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    jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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  • mustin321
    Joined:
    Hey Star Dark
    I got really bored so I just decided to rip up a 20 dollar bill.Thank you for the inspiration. Not one, but two posts about destroying something of value. Yeah, we get it, you're a troller...congratulations.
  • bolo24
    Joined:
    Pelke - clue recap
    Out of town for a wedding. I'll do a recap when I get back for those who care. I don't remember everything I said, so I'll have to go back and look at my posts. By the way, kudos to Zuckfun - he's the first one to go on record with the correct guess.
  • Mr. Jack Straw
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    re: discontent
    DL2 has been very transparent about the entire process. The stated mission is to release shows thata. are well-played b. sound great c. are complete d. not from 1994 and 1995, as the band has squashed those. He has never stated that the archival series was meant to be representative of their career. It's to bring us the best shows that sound the best. With those stated criteria, there should be no surprise that the majority of releases are from 1968-1978 (as they have always been; more than 70% of Dick's Picks and Road Trips are also from this time period). DL2 has been very clear that the sound quality of tapes drops off precipitously once you get in to the early 80s. This is also reflected by the shows that have been released. DP13, DP32, DP6, and DP21, while good shows, are amongst the worst-sounding releases in the catalog (The 82 RT is a bit better). Sometimes the quality of the performance can overcome the poor recording quality, sometimes it cannot. I think the fact that 1979, 1980, 1989, and 1990 are well-represented shows that DL2 doesn't have an anti-Brent bias. Rather, there happen to be well-recorded shows from these years, and they've been released. 1990 in particular, is more represented than any other GD year excepting 1972. Prior to 1980, there just happen to be a higher proportion of well-played shows and a higher proportion of well-recorded shows. That's all.
  • marye
    Joined:
    12-26-81
    Agree with the comment above that this was a great show. I was there, I loved it.
  • dcmarkway
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    72
    Aside from the special releases (SSDD and E72 - and can you really complain about those releases?) no show from 72 has seen the light of day since Dicks Picks 36 back in 2005. It was not represented in the Road Trips Series nor in Dave's so far. In terms of subscriptions and regular programming, we haven't seen 72 for nine years. Considering the level of play and the quality of these recordings, where's the beef? Since RT started, we've seen as much 93 as 72. And at the risk of poking a bear with a stick, we've been over saturated with the 80s in the last ten years. That and all that terrible 69 and 74. It's so frustrating as a fan that they were so well recorded, so creative and consistently on fire during those years. So please no more 80s and 90s unless it is a great show with great playing and recorded well. And I hope I don't have to wait another 9 years for another 72 show in the series (please sometime before DaP 47!)
  • FennarioXRDS
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    Interesting interview of Hunter in the WSJ blog
    HUNTER: I wrote the words for “Touch of Grey” for a planned solo album that was dragging along. My version was much slower and Jerry asked if I minded him recasting it for the Grateful Dead. I And all of a sudden we had a hit single and I had enough money to buy a house. Interviewer: That song changed everything for the band. HUNTER: We were just about done. The Grateful Dead was virtually broke and there wasn’t enough money coming into the enterprise to cover expenses. I’m actually glad the success didn’t happen earlier because to my way of thinking everything went wonky after that. The old days were gone. There was suddenly huge money, which simply attracts huge problems. http://blogs.wsj.com/speakeasy/2014/07/18/lyricist-robert-hunter-on-fin…
  • Diggey
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    Stoked
    so, it's a rainy Saturday and I have some time to reflect and I want to sum it up into one word....... First, the Meet Up at the Movies was awesome. The sound quality and video was amazing. You got a really good example of that magic "chugging" rhythm that makes the Dead unique. Only loud clean tight playing makes that chug. Mr Charlie being the standout for this. I could barely keep still wanting to move the music. I loved the bands gear shots as well. I really hope this comes out on DVD, cause I think a lot of people once they bought it would be really stoked. Secondly, though my favorite era and years of the Dead are 1972 to 1979, specifically, 74 and 76, the awesome quality of the Spring 90 set soon to be released has me super stoked, that I will be able to complete my Spring 90 tour and hear the band at one of their many zeniths. Last, the announcement of Wichita from fall 1972 has me super super stoked. It's an amazing time for the band and it will be an amazing release with amazing chugging tone and playing. I'm stoked because we are being treated with so much and in my opinion, a good mix. This entire year has had some great, different, and really cool releases so far. Just imagine if NONE of it was happening? I shudder to think....... So to end how I began, I'm stoked
  • FennarioXRDS
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    Joined:
    80's and 90's releases
    More will be revealed.
  • hbob1995
    Joined:
    DaP Subscription
    I myself cannot really understand anyone saying that the subscription is too expensive. You get four, 3-disc complete shows plus 1 bonus disc. That is 13 discs for less then $100. That is $7.62 per disc. AND free shipping. Plus what you are receiving is available nowhere else. To me, this is a TREMENDOUS value. If you get a release that you do not want, do not open it and re-sell it. I GUARANTEE you will not lose any money on that sale and then you can sit back and wait for the next release, and it has cost you nothing. This way you will not be 'forced' to have something that you feel is not worthy of your consideration. Am I missing something here? This is a NO BRAINER!I myself would also like to see a little more variety in the eras released, but I am happy to see what DL releases. The shows always sound great, which to my uneducated mind, is amazing. How they can take tapes that are over 40 years old and restore them to such sonic quality is beyond my comprehension. Plus I love the great artwork and the liner notes. Maybe you are not happy with a particular release, but I really find it hard to believe that you would not subscribe next year. It is a no lose deal that offers the possibility to everyone that they will get "that" show, or "that" era, that they long for. Rock on.
  • uv1
    Joined:
    Just a few other thoughts...
    Just a few other thoughts... 1) I'd love it if we could all say what we mean and not say it mean. Alas, I can only control myself, so that is what I will do. 2) The lack of Brent/80's releases -- or releases outside of a few choice years -- is a valid complaint. If I went to a buffet that advertised "something for everyone," and they served way more of two or three dishes and barely any of the dishes I loved -- say 6 different types of pizza, but only 1 chicken dish -- I'd be annoyed and might not go back there again. 3) The release of Spring 1990 (TOO) is not, I believe, a valid response to the Dave's Picks needs more of a variety argument. First of all, it's not a Dave's Picks release. I subscribed to Dave's Picks the last two years, and I've gotta say that I've been a little disappointed with the breadth of the release years as well. Second of all, it's expensive. I don't have enough income/savings to buy everything, so I couldn't "spring" (pun intended) for the new box set, and opted for the stand-alone Branford show. But you know what, I was hoping they would've released that show as a Dave's Picks at some point. That would've saved me a some money. 4) I love me some Brent. The most played Dead music for me has Brent playing. Took me a while to hunt down all the View From The Vault Soundtracks, but I did. And I love them. It's not asking too much to throw a little more love for those eras of shows into the mix. Peace.
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jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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10 years 6 months
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Thank you. I think?
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11 years 5 months
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I brought out Dicks Volume 2 this past weekend. Short but definitely very sweet... The Dark Star>Jam is one of my all-time favorites. Also recently listened to England '74. Can't remember the number off top of my head. Very good.
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I also have always been led to believe tht the band we all know & love so much got there start in 1965. So imagine my surprise when I found this pic while looking at some old photos of the Fillmore Westhttp://cps-static.rovicorp.com/3/JPG_400/MI0001/769/MI0001769217.jpg?pa… It clearly is labeled Oct. 23, 1964! Can anyone comment on this? Rock on
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17 years 5 months
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you're welcome? I think?not sure why i'm saying you're welcome... but you're welcome
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10 years 6 months
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I think just placed an order with you on ebay. Didn't know it was you until I got the reply.
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13 years 2 months
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Don't know where you came across that photo, but I wouldn't put too much stock in the printed info at the bottom. The photo itself looks to be from a 1990 show, and look closely, there are TWO Bobs in it! Fairly easy to type onto a photograph these days. Check your Deadbase. No shows in October '64.
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Thanks Wharf. The photo certainly confused me. Guess I am too gullible! I trust people too much perhaps.
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10 years 6 months
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Look at the setlist on that bootleg. UJB PITB Ripple It sure isn't from the 60's.
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13 years 9 months
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Well, the first Playing in the Band was 2-8-71, and the last King Bee was 12-15-71 (with PigPen). So, if this is all from one show, it would need to be between those dates. I checked and cannot find any shows (that we know of) that have all of the songs in the list for this CD at one show. It is probably songs culled from shows between those two dates. If anyone else wants to check, the song list on the cd is: Uncle John's Band NFA-GDTRFB Morning Dew Playing in the Band Ripple Sugar Magnolia Casey Jones Me & Bobby McGee King Bee. Interesting puzzle, though :)
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oh you did... ok? Then that's your road trips i just put in the mailbox. just a heads up... hit me up ahead-of-time next time via email.. I sell stuff there, but if you contact me, i will knock money off it if I know you're from here on this msg board.. can't do it after the fact though... but in the case of some folks here who buy a lot, it adds up
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10 years 6 months
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Thank You. You can keep your mod hat on.
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17 years 5 months
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Got your PM... you got one back. I'll send you my email too.
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12 years 6 months
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That was quite a morning read over my yogurt and granola. The best part of this cyber-community is that it helps me to stay connected to a great time in my life. The music and conversation sustain me on many fronts. Even the arguments and diatribes have their place (had some very intense discussions in the hotels, arenas, campgrounds, etc). The reality for all of us tied to this band is that we share a passion willingly with others. Some of us are nuttier than others (why I have the same show in four media formats or five different recordings is very hard to explain to the uninitiated). To get too serious or angry about any of this makes no sense. The music and memories should transport us to higher places in our minds. Sure it is personal, very very personal. In sharing the experience we need to give each other the space and respect we would give our neighbors at a show. Experienced plenty of true idiots there ( getting pissed on at calaveras 87 or having my girlfriend's head split open by a quarter thrown from the upper reaches at Nassau 85, trampling gate crashers, etc.) I like to think of these forums as being free of the idiots, a gathering of folks into it for the right reasons. I hope we can get back to this place. Thanks to Mary E for cleaning up the mess. Let's try to leave nothing but educated passionate footprints.
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That was quite a morning read over my yogurt and granola. The best part of this cyber-community is that it helps me to stay connected to a great time in my life. The music and conversation sustain me on many fronts. Even the arguments and diatribes have their place (had some very intense discussions in the hotels, arenas, campgrounds, etc). The reality for all of us tied to this band is that we share a passion willingly with others. Some of us are nuttier than others (why I have the same show in four media formats or five different recordings is very hard to explain to the uninitiated). To get too serious or angry about any of this makes no sense. The music and memories should transport us to higher places in our minds. Sure it is personal, very very personal. In sharing the experience we need to give each other the space and respect we would give our neighbors at a show. Experienced plenty of true idiots there ( getting pissed on at calaveras 87 or having my girlfriend's head split open by a quarter thrown from the upper reaches at Nassau 85, trampling gate crashers, etc.) I like to think of these forums as being free of the idiots, a gathering of folks into it for the right reasons. I hope we can get back to this place. Thanks to Mary E for cleaning up the mess. Let's try to leave nothing but educated passionate footprints.
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16 years 9 months
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Garcia Live, Vol 4. Start the spin this evenin'. BTW-saw Robert Hunter is appearing at Newport Folk Festival. Saw him last time around in Boston-great show. Listened to the CSNY 74 1 disc compilation from the new box set. Nice versions of some of the more well known songs on this 1 disc version. Ironically it makes me apprec. the Dead all that much more-less hype, more jams, more chances taken, less politics, more timeless IMHO.
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Mary Ramon(e) Tommy Ramone passed recently...hooray for the Ramones! or, Gabba Gabba Hey! Revolver sounds REALLY good right now :))) I recommmmmmmmmmmmmmend Love or Confusion by Jimi H Exp. Wanna blow your mind? Read Beloved by Toni Morrison. CREEPY. HARTFORD 83!!!
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you missed the original post that started it all...so, yea that should be removed as well... peace to you, Brother Seth... ♤
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17 years 4 months
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Does anyone remember the Blair J and Big Donnie smackdown on the Europe 72 thread a few years ago? That was something to behold.Speaking of BlairJ, you never see his postings anymore. Could BlairJ be posing as Bolo24? Just wondering.
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15 years 2 months
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That does make a lot of sense, indeed. Oh that mysterious Bolo...
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14 years
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UnderTheVolcano: You are in for a treat... I was blown away by this release.The set list looks very ordinary but the performance is awesome. The sound quality is top notch. Love the background vocals with both Donna and Maria...
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Yep. Bolo, same first letter as Blair. J is the 10th letter of the alphabet. 24, or 2 + 4, = 6 6 + 6 = 12. Subtract 12 from the number of letters in the alphabet (26) and you get 14. Take the 4 from Bolo's name, and subtract it from 14, and you get 10 (J!) It's obvious! (The "olo" is just there to confuse us)
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Who cares who or what message started it? Please respect a very good moderator in Marye and just let the back-and-forth end. Marye does a great job and rarely gets involved in these spats between members. She isn't banning you guys, just saying cut it out. Now, where is the DaP11 announcement? The timing of this box announcement really will leave DaP11 little space of its own. I am sure it will get the love it deserves, but I wonder if some non-subscribers will have to forgo purchasing because of this $250 box already announced. Lastly, release of individual shows would be fantastic. My guess on the E72 individual releases is that there was a quick demand for the music-only box, but that did not live up the hype. So, they have them in-stock now. Personally, I love that the E72 tour is available individually-- I didn't get the box, but have been chipping away at shows. Someday, maybe I will have the tour...

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10 years 6 months
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Does bolo24 have part of the cover art for DaP11 up as an avatar?Saw it this morning and it's been bugging me. Is that it? So much confusion, so little mind. Bobaloo is curious..............
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11 years 3 months
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...or the "olo" are not letters, but numbers. Hmmmmm
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14 years 7 months
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This is pretty random, but Manuel Neuer is Germany's Goalkeeper. His name is abbreviated Ma. Neuer. And his nickname is "The Horse" Ma. Neuer. That is total BS. Of course his last name is pronounced "Noyer."
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15 years 9 months
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Do we know if more than the entire box and the Branford show is available for individual purchase? I want several of the shows with a Branford hardcopy but not necessarily a complete run...
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11 years 3 months
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Very interesting! But I don't think it's BS. HS, maybe.
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17 years 3 months
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Dantian, that's it! You've figured out the code. I can't reveal what I now realize though, it would not be fair. PS - “If you go flying back through time, and you see somebody else flying forward into the future, it's probably best to avoid eye contact” - Jack Handy PPS - Cosmicbadger - I think Peace, Love, and Understanding are freakin' hilarious.
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10 years 9 months
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Great tune! sort of bang it out on my acoustic from time to time
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12 years 2 months
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...at Bolo's avatar, and you can see (in VERY tiny print) "9/14/82" !
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17 years 5 months
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nice pick
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DUDE! I got your PM.I have what you're looking for. 1 left. Check PM for my direct email and info... check SOON though....
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10 years 6 months
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...at anything and you can see anything. In tiny print. I'm really liking the new Jerry Band release. Wonderful music for a long summers day and night.
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16 years 2 months
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Looks more like 7/10/81 to me. :-D
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11 years 3 months
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I've finished translating the rest of it. Don't get on that ship! The rest of the book, it's... it's a cookbook!
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16 years 2 months
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cue Twilight Zone theme
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12 years 2 months
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So, as we sit twiddling our thumbs in anticipation of DaP 11... In heavy rotation: Sturgill Simpson's "Metamodern" Howlin' Brothers' "Howl" Rodney Crowell's debut Hey - music beyond the Dead. Whodathunk?
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Fennario, How does the JGB Vol 4 compare to the Pure Jerry Warner Theatre Release? I love the Warner version of Mission - just bursting of energy and my wife loves Midnight Moonlight, so the second disc gets a lot of rotation in the car. Trying to figure where to spend my grateful music dollar... Music in play: Box TOO, JGB Vol4, GDMovie Soundtrack, SSDD, new CSNY box, Led Zep remasters, E72 boxset - Love it all, but can't get it all. Listening to the Spring 90 shows from bttree/archive, digging what I'm hearing thus far...
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I missed out on the Pure Jerry which is one reason this release makes me so happy. One caveat: It's missing the last few minutes of Midnight Moonlight according to the small print on the CD case if that matters to anyone (tape apparently ran out). I'm sure it does matter to some of you :) IMHO It's worth it for the piano playing alone. Keith and Ozzie must have been competing for Jerry's approval!
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...it might matter to your wife, huh?
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it says "the first few minutes". My eyes are horrible...double vision.
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It's the end that's missing. The song ends abruptly. Pretty ugly actually. Unless I have a defective CD?
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16 years 1 month
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Cy Dune - "Shake"Wooden Wand - "AZAG TOTH" People of the North - "Judge A Man By His Fruits" William Tyler - "Blue Ash Montgomery" M. Geddes Gengras - "Ishi" Ghost - "Snuffbox Immanence" When the Sun Goes Down Vol.1 - "Walk Right In: The Secret History Of Rock 'n' Roll GD - "Formerly the Warlocks"
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If you're thinking of the CSNY box, I'd say go for it. It's fantastic. Sure, it was cleaned up a bit by Nash, but the music is phenomenal. It's a nice portrait of the tour. The single disc version at Best Buy isn't too shabby a sampler, but the full three set summary is worth the cash. I've had it in since I bought it last week.
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I bought the single disc from Amazon and it came with Auto Rip. The auto rip included all 40 tracks - YMMV of course.
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