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    lilgoldie
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    What's Inside:
    • Five Complete Shows
    • 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
    • 5/12/77 Auditorium Theatre, Chicago, IL
    • 5/13/77 Auditorium Theatre, Chicago, IL
    • 5/15/77 St. Louis Arena, St. Louis MO
    • 5/17/77 University Of Alabama, Tuscaloosa, AL
    •14 Discs, 111 tracks
    •Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
    •Artwork by Grammy Award-winning graphic artist Masaki Koike
    •Period Photos by James R Anderson
    •Historical Essay by Steve Silberman
    •Individual show liner notes

    MAGICAL, MYTHICAL MAY 1977!

    If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

    For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

    And now for the nitty-gritty...

    Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

    Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

    Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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  • darkstartheoth…
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    Bacon Bacon Bacon
    What, no love for sausage? -:)
  • deadegad
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    . . . And the next release
    These various box set releases sound good to me but I am no audio expert. Tuesday is coming -- and I cannot wait to unwrap this one. Christmas, Hanukkah, your birthday in June!!!!!!!!! Gravy, Baby, Gravy, with Bacon!!!!! A good early 80s box would be welcomed by me. Maybe a 79 box, you know, early Brent. Spring 80 from in and around "Going to Nassau."
  • Coconut Phil
    Joined:
    The Big Picture
    Seems like a lot of negative vibes have crept back up on this upcoming release. We should all be grateful that these releases keep coming. No other band has an archive like the Dead. They had the foresight to tape and archive their shows. We as fans are treated to many releasees a year, nice quality CD's, made to sound the best they possibly can. I just don't see why so many attack Dave for his choices, or fuss over the sound quality. We will continue to receive these releases for many more years. I for one am grateful for anything released. Some I like better then others, but we all have our favorite periods and songs. Lighten up folks and just take it as it comes. Peace
  • Seth Hollander
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    UnkleSam, here's a reason
    "why would the powers that be authorize a release if it is 43 years old and has been sitting on a roof or wherever for this long?" 1- How many times have commenters in these threads claimed they were not going to purchase an upcoming purchase because they already have high-qual copies of those shows? Almost every thread has one or more of us, the very-interested-in-new-releases community members, taking this stand. The internet has delivered unto GDM/Rhino both a blessing, the means to efficiently market to and interact with the customer-base, and a curse, the means for that same audience to get widely-available high-qual recordings of many of the Dead's shows. Newly discovered tapes means these recordings were never torrented, treed, or LiveMusicArchived. 2- Ever decide to not buy a new GDM release because you have high-quals already?.... It isn't very pleasing. Some of us have collected A LOT OF DEAD over the years, tape-trading in the 80's/90's and internet harvesting in the later years... People in that position tend to like new-to-them shows! They're fun! Personally, my perfect DaP year would be two new-to-me releases and two upgrades-of-shows-I-have releases. So far DiPs , Road Trips, and DaPs have provided me with many more new-to-mes than upgrades (and, as for 5/15/70, a brutal downgrade!), but I do enjoy first listening as much as when I was a young'un! Your experience may vary...
  • Star Dark
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    Unkle Sam
    Unkle Sam: “As far as a sound system, had it for years, some parts over 40 years and there ain't too much better out there, it ain't new, but it kicks butt, I won't discribe it lets just say ‘top of the line’.”Translation: My equipment is better than yours, so shut up. Unkle Sam: “I'm not tone deaf so I can hear and what I hear is sub par.” Translation: My opinion is not subjective. Those who disagree should see an audiologist. Unkle Sam: “Now the real argument is will you pay for better sounding releases? I doubt it.” Translation: Y’all just don’t care much about sound quality. Unkle Sam: “I really have no beef with Norman, he just does what seems to be the norm today, just get it done and collect the cash.” Translation: Norman is a greedy hack. Of course, I’m fine with that. Unkle Sam: “Why the beef with ebay sellers? For those of you who think that capitalism ain't all bad, it's a great way to make some cash from yourold worn out cd's and lp's. It's the system that makes these recordings valuable for resale, not the individual.” Translation: I’ll conveniently ignore the fact that – much like mail order ticket scalpers of days past – unsavory characters are sucking up limited releases before they can be purchased by actual music lovers, and flipping them for 100%-200% markups on eBay. Of course, this translation is NOT intended as a personal attack - just my own personal, highly subjective and agitated take on Mr. Sam's antagonistic tone. Why can't we all just enjoy the music?
  • simonrob
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    Those were the days...
    I remember when almost every release was greeted with almost universal approval. Most notably, Jeffrey Norman was regularly singled out for praise, and quite rightly so I reckon. Lately things have changed which could be due to any number of things. It is possible that the best sounding shows have all been released. It is also possible that Rhino have reduced the budget for each release with the result that Mr. Norman no longer has the time to make them sound "just exactly perfect" It is also possible that some people have set their expectations just too high and when these expectations are not met they become overly critical. I have not had a real problem with any of the releases to date. I will be the first to admit that a few have been less than perfect, but none have been so much below par that I feel the need to complain. I would much rather have the chance to listen to these shows (which have, after all, been deemed fit for release) than be denied that opportunity. I doubt that a poor performance will ever be put up for release by Dave, but there will undoubtedly be a few where the performance is great but the sound quality falls a bit short. I would still be grateful for the chance to hear such shows and would settle for "that is just how it is" rather than blame the engineer for being incompetent - which in the case of Jeffry Norman is clearly not the case. I listen to my music on a pretty good system (including HDCD) which can be a double-edged sword - if the recording is good, it sounds great, if it is not so good, the problems are obvious to hear. Even bearing that in mind, I still haven't heard a GD release where I think "this is crap. They shouldn't have released this". Ultimately, the whole listening experience is very personal and subjective so most opinions have some degree of validity.
  • Chitown rider
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    this double post needs to be fixed.
    sorry for the double post.
  • Chitown rider
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    ..personal attack
    Unkle sam re-read your original post and tell us how that is not a personal attack on J. Norman, Rhino and "the powers that be" while you were at it why didn't you throw DL under the bus as well for his choices for the releases? Here is a little info for you. perhaps it will change your "opinion" •Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy. PROMachine speed instability in the motion picture and music recording industries is a well-known and often unavoidable phenomenon due to the mechanical nature of analog recording. Two artifacts commonly known as wow and flutter result from mechanical speed inconsistencies and can conspire to ruin a soundtrack. Traditionally, wow and flutter anomalies have been considered unsolvable audio problems without the availability of an alternate, unflawed source. The correction of wow and flutter is now possible thanks to a few unique technologies including Clarity™ Audio Restoration by Plangent Processes. Clarity is a combination of proprietary DSP (digital signal processing) software and hardware for the playback of 35mm magnetic sound film and audiotape that corrects the anomalies generated by both gross and subtle speed instability. Using the ultra high frequency bias signal recorded onto magnetic film or audiotape, the Clarity process “re-times” the audio as if it had been recorded on a machine running at a perfect, constant speed. The result is a soundtrack with stability similar to that of a high resolution digital recording. Additional audio restoration processes are also more effective once the track has been stabilized with Clarity. Restoration engineers can more effectively target sonic anomalies like hum and hiss, which become more stable due to the Clarity process. Plangent’s proprietary signal processing which eliminates wow, flutter and other speed aberrations present on even the finest analog tape recordings, revealing previously unheard clarity and increased image depth and focus. Record labels, film studios, producers, artists and archivists turn to Jamie Howarth, founder of Plangent Processes, and authorized provider Airshow to restore their back catalog of high-profile works. Satisfied Plangent clients include Grateful Dead Productions, Neil Young, Pete Seeger, Queen, Sony Pictures, Fox Video, and many others. as far as "who is this guy" Jeffery Norman If you would like to know more about him you can visit his website at www.mockingbirdmastering.com please spend a little time there and read all about him and what he does and who he has done it for. I think you will find a new appreciation for him, and probably glad that GD productions picked him to work on the music that all of us love. peace-
  • hbob1995
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    DP6 Sound
    I also agree with Little Ben. While the time period of this release is not my favorite GD era, I think the sound is phenomenal! Considering these tapes are over 40 years old, and they were certainly not stored in any way that would have protected their integrity, I was amazed at the sound quality. Crisp & clear. I think Jeff Norman is a magician with the highest standards and is always trying to give us the best quality based on the tapes he is given to work with. Bravo I say!
  • unkle sam
    Joined:
    personal attack?
    not hardly, just a question, which it seems there is no answer to. How about answering the question? I was not out to attack anyone, just want to know what Mr. Norman's qualifications are, and to assume that I would attack anyone is just that, an assumption. you did't like the tone of my post or you didn't like what I had to say or you think Mr. norman's work is great, that's cool, but try and look at it from another point of view. why would the powers that be authorize a release if it is 43 years old and has been sitting on a roof or wherever for this long? Because we asked for it? Perhaps someone could explain what it is that norman does, ben, you seem to know, enlighten us would you?This is an OPINION, if you don't like it, that's cool, you have that right, but to assume that some don't know what an engineer does or that we should all just love what we hear because Mr. Norman did it is blind faith. I'm glad that some think that certain releases sound good, more power to you, I'm not impressed and will not blindly follow some down the path of " it's all good" I would love to hear what Norman had to do to make these tapes releasable, did he have to scrape dust and cobwebs off of the tapes? or pick them out of a dumpster? if so, why are they deemed worthy of release. If one doesn't think that money is involved in all of these decisions, then I have some high and dry land in the everglades up for sale.
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What's Inside:
• Five Complete Shows
• 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
• 5/12/77 Auditorium Theatre, Chicago, IL
• 5/13/77 Auditorium Theatre, Chicago, IL
• 5/15/77 St. Louis Arena, St. Louis MO
• 5/17/77 University Of Alabama, Tuscaloosa, AL
•14 Discs, 111 tracks
•Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
•Artwork by Grammy Award-winning graphic artist Masaki Koike
•Period Photos by James R Anderson
•Historical Essay by Steve Silberman
•Individual show liner notes

MAGICAL, MYTHICAL MAY 1977!

If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

And now for the nitty-gritty...

Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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Wonder how they dealt with some issues on the masters like the cut in Wharf Rat on 5/11 and the 5/12 Playing in the Band. The circulating copy of 5/13 has sound issues at the end of the tape which may not have been on the master, but both David Gans and David Lemieux have said in the past that the 5/11 and 12 masters have those issues. Not that this will ruin it for me - just curious. Looking forward to another release!
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Thank you DL / Dead.net!
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Just put my order in ..... the packaging looks fantastic. Pretty good value, even shipping to the UK.
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I've mentioned this in the Dave's Picks thread, and I'll mention it again here... Dave and tptb have really stepped up the game with the box sets. Between this one from May '77, E72, Spring '90 and the Warlocks boxes, it's a great time to be a Deadhead! As much as I desire more love for '80s releases as individual Daves Picks, I have no comlpaints about this new box.
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you talked me into it...
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Well, this is a surprise - especially given the still-available Winterland '77 box set recorded only a couple of weeks later. I'm curious how the sound of these disks will compare to that of the June material. The performances are almost identical in overall quality/spunk, with quite a bit of overlap in terms of setlists.
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The order is in! May 77 will be coming to Atlanta! The packaging on this box looks outstanding. I agree with SpaceBrother, they seem to step it up a notch year after year. Awesome! Thanks to everyone at Dead.net that make multiple releases and box sets available every year, the dream lives on!
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Wondering if there will be a bonus cd or some hidden tracks.The June 77 box set from winterland included Bonus CD: Chicago Auditorium Theater, May 12, 1977; Mississippi Half-Step Uptown Toodeloo> Dancing In The Street Terrapin Station> Playing In The Band> Drums> Not Fade Away> Comes A Time> Playing In The Band Not sure if the June box advertised that or if it was a surprise ( I was surprised).. If you own June box you have will have some duplicates now released on the May 77 box per above.... wishful thinking for some bonus cd when my box arrives. Maybe 5/26. Or 5/8. This looks great and should be a lot of fun to listen too all summer long. Cheers.
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every time i think i am done buying discs...the GD comes after me with temptations like this. I have 5/15 and 17 on tape, but haven't listened for a long time (my cassettes are a bit scattered). the other shows I haven't heard except for maybe on the GDHour. oh to be a millionaire.
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Order placed and confirmed. So none of the stress that I remember from the Europe 72 trunk ordering process where I just did not seem to get through (on January 19, 2011, if I remember correctly, it was a long night here in the Netherlands...). A few years before I ordered the FW69 10cd box rather relaxed, thinking "It may be overkill, but nice to have", only to find out it sold out before its official release date, never to appear in that form again (and btw, it's not overkill). Since that time I'm anxious not to miss official (limited) releases. Glad it worked out fine this time!
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Very nice, THANKS Dave ! Looks like this one is back to a smaller size box set so it'll fit on a shelf with the others. No mention of a bonus CD, like Warlocks & Vault boxes. I guess we'll get a surprise bumper sticker
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One of my favorite GD eras, great selection of shows. The $139.98 US Dollars seems good but does NOT INCLUDE SHIPPING. Add $11.95 USD as the lowest cost DOMESTIC shipping, the price is "jacked up" to $152. USD. ...I ordered a set, I sure will enjoy it! Thank you very much Dave Lemeiux and all at dead.net/Rhino Records!
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Ordered and looking forward to it...keep up the great new releases!
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I'll tell my wife to cancel any plans for the kids to get me a Fathers Day gift this year :-) LOV LOVE LOVE this period! Bonus Disc Cornell? I know ... I'm asking too much now... I'll stop! iGrateful (I really am...)
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A problem-free, transparent and simple ordering process that went through quickly without a hitch. Praise is due here as there have been so many different problems in the past. $24.99 International shipping to the Netherlands is fair. 5 minutes after receiving my confirmation mail I received the announcement mail - oh ain't I just on the ball tonight. Coming hard on the heels of the wondrous "Dave's Picks 6" the standard is being set very high lately. I hope they manage to maintain this for the remainig "Dave's Picks" for this year. Now its time to calm down and watch Dave's Seaside Special.
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Is there any Bonus material considering this partially duplicates the Winterland 77 bonus disc? ( 5-12-77) Will the sound be noticeably better? ( The W77 Bonus disc sounds pretty good to me) Opps I see other posted the same
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...from a peak time. Wore out my 5.13.77 cassettes have dls, but looking forward to the mastered cds. #jazzed
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I was thinking this would be over 150.00 and just plain out of my range, but this price may sucker me in, comes to around 28 bucks a show. I'm not sure Weve, that it is really the same size as, say, the Winterland boxes. Anyone know the dimensions of the box? It actually looks like the box and individual show cases are more like DVD case dimensions (taller). Not a big deal, though I prefer the ones that can sit on the CD shelf with the other stuff... Packaging and everything about this looks amazing.. the only show I really thought I wanted was 5/17 but whoah is this tempting...
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....another box set NOT to be missed. well, got my order in,..and will be eagerly waiting to hear some of the very VERY best of the good ole grateful dead.
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Ordered - looks very nice!!
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I have collected all of the box sets but think I'll pass on this one. Obviously Dave is found of Spring 1977. The first Dave's Pick was the 5/25/1977 show. However, not sure that May 1977 has been "under the radar" as Dave as noted. Dicks' Picks had 5/19 and 5/21; Dick's Picks #3 had 5/22; GD to Terrapin had the 5/28 show plus, like another person posted, a good bulk of the Chicago 5/12 show was on the bonus disc in the Winterland 1977 box set. Unless you were personally at these shows I don't see anything spectacular about these sets that differs from what was already released...
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Many many thanks. Always my favorite year.
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There'll be another one to Spain too! This is my first GD box set and although I still haven't developed a proper fondness for 77 I'm sure I'll end up loving this year in the future. Just checked out the listening party and I'm amazed at the quality of the recordings, really clear and spaced instruments, I'm just loving it. A bit of a personal story here, this reminds me of the time I missed on the FW69 box set. I must have been like 20 years old when it was released and had never bought anything online so I was a bit dubious about spending that much money ... result: I missed the deadline so I couldn't get hold of it. Then, with Europe 72, I just wasn't checking dead.net that often (I was kind of disconnected from the world wide web at that time) and, consequently, missed it too. Well, now I think I've learned the lesson and one of these will make its way to Spain in June :)
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All I really know of May 1977 is 5/8 and the official fourteen or fifteen discs worth of releases so far. And that has me convinced. I'm in.
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Wow, that looks beautiful.
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Now that concert releases are en vogue, I am buying more music than ever (Allman Bros/The Doors/Jefferson Airplane/Hot Tuna/Janis/Country Joe/The Byrds), but nothing rivals the comprehensive quality of DaPs and the recent history of GD box sets (audio quality to liner notes). Now if CSN (and Y) would just contract Rhino and open up their achive... Additionally, a strong '78 show - something on par with 5/14 (if you haven't heard it, find the awesome SBD - definitely one of my 20 desert island picks) - would cap a remarkable run of releases from the band's strongest years and put me in an amenable mood for an 80s installment. Thanks GD Productions, Rhino, Dave, and deadnet for the continued brilliant work! Peace/Katie P.S.: Whether the bumper sticker is an intended accessory to the box or not, pls. print a batch for separate sale in the store!
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Thank you to all involved. Can't wait to see & hear this gem. It is indeed a great time to be a Deadhead :) <3
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This looks great. Love these Box Sets. I have the 5/13 Chicago show already. They must have cut out the "dead air" in between songs in the first set. Song times on my version are much longer.
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This looks great, sweet price too. Already placed my order, it will sale out soon enough. Coming on the heels of DP6 which is awesome, the Bonus CD is simply amazing. Thanks to all involved in bring this out to the Deadheads of the world. Keep it coming!
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Dave Any chance you could enlighten us as to the history of those missing tapes (Buffalo, Cornell, New Haven etc)? I'm sure others have heard the story before, but I've always wondered what happened to them? Thanks!
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...a grand total of 45 seconds to order this. Just about as fast as I could type. 5-13-77 was always one of my favorite tapes, especially set 1.
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I was listening this morning to 5/9/77 from War Memorial , Buffalo , one of my favourite GD shows of the 70s, and I was thinking to myself how great the band sounded during that tour and how many great shows they did in a row. Tonight I check the mail and find this...unbelievable. Thanks Dave (and all the people at dead.net) you did it again, what a faboulous pick! I had just received DP vol.6 and l didn't have the time to listen to it yet, but let me tell you that you haven't missed a beat lately. You put out the wonderful DP vol 5 from 11/17/73 Pauley Pavillion which is, hands down, in my top five ever. My favourite era being the fall / winter of 73 followed by winter /spring 69/70, spring 77 and june '76. Yeah I know I'm a little biased on the 70s but it seems I got "reasons of plenty" for that. And I'm , definitely, in good company. Peace & cheers from Italy.
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Order placed. I really like way these box sets coming out. 1977 was a great year musically for the band. Estimated Prophet was the bands new psychedelic lightningbolt tune right to head. "California, Ill be knocking on the golden door, Like an angel, standing in a shaft of light, rising up to paradise, I know im gonna shine" Along with all the other great first year renditions for 77'. God I miss this band. Thanks again for this great box set. Craig
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Placed my order, Can't wait....................Keep the physical CD and DVD releases coming!! Chuck
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Do you think I could wait a couple of weeks before pre ordering or will it be too late??????? Funds are tight this week. How fast did the other limited editions sell out? The Furthur Capitol shows and summer shows announcement cost me. . . ..
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Was wondering if 5-12 was a Soundboard source. I only have an Aud. form that Chicago night? This would REALLY be sweet to own then!
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Deadegad, no one knows. But the Europe set sold out in a couple of days! I missed it. I didn't make the mistake of waiting for this one.
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i can't believe i bought this box set. its not like i need more '70s dead. at least the setlists look great. i sort of feel bad for all those heads who overpaid for the "winterland june '77" bonus disc. sold mine for $85. that poor guy is probably kicking himself. ----
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I love Betty Boards!
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Grateful to have a show from Chi Town performed on my Birthday. Hey, I was only 9 years old on May 12, 1977, but I already had an understanding for how to shake my bones to the beat of the music. "In another times forgotten space," but the music not fade away. Thank you, David!
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Awesome Mr. L 2013 is really shaping up. Sometime in the future we'll discuss the Palladium 77 Box Set Oh Yeah!
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17 years 4 months
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Just placed my order. Tuscaloosa. Whoo-hoo! My DP6 should be on my doorstep when is get home tonight. As a lot of people have already said, this year is a good year to be a Deadhead. And it's only May!
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13 years
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can we please get some more images of this box set? ----
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13 years 9 months
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I got on the bus late, in the early early ninties, I have gone through several phases and in 1977 your always in heaven. I know some folks swear by 73, i have my 80's bud's (who doesnt love brent and jerry singining in harmony), somtimes you have to go back to the roots and rap with the pig and tell it like it is, but 77 really is some of the cleanest best dead ever and it always has you sitting thier going wow....when/where is this show from again.....? I was playing DP 15 at one of the red rocks furthur shows a couple of years back and had a huge party gather aournd our truck, it was awesome. Thanks DAVE JD
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14 years 7 months
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Europe '72 sold out (7200 copies) in four days- $450. Spring of '90 (9000 copies) took about a month- $200. There's 15,000 of this set of magnificence- $139. While there's "more" available, it's also more affordable. But then again, so was Spring of '90, relative to Europe '72. Also, these shows are available for purchase as downloads. 1977 is a very popular year. Still should be able to wait a week (or two) and buy it then, if budget allows. But if it sells out in two days, then Wow.
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14 years
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What do you mean by 20 month hiatus? 20 day maybe, or 20 week, but what hiatus are you talking about that ended in May 1977?
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