27

mikestar

Joined:
June 15, 2007

Looking for this box

On the off chance anyone wants to offload this box to a head for a reasonable price, I am at mike@theevanfund.org Thx & peace.
March 3, 2015 - 8:44am

#28

JimJohn

Joined:
March 2, 2015

I now bought this box set in

I now bought this box set in Apple Lossless format. There’s a lot of music to go through, but I’ve been listening to it and it’s great quality sound wise. I have both box sets now and I see no reason to be splitting hairs over how the two boxes compare. They are the 1990 spring shows all recorded really well, well balanced and with the ambiance of the venues. I’m really glad to have this.
March 3, 2015 - 3:07am

#29

JimJohn

Joined:
March 2, 2015

Thanks for clarification

Thanks for the clarification. People have commented on this box set from totally different perspectives. So this box set is superior to the average Dicks Picks and same as the "So Glad You Made It" album. In my opinion that means it's excellent. I love the "Spring 1990 - So Glad You Made It" tracks and I'm excited to get the full set. By the way the Scarlet Begonias from "So Glad You Made It" is exquisite :) Cheers :)
March 3, 2015 - 2:38am

#30

wjonjd

Joined:
January 24, 2011

Box one - sounds great to me

I just realized that they didn't start using tape until the latter half of the forties (except a few German experiments), so they must not have started the art of mixing until then. When they recorded directly to lacquer disks, I don't think they had a way to mix separate recordings together. So multi-miking couldn't have started until tape recording. Edit - the books that come with the first box are fantastic. Beautiful photography and well written extensive documentation of shows and times.

John Perry Barlow

John Perry Barlow

Forums

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What's Inside:
• 60 page hardcover Smyth-Sewn book featuring essays by Dennis McNally, David Lemieux, and Blair Jackson and photos by Jim Anderson & Mike Laurentis
• 25th Anniversary Tour Program
• Official Band Letters
• 6 Ticket Stubs
• 6 Cloth Sticker Backstage Passes
• 1 Tour Laminate
• Official 1990 Band publicity shot
• 6 complete shows on 18 discs
      • 3/16/90 Capital Center, Landover, MD
      • 3/19/90 Civic Center, Hartford, CT
      • 3/22/90 Copps Coliseum, Hamilton, ON, Canada
      • 3/26/90 Knickerbocker Arena, Albany, NY
      • 3/30/90 Nassau Coliseum, Uniondale, NY
      • 4/2/90 The Omni, Atlanta, GA

Box Dimensions: 12-1/8" x 3-1/8" x 12-1/8"
Recorded and Mixed Live by John Cutler
Mastered by Jeffrey Norman in HDCD
Original art by Wes Lang
Individually Numbered, Limited Edition of 9,000

Introducing The Next Box: Spring 1990!

And now for something a little different. This year's box set - Grateful Dead: Spring 1990 - offers six complete shows from the epic spring '90 tour, one concert from each city the band played, personally selected by Dead vaultmeister and archival release producer David Lemieux. The sizzling six are: 3/16/90 Capital Centre (Landover , MD), 3/19/90 Hartford Civic Center, 3/22/90 Copps Coliseum (Hamilton, Ontario), 3/26/90 Knickerbocker Arena (Albany, NY), 3/30/90 Nassau Coliseum (Uniondale, NY) and 4/2/90 The Omni (Atlanta, GA).

In his "Producer's Note" in the beautiful book that is part of the box, Lemieux, who attended the first 10 shows on the tour, states, "To my ears this was the last tour that was consistently great, where every show is excellent, not a dud in the bunch." And Grateful Dead historian Dennis McNally's comprehensive and informative insider's essay in the box is titled "The Last Great Dead Tour." These guys know what they're talking about.

Basically, the band had been on an upward trajectory since Garcia's return to the road in the spring of '87, following his near-death the previous summer. Of course, 1987 was a trip in itself, what with the unexpected mega-success of In the Dark and their first hit single, "Touch of Grey." But the momentum just kept building with each subsequent tour, as Garcia got back up to full speed (and then some!) and the group as a whole was as unified as they had ever been since Brent joined the band in the spring of '79. New original tunes were popping up and the old favorites were imbued with a freshness and spirit that was so uplifting and inspiring. The band was having fun again, and it was downright infectious.

The group's fall 1989 shows-as documented two years ago on the Formerly the Warlocks box (two shows from Hampton, VA, 10/8-9/89) and on the 2001 release Nightfall of Diamonds (a single night in NJ, 10/16/89)- kicked the energy level up another couple of notches, as the band reintroduced such loved classics as "Help on the Way" > "Slipknot!," "Attics of My Life," "Death Don't Have No Mercy" and "Dark Star."

And when the band hit the road in mid-March 1990, they had a bunch of other cool tunes to lay on their unsuspecting crowds, including the return of "Loose Lucy" (last played in 1974; it's not on this box), Brent's "Easy to Love You" (missing since 1980), a rollicking cover of the Rolling Stones' "The Last Time," The Band's "The Weight" (with all four singers taking a verse each) and a lyrically retooled "Black-Throated Wind" (absent since 1974), which elicited huge cheers every time it was played.

Over these six shows, most of the cornerstones of the Dead's repertoire from the era appear-splendid versions of "Scarlet Begonias" > "Fire on the Mountain," "China Cat Sunflower" > "I Know You Rider," "Playing in the Band," "Uncle John's Band," "Eyes of the World," "Estimated Prophet," "Truckin'," "Sugar Magnolia," "The Other One," "Terrapin," "Stella Blue," "Feel Like a Stranger," "Bird Song," "Let It Grow," "China Doll," "Box of Rain," "Morning Dew"; you name it. From the fall '89 breakouts come "Help-Slip-Frank," "Attics of My Life" and "Death Don't Have No Mercy." Among the still newish tunes are "Picasso Moon," "Blow Away," "Foolish Heart," "Just a Little Light," "Victim or the Crime," "Standing on the Moon," "We Can Run" and a couple that would get their final plays from the Grateful Dead on this tour-"Built to Last" and "Believe It or Not." There are stirring renditions of "Dear Mr. Fantasy" and "Black Muddy River," rockin' takes on "Gimme Some Lovin'" and "Iko Iko" and the only version of the full "Hey Jude" the band attempted in the modern era. And the "Rhythm Devils" and "Space" jams at the heart of each second set are as noisy-beautiful-scary-funny-intense-mysterious-wild as you'd expect/hope for.

Of course, we understand that some of you may have other favorite shows from this tour you wish were included on this box. Really, you can't go wrong with any of them. But at 18 discs, this is still the second largest Grateful Dead box (after Europe '72: The Complete Recordings) that's been released, and the non-inclusion of any other shows from the tour definitely does not preclude their future release! But this seemed like a more manageable way to go, while still giving a sense of the tour's amazing depth and breadth.

Besides the discs themselves, Grateful Dead: Spring 1990 has much to offer, including: a gorgeous 60-page hardcover book containing copious color photos by Jim Anderson and Michael Laurentus, unique artwork by Brooklyn-based fine artist Wes Lang, fascinating business letters and communications related to the tour, a detailed historical essay by Dennis McNally, a Producer's Note by David Lemieux and individual show descriptions by Blair Jackson; a reproduction of the Dead's 1990 tour program (printed and sold later in '90, for the fall and Europe '90 tours); tickets and backstage passes of all six shows; a band publicity photo from 1990 by Ken Friedman; Dennis McNally's tour laminate; and reproductions of the colored 8x10 sheets GDTS sent out with hotel, food and other information for each city on the tour.

With recordings made by longtime Grateful Dead recordist and producer John Cutler, mastered by Jeffrey Norman in HDCD, you just know it's gonna sound great-and it does!

So, that's the skinny this time 'round. This box is limited to just 9,000 numbered copies - please note, this is the only time these shows will ever be officially available on CD. There will not be an All Music Edition and single shows will not be available physically. Due to ship out August 31st, we anticipate that this extraordinary set will sell-out, so order your copy today!

If you're looking for more of a bite-sized taste of the '90s, Spring 1990: So Glad You Made It, a 2-CD set featuring a handful of favorites, will be in stores on September 18th.

-Blair Jackson

iTunes

Just drag the whole folder on top of your iTunes icon. The show should show up there, in order.

Spring tour 1990 box set

Thank you David Lemieux and everyone involved in this awesome box set!!!

Spring tour 1990 box set

Thank you David Lemieux and everyone involved in this awesome box set!!!

Spring tour 1990 box set

Thank you David Lemieux and everyone involved in this awesome box set!!!

Just as long as you are there

There is a lot that can be said about this or that band member's contribution, how good this show was compared to that show, which show that people who are really in the know like (oh, you like THAT show?)... But in my limited experience: These shows are a blast! It doesn't matter if you were there or not, you can feel it in these recordings. Church is in session and Jerry and the Boyz bring us to our knees. (And if you were there, what a memory, eh?) My recommendation is to follow the advice of Obi Wan Kenobi: "Let go your conscious self, and act on instinct." These shows have what you want, and you can believe it if you need it. Share and Enjoy!

...............

Words of wisdom Lloyd, words of wisdom

iTunes

Thanks One Man. I'll try that next time.

Fantastic

Great job. Beautiful set.

hello

can i get some EUGENE please and not so pretencious that its all EAST coast, the woods and tree forts live , peace

hello

can i get some EUGENE please and not so pretencious that its all EAST coast, the woods and tree forts live , peace

Makes me wonder

If your box set is like mine, have you noticed how difficult it is to remove the discs the first time? I know that it is always hard with this type of package, but yikes, for this box it is difficult not to crack them!

Beautiful Package

I watched the package unveiling and it is a very well done Box set, looks sturdy, the cd covers are just like the ones I like, with the plastic CD holders, and nice books ,pictures and laminates. Good Job Rhino.JIm

Hi

The Set looks very nice with everything done well, I hope everyone is happy with their setsJim

90 box-set

My box arrived this morning in France with French post via Germany.Nice box with a defective CD: 3.22.90 Hamilton CD1 cracked in the middle. so I need a replacement disc.

anyone have any tips?

Looking for an easy way to remove the discs without breaking them. They're in tighter than a blank blank with a blank.

virginal discs

Phew...thought it was just my set that should have come with a tube of KY! But, once they're out, it's all good - no longer a tight fit (intone Michael Scott, "that's what she said...")...actually, any way you try to describe the removal process pretty much sounds like blatant sexual inuendo WOOT pried it, rotated it, talked gently, took deep breaths

Tip...

Perhaps this was already tried, though it sometimes helps to press down on the center 'teeth' (gently) while lifting the disc.

What's with the mix?

I just (finally) got my box today in France. I'm really stunned by the mix; Brent's tinkly-tink keyboard is very loud and distracting. At times it's louder than the voices, or than Jerry's guitars. What gives? Frankly, I'm not a big fan of late Dead, but this is simply appalling. I think I'll be putting my box up for sale on Ebay.

Numbering

By the way, I ordered on the very first day, and I got #8477. No big deal, but I'd have expected the numbers to go out roughly in order of purchase...

Live to 2-Track Mix

True, the mix is unbalanced at times. I'm surprised it's as good as it is, considering no budget was dedicated to mixing from the available multi-track tapes. If you are bothered by the loud keys -- and this solution is counterintuitive -- try turning up the overall volume until the things you want to focus on are loud enough to satisfy. Yes, the keys will also get louder, but it may be easier to listen "past" them if you can adjust your brain a little to grab more Garcia or whatever you want more of. Good luck!

Mix and Numbers

kirkmc, I think the mix varies show to show. At least that's been my impression (though I haven't directly compared them). 3/16 and 3/19 seemed more Brent-heavy to me, but maybe that's just because I was getting used to him. By the way, you should give 4-2 a spin before putting anything on Ebay. Also, the same thing happened to me with the numbering.

Seriously,

if you're gonna sell one of the best produced box sets ever because the keys are a touch overwhelming at times, you might as well sell Dick's Picks 6 because the drums can be distractingly loud, or Dave's Picks 2 because Donna's howls are...well, they're Donna's howls.

Got my box set!

Please disregard my request for help.Apparently, while I was being told they couldnt ship because ofbackordered tshirt, both were already shipped! Got them today and all is well. Sorry to bother you. JohnL (order 8888313)

The Mix

Kirkmc - Not sure I get it... the Dead's standard 89/90 "mix" is fairly well represented on these discs, and you confess to being no fan of the era. So why buy this box? (IMO, compared to the outrageously up-front keyboard onslaught of Vince+Bruce, early '90 sounds pretty dern good. Of course, the two-keyboard configuration was designed to cover deficiencies in another area, but I digress!)

How to loosen those virgin discs

I have a solution for removing the tight discs the first time without breaking them, but as previously noted it is difficult to describe the technique without sounding sexual, sorry. First, you need a screwdriver. Most men have one of these, but the longer it is the better and I know this might present a problem for some. Second, slide that thing underneath the disc all way in to the g-spot and lift until you achieve the desired release. I'm referring to the center gimbal hole of the disc where the center "teeth" hold it. BUT WAIT! Don't be premature and blow it, you fool. You need some protection so that you do not scratch the delicate membrane as you go in. I use a piece of medium weight paper card stock, about 4" x 4" in size (that's about 10 cm for you backward Euroheads). Slide the paper in first and then insert the screwdriver (or similar instrument) under that so there is no contact with the disc. Pry upward at the center point and the disc pops off free and clear! Now that you know this, I don't want to hear any more reports of cracked discs. ; )

Missing Disc 1 for 3/19/90

Instead of getting disc 1 for 3/19/90 I got an extra disc 1 for 3/22/90............they said they would mail me disc 1 for 3/19/90.......it has been two weeks so far. I just hope they live up to their word.

The next big box

I can't complain with the S90 box it has been a real pleasure to listen to. I think maybe a good idea for a future release would be a group of shows from one venue over several different years. I'd love to have an Alpine Valley box with 20 shows during the 80's to choose from. You could make a great box set out of that! and throw in some video. Or maybe shows from one city. A Philly box? Chicago Box? How good would shows from the Electric the Auditorium theatre (DaP3), The Uptown, the UIC pavilion (there's a great radio broadcast show from that run.) The Horizon and Soldier Field be? And all in one box covering 68' through 95'. Just thoughts and wishes. Keep the music coming!

Springbox 1990

My box was supposed to have been sent on 23 August to the UK. However, no sign of it. Parcelforce also has no sign of it. Is anyone else in the UK still waiting?

Re:Springbox 1990

Actually no-one has got the S90 box in the UK yet. Boxes have turned up in France, Italy, Germany and Sweden over the last few days but nothing here. It is not clear how they are being sent as there seems to be no tracking data, however if it is by normal post then we could be getting them in the next few days. Based on the info in the despatch letters sent out we should give it until Friday before dropping a line to query the whereabouts. Despite all the evidence to the contrary I remain optimistic on this.

Garcia Live Vol. 1

Just wondering who plans on picking up the first volume of the new Jerry series over at the Jerry Garcia.com site? show from 3/1/80, with a great line up at the time. Could be the start of a really cool new series!

The Call of the Box

Every day I log into this website, I find it harder and harder to fight the $199.98 price sticker of this box set. Did I pre-order "Spring 1990: So Glad You Made It"? Sure! But it's just so...just so...PRETTY!

re: The Call of the Box

The Call of a stripped down set for $100 with just the book and shows might have been sweeter. At least, the music is great and the mix is good. This set piqued my interest enough to take 'Without a Net' off the shelf to compare. On disc 3 of Copps, they botch that 'Hey Jude' a little (it's 'tentative' in places) but you have to hand it to them. They were bold enough to take chances, so I can't fault 'em for it. They sure were in a good spot for this tour...

Wow great shows

These shows rock just listen to blow away from the first show Brent leading the band almost reminicent of pigpen. The band sound like they are enjoying themselves and everything seems to gel. This is not 70's or 60's dead this is the dead 30 years later and still having fun Great stuff

Jerry's website off life support

I orderd a copy of Jerry's Vol.1, went for the poster/shirt combo. If their is truth to the writing then we are in store for some solid releases from Jerry's Vault. I hope it is true, really love the Pure Jerry stuff. I also order the Keystone Berkly shows with Merle Saunders from Amazon. No mention of it on Dead.net. I'm sure Jerry's vault has some amazing music. Hopefully all the legal stuff has been put to bed and the music will play. In the meantime, Spring 90 will keep me jamming until some new stuff arrives. Hate to read that some folks still don't have DP3, massive "Charlie Foxtrot" The band and its managers did something amazing for all of us, they taped and preserved their shows. Bet they never thoght it would become an empire. Folks like us will never have enough Grateful Dead~JGB. Being a Deadhead is a big part of my life. Peace. Phil

Lower price for S90

I have seen several folks here ask for just the music without all of he acoutrements. I am all for a lower price, but just how low do you think Rhino would go? Based on Dave's Picks and other releases, the lowest you could possibly see is $150. That is $25 per show. So at $200 as is, still a fair price. Worth every penny IMHO.

recieved my spring 90 box in

recieved my spring 90 box in scotland on 07/09/12.very happy with it indeed.everything in perfect condition,no damaged cd's etc.however i would much rather have boxsets like the style of winterland 73 and 77.

Get in the groove and let the good times roll !!

What a perfect opener for the Spring 1990 listening adventure!! The entire package is sweet and full of goodness like a box of chocolates !! The big book of photos and those GDTS concierge letters that used to come with the mail order tickets (way back before the internet) bring back tons of wonderful memories : ) Thank you Dave and Rhino !!! Thank you Jerry and Brent !!! The sound (so far): 3/19 is the finest sounding live Dead recording I have ever listened to. 3/16 sounds flatter , maybe because they captured the sound of each hall? There is also less Phil and more drums, which is rare for live Dead recordings but welcomed because it's easier to turn that up than down. Both 3/16 and 3/19 sound brighter than Dozin at the Knick. I am listening to Spring 1990 with the turnover on my amp set to 2.5khz whereas I use 5 khz for Dozin because on that recording both Jerry and Bob's guitars get obscured by the midrange. Hey now - if it looks like rain better check your doorstep, porch, patio, or courtyard. Ordered on 9/04, received here in West LA on 9/08 while the order status was still listed as "processing". Shipping notification emailed on 9/10 : ( Arrrived in perfect condition & 100% complete. Are people really using screwdrivers to remove the CD's from their cases? Could they be the MP3 (or even LP) generation?

Spring 1990 in Scotland

bryso wrote: "recieved my spring 90 box in scotland on 07/09/12"Not yet arrived in my part of Scotland. Shipping confirmation received from dead.net on 23rd August stating sent by UPS 2-Day International with a UPS tracking code that does not exist. 20 days later and still no sign. How did yours arrive? Royal Mail?? Courier?? Any customs charges??

Spring 1990

PsyKies I received a follow-up email that advised that it was being sent by normal post. On a previous occasion I was advised that an order had been sent and when it eventually arrived the postmark showed that it had actually been posted three weeks after the notification. I regret not ordering the box from Spin, from whom I am getting my Dave's Picks discs.

Spring 1990 box

Non arrival in this part of Scotland (Central) Shipped 23rd August but I am not quite panicking as it is not quite 3 weeks However combined with the non arrival of DP3 it is quite concerning

Don't use a screwdriver!

Don't use a screwdriver to remove the discs! Gently apply a little pressure to the spindle the disc is sitting on. While holding on to the edges of the disc, gently give the disc a little turn; maybe a quarter turn) while pulling the disc up to extract it. It seemed to come out easier for me when extracting this way, without force. After extracting the discs once or twice this way it gets easier. It doesnt seem to add stress to the disc thus way, and it worked well for me. Good luck and Enjoy.

Yeah, whoever is using a

Yeah, whoever is using a screwdriver must have had a few too many Screwdrivers. You're just asking for trouble by doing such. I just pressed down firmly on the center spindle, placed fingers on opposite sides, and gently wiggled the discs out. I'm sure some of you have pressed down on the center spindle and tried prying the disc loose from one side, which doesn't work very well and will eventually guarantee a broken disc and a broken heart. The smart thing to do is to pry the discs loose and put them in a CD wallet. I ripped them at 320 and put everything back in the box because I much prefer the instant segue between discs rather than the delay CD changers present.

because Donna's howls are...well, they're Donna's howls.

Yeah, tell me about it.I wish we could use equalizers to get rid of her from all those wonderful '70's shows!

Garcia Live Vol. 1

Great, thanks for pointing it out. I didn't know about it. I don't see it on Amazon yet. I like ordering from there when possible. But I'll get it! Jerry rules! What, no track list on the web site? ;(

Jerry tracklist from jerrygarcia.com

For those of you unable to find the tracklist for Garcia Live Vol. 1 on jerrygarcia.com I have copied and pasted it for you here Early Show: Sugaree Catfish John How Sweet It Is Simple Twist of Fate Sitting in Limbo > That's All Right Deal Late Show: Mission in the Rain That's What Love Will Make You Do Russian Lullaby Tiger Rose (w/ Robert Hunter) The Harder They Come Promontory Rider (w/ Robert Hunter) Midnight Moonlight E: Dear Prudence The lineup is: Jerry Garcia - Guitar/Vocals John Kahn - Bass Ozzie Ahlers - Keyboards Johnny de Foncesca - Drums

Arrival in Scotland

Who was the shipper ? I've been told first that it was DHL Global, and then (from Dead.net) that it was UPS Worldwide Saver. Tony

Another comment on mix

I've been comparing the Knickerbocker discs to Dozin' at the Knick and find that I much prefer the mix of Dozin'. Granted, I don't have a huge problem with the mix like some here, especially nothing warranting complete dissatisfaction or threats to sell my set on eBay or elsewhere. No, I still believe this was $200 well spent. Also, I'm partial to Dozin' 'cause that was my first listening of the Dead ever back in '96 when it was released. Something about that mix is more front and center whereas I feel the Spring '90 mix places me somewhere in the middle of the arena; Dozin' rocks whereas the Spring '90 mix booms. Of course, Lemieux and Norman knew that comparisons would be made between the two and opted for this current mix anyway which speaks volumes.

JGB in 1980

Thanks for the list.As most of us know this band has another release from this tour (2/28/80 at Kean College) Known as 'After Midnight' which included a bonus disc that had five additional jams, four from 2/29 and one from 3/1 That track is the That's Alright, Mama From the Keystone sessions with Merl Saunders Made famous by Elvis (whose drummer would soon be in JGB). As for the Dozin' v Spring 90 there are also the different nights to consider as the Box set show is not on Dozin' and I have heard variations at multiple shows For example the New Years run in 1983 at SF Civic, the First Night ROCKED and the others were more contained altho extremely entertaining (was dancin' my socks off)

mix on Dozin @ Knick and "Without a net"

Every Mastering Engineer has a different spin on how he masters discs, Arista records did "Without a Net" ,It probably was done by some big name mastering engineer because these labels want that big label sound, ,Good test on your ears that you noticed the difference. Those are bothwell done CDS

Spring 1990

Of course, nothing has arrived. As the first email advised that dispatch had been by UPS and even gave a tracking number and then the follow up email advised that the package had not been sent in this manner, deadnet did not even know how the package had allegedly been sent, it is reasonable to deduce nothing has in fact been sent. I am now fed up to my back teeth. It should be a simple enough matter to post a package to an address in the UK.

product sku

GRA9900088