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    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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  • hbob1995
    Joined:
    Raves for '90 TOO
    I think the awesomeness of this box speaks for itself, but just scroll down through the posts here if you are not sure. There is not one show out of the eight which does not have someone here singing its praises. The box, the cases, the accoutrements, and the great set lists mixed to perfection make this one for the ages. When the first Spring '90 box came out, I stated that it would be THE box set that all others would be judged against. Well, I may have to correct myself as this one has probably outdone that one! I love both, but the sound on this one is just amazing. It is surely a great time to be a listener of the best band in the land.Rock on
  • lundyw1
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    Miracle Coin
    Got in touch with someone from Rhino via email, and the mystery was solved about the "Miracle" coin. Was told that the promotional copies of the box set that they gave away all had coins with "Miracle" on them and that I shouldn't have received it. Bummer - was hoping for that trip to the vault! Was told by Rhino that they would replace the set with a numbered one. Listened to the copy of the Branford show today for the first time in the early hours of the morning while on the way to work - it really is worth the hype. Wow.
  • Nebulorb
    Joined:
    More Branford Quotes
    I believe the following quotes demonstrate that Branford immediately recognized the difference between the GD's 'sometimes tricky' songs & 'most popular songs.' Also that he understands that listening and playing within context is fundamental to the art of jamming and as such he joined the group onstage as a supportive listener, rather than a star soloist. “When we did ‘Bird Song,’ the first thing I wanted to do was learn the form of the song. The Dead have some incredibly tricky tunes, but for the most part, popular songs are quite simple. People don’t want to go to music school when they’re listening to their music. Jamming doesn’t mean you can play whatever you want. You have a tremendous amount of leeway in context. If you understand the rules, then you have context. But it was a jam session. And I wasn’t going to step on the mainline. I was going to compliment what Jerry was doing. I would just respond to what I was hearing.” “Every time I had played at a popular concert, I was in a horn section. There are specific spots where you play and specific spots where you don’t play. I’d never been in a situation where I was up there and they said ‘OK, let’s do this song.’ What I started to figure out was something I learned as a kid playing in New Orleans. One of the rules of playing in popular styles of music is that the singer is the most important person on stage – you can’t step on the singer. Then it was a matter of figuring out how I could function in a group context. One of the things I basically did was never play a note when [Jerry] sang the first chorus. I always waited to the second chorus. The world just doesn’t need that much sax playing in the middle of a song.” http://blogs.wsj.com/speakeasy/2014/09/08/grateful-dead-branford-marsal…
  • hseamons
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    By Way of Comparison...
    Here are the 30 songs unique to the first box set: Attics of My Life - 3/30 Beat It on Down the Line - 3/22 Believe It or Not - 3/22 Big Railroad Blues - 3/26 Black Throated Wind - 3/16, 3/26 Blow Away - 3/16, 3/26 Box of Rain - 3/19 Brokedown Palace - 3/19, 3/26 Brown Eyed Women - 3/19, 4/2 Built to Last - 3/26 China Doll - 3/19, 3/30 Death Don't Have No Mercy - 4/2 Dire Wolf - 3/30 Don't Ease Me In - 3/22, 3/30 Dupree's Diamond Blues - 3/26 Fire on the Mountain - 3/22 Franklin's Tower - 3/24, 3/30 Gimme Some Lovin' - 3/19, 3/26, 3/30 Help on the Way - 3/24, 3/30 Hey Jude - 3/22 It Must Have Been the Roses - 3/22 It's All Over Now - 3/19, 3/30 Just Like Tom Thumb's Blues - 3/30 The Last Time - 3/16, 3/22, 4/2 Let the Good Times Roll - 3/16, 3/24 Loser - 3/16, 3/24 Peggy-O - 3/16 Slipknot! - 3/24, 3/30 Terrapin Station - 3/30 West L.A. Fadeaway - 3/22 TOO has 13 more unique songs, at 43. Fence sitters have no choice now. Thanks!
  • Seth Hollander
    Joined:
    hseamons (and Wolfclan77)
    Like Dantian said, if you're Hunter Seamons: Thank You! I am listening to the Seamons matrix of 7/1/85 right now. Sounds FANTASTIC! The three tracks I picked from my former (audience) source of the show are about to be replaced by eight tracks from this matrix mix source. Obtained through the wondrous graces of "Wolfclan77", perhaps someone who frequents this website's comment threads (Wolfclan77 has also posted 9/18/74 and e few others that have been mentioned recently here...hmmm...). Big thanks to Hunter Seamons for all the matrix mixes you worked on and made available to the on-line World and to Wolfclan77 for recently posting so many Dead shows that I want to a website I can D/L them through. I have a personal goal of upgrading my remaining LMA MP3-sourced shows to GDM releases or "Lossless Source" D/Ls. W77 has enabled me to do more upgrades in a couple of months than GDM has in 3 years! Big thanks to Charlie Miller while I am at it!
  • hseamons
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    Joined:
    43 Reasons to Purchase Spring 1990 TOO
    None of these songs appear on the first box: All Along the Watchtower - 3/18 Althea - 4/1 Big River - 3/14, 4/1 Black Peter - 3/14, 3/25 Candyman - 4/1 Cassidy - 3/28 Cold Rain and Snow - 3/14, 3/28 Crazy Fingers - 3/14, 3/21, 3/25, 4/3 Cumberland Blues - 3/21, 3/28 Dark Star - 3/29 Far From Me - 3/21 Friend of the Devil - 3/18 Greatest Story Ever Told - 3/25 Hey Pocky Way - 3/21, 3/28 High Time - 3/28 I Will Take You Home - 3/25, 4/3 Jack Straw - 3/29 Knockin' on Heaven's Door - 3/21, 3/29 Loose Lucy - 3/14, 3/21, 3/28 Mama Tried - 3/14 Me and My Uncle - 3/18, 4/1 Mexicali Blues - 3/18 The Music Never Stopped - 3/18, 4/1 Never Trust a Woman - 3/14, 3/25 Promised Land - 3/21, 3/29, 4/3 Quinn the Eskimo - 3/25 Ramble On Rose - 3/18, 3/29 Revolution - 3/28 Shakedown Street - 3/18, 4/3 Spoonful - 3/18, 3/25 Stagger Lee - 3/18 Stuck Inside of Mobile with the Memphis Blues Again - 3/14 Sugaree - 4/3 Throwing Stones - 3/21, 3/29, 4/3 To Lay Me Down - 4/1 Turn On Your Lovelight - 3/14, 3/21, 3/29 U.S. Blues - 3/18 Walkin' Blues - 4/1 Wang Dang Doodle - 3/25 We Bid You Goodnight - 4/3 Wharf Rat - 3/21, 3/28 The Wheel - 3/18, 3/29 When I Paint My Masterpiece - 3/18, 3/25, 3/29, 4/3 My apologies for any errors. I did this quickly. Very quickly while listening to 3/18.
  • rrot
    Joined:
    That's not condescension.
    It is harmonically simple. Isn't it? Yeah, it mostly is. And Marsalis' point is that some jazz players are so full of themselves that they think that means they're above it. If anything, that reads as a dis to many jazz players. Like some jazz players, it seems some rock fans apparently also think the observation that the music is harmonically simple is an insult. Marsalis is saying that's wrong. This is really making something out of nothing.
  • dantian
    Joined:
    hseamons
    If you're the matrix guy, I just want to say thanks for all the great work you do. I have many of your matrices and they're top notch. Thanks!
  • claney
    Joined:
    hseamons' list
    hseamons - that is just incredible, thanks for doing that. One of the things which finally conviinced me to shell out for this box was the unbellievable variety of setlitsts. Much as I love the May 77 box, it sure has more repetition. (Not to mention Europe 72 - Mr. Charlie anyone?) Bolo, I don't disagree at all re: Branford. As I mentioned, he does say a lot of positive things too. But, I don't think Palmer was misconstruing anything either... I just felt like offering a little back-up there.
  • bolo24
    Joined:
    It's all about context
    Branford also said this: "Those guys can play music...they're American musical icons. They're fantastic! As a matter of fact, I just bought their records. I went out and copped 'em all."
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jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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Thank you. I think?
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I brought out Dicks Volume 2 this past weekend. Short but definitely very sweet... The Dark Star>Jam is one of my all-time favorites. Also recently listened to England '74. Can't remember the number off top of my head. Very good.
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I also have always been led to believe tht the band we all know & love so much got there start in 1965. So imagine my surprise when I found this pic while looking at some old photos of the Fillmore Westhttp://cps-static.rovicorp.com/3/JPG_400/MI0001/769/MI0001769217.jpg?pa… It clearly is labeled Oct. 23, 1964! Can anyone comment on this? Rock on
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you're welcome? I think?not sure why i'm saying you're welcome... but you're welcome
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10 years 6 months
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I think just placed an order with you on ebay. Didn't know it was you until I got the reply.
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13 years 2 months
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Don't know where you came across that photo, but I wouldn't put too much stock in the printed info at the bottom. The photo itself looks to be from a 1990 show, and look closely, there are TWO Bobs in it! Fairly easy to type onto a photograph these days. Check your Deadbase. No shows in October '64.
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Thanks Wharf. The photo certainly confused me. Guess I am too gullible! I trust people too much perhaps.
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Look at the setlist on that bootleg. UJB PITB Ripple It sure isn't from the 60's.
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Well, the first Playing in the Band was 2-8-71, and the last King Bee was 12-15-71 (with PigPen). So, if this is all from one show, it would need to be between those dates. I checked and cannot find any shows (that we know of) that have all of the songs in the list for this CD at one show. It is probably songs culled from shows between those two dates. If anyone else wants to check, the song list on the cd is: Uncle John's Band NFA-GDTRFB Morning Dew Playing in the Band Ripple Sugar Magnolia Casey Jones Me & Bobby McGee King Bee. Interesting puzzle, though :)
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oh you did... ok? Then that's your road trips i just put in the mailbox. just a heads up... hit me up ahead-of-time next time via email.. I sell stuff there, but if you contact me, i will knock money off it if I know you're from here on this msg board.. can't do it after the fact though... but in the case of some folks here who buy a lot, it adds up
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Thank You. You can keep your mod hat on.
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Got your PM... you got one back. I'll send you my email too.
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That was quite a morning read over my yogurt and granola. The best part of this cyber-community is that it helps me to stay connected to a great time in my life. The music and conversation sustain me on many fronts. Even the arguments and diatribes have their place (had some very intense discussions in the hotels, arenas, campgrounds, etc). The reality for all of us tied to this band is that we share a passion willingly with others. Some of us are nuttier than others (why I have the same show in four media formats or five different recordings is very hard to explain to the uninitiated). To get too serious or angry about any of this makes no sense. The music and memories should transport us to higher places in our minds. Sure it is personal, very very personal. In sharing the experience we need to give each other the space and respect we would give our neighbors at a show. Experienced plenty of true idiots there ( getting pissed on at calaveras 87 or having my girlfriend's head split open by a quarter thrown from the upper reaches at Nassau 85, trampling gate crashers, etc.) I like to think of these forums as being free of the idiots, a gathering of folks into it for the right reasons. I hope we can get back to this place. Thanks to Mary E for cleaning up the mess. Let's try to leave nothing but educated passionate footprints.
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That was quite a morning read over my yogurt and granola. The best part of this cyber-community is that it helps me to stay connected to a great time in my life. The music and conversation sustain me on many fronts. Even the arguments and diatribes have their place (had some very intense discussions in the hotels, arenas, campgrounds, etc). The reality for all of us tied to this band is that we share a passion willingly with others. Some of us are nuttier than others (why I have the same show in four media formats or five different recordings is very hard to explain to the uninitiated). To get too serious or angry about any of this makes no sense. The music and memories should transport us to higher places in our minds. Sure it is personal, very very personal. In sharing the experience we need to give each other the space and respect we would give our neighbors at a show. Experienced plenty of true idiots there ( getting pissed on at calaveras 87 or having my girlfriend's head split open by a quarter thrown from the upper reaches at Nassau 85, trampling gate crashers, etc.) I like to think of these forums as being free of the idiots, a gathering of folks into it for the right reasons. I hope we can get back to this place. Thanks to Mary E for cleaning up the mess. Let's try to leave nothing but educated passionate footprints.
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Garcia Live, Vol 4. Start the spin this evenin'. BTW-saw Robert Hunter is appearing at Newport Folk Festival. Saw him last time around in Boston-great show. Listened to the CSNY 74 1 disc compilation from the new box set. Nice versions of some of the more well known songs on this 1 disc version. Ironically it makes me apprec. the Dead all that much more-less hype, more jams, more chances taken, less politics, more timeless IMHO.
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Mary Ramon(e) Tommy Ramone passed recently...hooray for the Ramones! or, Gabba Gabba Hey! Revolver sounds REALLY good right now :))) I recommmmmmmmmmmmmmend Love or Confusion by Jimi H Exp. Wanna blow your mind? Read Beloved by Toni Morrison. CREEPY. HARTFORD 83!!!
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you missed the original post that started it all...so, yea that should be removed as well... peace to you, Brother Seth... ♤
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17 years 4 months
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Does anyone remember the Blair J and Big Donnie smackdown on the Europe 72 thread a few years ago? That was something to behold.Speaking of BlairJ, you never see his postings anymore. Could BlairJ be posing as Bolo24? Just wondering.
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That does make a lot of sense, indeed. Oh that mysterious Bolo...
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UnderTheVolcano: You are in for a treat... I was blown away by this release.The set list looks very ordinary but the performance is awesome. The sound quality is top notch. Love the background vocals with both Donna and Maria...
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Yep. Bolo, same first letter as Blair. J is the 10th letter of the alphabet. 24, or 2 + 4, = 6 6 + 6 = 12. Subtract 12 from the number of letters in the alphabet (26) and you get 14. Take the 4 from Bolo's name, and subtract it from 14, and you get 10 (J!) It's obvious! (The "olo" is just there to confuse us)
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Who cares who or what message started it? Please respect a very good moderator in Marye and just let the back-and-forth end. Marye does a great job and rarely gets involved in these spats between members. She isn't banning you guys, just saying cut it out. Now, where is the DaP11 announcement? The timing of this box announcement really will leave DaP11 little space of its own. I am sure it will get the love it deserves, but I wonder if some non-subscribers will have to forgo purchasing because of this $250 box already announced. Lastly, release of individual shows would be fantastic. My guess on the E72 individual releases is that there was a quick demand for the music-only box, but that did not live up the hype. So, they have them in-stock now. Personally, I love that the E72 tour is available individually-- I didn't get the box, but have been chipping away at shows. Someday, maybe I will have the tour...

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10 years 6 months
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Does bolo24 have part of the cover art for DaP11 up as an avatar?Saw it this morning and it's been bugging me. Is that it? So much confusion, so little mind. Bobaloo is curious..............
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11 years 3 months
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...or the "olo" are not letters, but numbers. Hmmmmm
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14 years 7 months
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This is pretty random, but Manuel Neuer is Germany's Goalkeeper. His name is abbreviated Ma. Neuer. And his nickname is "The Horse" Ma. Neuer. That is total BS. Of course his last name is pronounced "Noyer."
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15 years 10 months
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Do we know if more than the entire box and the Branford show is available for individual purchase? I want several of the shows with a Branford hardcopy but not necessarily a complete run...
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11 years 3 months
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Very interesting! But I don't think it's BS. HS, maybe.
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17 years 3 months
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Dantian, that's it! You've figured out the code. I can't reveal what I now realize though, it would not be fair. PS - “If you go flying back through time, and you see somebody else flying forward into the future, it's probably best to avoid eye contact” - Jack Handy PPS - Cosmicbadger - I think Peace, Love, and Understanding are freakin' hilarious.
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Great tune! sort of bang it out on my acoustic from time to time
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12 years 2 months
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...at Bolo's avatar, and you can see (in VERY tiny print) "9/14/82" !
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nice pick
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DUDE! I got your PM.I have what you're looking for. 1 left. Check PM for my direct email and info... check SOON though....
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10 years 6 months
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...at anything and you can see anything. In tiny print. I'm really liking the new Jerry Band release. Wonderful music for a long summers day and night.
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16 years 2 months
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Looks more like 7/10/81 to me. :-D
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11 years 3 months
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I've finished translating the rest of it. Don't get on that ship! The rest of the book, it's... it's a cookbook!
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16 years 2 months
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cue Twilight Zone theme
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12 years 2 months
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So, as we sit twiddling our thumbs in anticipation of DaP 11... In heavy rotation: Sturgill Simpson's "Metamodern" Howlin' Brothers' "Howl" Rodney Crowell's debut Hey - music beyond the Dead. Whodathunk?
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Fennario, How does the JGB Vol 4 compare to the Pure Jerry Warner Theatre Release? I love the Warner version of Mission - just bursting of energy and my wife loves Midnight Moonlight, so the second disc gets a lot of rotation in the car. Trying to figure where to spend my grateful music dollar... Music in play: Box TOO, JGB Vol4, GDMovie Soundtrack, SSDD, new CSNY box, Led Zep remasters, E72 boxset - Love it all, but can't get it all. Listening to the Spring 90 shows from bttree/archive, digging what I'm hearing thus far...
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I missed out on the Pure Jerry which is one reason this release makes me so happy. One caveat: It's missing the last few minutes of Midnight Moonlight according to the small print on the CD case if that matters to anyone (tape apparently ran out). I'm sure it does matter to some of you :) IMHO It's worth it for the piano playing alone. Keith and Ozzie must have been competing for Jerry's approval!
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...it might matter to your wife, huh?
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it says "the first few minutes". My eyes are horrible...double vision.
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It's the end that's missing. The song ends abruptly. Pretty ugly actually. Unless I have a defective CD?
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Cy Dune - "Shake"Wooden Wand - "AZAG TOTH" People of the North - "Judge A Man By His Fruits" William Tyler - "Blue Ash Montgomery" M. Geddes Gengras - "Ishi" Ghost - "Snuffbox Immanence" When the Sun Goes Down Vol.1 - "Walk Right In: The Secret History Of Rock 'n' Roll GD - "Formerly the Warlocks"
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If you're thinking of the CSNY box, I'd say go for it. It's fantastic. Sure, it was cleaned up a bit by Nash, but the music is phenomenal. It's a nice portrait of the tour. The single disc version at Best Buy isn't too shabby a sampler, but the full three set summary is worth the cash. I've had it in since I bought it last week.
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I bought the single disc from Amazon and it came with Auto Rip. The auto rip included all 40 tracks - YMMV of course.
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