Spring 1990 (The Other One) Box

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May 15, 2014 - 11:45am

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jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });
What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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July 29, 2014 - 7:28pm

#831

mustin321

Joined:
August 12, 2011

Space

Thanks for the info on 4/3/90. I've never heard this show. Shakedown Street & Sugaree are two of my favorites and now you got me more pumped up. I know this is the Tour closer but I've heard Dave say several times that when the band played a really good show, there was a good chance they would end with "we bid you goodnight." And if I'm correct, this is only one of the tour. And only 1 of 2 Sugaree's and Shakedown's. Its amazing how mixed up these shows are. That's actually what got me on board with the first box at a time when I was really broke.
July 29, 2014 - 7:09pm

#832

SanFranWanabee

Joined:
March 27, 2014

Space are we communicating?

Space, not sure your post was a response to mine? Thanks for the history of Jerry's rig if it was, if so, let me respond. Never been to interested in stats, as they are usually easily manipulated. If your point of Jerry using tubes thru out his career didn't effect the sound it's missing the mark as his sound changed dramatically. The point of him a better grasp of midi might be valid, but the midi grasp is the problem. Grasp or no grasp, it wasn't a good sound for my tastes. I know you enjoy this era and am happy for you, myself, I have a hard time truly getting excited after Keith and Donna. Having grown up in that era might have something to do with it, but the key for me is getting excited. I like some of the later Dead, but it doesn't excite me. Get the fact that there a lot of folks that caught the band latter on and they were excited. Happy that was the case. Have heard a number of releases from live shows that I caught and upon reflection really wasn't that interesting years later. We are all lucky that the Dead were able to excite fans for so many years and generations. There's not many groups that are able to pull that off.
July 29, 2014 - 7:02pm

#833

Nebulorb

Joined:
September 8, 2008

@SanFranWanabee

> there was a lot of music from that 90's era that was a lot more enjoyable than this sound for my tastes. Hey now, I would sincerely appreciate seeing a list of your top 10 or 20 musical artists that you dig more than the above mentioned era. I do not mean to put you on the spot here on the board to give others a chance to disparage your tastes -- I am genuinely interested in finding new music to love. If you don't want to post here, feel free to send me a PM! Peace, Neb
July 29, 2014 - 6:24pm

#834

SPACEBROTHER

Joined:
June 4, 2007

Garcia's Rig Rundown

Found an interesting sight with a chronology of Jerry's gear. According to... http://wald-electronics.com/preampmods.html ...Jerry played Fender Twin Reverbs for pre amps and Mcintosh tube power amps to drive JBL's through most of his career. He stuck with the Twins until '93 where he switched to a analogue and digital set-up using a Groove Tubes Trio preamp into a Tube Reverb direct into the soundboard but still used Mcintosh tube power amps to drive JBLs. Technically, Garcia was using an analogue system at the time of the Spring '90 tour, even though he had digital effects boxes. I think that by the time of the Spring '90 tour, the band members had a better grasp at utilizing the MIDI sounds. Some of my favorite Garcia guitar tones from this era can be heard on the Atlanta shows from this tour in particular where he would use his classic single coil tones with a subtle hint of MIDI flute at times and Synth at other times mixed in. Probably most noticeable from the 4/3/90 show in particular. Speaking of which, I think when more people hear 4/3/90 who may not be particularly familiar with it, they will be pleasantly surprised that this a true giant performance amongst giant performances. Right out of the gate, the Shakedown>Bucket>Sugaree opener alone is worth the price of admission. From a nice funky jammie groove, into a spirited rocker then into a Sugaree that for several minutes, features a rare quintet version of the band with Billy stepping off the drums to change his shirt or something. It was a "Mickey and the Hartbeats" moment. Every song in this show is played to perfection and would have made a great stand alone release.
July 29, 2014 - 6:20pm

#835

SanFranWanabee

Joined:
March 27, 2014

Hear ya mustin

Not tryin to debate what the band or Bobby were feeling at the time. They were obviously in a good place and enjoying the music they were playing. I can feel that and get the fact they were moving in a great direction. The energy is not in question, it's just that that sound simply doesn't get me excited. If they had played with equip and the quality of sound they had earlier I'm sure I would love this, but the Casio digi sound, that lacks bottom and thick sound seems processed or computerized to me. In my view this was a real down time for a lot of music from this time period and one that has thankfully been left behind for most bands. If anything, it's exciting to hear a lot of music moving backwards to a much richer analog style of music. Caught Bobby and RatDog a month or so back and their sound was,a,step back in time and light years better than the 90's sound to my ears. Nothing against those that enjoy the new release, but it simply doesn't sustain my interest after a short time.
July 29, 2014 - 5:32pm

#836

mustin321

Joined:
August 12, 2011

SanFranWanabe

I hear what you are saying on the MIDI but that's what we're hearing now, and what you and whoever else heard live back then...it might take away from your experience then and now at that's totally fine but the interaction between the band was still there, the energy, the excitement. I'm sure you can imagine how good these shows would have been if they had used the organic instruments/equipment of the past. But its impossible to know how much Bobby was enjoying it at the time and the memories he has from it, regardless of the equipment used.
July 29, 2014 - 5:13pm

#837

SanFranWanabee

Joined:
March 27, 2014

Listening party fun

Had a nice time listening to the party but still not sold on 90's Dead. The mix is solid, but just can't get past the non organic midi sound. The Drums are just not there and the entire sound is just too digital for my tastes, get the fact that Bobby thinks this was a great period for the band as they all sound engaged and into it, but the sound does nothing for me. Not a hater of those that enjoy it and am really excited about the enjoyment lots will get from this release. I do find it ironic though that having seen the and followed many of the band projects the last number of years they have all gone back to the tube amp sound from the earlier years and stayed far away from the midi sound that the 90's were. They have also been very vocal about returning to that sound, including Bobby that is so fond of the 90's era. Again not trying to debate the eras, but has to kinda make you think if this stuff was so good, why do they not play it? Have fun folks that enjoy it, but simply don't agree with some that state all Dead is Grate. All Grate might be better than a lot of other stuff, by other bands, but there was a lot of music from that 90's era that was a lot more enjoyable than this sound for my tastes.
July 29, 2014 - 5:13pm

#838

SanFranWanabee

Joined:
March 27, 2014

Listening party fun

Had a nice time listening to the party but still not sold on 90's Dead. The mix is solid, but just can't get past the non organic midi sound. The Drums are just not there and the entire sound is just too digital for my tastes, get the fact that Bobby thinks this was a great period for the band as they all sound engaged and into it, but the sound does nothing for me. Not a hater of those that enjoy it and am really excited about the enjoyment lots will get from this release. I do find it ironic though that having seen the and followed many of the band projects the last number of years they have all gone back to the tube amp sound from the earlier years and stayed far away from the midi sound that the 90's were. They have also been very vocal about returning to that sound, including Bobby that is so fond of the 90's era. Again not trying to debate the eras, but has to kinda make you think if this stuff was so good, why do they not play it? Have fun folks that enjoy it, but simply don't agree with some that state all Dead is Grate. All Grate might be better than a lot of other stuff, by other bands, but there was a lot of music from that 90's era that was a lot more enjoyable than this sound for my tastes.
July 29, 2014 - 3:28pm

#839

dantian

Joined:
August 6, 2013

OK then

Moving Etree issue from "tragedy impending" to "tragedy narrowly averted."
July 29, 2014 - 2:01pm

#840

Seth Hollander

Joined:
August 27, 2009

Etree issue

My only knowledge of the issue is from Unkle Sam's post. Assumed he was correct. Would love to find out otherwise!

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

donations

I'm willing to donate one sealed DaP 6 or DaP 9 to the SPACEBROTHER fund, if I can please get the new Jerry! That's all I want right now.

space

My pleasure. I had considered suggesting that you post your physical address, but realized that you might wind up being over donated. Be that as it may, do so and use the funds for future releases. I purchase multiple copies of almost every release for fellow heads who are not as financially well off. This music is simply a treasure and nobody as devoted as you should go without. I attended many of the shows on this tour and possess life long joyful memories. But I simply do not enjoy listening to the music any more. To me, the magic is gone. How I envy those who were there in the beginning. Let us know where to send the funds and the money will be promptly delivered. Peace and enjoy. Lastly. PFox - you are a complete and utter tool. Enjoy living off of your parents hard earnings and go find another band.

random thoughts

I too will save for the big anniversary year! The last show I think i saw was in the summer of 89 so… did not see the band after I got married in 1990 (2015 will be a big year! 25 years of marriage and for the Dead as well!) Seems from what I have read/studied most folks think 1991 was the last really solid year for the boys, and things went down from there, with some good nights and some not so good… I remember well where I was when I heard Jerry had died in 1995. Again, by then, I had not seen the band live in about 6 years… I think I always thought I might get back to one more show… but I guess it probably was best I did not… Looking at some of the youtube vids of Jerry at the end… just sad to see, even to this day! Really think he looked good in 1989, maybe the best he had looked in many years… so maybe glad I shut it down there? I goof on Brent a bit, again he was my keyboard guy from 1984-89. And I do like some of his covers: Gimme Some Lovin, Dear Mr Fantasy, Hey Jude is not too bad…sometimes Let the good times roll… but think, when he was at his best, it was doing backup vocals, again, just my opinion with a a distance of 25/30 years… yikes. So I tend to listen to a time frame I did not witness… which is really late 1960s to early 1980 Have a Grateful weekend

Pricing & Sales

Other then the Europe '72 box., I think the cost per disc of this Spring '90 #2 is the lowest one. It comes to 10.43 U.S. dollars per disc. (I am not going to look at taxes or international duties here) Most of the other releases run a bit over 11.00 U.S. dollars per disc, so I think this one is fairly priced. Plus, due to the dearth of Brent releases & later, this one will sell out pretty quickly. For proof of this, look how fast the first Spring '90 box and DaP8 sold out. Some here have been comparing it to the May '77 box. Let's not forget, that one had 15,000 copies and this one has only 9,000. That is 40% less, and for an era that many folks have been asking for. It will sell out pretty quickly for sure. If you don't get it you will probably regret it.As far as 2015, I will worry about that in 2015. Who knows what will happen between now & then. I try to live for today! I have no guarantees that tomorrow will get here. Plus, who knows what TPTB have planned? A bird in the hand is worth two in the bush. I also would like to salute all of the folks who have stepped up to help out a Brother in need. After all that has been said, it restores my faith in the folks on this sight. It is a beautiful thing indeed. Rock on.

3-29-90

This one is essential dead, would love to order this one show from this box, but can't seem to find the order page for this one show, any help?The only reason that I am even considering this show is due to the 24 track recording, this will sound wonderful. I really wish they would have put all the Branford shows in one box set, now that would have been really cool. spacebrother, you must have great karma to get everyone on this site to buy you this box set, or perhaps the squeakiest wheel gets the most grease. Ebay sellers will not jump on this one like the first one I don't think, but if they do I hope they are kind and not greedy. As for me, I have all these shows on soundboard and they sound great, this is just too much for me to spend on these shows. After the Europe 72 ripoff, I just have a real problem buying big box sets put out by rhino, they don't care about the average deadhead. (when these shows actually happened, I was broke and poor and couldn't even think about going) That all being said, if anyone has any extra cash that they don't want, you can send it to me so I can get this set too, ok? LOL

Next years' Anniversary Box?????????????

Some have noted that next year being the GD's anniversary then something special should be released. Two questions: 1, What do you want it to be? 2. What do you think this next box would most likely actually be?

Count Me In

Someone please PM me with PayPal or snail mail details on how to contribute $20 to Spacebro's plight. I never agree with anything he says, but I am damn glad he holds true to his opinions, no matter how they are stated.

spring 1990

just make more of the damn things,so we don't get stuck going to ebay and getting ripped. I still don't have the first box set because I wont pay 500 bucks for it.if anyone has a copy I would love it Joshua.bisson@gmail.com and be willing to pay

I think...

I think it should be live. I think it should be previously unreleased. I think it should be Grateful Dead. Why do I personally think something special will released for 50th? Well lets see for starters you got a guy like Dave Lemieux at the helm who does a stellar job with the releases. A fan. A Deadhead. A guy that likes to get stuff out to the people. Can I stop here? Does this need explaining?

@unklesam

page for ordering 3-29-90 http://www.dead.net/store/1990s/wake-find-out-nassau-coliseum-32990-3-cd

Spaced Bro

Check your PM's

Weighin' In on the 70s and Spacebro

Woke up this morning and listened to the entire 5-15-77 show from last year's box. I think this one may be edging out 5/17 as my favorite. Some amazing playing goin' on for sure. As for rdevil's request, it's really easy. Close your eyes and pick one. The Amsterdam show is off the hook and I personally find 5/13 from Lille, France to have some extraordinary, over-the-top jamming. Why I never see it mentioned and raved about is beyond me. Definitely the unsung hero of the tour. For those of you who skip this show in favor of the "big guns", go back and have your mind blown! And finally, if someone organizes this Spacebro fund, please post the details and I'll pledge a Jackson also. His bitchin', though irritating, also makes for some interesting conjecture here, and for that, I'd say he's earned it. P.S. - What up Pfox! Good to see you back! I've missed your arrogant rants!

3/15/90

It's a Spring 90 weekend! Listening to 3/15/90! Grate Wharf Rat.

bt has these up now

hey, just went to Btorrent and they are upping all of these shows onto the site, most to all soundboards or matrix recordings, get them there for free.

WharfratWhitey . . ..

. . .Don't be a jerk.

Love this place

Spacebro has been here since the beginning. I have read his opinions in the past and applaud his passion, and at times taken point with some of his statements. I have traded with him back in the day (opinions and shows ;o}), and now that a brother is in a position of need, the community rallies. Even in spite of differences. Where else does that happen?Love it. I was in a similar spot with the 77 box, which includes my wife's first show in Minnesota. While I didn't pull the trigger and have regrets, this outpouring of compassion quells any of that. Despite our varied and vast opinionated ramblings, this is what deadheads are about. Hey, you all 'miracled' this for Spacebrother! Is there a better feeling that getting someone to the show? Tremendous. (Where do I sign up to get into this?) The Truth is realized in an instant, the act is practiced step by step.

Next Year...

The Box Sets I dream about for next year:5/4-5/9/77 (5 shows) or 10/21-11/1/73 (6 shows) or any variation within these two. Third place would be a 3 show Winterland Box- Either February of '74 or March of '77. I'll also happily contribute to Spacebro's Miracle Box, please someone PM me with details.

The Spring '90 Full Meal Deal

I posted this a few days ago, but (for obvious reasons) 'tis now more important than ever for collectors/completists: According to Dead.net's shopping cart bounce messages, fewer than 40 copies of Terrapin Limited remain. Super-hot show. Don't wait for the scalp!

DaP11

It's in the realm of possibility that the next Dave's Picks release is one of the shows of which a song was featured on the 2013 30 Days of Dead. Just a hunch folks. The 2012 30 Days of Dead had one track from the May 1977 Box on it. No tracks from 2013 30 Days of Dead were on DaP9, DaP10, or Spring 1990 Too. I'm thinking the answer to DaP11 or DaP12 is in there.

angry jack straw

i'm sorry your parents were unable to give you a better life than the one they had. you people call me a troll for voicing opinions you don't like, but the reality is even when i'm not involved in the conversation you bash me in an attempt to get a response. this thread isn't the first time. contrary to popular belief i'm not bothered by what some stranger on the internet thinks of me, and you know nothing of my financial situation. i don't need to go search for another band, because i'm in it for the music. i didn't gravitate to the grateful dead, because i needed an identity or camaraderie. with that said, its sort of hard to justify getting this box set at the heavy price they are asking, especially when i have more than 100 GD albums already, and there are so many other albums on my wish-list. i've drastically cut down on music purchases over the past few years, and i already get the DP subscription, so even though its a brent era release i have yet to make up my mind.

Spacebro Box

Is someone organizing Spacebro's Miracle Box? Ideally a PayPal account of someone representing the mission who in turn will be responsible for purchasing the Box (provided this person knows Spacebro's shipping address.) Please PM me with how to proceed...

The Crazy Fingers Box

Excited to dig into this come September! The legendary first spark b/n Garcia and Marsalis is one I have been looking forward to for a decade. I might have even neglected choosing it as the 'next show to digest' because I was waiting for the pristine cut. This is the cut. One song per day on the mix? Nice! What really makes these choice of shows interesting (for me) is the repetition of songs Crazy Fingers, Estimated, Truckin that make this feel more like a Jazz box. ex: Milestones, Round Midnight, Walkin 3X on a 6-disc. Love to compare these over the weeks performed. Nice choice of shows! The art looks as deep and talented as the previous edition. Although I had to miss that one, I am happy to pick up this round. 3/18, 21, and 29 for the most will be brand new to me. 3/28 may be my vote for 'funnest' of the run. Nice!

Zuckfun, Next Year...

I would be surprised if we didn't see something like a 5/7-5/9/77 box, or at least 5/8/77 as a general release along the lines of Sunshine Daydream. They would make so much money on that one they'd have to be crazy not to. As for '73, I'll surely take anything from the under-represented "Honey" year, but I'm really wishing for 6/10 RFK and 6/22 PNE. Throw in one more show and make a June 73 box? I can dream, anyway.

DaP11? Am I crazy?

Star Dark posted the cover for the Dave's Pick 11 is 7/10/81. I'm surprised noone has commented yet.

DaP11

Though the setlist looks interesting, I was convinced it was 11/17/72, I'm a little disappointed. Between the Box and now this, Brent era lovers should be pretty happy

DaP12?

That photo sais volume 12? Next up is 11

See two posts ago...

...just making mischief. If anyone here knows the "true identity" of DaP 11, they ain't sayin'!

Love the artwork Star Dark.

Love the artwork Star Dark. Still believe the answer is in 2013 30 Days of Dead. I'm leaning heavy on Texas 1971 for some strange reason. Or Spring 1970. You know what would have made a killer bonus disc? 5/6/70 Kresge Plaza, MIT. One of my all time favorite tapes. Plenty of energy despite the cold.

If you are not bothered . . .

then why respond?

C'mon now AJS

Whenever you get things stirred up it costs the rest of us money!

Star Dark

Nice job on the artwork. Obviously very convincing. I didn't even realize it said 12. D'0h

Thanks dude!

I was just trying to figure out where the rest of the 3/24 show was... I was missing the first Spring '90 filler. And here I was getting all worked up over nothing...

Next Box Set

What about Alpine Valley Wi. There were some great shows there!!!!!!!!!

rednow

Let me guess, you were at those shows, right?

Dantian

YEAH!!! YOU DON'T LIKE THE ALPINE SHOWS?

No sign of the SpaceBrother?

Ground control to Spacebrother..............where you be dude? Deadheads disagreeing reminds of the Riped off fan scene in the GDMovie! I wonder were those cats landed? The blond guy, John Williams?, looked pretty well on the way to a California lifestyle I always thought. In FLA it's hotter than Hades, so the stereo is jamming with SSDD, Dicks 29 and some sweet 72 off DP 23. Charting a course for 1990 and plan to descend with Daves 8 in Hotlanta. Gotta find that blender and make up some frozen bevvies and cocoon by the pool for sunset time. Hoping the Bro isn't lost in Saturns rings or other strangeness................

Alpine '89 and...

... 9/14/82 to face off in the Deadocrat presidential primary... Note to anyone "dissing" (hate that word) the July '89 stretch: At the time of those shows, the Alpine Valley trio - particularly 7/17 - was widely considered the best of an otherwise very good period. Then the Warlocks thing (inferior but for the breakouts) happened, and that was all anyone could talk about.

Space Brother et. al.

Can someone who is tallying up the finances for Space Brother let us know how the funds are doing? Have we covered the cost yet, or do we still need more donations? I can't afford the box myself, but I can afford throwing in a 20. Luke

AJS

i'm not going to let you defame me when its unwarranted, but for the record i've never inherited a dime from anyone. i have a college degree, and hold 3 licenses in a federally regulated industry.

rednow

Just showing off my psychic abilities.

Patagonia

Ug. I can stand and appreciate Space Brother at his worst. But I do wish we could vote Patagonia off the island, if only because his CV is simply too impressive. Exclusionary practices normally suck, but, well, sometimes...

@WharfratWhitey

Nevermind... getting punchy!

just when i thought i was out they pull me back in!

i understand i'm not liked by most people on this board, but if you can be honest with yourselves for 1 minute you'd realize i'm often goaded into a fight. you say you're tired of the drama, but the facts don't support your claim. SPACEBROTHER you'd be a fool to take these people's money. they're getting more out of it than you.

Of course

everyone here is getting more by giving than Spacebro is receiving. That is the delight, in giving the gift. The benefits of sharing has been what inspired the whole Dead taper community as well as the Deadheads as a group. "Teachers open the door, but you must enter by yourself."

2015 prediction

Lifetime subscription to Dave's Picks $15,000 Companion T-shirt and tea cozy $120 I'll toss a Jackson into the pile. Spacebro: PM me with your address

Dantian

Just me being a midwestern boy! I love all of the DEAD! But a great show in my opinion, That I think is overlooked is the 4-11-87 show at the U.I.C. Pavillion in Chicago. Sorry all of you 80 HATERS!

RandomDead

Random Dead. How about the Good Lovin' with drums from Princeton 1971 featured on GDHour 793! I'm not overly keen on drums alone but when it is good it's Grate! Listen to this one folks. Wow! Hope the rest of this show is as hot and in consideration for release some day. Also FW69 bonus disc. The Caution?

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Rednow

I'm not an 80's hater, I'm more of a 70's lover. Also, I think the mullet was a great hair style, and I wish more people would follow your example and try to bring it back into vogue.

Alternative Joy

It's been a therapeutic 48+ hours! After being introduced to a GD saturation point that I didn't expect even existed (e-cubed!), I found myself needing a fix - particularly of the mid-to-late '73 vintage I'd hoped for with this announcement. So, I checked out Bear's Boarding House recordings of O&ITW, which had dropped about $10 since release, quickly ordered Thurs. A.M., and received it today in time to put on the Ipod for a couple mid-day hours spent running trails in the national park (I love living in proximity to an Amazon distro center!). I only own 1 of the original 3 individual releases of those performances, so the net gain of remastered and complete shows was tremendous...for those on the sidelines of part deux here, but still desirous of a new infusion to the collection, I encourage you to check this one out!/kate

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