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    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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  • wjonjd
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    Hey HighThyme (cool moniker)
    @HighThyme- hey now! First, I apologize to anyone to whom I came off as preaching. I just think that if they put up 24 bit flacs, they will probably charge more (I think they said $200?). That's a lot of money compared to $160 for the same music, I assure you that i am thinking of NONE of that technical stuff when I am being transported to those magical places music takes us, whether jamming with thousands, or alone with my "deck". In fact, somewhere around half my music collection consists of music recorded before stereo was invented, and I have and enjoy and love a substantial number of recordings I have from before the electrical microphone was invented. The very opposite of hi-fi. I, for one, will ALWAYS opt for a mediocre recording of great music over a great recording of good music. And I would certainly never judge who does and who does not know how to listen to music by what can be gleaned from comments on a message board. I was trying to save people money by explaining what they're not getting with their higher priced 24 bit file. I think I managed to do that without insulting any one, and certainly not aiming insults directly AT a particular person. Was that really necessary? While I may have been over-technical, I wasn't bringing any one down or tearing anyone down. Were you trying to make me feel like shit? Maybe you just had a crappy day. It happens. To your point, though. I don't think you completely understand the issue (no big deal, though). Mp3 (and AAC files) even of 320kbs, are "lossy" formats meaning that a lot (a LOT) of music information is lost from the file in order to compress it down in size (by 70-90%!) from the original file it is created from. Most people will hear a significant difference between the original music file and an mp3, and virtually everyone will hear the loss in sound quality when comparing them on excellent equipment. There's no comparison. But, that has nothing at all to do with fourwinds' or my points. The flacs, and alac files that we are talking about are "lossless" files. This means that no music data from the original file they are created from is lost (they only compress the original by about 50%), and are decoded to the exact original as they play, or you can decode them yourself and then convert to flac again over and over with zero loss in quality each time. When you create an mp3, though, you are throwing out a ton of music data that is gone forever. If you decode it to a wav, the wav is still missing what you threw out. If you compress to mp3 again you will degrade it even further, etc, What we were discussing is the difference between digital recordings that are 16 bit and 44.1 kHz (what a CD uses), and 24 bit 96khz recordings. The bits refers to the number of data bits used to store each "unit" of music information sampled from the incoming analog electronic signal, and the kHz refers to how often "snapshots" of the incoming signal are captured (44,100 times per second vs. 96,000 times per second). Most studies show no one can really distinguish between two music samples where one is 16/44.1 and the other 24/96 when created from the same source. Most people CAN readily distinguish the poorer sound quality of an mp3 and the original 16bit or 24bit it came from. A substantial sacrifice in sound quality has been made to create a MUCH smaller file. I only brought this up because many people have been jumping on the "hi Rez" bandwagon, paying substantially more for 24bit files while I was aware that the university studies done to date indicate that people can't hear the difference between a 16 bit file and a 24 bit file (which has nothing to do with mp3 degraded encoding). Let's say they were offering a gd movie on actual film, one that plays at 72 frames per second and another at 144 frames per second, but they're charging a lot more for the 144. If I've just read that no one who watches both can tell which is which, I'm gonna come on here and suggest that people don't waste their hard earned money. And, to do that I'm going to have to explain the difference between the two and why having all those extra frames doesn't actually matter. Just trying to save some friends some scratch. By all means, when they put up the 16 bit alac file (they already have) which can be converted to 16 bit flac with no loss, and then they put up 24 bit flac and charge $40 more for it, then, because you can hear the difference between an mp3 and a flac (which most everyone can) by all means go ahead and get the 24 bit file if that somehow makes logical sense to you. It's like you're saying, " since I can hear the difference between a crappy mp3 and a perfect lossless 16 bit flac, well then I might as well pay even more for this 24 bit hi res flac!" I could just say "that's fine with me, no skin off my nose", especially after your purposely insulting and condescending comment, but it actually DOES bother me that you, someone who obviously loves music or you wouldn't be here and who I am sure knows how to LISTEN to music just fine, might be convinced to pay more for something without getting anything of any additional real value when that money could be going to more music that you love or other meaningful places. In any case, I honestly do hope you just have great times with the music in whatever form you get it. Long live the omnipotent Grateful Dead.
  • wjonjd
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    Holy Shit
    @jrf68- they put the 2nd set of that show up with the two listening parties. The exact same giggling thing happened to me. It WAS redonckulus!!!!!! Also, after that whole Clint Eastwood DVD thing, I just got notification that my box should get here by end of day today. YAHOO!!!!!!!!!!!!!!!!
  • wjonjd
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    Grado
    @deadheadbrewer- aren't those grado's something? The warmth of sound, the 3 dimensionalilty, the clarity, and the feeling of space is like nothing I've ever heard in any other phones. I saw they have come out with ear buds. When I do finally take the plunge I think I will have to go with one of the full size phones, but I'd like to find out if their buds sound similar. They have 3 types of buds, but their lowest price one is the only thing they sell that isn't handmade in Brooklyn. The other two, though are $300 and $400. Can't do that and the regular headphones also.
  • wjonjd
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    Music sound systems
    @fourwinds- thanks, you too. I remember when most music junkies would get the best equipment they could afford. Huge floor standing speakers with the latest in tweeter and woofer technology, cool receivers, amps and pre-amps, turntables with the coolest new types of needle cartridges, and we were so careful to make sure it was spinning at 33 1/3 after we used those velvet things to gently remove the dust from the precious vinyl as it spun........
  • jrf68@hotmail.com
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    Holy Shit!
    I'm 44 years old and I was just GIGGLING listening to the Branford show. It's redonckulus....just silly how awesome this is....:) Re:listening to the listening party....picking up the set first thing @ the P.O.!
  • Deadheadbrewer
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    Not a believer in Hi-Rez
    I've made some attempts to hear a difference between a 16-bit and a 24-bit version of the same source material, and I'll be darned if I can hear any. I use decent equipment, and second the opinion to get some nice Grado headphones. I went to a site that supposedly tested my hearing abilities, and it seems that I don't have the capacity to hear much difference in anything, and I've somewhat babied my ears over my 44 years. I had my wife randomly play me a Joshua Redman track that was in lossless FLAC and in 256 mp3. I guessed correctly five times out of ten. Others swear by hi-rez, and I'm certainly no expert, but I would ignore the format and use the savings for more recordings you don't already have, plus some good ($100-300) headphones. One additional problem with the hi-rez version of older recordings is that they rarely state which source and process was used, so you're probably getting nothing more than you've already owned all these years. That, and you don't even get liner notes for your $20/disc! AND, they usually don't include the bonus tracks that were included on your remastered CD version! And then your hard drive crashes . . .
  • highthyme
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    @fourwindsblow
    Your comments about higher res formats sound right on. At one time, I had a 320Kbps MP3 of a show which I had enjoyed thoroughly, but found the recording lifeless, unengaging, frustrating, unpleasant and quite difficult to listen to all the way through. After repeatedly being unable to enjoy it for nearly a year, I finally purchased the FLACs, taken from the exact same source recording, and now enjoy listening to and being surrounded by all or even just portions of it to no end. There's no comparison. You will never convince people who don't get it, because while you're listening to the music, they are analyzing data as they listen to it. Their opinion on how the music sounds is utterly pointless because they don't know how to LISTEN to music in the first place. Kinda makes you wonder why they even bother in the first place sometimes.
  • SPACEBROTHER
    Joined:
    Release Cover Art
    The person who scans the cover art on at this link is usually pretty quick about putting up the updated cover art, including the bonus discs... https://plus.google.com/photos/106465427611350658328/albums/59784616720… ...but seems to only be updated through Dave's Picks Volume 10.
  • Streetmusik
    Joined:
    Received!
    ...less than 24 hours of receiving an email letting me know it had shipped!! I got lucky on this "other one." I'm always blown away by the attention to detail on these sets. Even the box it's shipped in is cool,
  • sleeviesaurus
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    some accolades for the artwork and package design
    My box arrived today here in Birmingham, AL. I'm looking forward to having time to listen to all of it soon... Jessica Dessner's artwork is great - heck, all the GD artwork in the past few years has been impressive, but the artwork on the individual show digipaks and elsewhere in this set really brought a smile to my face. And the box's design really complements the artwork well. The smaller book was a nifty idea. Great job all 'round, folks.
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What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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17 years 3 months
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Got my order in.awesome.
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11 years 1 month
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I hope it sounds better than the first box. If I take the plunge send me copy #1990 or #9000 , I always wondered who gets those ?
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17 years 3 months
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This is going to be nice. The music will play. I'm happy with this release, I'm sure it will sound awesome. I am surprised that another 1990 was released so soon. Deadheads were talking about the 80's so much that I believed it would be 80's. I'm sure some heads will be disappointed. i'm always glad just to get anything. 24 year old shows will entertaining for sure. I passed on the print, it's nice but just not for me. I bet it sales out in a few weeks at the most, 9000 copies is not really that many. Looking for hints on DP11. Peace
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12 years 5 months
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I like the Brandford show.....but I have a copy. As a 70's fan, will I listen to the rest enough to warrant buying this? Need some honest advice from the 80's and 90's guys (or the 70's guys) to help me make up my mind. I'm asking VERY sincerely and NOT trying to start up an ugly war of words! Just want HONEST feedback please. Peace.
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*
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Recorded by long-time Grateful Dead audio engineer John CutlerMixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered to HDCD specs by David Glasser
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If you have the first box, I would say that's all you need. With the exception of 3/29/90, the better shows are on there. If you missed the first one, you might want to look into getting this one. The shows are well-played, but lack the power of the 6 from the first box.
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17 years 2 months
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.....nice to see you. Nice release BTW....Hopefully Spacebro will be pleased, but probably not...
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13 years
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$240 for 3-29-90 and the other shows that aren't as good as the first box? C'mon now...
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15 years
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Before I met a wonderful woman and got married and had a wonderful child I could have afforded this! I had to pass on the first Spring90 box and have to pass on this one too. The only show I knew I loved on the first box was 3/22, but this has two I love: 3/25 and (of course) 3/29! Sob...I desperately hope that in a year or so GDM will issue the Spring90 shows individually like they did with the E72 shows. I will jump on about half of them! Ooooh I want this!
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17 years 3 months
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I'm in the same place. Got & love the BM show & really like the 80's & 90's too. This is kinda steep for me at the moment but will see if I can dig up the cash. Always dug Myland & the Drums & Space from this era so most likely........Good luck & good rocking! Ken
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a whopping € 41, sigh... I guess a completist's gotta do what a completist's gotta do, even if it means skipping eating out for a month. Anyway, apart from the 3/29 Marsalis set there is enough to savour. It may not be the years Spacebrother wants released, but at least the later years are not ignored. @Thursday's child: I'm basically a pre-hiatus fan, but especially if you missed out on 1990/the first one, you'll need this. Great playing, Brent & Jerry in top shape, some nice rearrangements (Death don't have no mercy, Loose Lucy) and, as far as I'm concerned, nice warm sound. It works whether you play it loudly or just as background music. Now for some October/November 72 or some 67 or some 70?
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17 years 2 months
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....price is right. I'm probably on board. I too enjoy the Drumz/Space from this era....
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11 years 11 months
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Just purchase the 3/29 show by itself. Save the remainder of your money or pick up a few road trip shows from the 70s. Easy decision.
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17 years 3 months
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looks like the branford show will be a sep. release (check rollingstone, amazon pre-orders, etc.)
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16 years 10 months
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My sincere appreciation to TPTB for releasing the Branford show on it's own. The box looks fantastic but with a wife and two busy teenagers I just can't afford the big bucks on a 1990 release. I would LOVE to buy a couple of these shows a la carte, much the way the Europe '72 shows have been offered.Personally, I'd like to see more boxes in the $100 range but that's not meant to be a complaint, just input. There's a ton of great music in this box and cheers to those of you placing your orders; I'm getting a bit of a vicarious thrill knowing how much you will all enjoy it!
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12 years 10 months
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....but at $30 a show its quite pricy. i guess we're getting a keith show for dave's picks 11. : (
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I think on this one the quality of the recordings made this the reason for the box. I would much rather see a lot of other spring tours (such as 76) but the recording quality and vault availability are probably challenges. If you love this era, then congratulations and enjoy! I got the first box (no regrets) but I'd be lying if I said it gets a lot of rotation on my IPOD.
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We were making DATs and Minidisc not T6 on this tour. Of course I will order and continue to wonder why Barton Hall is held Ransom when things go out at about $270,000 for the remaster and boxing per show. Anyways back to work on West High 6/21.
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10 years 7 months
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Could not agree with you more, well put... also two teenagers, one going into his sophomore year at college... $100.00 would be more manageable... but, nice box nonetheless "Thank You My sincere appreciation to TPTB for releasing the Branford show on it's own. The box looks fantastic but with a wife and two busy teenagers I just can't afford the big bucks on a 1990 release. I would LOVE to buy a couple of these shows a la carte, much the way the Europe '72 shows have been offered. Personally, I'd like to see more boxes in the $100 range but that's not meant to be a complaint, just input."
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13 years 10 months
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Will these be released on digital or CD only? A lot of us don't use CDs.
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"My sincere appreciation to TPTB for releasing the Branford show on it's own. The box looks fantastic but ... I just can't afford the big bucks... I would LOVE to buy a couple of these shows a la carte, much the way the Europe '72 shows have been offered.Personally, I'd like to see more boxes in the $100 range but that's not meant to be a complaint, just input." Thank you RDevil, that comment was just exactly perfect!
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Shipping to the Netherlands is $41.99 (not €41.99). This works out to €30.88 at the current exchange rate. The $239.98 for the box itself is €176.51. Box + shipping together is €207.39.
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15 years 8 months
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Wow, $239.98, ok roughly $10 a disc, not bad, $14.95 for shipping? Really? $22.94 for sales tax? $277.87, man. How to come up with the fund to pay the credit card bill now, how much is blood going for these days? Can't wait, love this tour, these are all solid shows with lots of highlights. And Branford, ooh yeah!
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16 years 10 months
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I have the first two years of Dave's Picks sealed with the bonus discs for anyone who might want to exchange a copy of this for those. PM me if interested.
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13 years 10 months
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Just when I had convinced myself I didn't need anymore GD box sets I go and press buy!! Hefty postage tho' at $41.99!!! Ouch!!
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14 years 9 months
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Click on the RollingStone link and read the article.
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15 years 7 months
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I'd love to see them go back to more reasonably priced box sets. Not that I don't love these massive sets, but even a music only edition without all the boxes and trinkets (never look at 'em twice!) for us poorer folk would be nice.
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13 years 1 month
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now for all the people who complain about the Dave's Picks all being from the 70's..."settle down easy" (~);}
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14 years 5 months
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Mixed from the 24-track tapes to full Normanized Glory. Thank You. Thank You.
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17 years 3 months
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Don't forget that the customs will also take their cut before it gets to you. Ouch again!!
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17 years 2 months
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....Where the hell have you been? Thought you were Dead. (Head)....
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16 years 1 month
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@Simonrob: I stand corrected. It did not deter me from ordering it anyway. But at € 26/show plus book (plus the box & ticket stubs that I do not really need), it works out OK I guess.
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15 years 8 months
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Coworker of mine is ordering the box, shipping price jumped $10 for each delivery option. Weird!
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13 years 10 months
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Already thought of that probably another £34 ($58) OUCH again but what's a guy gonna do. Once you start collecting/listening to these things when do you stop.What if the best show/song I've aver heard is out there and I just haven't actually heard it yet!!!
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12 years 1 month
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Confirm order Check. My wife's gonna kill me oh well got till September to cool her down.
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15 years
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Saved me a lot of money. I push "buy" on almost everything here but not 250$ for more 90's shows. Dodged a bullet.
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17 years 3 months
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Blood isn't bringing much these days... you might want to consider selling an organ or two....!
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17 years 2 months
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I love all Dead eras, with my favorite probably being the pre-hiatus time along with '77.But I could not pull the trigger on this fast enough! I loved the first '90 box and I am sure I will love this one also. To me, this is the last great tour and I cannot have too much of that. Order soon as it will disappear quickly I suspect. Rock on
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Just what we need: another over-packaged behemoth. Seriously kids, just give us the music at a lower price and we'd still be happy. Does anybody really spend time fondling their "replica ticket stubs and backstage passes" while listening to 'Loser' from 3/24/90? (And I don't want to know if you do ...). I picked up the first one and truth be told, ditched the actual box once the discs found their new home on my shelf. As for the ephemera, it's out there . . . somewhere.
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My first thought was, "oh, shit. My wife will kill me, but I have to get 3/29." Then I saw that it's available by itself. Thanks to TPTB for having the vision to put that out by itself.
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17 years 3 months
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this is great!
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13 years 7 months
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While Spring 1990 is great GD, I think that the GD legacy would be better served by a box set from an altogether different time period. Having said that, I'll still enjoy it. How long did it take the first Spring 90 box to sell out in? $$$ are tight at the moment.
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14 years 5 months
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According to the Rolling Stone article, an HD Download option will be available the same time as the official release date. Thanks for the tip Bolo.
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17 years 2 months
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check your PM and email me back at my address
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17 years 2 months
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Check you PM and email me back at my address.(Sorry about the incorrect post earlier) I need to slow down! Too excited right now!
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