• 1,689 replies
    admin
    Joined:
    jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

Comments

sort by
Recent
Reset
  • PalmerEldritch
    Joined:
    MIDI
    I always liked the MIDI and considered it one of the saving graces of the latter years. It's hard for me to listen to 80's Dead without making comparisons to 70's Dead. The sound was colder, the jams shorter, and usually less inspired (IMO). The MIDI adds another dimension that makes it exciting for me. Jerry seemed to really be having fun with it. He seemed to love making different sounds. Look how successful his banjo and pedal steel excursions were. I do sorta agree that MIDI sucks, in general, but hearing Garcia and the Dead do it is another matter. Some songs, like "Blow Away", I wouldn't be interested in at all, except for the MIDI Jerry played. You gotta admit he had a knack for it.
  • DogStar
    Default Avatar
    Joined:
    Midi
    I like the fact that they were willing to experiment with a new box of paints. Push forward and try the technology of the day. I admit I dig it when used properly. That was really the dawn of Midi and everyone was getting used to it...Sometimes your the pigeon, other times your the statue.
  • estimated-eyes
    Joined:
    midi, etc..
    I have long equated the change in the band's overall sound to Jerry's switch from Tiger to Rosebud in Fall 1989. Rosebud was set up out of the gate for the midi technology and that is when Jerry really started utilizing it. As reijo posted, watch Truckin' Up To Buffalo or Downhill From Here and Jerry almost always has an organic guitar sound, not a digitized flute or trumpet. Compare the sound of those shows or Crimson, White and Indigo to the Hampton 89 box. The setlists look great on this box, but I did the listening party and the digital sound just doesn't do it for me. In particular, Spacebrother, that Shakedown/Bucket/Sugaree caught my eye, too. Dave needs to pick out a solid Shakedown show for one of his upcoming releases. I am happy many will enjoy this, so enjoy. My two cents on the eTree issue-- I have no problem with the band restricting soundboard access, especially for shows they are releasing. It is business and these guys need to protect their assets-- and the vault is an asset for them. They don't owe us a darn thing-- they played amazing concerts that we enjoyed for many years, they can do with their music as they please.
  • Mr. Jack Straw
    Default Avatar
    Joined:
    MIDI
    I can do without it. The song that got killed the most, in my opinion, was The Other One. This song was a psychedelic hurricane for 20 years, but by the mid-80s it got progressively shorter and shorter. Leads that were formerly played by Jerry came from Brent's keys. But worst of all were Jerry's "trumpet" sounds.
  • Underthevolcano
    Joined:
    gear
    a few years back-Blair Jackson put out a book on the gear and set-ups used by the members of the Dead in each era. Profusely illustrated. I think it was simply titled Grateful Dead Gear or something like that.
  • uv1
    Joined:
    4/3/90
    Thanks for the recommendation, Spacebrother. I'm happy to hear that this was, indeed, a monster of a show. I scanned through the set lists of all the shows and this one definitely caught my eye. Hey, it's got three of my favorite songs in "Shakedown," "Estimated," and "Scarlet." I am hoping, hoping, hoping that the "Powers That Be" decide to break open some boxes and sell individual shows (a la Europe '72) and/or allow for downloads of individual shows.
  • reijo29
    Joined:
    More
    Great post Space on the jerry gear. I would never have thought he was still using tube amps. Also I would be remiss in not mentioning how truly great was the interaction between the band in 89-90. Despite adding some processed sound tones, the energy and professionalism was top notch. Those 2 years never disappointed me.
  • reijo29
    Joined:
    Midi
    I'm with you SanFran though my era of shows was 85-94. I've beaten to death how badly I think the midi and digital guitar sounds have aged. I compared it to the mullet. Perhaps a good idea at the time, but now something else. And yes thankfully all the Dead offshoots have gone back to the warm natural sounding amps. And also natural sounding keyboards. I noticed on box 1 how bad Bobby's guitar effect killed UJB on 3/30/90. I am sure back then at the show I did not notice it. Since then I've been spoiled by all the 71-78 releases. Thankfully those midi sounds do not dominate the entire late era shows. The truckin to Buffalo video first set makes me smile seeing how much fun jerry is having just straight out rocking. I am still definitely excited for this box and yes the 90's was the last great rock era. A plethora of great bands from Nirvana to dinosaur jr to smashing pumpkins to meat puppets to pixies to ween to Tortoise to Black Crowes to Phish to Blur. I could go on and on.
  • TN Dead
    Default Avatar
    Joined:
    Excitement
    Having had my first experiences with Grateful Dead in the late 70s, I would not equate my excitement to Keith and Donna. They were the least exciting elements for me. 1978 in particular gets me yawning. Again just an opinion here. Good thing there is something for every Deadhead to get excited about. Some can't get past Tom or Pigpen.For me, I like it all. I get excited about a lot. Especially Late era live Grateful Dead in all its 24 track glory !!!
  • TN Dead
    Default Avatar
    Joined:
    I agree with Bob and Spacebrother
    The mix and sound quality is Stellar !!! The band was at a new peak. For those who experienced this era live, in person, the tour PA was in a class all by itself. The Autzen Stadium shows I saw later that year were mind bending. Can't wait to crank all those Drumspaces !!!
user picture

Member for

17 years 8 months
jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

user picture
Default Avatar

Member for

17 years 5 months
Permalink

I bet this sale's out in a week two at tops
user picture
Default Avatar

Member for

17 years 3 months
Permalink

This was ordered immediately!! Here's hoping 6-30-85 or 7-1-85 for Dave's Picks 11!! Thank you Dave & the powers that be!!
user picture

Member for

14 years
Permalink

for the compiler /completionist in all of us.. if you want full 3/24/90 show.... Dozin at Knick has entire second set on disc 2 and 3. And Walkin Blues on Disc 1 "Playing in the Band" (Hunter, Hart, Weir) – 10:08 > "Uncle John's Band" (Hunter, Garcia) – 10:01 > "Lady With A Fan" (Hunter, Garcia) – 6:35 > "Terrapin Station" (Hunter, Garcia) – 6:45 > "Mud Love Buddy Jam" (Grateful Dead) – 7:53 > "Drums" (Hart, Kreutzman) – 9:41 > "Space" (Garcia, Lesh, Weir) – 9:39 Disc 3 "Space" (Garcia, Lesh, Weir) – 1:03 > "The Wheel" (Hunter, Garcia) – 4:45 > "All Along the Watchtower" (Dylan) – 7:45 > "Stella Blue" (Hunter, Garcia) – 8:32 > "Not Fade Away" (Holly, Petty) – 7:24 "We Bid You Goodnight" (trad., arr. Grateful Dead) – 2:21 Spring 90 first box on the end of 3/26/90 CD 3 Bonus Tracks From 3/24/90 Albany ( 1st set) 7. Let The Good Times Roll> [4:01] 8. Help On The Way> [4:05] 9. Slipknot!> [3:50] 10. Franklin's Tower [8:04] 11. Loser [7:30] 12. Tennessee Jed [7:53] and the final 2 tracks: Desolation Row on "Postcards from the hanging" One More Saturday Night is on "Without a net" make a itunes play list and burn it down....
user picture

Member for

17 years 4 months
Permalink

Smart and thoughtful to offer 3/29 separately. I shall get that, but this is the first box set I am going to give a miss..I have only listened to Spring 90 once and I need to start saving for the 2015 treasure trove. Happy though for all those who are looking forward to this one.
user picture

Member for

16 years 9 months
Permalink

I wonder what they are going to do in 2015 to top this.
user picture
Default Avatar

Member for

11 years 2 months
Permalink

Love Spring '90. Bought the first box. In fact, I own every GD release. This is too much money for second-tier shows. I'll grab the 3/29/90 release though.
user picture

Member for

13 years
Permalink

It's been so long since I haven't purchased an official GOGD release that the omission seems counter-intuitive! Yet, the timing and nature of this set are budgetarily fortuitous, especially with conventional anticipation of some extraordinary debuts incident to the impending big L (five-oh)! To those ordering, enjoy!/Kate
user picture

Member for

11 years 5 months
Permalink

I'm out. My box budget ends at $199.99 This looks grate though and I know I will regret not getting the physical copy. Definitely going to grab 3/29/90 though. Looks like an awesome show! Would be nice if they offer the digital downloads at some point. I bet they will.
user picture
Default Avatar

Member for

17 years 5 months
Permalink

My guess is it sells out in 2 days.If Thelma sold out in 2 days, this won't take as long... considering it's 5000 less copies. Even at the higher price.
user picture
Default Avatar

Member for

11 years 2 months
Permalink

The first Spring Box was also 9,000 copies, was cheaper, and frankly, contained better shows. It took over 4 weeks to sell out, if I remember correctly.
user picture

Member for

16 years 2 months
Permalink

I have the 1st Spring 1990 box, I have listened to every show about 6 times over the course of 13 months, lost interest, repacked everything. Almost ready to sell it, a definitely maybe, perhaps. The Dozin' At The Knick, released in 1996, is good enough for me. I also said here on dead.net, that if the rest of Spring 1990 Tour would be released, I'd wouldn't buy it. Do I really need every Grateful Dead show? I already have a fine copy of 3/29/90. I have better things to do with $250USD or what ever the price is with shipping costs.For those who have pre-ordered this set, fine, I KNOW that you enjoy it.
user picture

Member for

11 years 5 months
Permalink

Note to self. Duh WW read the description. Digital is going to be available on release date. Cool.
user picture

Member for

12 years 11 months
Permalink

Where's "Walkin Blues"?..It looks like this song cant be found..Has it ever been released?
user picture

Member for

12 years 6 months
Permalink

...check you PMs, please.(love that screen name, btw!)
user picture

Member for

17 years 5 months
Permalink

Today begins the countdown for the Spring 77 Conundrum
user picture

Member for

11 years 5 months
Permalink

If 3/29/90 isn't limited edition why would anyone pre-order and pay the shipping? I ordered limited SSDD the night of MUAM last year because I thought that was it. Next thing you know the show is in every store for sale. Didn't need the limited with bells and whistles just the music. Didn't know otherwise so I paid more for it and shipping. Still spicy.
user picture

Member for

12 years 2 months
Permalink

"3/24/90Where's "Walkin Blues"?..It looks like this song cant be found..Has it ever been released?" that's just rhino showing a spot of mercy to the fans...
user picture

Member for

11 years 5 months
Permalink

Just can't spend that kind of money. I hope they go back to more reasonably priced box sets. I'm also not a big fan of 90's Dead so it's not a major blow to me. If it had been a 70's or early 80's box it would really suck as I would love to buy but it's just too pricey. I'm happy for those scooping this up, though. Hope you guys enjoy it. I thought selling the Marsalis show on it's own was a nice touch but not something I'm interested in myself. Still going to grab JGB this up coming week, though. Can't miss out on that.
user picture
Default Avatar

Member for

14 years 7 months
Permalink

Unless I'm mistaken, is on Dozin'. Long live the Queen.
user picture

Member for

14 years 3 months
Permalink

I would be willing to bet this doesn't sell out so fast. Other than the Branford show, these are the shows they left off the first box. Branford, I am sure, required negotiations with his business manager. But other than that, they chose the shows they thought were the best. These are the ones they left off. If they had planned on releasing the whole tour, they likely would have released the first half of the tour in one box, and the second half of the tour in another box. Secondly, they are selling unlimited digital downloads. This will diminish demand for the box and leave those who like limited editions and those who want the book and replica tickets. The good news is that if they can sell this out in two days, all those clamoring for '90s releases will get their wish going forward.
user picture
Default Avatar

Member for

17 years 5 months
Permalink

Just curious as to your thoughts, but I thought the mix on the first Spring '90 box set was weak. I find this odd since "Without A Net" is one of the best live recordings I think I've ever heard, and these releases are culled from the same material. When I go back and listen to these shows, I prefer Healy's soundboard mix over the official releases. They're warmer, better balanced and not nearly as harsh and tinny. Jerry is more up front (vocals and guitar), each band member's placement in the mix is reflective of their position on stage, just the right amount of reverb to make it feel alive. I don't know, maybe I'm crazy. These releases have been normalized, so they're definitely louder but lack dynamic range. Anyhow, I'd like to hear what others are thinking about the way these "recent" shows are being mixed down. For me, I'm opting out and sticking with my SBD -> CASS -> DAT -> CD, I think they're mixed better. Chime in. JWB
user picture
Default Avatar

Member for

14 years 7 months
Permalink

Spring '90 Volume One is from the two-track tapes that were mixed live by Cutler. Volume Two is mixed by Norman from the 24 track tapes. There should be little comparison in terms of the quality between Vol 1 and 2. Without A Net is mixed from the multi-track tapes, just like Volume 2 is.
user picture
Default Avatar

Member for

14 years
Permalink

I didn't get the first volume since I wasn't thrilled with the sound. It's good to know this will sound different.
user picture

Member for

17 years 5 months
Permalink

I am in - VERY EXCITED, don't really care what the next DAP is at this point just got 8 shows of my favorite dead era - Space Bro I am sure is happy as a pig in Sh#t right now! I used my debit card and the charge is on there now, does anyone if they take the funds out now or when it ships?
user picture
Default Avatar

Member for

12 years 9 months
Permalink

This is my favorite Dead and the time period that got my attention. Gonna love hearing it!
user picture

Member for

13 years 5 months
Permalink

Jayburg, Without a Net was mixed from multi-track tapes. The (first) Spring 1990 box was not. It was mastered from live-to-2-track mixes and it definitely suffers.
user picture
Default Avatar

Member for

11 years 4 months
Permalink

I've never heard half these shows, so its going to be an exciting September in Grateful Dead land! And....there is also a new JGB album coming out from their tour in '78 - with Keith and Donna. Very exciting stuff. Wish the first box set was mastered from the 24 bit analog rather than the 2 channel mix. Can't wait to hear the upgrade!
user picture

Member for

12 years 6 months
Permalink

sonically speaking, of course, we all know it kills...anyways... during Jerry's 1st solo you notice the perfect balance between Weir's awesome rhythm playing in the left channel & Garcia in the right, playing his usual groovin' subtle, envelope-filtery tone solo... (the drums & keys ARE NOT OBNOXIOUSLY LOUD like the Boxset 90 #1 mixes are...) Brent kinda floats in the middle, as does Branford, who when he re-enters, he sounds amazing, mixed loud, i'd say, but not too loud, as he mimics the lines Brent is playing... sooooooo freakin good... Lesh right in the pocket, could even be a tad louder (NOT complaining) AND, you can almost feel the nod Branford gave to Jerry as he ends his solo & Garcia starts right into his... or maybe Jer shot him a look sayin " yo, it's my turn!" hehehe... Brian (& others who were there) could you see the stage?? great stuff, an early b-day gift... @ Deuce, debit card, cash gone immediately, holmes... sorry to be tbobn... btw, i'm a diehard Rangers fan, but 2 of my ALLTIME FAVOURITE players are: Ray Bourque & Cam Neely gotta say, i'd love to have Milan Lulic on my Rangers, as well... ♤
user picture

Member for

11 years 3 months
Permalink

I ordered up a copy at about 12:30pm mountain time and then checked my account about a half hour later and it's already been taken. Bought & paid for.....now the happy wait. :) re:shipping-$14.95 isn't too bad for something that's probabaly gonna be pretty heavy,book rate style ya know?
user picture

Member for

12 years 11 months
Permalink

..Thanks for correcting my dumbassness folks! "I see" said the blindman! Anyway I just picked up this set. Looks great! I broke out Terrapin Ltd. and 4/2 this past weekend so this tour is still in my rotation. Hartford(3/19) and Albany(3/26) were my first shows so this tour is special for me. I remember the cold, snow and ice on those days, so much for "Spring 90!" Dave's 11 and JGB will keep us entertained until this gem arrives! Take care folks! ;)
user picture
Default Avatar

Member for

12 years 6 months
Permalink

Interesting set. I'm on the fence. I've been buying these for a while and have no problem dropping $100 on it but the $239 will fry wife (I just bought a road bike and have to lay low for a bit...) and am not 100% sure I'd be into this one that much, based on the Estimated Demo. It's interested but extra syncopated. If I only have two days, it's not gonna happen anyway as I have to pack and clean the house and fly to Oklahoma after 1/2 day @ work tomorrow and will be at my cousin's lakehouse which, according to Mrs, has sketchy internet, which would usually be cool... Hmm, there about 8:40, it sounds better, along with grabbing headphones instead of my suckazz laptop speakers. Hmmm indeed....
user picture
Default Avatar

Member for

15 years 2 months
Permalink

Whilst I see many comments regarding the cost as well as the shipping, I don't see any recognizing this item as a collectible and everything that goes with collectibles...the good, the bad, etc.It was and is meant to be an appreciable (in every way) artifact. Thoughts?
user picture
Default Avatar

Member for

17 years 5 months
Permalink

That makes sense, I guess I just assumed that the 1st box set was from the 24 track tapes. Without a Net is beautiful, Dozin' is right up there with it. So why does the Warlocks box set suffer? According to the notes, it was mixed from the multi-track. Maybe my expectations are too high. Thanks for the response.
user picture

Member for

15 years 8 months
Permalink

it's great to see all the chatter. love the action here. there has not been a buzzz like this for a while.. i,m feelin' it ! love to all the familiar names i have not seen lately ..
user picture
Default Avatar

Member for

17 years 5 months
Permalink

Personally, Spring 1990 (#1) was the best box set released, as far as presentation, etc. They do a great job as far as Europe 72, May 77, Warlocks.. but Spring 1990, to me, is a family heirloom. My son will get it one day, along with the early pre-order poster. I can't wait to get this one, and the early poster as well. It will sell out, and appreciate. The Europe 72 box had individual releases, a music only option.. and yet the trunk still sells between 700 and 1000 often. It's that collectible. This one looks beautiful, and I will treasure it always... It may only get a few listens, but hey, I am a completist, and I love my collection. It's my connection to the band now that they're gone (not counting ratdog, further, pl&f, etc). This is gonna be SWEET. 24 track masters, great book, great add-ons, great packaging... I'm all over it. I was on this tour, and it shaped my life. I loved the 3/29/90 show... It was magic. I've seen the video someone posted on youtube, at least a dozen times. I've owned an audience tape, burned to cd-r, for years... but I can't WAIT to get this. THANK YOU DAVE LEMIEUX!
user picture
Default Avatar

Member for

15 years 6 months
Permalink

blah. i still can't get the hang of the way these comments work. i was trying to reply to someone else's comment
user picture
Default Avatar

Member for

15 years 7 months
Permalink

I've been a Dead fan since 1965. I ordered this... then checked and canceled. If I had not already purchased the previous spring 1990 set, or if it had not previously been released, things would be different. Even if it is a new mix, it is not worth $250 for one new show. This should have been clearer in the email blast. When they start re-re-re-releasing the same material, at some point it is just crass commercialization... I would love to see the show I don't have released separately, and I would happily buy it in a minute.
user picture
Default Avatar

Member for

15 years 6 months
Permalink

I've been a Dead fan since 1965. I ordered this... then checked and canceled. If I had not already purchased the previous spring 1990 set, or if it had not previously been released, things would be different. Even if it is a new mix, it is not worth $250 for one new show. This should have been clearer in the email blast. When they start re-re-re-releasing the same material, at some point it is just crass commercialization... I would love to see the show I don't have released separately, and I would happily buy it in a minute.
user picture
Default Avatar

Member for

17 years 5 months
Permalink

This A*hole gives the rest of us who sell on ebay a bad name. http://www.ebay.com/itm/GRATEFUL-DEAD-SPRING-1990-THE-OTHER-ONE-8-SHOWS… Whoever this is, should be ashamed of themselves. I think it WILL appreciate to $399. But to post it for sale at that now, when it's available direct... is a disgusting act of in-human non-decency. This guy is as bad as springfromnight1989.
user picture
Default Avatar

Member for

17 years 1 month
Permalink

Hmmm...I can't get "Estimated" to play on Rolling Stone. All I see is the soundcloud icon, and nothing happens when I click on it. Any tips?
user picture
Default Avatar

Member for

17 years 5 months
Permalink

I don't understand what you mean....The shows aren't the same. They're from the same run, but no shows are duplicated. For example, 3/30/90 was on Spring box #1. Spring Box #2 has 3/28/90 and 3/29/90. Also, Spring 1990 (#1) had Copps at 3/22/90. This one has 3/21/90. Spring box #1 was basically the closing night of each run/city. This is the other nights... Spring 1990 was a different mix, different masters. This is the 24 track of the other nights.... not the same nights. Why do you say it's a re-release? Check again.

Member for

10 years 6 months
Permalink

I decided to buy the Wake Up single show and then Dozin at the Knick CD rather than buy this new set. I have the 2CD set So Glad You Made It from the first box, and with the 2 above mentioned discs, I felt this would be a good collection from the period. The box with shipping is just more than I can dish out at the moment. Looks like a cool package with lots of good selections and coming from the 24 track source promises good sound. But I looked at some of the assessments and choose this route. Still looking for Daves 11 as I am a subscriber and plan to be in 2015 as well. Hope the vast majority are digging the news and are looking forward to all the new tunes soon to be with us.
user picture

Member for

11 years 3 months
Permalink

I was wondering how fast it would show up with the "scalpers". I checked Amazon just outta curiosity at around 3 this afternoon and saw nothing yet and was actually happily surprised.But yeah,you're right,it is disgusting.
user picture
Default Avatar

Member for

17 years 5 months
Permalink

Scalpers is an accurate description here for this guy.I sometimes take offense when people bash everyone who sells on ebay, b/c I feel I do it fairly and I've helped a lot of people out. But this is beyond indecent. Can I suggest we all "contact buyer" on this guy and tell him he's disgusting? :-) Like I said, I think this WILL eventually sell for $399. It will sell out, it will be worth it. But this is just.. I dunno. I can't even believe I'm seeing it.
user picture

Member for

10 years 6 months
Permalink

Debated in my head for a few hours and just placed my order. I was at the 3-29-90 and all the hartford shows, knick too. Brianhahane....thanks for posting that some jerk is already price gouging this on e-bay. That made me jump on it now. ....also its not only one new show! Tomorrow i hope for dap11 announcement.
user picture

Member for

13 years 5 months
Permalink

Ok, I gotta admit they got me with the "mixed from multi-track" promise. Here's hoping they gave JN the full mixing budget he deserves. (I'm still sore over the E72 box rush.) We shall see... I celebrated with a blast of PITB>China Doll>UJB>Terrapin from 3/30/90, which actually sounds pretty good for live-to-2-track. And a big thanks for the standalone release of 3/29/90. Not everyone has the disposable dinero for the whole box and accoutrements, and it would have been cruel to hold that hostage as box-only. Maybe not the best move business-wise, but a bone for the masses.
product sku
081227958688