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    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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  • Syracuse78
    Joined:
    Tinley Park
    My wife and I decided on that Saturday to head down to newly opened Tinley Park and try to get tix and see the show. In the latter years of the Dead, I frequently would be disillusioned with the band and the increasingly large venues and not buy tix in advance. Then I'd get excited to see them as the show date got closer and would try to scalp tix. Anyway, we put some food and drink together and started down from Park Ridge to Tinley Park, probably around 3 or 4 pm. It should have been a 45 minute ride. The venue was so unprepared for the influx of people that I80, the interstate that you take to get to TP, was a parking lot. Literally. I got out of the car on the interstate (my wife hopped into the driver's seat in case traffic moved) and I walked up and down the interstate trying to find someone selling tickets. No dice. After, I don't know, two hours stuck in traffic, we were able to get out of the exit lane and speed past the exit for TP. We turned around and headed back to Park Ridge. I swore I would never go back to World Music Center. I haven't. Oh well, I'm sure they were good shows, but what a clusterf...
  • estimated-eyes
    Joined:
    Tinley Park
    I was at the first and third nights at Tinley Park 1990 and thought Brent was in great form. In fact, my setlist notes from night one included a note regarding a sweet Brent keys solo during Friend of the Devil. We didn't have tickets to night two, so we heeded the band's advice and stayed away in our campground. That venue was lousy, though, and put off a bad vibe from the minute we got in the parking lot. High police presence-- and menacing at that. Not Ferguson, MO 2014 menacing, but 1990 menacing. The 24th anniversary of SRV's death was actually yesterday. I was at the show the night before his death, too. I walked out of that SRV/Clapton show with my mind blown. I went for Clapton and SRV was simply amazing. I have recordings of the last night and can rarely listen to it-- it truly makes me sad. He had hit his stride and was ready to conquer the music world.
  • SPACEBROTHER
    Joined:
    Tinley & Post Brent '90
    I attended the three Atlanta Omni shows in the Spring, he first two nights at Tinley Park and Compton Terrace in Phoenix in December. I remember the band playing spectacularly at all of these shows. From Tinley Park, I remember where Brent made a vocal embellishment where something weird was muttered by him, but other than that, his playing and back-up vocals were almost always spot on on. Perhaps that was also his problem that led to his death. He was always on, at least musically. Whatever the case, for not being an original founding member, Brent's contributions to the band were perhaps the most important. Not only for rebuilding themselves after Keith and Donna, and for contributing in a way that made the band more palpable for mass exposure, but also as somebody who usually had a lead vocal feature at nearly every show, and fit with the Dead's vibe. There will be three big anniversaries in 2015. The 50th for the bands start, the 25th since Brent's passing and 20th for Jerry's. Incidentally, 2013 will also mark the 25th anniversary of Stevie Ray Vaughan's death and the 15th for original Gov't Mule and Blues Traveler bass players, Allen Woody and Bobby Sheehan respectively. It will be a year of celebration and reflection, and probably a butt load of new music releases capitalizing on it.
  • gphishmon
    Joined:
    Tinley
    I also made it only to those 3. Kinda the dregs of a great tour -- they were pretty tired out by then -- but still among the better shows I've been to (tells you something about my selection), and I was lucky to get to all 3. The first two were actually really good in my opinion, but not comparable to 7/12/90 or the Deer Creek show with the Dew. Brent seemed lost at times, maybe already checking out? I heard a rumor that the Dead were going to kick him out after that tour due to his heavy drinking, but I wonder how much validity there is to that. His playing on the spring tour was superb, and he contributed four songs to "Built to Last." We'll never know if his death was a suicide or an accidental overdose. Either way, the band never sounded the same afterwards.
  • gphishmon
    Joined:
    If I only had unlimited funds ...
    If I hadn't already spent hundreds on concerts/festival and other discretionary stuff, I'd probably get this. From the listening party, the sound is phenomenal -- clearest and warmest digital sound I've ever heard. Like the best of digital and vinyl combined. That said, I don't necessarily agree that this was the last great tour. Certainly, the playing is first-rate. However, summer and fall 90 were pretty amazing as well (especially the September MSG run), the latter especially so considering they were breaking in two new keyboardists. There were many great shows throughout 1991 as well. Jerry was probably at his best, though in 1990 through September (right around then he reportedly started using again). The 3/29 Dark Star is arguably the best of the latter days, though I'm also a fan of 10/26/89, 7/12/90, 9/20/90, and 12/31/90.
  • mbarilla
    Joined:
    Looks terrific, cover art mystery has been solved
    On one it appears to be a hearty sized crawfish. A Georgia peach, slot machine, and possible the torch from Statue of Liberty. Woo hooo !!
  • Moses Quasar
    Joined:
    Looks great!...cant wait!....
    Coconut Phil is right, I've seen box sets that offer a lot less and cost a lot more! 23 discs and all the extra goodies, its a great deal! I'm off on Monday and for all these spring/summer holidays I listen to a complete show, I think I'm going to go with 3/30/90 to get ready for this release to accompany the Octoberfest beer,ribs,steak,etc! Of course sometime during the day I'll have to dig into DaP 11 some more! Besides 3/29, the Atlanta shows look awesome also! Been listening to 4/2 lately so I'm stoked for the rest of the run! Love to check out your page Phil but sorry, I'm not a Facebook guy! I'm a history guy who studies the Civil War, too much reading to do,but I'm sure its a great site and I wish it well! Take care folks,gonna hit the bikepath before work probably with Dicks 12 in my ears! Later folks!!
  • dantian
    Joined:
    g.d.t.r.f.b
    There wasn't a whole lot extra with the May 77 box. Glad I bought the physical product, and was well worth the price.
  • SPACEBROTHER
    Joined:
    Unveiling
    It appears that the artwork for the S'90 (TOO) box set version of 3/29/90 might be different than the "Wake Up To Find Out" version.
  • Syracuse78
    Joined:
    Glad to see this is 75% sold
    Glad to see this is 75% sold out. The box looks very nicely thought out and packaged.
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17 years 8 months
jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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10 years 6 months
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Thank you. I think?
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I brought out Dicks Volume 2 this past weekend. Short but definitely very sweet... The Dark Star>Jam is one of my all-time favorites. Also recently listened to England '74. Can't remember the number off top of my head. Very good.
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I also have always been led to believe tht the band we all know & love so much got there start in 1965. So imagine my surprise when I found this pic while looking at some old photos of the Fillmore Westhttp://cps-static.rovicorp.com/3/JPG_400/MI0001/769/MI0001769217.jpg?pa… It clearly is labeled Oct. 23, 1964! Can anyone comment on this? Rock on
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you're welcome? I think?not sure why i'm saying you're welcome... but you're welcome
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10 years 6 months
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I think just placed an order with you on ebay. Didn't know it was you until I got the reply.
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13 years 2 months
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Don't know where you came across that photo, but I wouldn't put too much stock in the printed info at the bottom. The photo itself looks to be from a 1990 show, and look closely, there are TWO Bobs in it! Fairly easy to type onto a photograph these days. Check your Deadbase. No shows in October '64.
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Thanks Wharf. The photo certainly confused me. Guess I am too gullible! I trust people too much perhaps.
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10 years 6 months
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Look at the setlist on that bootleg. UJB PITB Ripple It sure isn't from the 60's.
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13 years 9 months
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Well, the first Playing in the Band was 2-8-71, and the last King Bee was 12-15-71 (with PigPen). So, if this is all from one show, it would need to be between those dates. I checked and cannot find any shows (that we know of) that have all of the songs in the list for this CD at one show. It is probably songs culled from shows between those two dates. If anyone else wants to check, the song list on the cd is: Uncle John's Band NFA-GDTRFB Morning Dew Playing in the Band Ripple Sugar Magnolia Casey Jones Me & Bobby McGee King Bee. Interesting puzzle, though :)
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oh you did... ok? Then that's your road trips i just put in the mailbox. just a heads up... hit me up ahead-of-time next time via email.. I sell stuff there, but if you contact me, i will knock money off it if I know you're from here on this msg board.. can't do it after the fact though... but in the case of some folks here who buy a lot, it adds up
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Thank You. You can keep your mod hat on.
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17 years 5 months
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Got your PM... you got one back. I'll send you my email too.
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That was quite a morning read over my yogurt and granola. The best part of this cyber-community is that it helps me to stay connected to a great time in my life. The music and conversation sustain me on many fronts. Even the arguments and diatribes have their place (had some very intense discussions in the hotels, arenas, campgrounds, etc). The reality for all of us tied to this band is that we share a passion willingly with others. Some of us are nuttier than others (why I have the same show in four media formats or five different recordings is very hard to explain to the uninitiated). To get too serious or angry about any of this makes no sense. The music and memories should transport us to higher places in our minds. Sure it is personal, very very personal. In sharing the experience we need to give each other the space and respect we would give our neighbors at a show. Experienced plenty of true idiots there ( getting pissed on at calaveras 87 or having my girlfriend's head split open by a quarter thrown from the upper reaches at Nassau 85, trampling gate crashers, etc.) I like to think of these forums as being free of the idiots, a gathering of folks into it for the right reasons. I hope we can get back to this place. Thanks to Mary E for cleaning up the mess. Let's try to leave nothing but educated passionate footprints.
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That was quite a morning read over my yogurt and granola. The best part of this cyber-community is that it helps me to stay connected to a great time in my life. The music and conversation sustain me on many fronts. Even the arguments and diatribes have their place (had some very intense discussions in the hotels, arenas, campgrounds, etc). The reality for all of us tied to this band is that we share a passion willingly with others. Some of us are nuttier than others (why I have the same show in four media formats or five different recordings is very hard to explain to the uninitiated). To get too serious or angry about any of this makes no sense. The music and memories should transport us to higher places in our minds. Sure it is personal, very very personal. In sharing the experience we need to give each other the space and respect we would give our neighbors at a show. Experienced plenty of true idiots there ( getting pissed on at calaveras 87 or having my girlfriend's head split open by a quarter thrown from the upper reaches at Nassau 85, trampling gate crashers, etc.) I like to think of these forums as being free of the idiots, a gathering of folks into it for the right reasons. I hope we can get back to this place. Thanks to Mary E for cleaning up the mess. Let's try to leave nothing but educated passionate footprints.
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Garcia Live, Vol 4. Start the spin this evenin'. BTW-saw Robert Hunter is appearing at Newport Folk Festival. Saw him last time around in Boston-great show. Listened to the CSNY 74 1 disc compilation from the new box set. Nice versions of some of the more well known songs on this 1 disc version. Ironically it makes me apprec. the Dead all that much more-less hype, more jams, more chances taken, less politics, more timeless IMHO.
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Mary Ramon(e) Tommy Ramone passed recently...hooray for the Ramones! or, Gabba Gabba Hey! Revolver sounds REALLY good right now :))) I recommmmmmmmmmmmmmend Love or Confusion by Jimi H Exp. Wanna blow your mind? Read Beloved by Toni Morrison. CREEPY. HARTFORD 83!!!
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you missed the original post that started it all...so, yea that should be removed as well... peace to you, Brother Seth... ♤
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Does anyone remember the Blair J and Big Donnie smackdown on the Europe 72 thread a few years ago? That was something to behold.Speaking of BlairJ, you never see his postings anymore. Could BlairJ be posing as Bolo24? Just wondering.
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That does make a lot of sense, indeed. Oh that mysterious Bolo...
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14 years
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UnderTheVolcano: You are in for a treat... I was blown away by this release.The set list looks very ordinary but the performance is awesome. The sound quality is top notch. Love the background vocals with both Donna and Maria...
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17 years 3 months
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Yep. Bolo, same first letter as Blair. J is the 10th letter of the alphabet. 24, or 2 + 4, = 6 6 + 6 = 12. Subtract 12 from the number of letters in the alphabet (26) and you get 14. Take the 4 from Bolo's name, and subtract it from 14, and you get 10 (J!) It's obvious! (The "olo" is just there to confuse us)
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Who cares who or what message started it? Please respect a very good moderator in Marye and just let the back-and-forth end. Marye does a great job and rarely gets involved in these spats between members. She isn't banning you guys, just saying cut it out. Now, where is the DaP11 announcement? The timing of this box announcement really will leave DaP11 little space of its own. I am sure it will get the love it deserves, but I wonder if some non-subscribers will have to forgo purchasing because of this $250 box already announced. Lastly, release of individual shows would be fantastic. My guess on the E72 individual releases is that there was a quick demand for the music-only box, but that did not live up the hype. So, they have them in-stock now. Personally, I love that the E72 tour is available individually-- I didn't get the box, but have been chipping away at shows. Someday, maybe I will have the tour...

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10 years 6 months
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Does bolo24 have part of the cover art for DaP11 up as an avatar?Saw it this morning and it's been bugging me. Is that it? So much confusion, so little mind. Bobaloo is curious..............
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11 years 3 months
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...or the "olo" are not letters, but numbers. Hmmmmm
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14 years 7 months
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This is pretty random, but Manuel Neuer is Germany's Goalkeeper. His name is abbreviated Ma. Neuer. And his nickname is "The Horse" Ma. Neuer. That is total BS. Of course his last name is pronounced "Noyer."
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15 years 10 months
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Do we know if more than the entire box and the Branford show is available for individual purchase? I want several of the shows with a Branford hardcopy but not necessarily a complete run...
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11 years 3 months
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Very interesting! But I don't think it's BS. HS, maybe.
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17 years 3 months
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Dantian, that's it! You've figured out the code. I can't reveal what I now realize though, it would not be fair. PS - “If you go flying back through time, and you see somebody else flying forward into the future, it's probably best to avoid eye contact” - Jack Handy PPS - Cosmicbadger - I think Peace, Love, and Understanding are freakin' hilarious.
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10 years 9 months
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Great tune! sort of bang it out on my acoustic from time to time
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12 years 2 months
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...at Bolo's avatar, and you can see (in VERY tiny print) "9/14/82" !
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17 years 5 months
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nice pick
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DUDE! I got your PM.I have what you're looking for. 1 left. Check PM for my direct email and info... check SOON though....
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10 years 6 months
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...at anything and you can see anything. In tiny print. I'm really liking the new Jerry Band release. Wonderful music for a long summers day and night.
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16 years 2 months
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Looks more like 7/10/81 to me. :-D
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11 years 3 months
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I've finished translating the rest of it. Don't get on that ship! The rest of the book, it's... it's a cookbook!
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16 years 2 months
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cue Twilight Zone theme
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12 years 2 months
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So, as we sit twiddling our thumbs in anticipation of DaP 11... In heavy rotation: Sturgill Simpson's "Metamodern" Howlin' Brothers' "Howl" Rodney Crowell's debut Hey - music beyond the Dead. Whodathunk?
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Fennario, How does the JGB Vol 4 compare to the Pure Jerry Warner Theatre Release? I love the Warner version of Mission - just bursting of energy and my wife loves Midnight Moonlight, so the second disc gets a lot of rotation in the car. Trying to figure where to spend my grateful music dollar... Music in play: Box TOO, JGB Vol4, GDMovie Soundtrack, SSDD, new CSNY box, Led Zep remasters, E72 boxset - Love it all, but can't get it all. Listening to the Spring 90 shows from bttree/archive, digging what I'm hearing thus far...
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I missed out on the Pure Jerry which is one reason this release makes me so happy. One caveat: It's missing the last few minutes of Midnight Moonlight according to the small print on the CD case if that matters to anyone (tape apparently ran out). I'm sure it does matter to some of you :) IMHO It's worth it for the piano playing alone. Keith and Ozzie must have been competing for Jerry's approval!
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...it might matter to your wife, huh?
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it says "the first few minutes". My eyes are horrible...double vision.
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It's the end that's missing. The song ends abruptly. Pretty ugly actually. Unless I have a defective CD?
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Cy Dune - "Shake"Wooden Wand - "AZAG TOTH" People of the North - "Judge A Man By His Fruits" William Tyler - "Blue Ash Montgomery" M. Geddes Gengras - "Ishi" Ghost - "Snuffbox Immanence" When the Sun Goes Down Vol.1 - "Walk Right In: The Secret History Of Rock 'n' Roll GD - "Formerly the Warlocks"
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If you're thinking of the CSNY box, I'd say go for it. It's fantastic. Sure, it was cleaned up a bit by Nash, but the music is phenomenal. It's a nice portrait of the tour. The single disc version at Best Buy isn't too shabby a sampler, but the full three set summary is worth the cash. I've had it in since I bought it last week.
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I bought the single disc from Amazon and it came with Auto Rip. The auto rip included all 40 tracks - YMMV of course.
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