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    lilgoldie
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    What's Inside:
    • Five Complete Shows
    • 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
    • 5/12/77 Auditorium Theatre, Chicago, IL
    • 5/13/77 Auditorium Theatre, Chicago, IL
    • 5/15/77 St. Louis Arena, St. Louis MO
    • 5/17/77 University Of Alabama, Tuscaloosa, AL
    •14 Discs, 111 tracks
    •Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
    •Artwork by Grammy Award-winning graphic artist Masaki Koike
    •Period Photos by James R Anderson
    •Historical Essay by Steve Silberman
    •Individual show liner notes

    MAGICAL, MYTHICAL MAY 1977!

    If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

    For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

    And now for the nitty-gritty...

    Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

    Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

    Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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  • #551
    darkstartheoth…
    Joined:
    Bacon Bacon Bacon
    What, no love for sausage? -:)
  • #552
    deadegad
    Default Avatar
    Joined:
    . . . And the next release
    These various box set releases sound good to me but I am no audio expert. Tuesday is coming -- and I cannot wait to unwrap this one. Christmas, Hanukkah, your birthday in June!!!!!!!!! Gravy, Baby, Gravy, with Bacon!!!!! A good early 80s box would be welcomed by me. Maybe a 79 box, you know, early Brent. Spring 80 from in and around "Going to Nassau."
  • #553
    Coconut Phil
    Joined:
    The Big Picture
    Seems like a lot of negative vibes have crept back up on this upcoming release. We should all be grateful that these releases keep coming. No other band has an archive like the Dead. They had the foresight to tape and archive their shows. We as fans are treated to many releasees a year, nice quality CD's, made to sound the best they possibly can. I just don't see why so many attack Dave for his choices, or fuss over the sound quality. We will continue to receive these releases for many more years. I for one am grateful for anything released. Some I like better then others, but we all have our favorite periods and songs. Lighten up folks and just take it as it comes. Peace
  • #554
    Seth Hollander
    Joined:
    UnkleSam, here's a reason
    "why would the powers that be authorize a release if it is 43 years old and has been sitting on a roof or wherever for this long?" 1- How many times have commenters in these threads claimed they were not going to purchase an upcoming purchase because they already have high-qual copies of those shows? Almost every thread has one or more of us, the very-interested-in-new-releases community members, taking this stand. The internet has delivered unto GDM/Rhino both a blessing, the means to efficiently market to and interact with the customer-base, and a curse, the means for that same audience to get widely-available high-qual recordings of many of the Dead's shows. Newly discovered tapes means these recordings were never torrented, treed, or LiveMusicArchived. 2- Ever decide to not buy a new GDM release because you have high-quals already?.... It isn't very pleasing. Some of us have collected A LOT OF DEAD over the years, tape-trading in the 80's/90's and internet harvesting in the later years... People in that position tend to like new-to-them shows! They're fun! Personally, my perfect DaP year would be two new-to-me releases and two upgrades-of-shows-I-have releases. So far DiPs , Road Trips, and DaPs have provided me with many more new-to-mes than upgrades (and, as for 5/15/70, a brutal downgrade!), but I do enjoy first listening as much as when I was a young'un! Your experience may vary...
  • #555
    Star Dark
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    Joined:
    Unkle Sam
    Unkle Sam: “As far as a sound system, had it for years, some parts over 40 years and there ain't too much better out there, it ain't new, but it kicks butt, I won't discribe it lets just say ‘top of the line’.”Translation: My equipment is better than yours, so shut up. Unkle Sam: “I'm not tone deaf so I can hear and what I hear is sub par.” Translation: My opinion is not subjective. Those who disagree should see an audiologist. Unkle Sam: “Now the real argument is will you pay for better sounding releases? I doubt it.” Translation: Y’all just don’t care much about sound quality. Unkle Sam: “I really have no beef with Norman, he just does what seems to be the norm today, just get it done and collect the cash.” Translation: Norman is a greedy hack. Of course, I’m fine with that. Unkle Sam: “Why the beef with ebay sellers? For those of you who think that capitalism ain't all bad, it's a great way to make some cash from yourold worn out cd's and lp's. It's the system that makes these recordings valuable for resale, not the individual.” Translation: I’ll conveniently ignore the fact that – much like mail order ticket scalpers of days past – unsavory characters are sucking up limited releases before they can be purchased by actual music lovers, and flipping them for 100%-200% markups on eBay. Of course, this translation is NOT intended as a personal attack - just my own personal, highly subjective and agitated take on Mr. Sam's antagonistic tone. Why can't we all just enjoy the music?
  • #556
    simonrob
    Joined:
    Those were the days...
    I remember when almost every release was greeted with almost universal approval. Most notably, Jeffrey Norman was regularly singled out for praise, and quite rightly so I reckon. Lately things have changed which could be due to any number of things. It is possible that the best sounding shows have all been released. It is also possible that Rhino have reduced the budget for each release with the result that Mr. Norman no longer has the time to make them sound "just exactly perfect" It is also possible that some people have set their expectations just too high and when these expectations are not met they become overly critical. I have not had a real problem with any of the releases to date. I will be the first to admit that a few have been less than perfect, but none have been so much below par that I feel the need to complain. I would much rather have the chance to listen to these shows (which have, after all, been deemed fit for release) than be denied that opportunity. I doubt that a poor performance will ever be put up for release by Dave, but there will undoubtedly be a few where the performance is great but the sound quality falls a bit short. I would still be grateful for the chance to hear such shows and would settle for "that is just how it is" rather than blame the engineer for being incompetent - which in the case of Jeffry Norman is clearly not the case. I listen to my music on a pretty good system (including HDCD) which can be a double-edged sword - if the recording is good, it sounds great, if it is not so good, the problems are obvious to hear. Even bearing that in mind, I still haven't heard a GD release where I think "this is crap. They shouldn't have released this". Ultimately, the whole listening experience is very personal and subjective so most opinions have some degree of validity.
  • #557
    Chitown rider
    Joined:
    this double post needs to be fixed.
    sorry for the double post.
  • #558
    Chitown rider
    Joined:
    ..personal attack
    Unkle sam re-read your original post and tell us how that is not a personal attack on J. Norman, Rhino and "the powers that be" while you were at it why didn't you throw DL under the bus as well for his choices for the releases? Here is a little info for you. perhaps it will change your "opinion" •Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy. PROMachine speed instability in the motion picture and music recording industries is a well-known and often unavoidable phenomenon due to the mechanical nature of analog recording. Two artifacts commonly known as wow and flutter result from mechanical speed inconsistencies and can conspire to ruin a soundtrack. Traditionally, wow and flutter anomalies have been considered unsolvable audio problems without the availability of an alternate, unflawed source. The correction of wow and flutter is now possible thanks to a few unique technologies including Clarity™ Audio Restoration by Plangent Processes. Clarity is a combination of proprietary DSP (digital signal processing) software and hardware for the playback of 35mm magnetic sound film and audiotape that corrects the anomalies generated by both gross and subtle speed instability. Using the ultra high frequency bias signal recorded onto magnetic film or audiotape, the Clarity process “re-times” the audio as if it had been recorded on a machine running at a perfect, constant speed. The result is a soundtrack with stability similar to that of a high resolution digital recording. Additional audio restoration processes are also more effective once the track has been stabilized with Clarity. Restoration engineers can more effectively target sonic anomalies like hum and hiss, which become more stable due to the Clarity process. Plangent’s proprietary signal processing which eliminates wow, flutter and other speed aberrations present on even the finest analog tape recordings, revealing previously unheard clarity and increased image depth and focus. Record labels, film studios, producers, artists and archivists turn to Jamie Howarth, founder of Plangent Processes, and authorized provider Airshow to restore their back catalog of high-profile works. Satisfied Plangent clients include Grateful Dead Productions, Neil Young, Pete Seeger, Queen, Sony Pictures, Fox Video, and many others. as far as "who is this guy" Jeffery Norman If you would like to know more about him you can visit his website at www.mockingbirdmastering.com please spend a little time there and read all about him and what he does and who he has done it for. I think you will find a new appreciation for him, and probably glad that GD productions picked him to work on the music that all of us love. peace-
  • #559
    hbob1995
    Joined:
    DP6 Sound
    I also agree with Little Ben. While the time period of this release is not my favorite GD era, I think the sound is phenomenal! Considering these tapes are over 40 years old, and they were certainly not stored in any way that would have protected their integrity, I was amazed at the sound quality. Crisp & clear. I think Jeff Norman is a magician with the highest standards and is always trying to give us the best quality based on the tapes he is given to work with. Bravo I say!
  • #560
    unkle sam
    Joined:
    personal attack?
    not hardly, just a question, which it seems there is no answer to. How about answering the question? I was not out to attack anyone, just want to know what Mr. Norman's qualifications are, and to assume that I would attack anyone is just that, an assumption. you did't like the tone of my post or you didn't like what I had to say or you think Mr. norman's work is great, that's cool, but try and look at it from another point of view. why would the powers that be authorize a release if it is 43 years old and has been sitting on a roof or wherever for this long? Because we asked for it? Perhaps someone could explain what it is that norman does, ben, you seem to know, enlighten us would you?This is an OPINION, if you don't like it, that's cool, you have that right, but to assume that some don't know what an engineer does or that we should all just love what we hear because Mr. Norman did it is blind faith. I'm glad that some think that certain releases sound good, more power to you, I'm not impressed and will not blindly follow some down the path of " it's all good" I would love to hear what Norman had to do to make these tapes releasable, did he have to scrape dust and cobwebs off of the tapes? or pick them out of a dumpster? if so, why are they deemed worthy of release. If one doesn't think that money is involved in all of these decisions, then I have some high and dry land in the everglades up for sale.
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Submitted by lilgoldie on
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Dead Store Products

What's Inside:
• Five Complete Shows
• 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
• 5/12/77 Auditorium Theatre, Chicago, IL
• 5/13/77 Auditorium Theatre, Chicago, IL
• 5/15/77 St. Louis Arena, St. Louis MO
• 5/17/77 University Of Alabama, Tuscaloosa, AL
•14 Discs, 111 tracks
•Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
•Artwork by Grammy Award-winning graphic artist Masaki Koike
•Period Photos by James R Anderson
•Historical Essay by Steve Silberman
•Individual show liner notes

MAGICAL, MYTHICAL MAY 1977!

If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

And now for the nitty-gritty...

Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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Submitted by Lumadaylight on Wed, 01/22/2014 - 14:43

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I am still enjoying this box. Have gone through the entire run multiple times. After hearing a lot of 77 it's nice to go to the later years...but coming back again for another listen and it's just amazing how you find even more to love within this set. Now if I could only get my hands on spring 90 and Europe 72!
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10 years 9 months

Submitted by Mr. August West on Thu, 01/23/2014 - 04:45

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Holy smokes I'm like a kid on Christmas morning checking the mail everyday after work! Can't wait to jam this.
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16 years 9 months

Submitted by Underthevolcano on Thu, 01/23/2014 - 07:52

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I have been cranking this box on my car system while commuting and can't get enough of it. I reminds me of the old days when I wore out that Skull and Roses live lp set with constant listening. There is something about 1977. Also 1969, 1970, 1976, 1972, 1973, 1980, 1990 oh and 1988, 1989-ah well I could go on.
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11 years 4 months

Submitted by Lumadaylight on Sat, 01/25/2014 - 14:17

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This is some incredible music. Took a break for a while after first getting it but it is so so good to come back to. St. Paul and Tuscaloosa are my favorite two but there is something wonderful in each show. Best sound quality for sure goes to the 11th. We have had some great releases lately. Am so grateful to have this on my bookshelf. Thanks again and again. To anyone not sure if they want this because there is already a lot of 77 released, just get it. The box is beautiful. Love the fact that I can have this physical media on my shelf. The sound quality is sure worth it. Windows media player decodes HDCD btw...really makes these discs shine.
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15 years 6 months

Submitted by guit30 on Tue, 02/04/2014 - 04:55

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This box is something special , I listened to May 11, and it blew me away again. Just great stuff
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11 years 4 months

Submitted by dtobin7283 on Thu, 02/13/2014 - 16:57

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LIke many others, I have so much '77 stuff I was not excited when this came out. Thanks to a night of heavy drinking, I pulled out the credit card and dove in when judgement was impaired. I am so glad I did, I just keep coming back to this. Maybe it is the beautiful sound, or great performances, I don't know. I love almost all the releases, but this one just seems extra nice.
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Submitted by kevjones on Tue, 02/18/2014 - 08:03

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I am excited to see that this box set is on the UPS truck waiting to be delivered to my home sometime today! Decided to take the plunge and finally order this set. Looking forward to some heady jams this week.
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Submitted by Underthevolcano on Wed, 02/19/2014 - 10:16

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looks like the physical set will sell out shortly. I got mine a long time ago and still have it in regular rotation. I'm a little surprised this took so long to sell out given the quality of the performance and beauty of the physical product. What is next on the release agenda?
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15 years 6 months

Submitted by kevjones on Thu, 02/20/2014 - 13:44

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Finally got my set yesterday. I listened to the first set of the St. Paul show, and I'm glad I decided to get it. The St. Paul show has such a unique and warm sound to it. I really like the feel. The boys blister through a number of the songs, and they are all really unique. Looking forward to enjoying the second set tonight.
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Submitted by kevjones on Sun, 02/23/2014 - 00:57

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SO GLAD I purchased this set. It gives me a whole new appreciation and understanding for 1977. As a 20+ year 'Dead Freak' I have never fully understood the power of 1977, until I heard a string of shows consecutively, in their rightful context. We all know 1977 is majestic, but I think I have come to take it for granted. As a tape trader, I would come across a random 1977 here and there...5/8/77, 11/4/77, 6/9/77, 11/6/77/ 2/26/77, 12/29/77, and embrace each and every one with exuberance, but casually move on to another era or decade. Over the past few nights, I have been delving into this box set and have a whole new appreciation for the music of the Grateful Dead. I have listened to the first 3.5 shows in their entirety and am blown away. I cannot wait for Tuscaloosa tomorrow!!! To hear the ebb and flow of each show in its proper context is unspeakable. The transformation of the music from night to night is uncanny. The 2nd night in Chicago is the only 'clunker' of the bunch, but with that being said, there are some serious moments of serendipity and majesty in that show. I cannot wait to piggy back on this box set and listen to the Fox and Lakeland shows and the Sportatorium show, followed by 'To Terrapin' after I have completed the adventure of this box set. On a side note, the 'Terrapin' from the first night in Chicago is one of the most beautiful versions I have ever heard. Bobby hits those notes just like it begins on the album, and he keeps going with the lick. It is rare to hear a version of "Terrapin' were Bobby keeps hitting that lick (put it on, you'll know what I am talking about). It's so bright and beautiful. Thanks Dave!!!
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Submitted by kevjones on Sun, 02/23/2014 - 01:04

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Oh, and that Dancin' from STL is so groovy. It rivals the legendary one from Dick's Picks 25 and Winterland '78 (From Egypt with Love). My jaw dropped...
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Submitted by wilfredtjones on Sun, 02/23/2014 - 04:03

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Like you kevjones, I'm a sucker for '77 and '78 Dancin' in the Streets. Not sure the one from 10-20 Winterland graced RT 1.4 though. It's just not there. Oh well. Have fun on your May '77 excursion! DP 29 is going to be nice, real nice...
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14 years

Submitted by nitecat on Tue, 08/19/2014 - 16:52

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Believe it or not, I missed this box and just picked it up on Ebay. Wow I'm sure glad I did. I'm still working through St. Louis, looking forward to the Dancing, and the Terrapin mentioned below. The sound is pretty damn good for 1/4 inch, thanks to the amazing Betty! I hope she gets her share of this pie. She deserves it.
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9 years 2 months

Submitted by Chris killer on Thu, 12/17/2015 - 17:04

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Happy as hell, but wondering is there a CD version of Cornell Barton hall 1977 officially released,just wondering, if is a get able or is it just something best left as the unicorn out on tape ? I still have two tape decks . Thanks anyone
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Submitted by wilfredtjones on Thu, 12/17/2015 - 17:12

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Chris killer, it's not in the vault therefore not fully released. One song from Cornell is available, Dancin' in the Streets, on the So Many Roads box set. The 5 cd 'So Many Roads' box set is still available for sale on this website last I checked. I hope this helps.
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Submitted by the420bandito on Wed, 12/23/2015 - 04:47

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that single track from Barton Hall is actually on the 12cd set Beyond Description (1973-1989). I believe they have only one set from the show in the vault. Either way the existing copies on the internet are near perfect...at least the one I found. On ebay I saw 2LP set of the show from an Italian record company. Who knows what that sounds like
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Submitted by fancas on Wed, 05/11/2016 - 01:47

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g-leben.blogspot.com Planet outdoor fell from the sky. The RV rental company located Estourmel, opposite the SDA, was well off since 2010, the year of its creation. The schedule and bookings were even more promising, a few months of the summer: for this long weekend of Ascension, several campers had thus been sold. shoeboxgenealogy.blogspot.com
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Submitted by lalag on Sat, 11/26/2016 - 10:09

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Submitted by Sawwwn on Thu, 01/26/2017 - 10:11

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Been hoping to buy a digital download for months. Is this option returning soon?
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Submitted by NY Mike on Sun, 05/07/2017 - 11:32

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Is anyone else having issues downloading this from Warner Music? I have tried numerous times after purchasing the FLAC files and each time the download fails. So far the most I have been able to get is all but the last two songs from the first show, plus it takes FOREVER even on a (supposedly) fast cable connection. Can these shows be delivered in separate downloads?
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Submitted by cminton on Wed, 06/14/2017 - 02:24

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The comments suggest that I can pre-order it and that it would be available on June 11th. How do I pre-order (or order now that it is June 14th) this boxed set?
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Submitted by lilmaria1212 on Sat, 08/05/2017 - 11:00

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Solid offer for the music community, although it's a bit pricey?! JUST A BIT! Lol, I'm already spending a bunch of money on music promotion services.
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Submitted by aaron1990 on Wed, 11/22/2017 - 12:31

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