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    jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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  • Vguy72
    Joined:
    The music on Spring TOO is so good.....
    ....that I just realized there is a book in the set......Bonus!!
  • robshead
    Joined:
    Update re HD FLAC downloads subsequent to original post
    Yes, thank you. That was added after my original post and email to dead.net requesting clarification on the hi-res downloads.
  • wilfredtjones
    Joined:
    3/25 Eyes of the World
    Correct me if I'm wrong, but it sounds like this marks the return of the slower tempo Eyes of the World. I wonder what the genesis of the change was. Was it something that had been discussed for years? They open the second set with it, a rare thing in and of itself. The 3/19 show has the up-tempo Eyes of the World. Does anyone know exactly when the faster tempo Eyes of the World was introduced? Perhaps it was a gradual thing, but it sounds to me they started increasing the beat on the first leg of the Spring '78 tour and things just started getting faster from there. (4-12-78 Duke to be precise.)
  • FiveBranch
    Joined:
    guess its my turn.....
    I was a guilty fence sitter for quite a while but now am now a fully satisfied owner. Sound wise, is as everyone has praised, with the sort of distinctive clarity usually only found in studio recordings. My preference for listening actually tends to be top-spun audience pulls (which was partly to blame for the hesitation) but having the opportunity hear perfectly balanced levels, being able to cue into the goings on of any one of our six psychedelic minstrels... well, just too much to pass up. And what a great tour for this. While maybe not quite hitting those X factor peaks that can push the sweat out from the soles of your feet, I’m not sure there are other tours where the band moves as fluidly as a collective unit as they do here. The music simply rides on an effortless wabi-sabi of intuitive inspiration and leaves the show boating to the Knicks. Probably the most democratic mode the band ever found themselves in. The other reason for my purchase was the artwork. As much as I will always connect to the standard iconography (yes, put a bolt on it, indeed!), how lucky we are to have an entirely fresh visual expression for the GD ethos. And to this head, Dessner’s work is as much of a natural fit as say, Mouse’s efforts for the original Europe ‘72 release. It works.... perfectibly! Besides that, with the release limited to 9,0000, who knows? The box set might just appreciate value for this aspect alone. Impossible to predict though as finicky as the art world is. Although, when I spread all the discs out upon my coffee table, or catch a glimpse of the carousel skeleton riding dandy in the bookshelf, proudly between Mark Twain’s Library of Humor and Cormac McCarthy‘s The Crossing, I understand without a doubt the contribution that has been made to my home (and I live in a bitsy house, mind you). So maybe that will persuade others to close this one out. And don’t worry, I don’t work for Rhino. Am only one of the many many out there that still finds himself amazed that he can listen to this great great band with the same enthusiasm as he always has year after year, decade after decade.
  • KCorriganM
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    Brent
    Listen to Brent's work on Stella Blue on 4/1 at the Omni. Really beautiful. There are so many examples in Spring 90 of guys just being totally in the moment and playing creative runs and fills. These are truly great shows.
  • hbob1995
    Joined:
    Brent
    Musically speaking, I think Brent brought a lot to the table. He added a new dimension and some innovative sounds. It is quite obvious that Jerry really enjoyed playing with him. As for his vocals, I love him as a background singer and not so much as the lead singer. I do really like Just A Little Light and Blow Away from the first Spring '90 box are great too.Rock on
  • gfink
    Joined:
    For all not floored by the "sounds" of 1990 GD....
    I totally hear you guys on not liking Brent's sounds or Jerry's midi sounds in this era of the Dead. How can it compare to earlier versions? Etc. I had that exact view for no less than 20 years. My two times seeing them with Jerry was 7-2-89 and 9-24-91, or basically a year or so on either side of Spring 90. The 89 show was awesome, the 91 show not bad, but with both I was really wishing that I was seeing the version from 20 years back. I came close to SELLING Without a Net at one point! Always liked Dozin, but could not understand the Terrapin Ltd, the Warlocks set, Nightfall of Diamonds. Now, I have come around. I think it was hearing a friend's copy of the first Spring 90 set that did it. This stuff is really superb, just different. I really think this was a high point of their career. Yes I love 68-74, and 77 and other choice moments in their timeline. No question. But as you keep listening to this stuff over the years, you start to appreciate more that quirky stuff that sometimes came to the table during this era. It brings a little variety. And the band is playing rock-solid in the meantime. I appreciate Brent more than ever - he was the right guy for them at this particular point in time. Anyway.... just saying give it time, you'll probably be just as happy to hear this stuff as any other era. Edited to add: Brent's songs, OK, still not usually the highlight but for the most part I listen to them now - never did before -and some are quite good - Blow Away, JALL...
  • dantian
    Joined:
    Supermark420
    It says right here on this page in the Digital Download section: "HD FLAC Available in 192kHz/24bit"
  • brianhahne
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    Joined:
    Guys...
    Wow.. thanks...I'm still looking for that RT bonus disc for you... it's a tough one to find.. I haven't come across it yet. But eventually I will. Thanks again for the shout outs. I appreciate that!! BTW.. since this is the Spring TOO forum.. let me say, I'm on my 3rd listen through the box set. I haven't even cracked open the book to read it yet. The music is amazing. I go concert to concert... then start over. LOVE THIS STUFF!
  • madpanic
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    Joined:
    I agree about brianhahne!
    I got a couple of items I wanted from him on ebay as well for a very fair price. Still looking for my white whale, the Road Trips 2011 bonus disc, but in the meantime his prices on other cds are very, very good.
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jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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Thank you. I think?
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I brought out Dicks Volume 2 this past weekend. Short but definitely very sweet... The Dark Star>Jam is one of my all-time favorites. Also recently listened to England '74. Can't remember the number off top of my head. Very good.
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you're welcome? I think?not sure why i'm saying you're welcome... but you're welcome
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I think just placed an order with you on ebay. Didn't know it was you until I got the reply.
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Don't know where you came across that photo, but I wouldn't put too much stock in the printed info at the bottom. The photo itself looks to be from a 1990 show, and look closely, there are TWO Bobs in it! Fairly easy to type onto a photograph these days. Check your Deadbase. No shows in October '64.
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Thanks Wharf. The photo certainly confused me. Guess I am too gullible! I trust people too much perhaps.
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Look at the setlist on that bootleg. UJB PITB Ripple It sure isn't from the 60's.
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Well, the first Playing in the Band was 2-8-71, and the last King Bee was 12-15-71 (with PigPen). So, if this is all from one show, it would need to be between those dates. I checked and cannot find any shows (that we know of) that have all of the songs in the list for this CD at one show. It is probably songs culled from shows between those two dates. If anyone else wants to check, the song list on the cd is: Uncle John's Band NFA-GDTRFB Morning Dew Playing in the Band Ripple Sugar Magnolia Casey Jones Me & Bobby McGee King Bee. Interesting puzzle, though :)
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oh you did... ok? Then that's your road trips i just put in the mailbox. just a heads up... hit me up ahead-of-time next time via email.. I sell stuff there, but if you contact me, i will knock money off it if I know you're from here on this msg board.. can't do it after the fact though... but in the case of some folks here who buy a lot, it adds up
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Thank You. You can keep your mod hat on.
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Got your PM... you got one back. I'll send you my email too.
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That was quite a morning read over my yogurt and granola. The best part of this cyber-community is that it helps me to stay connected to a great time in my life. The music and conversation sustain me on many fronts. Even the arguments and diatribes have their place (had some very intense discussions in the hotels, arenas, campgrounds, etc). The reality for all of us tied to this band is that we share a passion willingly with others. Some of us are nuttier than others (why I have the same show in four media formats or five different recordings is very hard to explain to the uninitiated). To get too serious or angry about any of this makes no sense. The music and memories should transport us to higher places in our minds. Sure it is personal, very very personal. In sharing the experience we need to give each other the space and respect we would give our neighbors at a show. Experienced plenty of true idiots there ( getting pissed on at calaveras 87 or having my girlfriend's head split open by a quarter thrown from the upper reaches at Nassau 85, trampling gate crashers, etc.) I like to think of these forums as being free of the idiots, a gathering of folks into it for the right reasons. I hope we can get back to this place. Thanks to Mary E for cleaning up the mess. Let's try to leave nothing but educated passionate footprints.
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That was quite a morning read over my yogurt and granola. The best part of this cyber-community is that it helps me to stay connected to a great time in my life. The music and conversation sustain me on many fronts. Even the arguments and diatribes have their place (had some very intense discussions in the hotels, arenas, campgrounds, etc). The reality for all of us tied to this band is that we share a passion willingly with others. Some of us are nuttier than others (why I have the same show in four media formats or five different recordings is very hard to explain to the uninitiated). To get too serious or angry about any of this makes no sense. The music and memories should transport us to higher places in our minds. Sure it is personal, very very personal. In sharing the experience we need to give each other the space and respect we would give our neighbors at a show. Experienced plenty of true idiots there ( getting pissed on at calaveras 87 or having my girlfriend's head split open by a quarter thrown from the upper reaches at Nassau 85, trampling gate crashers, etc.) I like to think of these forums as being free of the idiots, a gathering of folks into it for the right reasons. I hope we can get back to this place. Thanks to Mary E for cleaning up the mess. Let's try to leave nothing but educated passionate footprints.
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Garcia Live, Vol 4. Start the spin this evenin'. BTW-saw Robert Hunter is appearing at Newport Folk Festival. Saw him last time around in Boston-great show. Listened to the CSNY 74 1 disc compilation from the new box set. Nice versions of some of the more well known songs on this 1 disc version. Ironically it makes me apprec. the Dead all that much more-less hype, more jams, more chances taken, less politics, more timeless IMHO.
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Mary Ramon(e) Tommy Ramone passed recently...hooray for the Ramones! or, Gabba Gabba Hey! Revolver sounds REALLY good right now :))) I recommmmmmmmmmmmmmend Love or Confusion by Jimi H Exp. Wanna blow your mind? Read Beloved by Toni Morrison. CREEPY. HARTFORD 83!!!
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you missed the original post that started it all...so, yea that should be removed as well... peace to you, Brother Seth... ♤
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Does anyone remember the Blair J and Big Donnie smackdown on the Europe 72 thread a few years ago? That was something to behold.Speaking of BlairJ, you never see his postings anymore. Could BlairJ be posing as Bolo24? Just wondering.
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That does make a lot of sense, indeed. Oh that mysterious Bolo...
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UnderTheVolcano: You are in for a treat... I was blown away by this release.The set list looks very ordinary but the performance is awesome. The sound quality is top notch. Love the background vocals with both Donna and Maria...
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Yep. Bolo, same first letter as Blair. J is the 10th letter of the alphabet. 24, or 2 + 4, = 6 6 + 6 = 12. Subtract 12 from the number of letters in the alphabet (26) and you get 14. Take the 4 from Bolo's name, and subtract it from 14, and you get 10 (J!) It's obvious! (The "olo" is just there to confuse us)
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Who cares who or what message started it? Please respect a very good moderator in Marye and just let the back-and-forth end. Marye does a great job and rarely gets involved in these spats between members. She isn't banning you guys, just saying cut it out. Now, where is the DaP11 announcement? The timing of this box announcement really will leave DaP11 little space of its own. I am sure it will get the love it deserves, but I wonder if some non-subscribers will have to forgo purchasing because of this $250 box already announced. Lastly, release of individual shows would be fantastic. My guess on the E72 individual releases is that there was a quick demand for the music-only box, but that did not live up the hype. So, they have them in-stock now. Personally, I love that the E72 tour is available individually-- I didn't get the box, but have been chipping away at shows. Someday, maybe I will have the tour...

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Does bolo24 have part of the cover art for DaP11 up as an avatar?Saw it this morning and it's been bugging me. Is that it? So much confusion, so little mind. Bobaloo is curious..............
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...or the "olo" are not letters, but numbers. Hmmmmm
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This is pretty random, but Manuel Neuer is Germany's Goalkeeper. His name is abbreviated Ma. Neuer. And his nickname is "The Horse" Ma. Neuer. That is total BS. Of course his last name is pronounced "Noyer."
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Do we know if more than the entire box and the Branford show is available for individual purchase? I want several of the shows with a Branford hardcopy but not necessarily a complete run...
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10 years 10 months
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Very interesting! But I don't think it's BS. HS, maybe.
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16 years 11 months
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Dantian, that's it! You've figured out the code. I can't reveal what I now realize though, it would not be fair. PS - “If you go flying back through time, and you see somebody else flying forward into the future, it's probably best to avoid eye contact” - Jack Handy PPS - Cosmicbadger - I think Peace, Love, and Understanding are freakin' hilarious.
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Great tune! sort of bang it out on my acoustic from time to time
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11 years 9 months
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...at Bolo's avatar, and you can see (in VERY tiny print) "9/14/82" !
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DUDE! I got your PM.I have what you're looking for. 1 left. Check PM for my direct email and info... check SOON though....
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...at anything and you can see anything. In tiny print. I'm really liking the new Jerry Band release. Wonderful music for a long summers day and night.
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15 years 9 months
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Looks more like 7/10/81 to me. :-D
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I've finished translating the rest of it. Don't get on that ship! The rest of the book, it's... it's a cookbook!
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15 years 9 months
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cue Twilight Zone theme
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So, as we sit twiddling our thumbs in anticipation of DaP 11... In heavy rotation: Sturgill Simpson's "Metamodern" Howlin' Brothers' "Howl" Rodney Crowell's debut Hey - music beyond the Dead. Whodathunk?
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Fennario, How does the JGB Vol 4 compare to the Pure Jerry Warner Theatre Release? I love the Warner version of Mission - just bursting of energy and my wife loves Midnight Moonlight, so the second disc gets a lot of rotation in the car. Trying to figure where to spend my grateful music dollar... Music in play: Box TOO, JGB Vol4, GDMovie Soundtrack, SSDD, new CSNY box, Led Zep remasters, E72 boxset - Love it all, but can't get it all. Listening to the Spring 90 shows from bttree/archive, digging what I'm hearing thus far...
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I missed out on the Pure Jerry which is one reason this release makes me so happy. One caveat: It's missing the last few minutes of Midnight Moonlight according to the small print on the CD case if that matters to anyone (tape apparently ran out). I'm sure it does matter to some of you :) IMHO It's worth it for the piano playing alone. Keith and Ozzie must have been competing for Jerry's approval!
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...it might matter to your wife, huh?
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it says "the first few minutes". My eyes are horrible...double vision.
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It's the end that's missing. The song ends abruptly. Pretty ugly actually. Unless I have a defective CD?
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Cy Dune - "Shake"Wooden Wand - "AZAG TOTH" People of the North - "Judge A Man By His Fruits" William Tyler - "Blue Ash Montgomery" M. Geddes Gengras - "Ishi" Ghost - "Snuffbox Immanence" When the Sun Goes Down Vol.1 - "Walk Right In: The Secret History Of Rock 'n' Roll GD - "Formerly the Warlocks"
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If you're thinking of the CSNY box, I'd say go for it. It's fantastic. Sure, it was cleaned up a bit by Nash, but the music is phenomenal. It's a nice portrait of the tour. The single disc version at Best Buy isn't too shabby a sampler, but the full three set summary is worth the cash. I've had it in since I bought it last week.
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I bought the single disc from Amazon and it came with Auto Rip. The auto rip included all 40 tracks - YMMV of course.
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