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  • Deadicated
    Joined:
    Keystone
    7/10/73 Jerry & Merl (1st two discs of box) 40 years ago. Achi wa wa wa!!!
  • kraven024
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    E72 vs. May77 'Bertha'/Megadeth super collider
    I listened to 4/21/72 Bremen off E72 today and have to say it is not the best show off the set. There are at least two start and stops on two songs, the linear notes blame Bob for forgetting the words, whatever, since the show was for a Rock and Roll German TV show and their time was limited there they play like its their debut album all over again> like Speedy Gonzalez>>F>A>S>T>>> The Bertha sounds like it belongs on the Grateful Dead Warner Debut (e c h o0O) compared to the Bertha I heard yesterday from 2 disc Chicago show off May '77, which was refreshingly slow... Anyway the new Megadeth has some great Mustaine and Broddick solos, love the new album Super Collider. Check it out if you haven't already.
  • Deadicated
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    Red Rocks
    7/08/78 Another Oroboros specialidad. Listening to Wharf Rat. Thanks Tim.
  • Parkas4Kids
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    More Frank Black (Solo & with the Catholics)
    eBay is either my friend or my enemy. Over the last few days, I've bid on and won Frank Black's first solo album ("Frank Black"), his third solo album ("The Cult of Ray"), his fourth solo album ("Honeycomb"), his fifth solo album ("Fast Man Raider Man"), and his first three albums with the Catholics ("Frank Black and the Catholics," "Pistolero," and "Dog in the Sand"). Each and every one of these albums I haven't listened to in probably 5 years or more; I was laid up at home for a few weeks after a double surgery and had nothing better to do than watch TV, DVDs, and work on my CD collection. All of the above mentioned albums (and more) were purchased during that time. Frank Black's first solo album is rather similar to the last Pixies album, "Tromp le Monde," in style and sound, but the following two albums that preceded his time with the Catholics were noticeably different. Solo album #2, "Teenager of the Year," is by far my favorite of his solo outings and is packed with excellent tunes. "The Cult of Ray" has some very "Teenager of the Year"-ish songs and some very "Frank Black"-ish songs, and, as a result, is hit and miss. The hits, though, are GOOD. As he wrote, recorded, and toured with the Catholics, Frank Black ventured away from alternative rock and more and more into alternative country, though he stayed closer to his rock roots throughout. His fourth and fifth solo albums ("Honeycomb" and "Fast Man Raider Man," respectively) dabbled almost directly in country music while remaining distinctly Frank Black. They're good, but Frank just doesn't have the right voice to sell country records. It's also around this time he recorded a lot in Nashville with Reid Paley, with whom he recently released an album titled, ironically enough, "Paley & Francis." Don't have this one yet, but it's on the shopping list. In the meantime, I need to complete my FB&tCs collection, which consists of the following albums: "Black Letter Days," "The Devil's Workshop," and the vinyl edition of "Live at Melkweg." I also need one more solo FB record, "Christmass," and two more Black Francis albums: "Svn Fngrs" and "Nonstoperotik." Hope everybody had a safe and fun Independence Day weekend!
  • Deadicated
    Joined:
    7/07/78
    Red Rocks Our very own Oroboros aka Tim posted this on the LMA - just an excellent AUD that so captures this terrific performance. Thanks Tim.
  • sherbear
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    --------------------(-----@
    http://www.youtube.com/watch?v=Es2mEhIdQDc I'll Take A Melody (Toussaint) I've seen the rain pouring down The sky was grey with a speck of blue Peek through a hole in the clouds The sun was screaming, "Hey You!". As you ramble through your sorrow Seems like everything come out wrong I'm living in yesterday's tomorrows I know something's helping me along I'll take a melody and see what I can do about it. I'll take a simple C and G and feel brand now about it. I understand why the old fisherman sail along, sail along, sail along. sail along, sail along, someday he'll be gone I hear you talking about your troubles Everybody's got their troubles too You can make them burst like bubbles If you know just what to do You know I've been called a dreamer Dreams that never come true But I've been called so many things before Tell you what I'm gonna do I'll take a melody and see what I can do about it. I'll take a simple C and G and feel brand now about it. I understand why the old fisherman sail along, sail along, sail along. sail along, sail along, someday he'll be gone I'll take a melody and see what I can do about it. I'll take a simple C and G and feel brand now about it. Shine on, keep on shining, shine on, keep on shining, shine on, keep on shining, Shine on, keep on shining, shine on, keep on shining, shine on, keep on shining, Shine on, keep on shining, shine on, keep on shining, shine on, keep on shining, Shine on, keep on shining, shine on, keep on shining, shine on, keep on shining,
  • sherbear
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    --------------------(-----@
    http://www.youtube.com/watch?v=FM5LfXRSbyc -Full screen enjoyment "Sing it out with me..."
  • hockey_john
    Joined:
    ventura july 18th 1982
    My 1st of a hundred or more California shows. Is one of my all time favorites because the scene was still just heads for the most part. 84 started the Gilled cheese movement. Had the big chunk of as we called it Reagan cheese so we turned it into a money maker. Funny cause people called us crazy for selling food in the parking lot of sand
  • gratefaldean
    Joined:
    Mavis Staples
    One True Vine Kind of keeping in the Wilco vein, with Jeff Tweedy a very big part of this record. Speaking of, the Bobby sit-ins with Wilco on his leg of the AmericanaramA tour have made me really wish I'd been there. And the Bobby sit-ins with My Morning Jacket. And the other Bob on the tour seems to be keeping to himself, not exactly a shock I guess.
  • Parkas4Kids
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    Fishbone
    "Party at Ground Zero" If you've been watching the news at anytime in the last decade, this song seems almost TOO appropriate....
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17 years 5 months
The real-time reports continue...
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Renegade Soundwave Track: The Phantom (It's In There) Label: Mute Cat#: INT 126.911 (12 Mute 88)
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17 years 5 months
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I didn't know it was a problem.
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12 years 3 months
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Deadbeat Track: Mecca (Drum Jack) Label: Wagon Repair Cat#: WAG 033
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12 years 3 months
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Alex Coulton Track: Pointe Noire Label: Dnuos Ytivil Cat#: 899YTIVIL
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12 years 3 months
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Paul Woolford Track: Erotic Discourse (Kowton Remix) Label: Hotflush Recordings Cat#: HFRMX011D
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16 years 11 months
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September 1976~Good ol Grateful Dead Dick's Picks volume 20
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16 years 11 months
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Touch of grey wake&bake Saturday morning!!
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12 years 3 months
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Madalyn Merkey Track: Mend Label: New Images Cat#: NI 04
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13 years 7 months
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12.03.79 scarlet> fire, terrapin....
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16 years 11 months
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Sunshine Daydream Veneta Oregon 8/27/1972
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17 years 5 months
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English Translation You are dead, you are dead, my dearest, And I breathe, you have left me, You have left me forevermore, Never to return, and I remain- No, no, if my verses have any power, I will go confidently to the deepest abysses, And, having melted the heart of the king of shadows, Will bring you back to me to see the stars again, Or, if pitiless fate denies me this, I will remain with you in the company of death. Farewell earth, farewell sky, and sun, farewell.
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12 years 3 months
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Moritz von Oswald Trio Track: Pattern 3 Label: Honest Jon's Records Cat#: HJRCD45
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12 years 3 months
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Emmanuel Jal Track: Kuar (Olof Dreijer Remix) Label: Innervisions Cat#: IV29
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16 years 11 months
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with the Grateful Dead West Germany April 24, 1972 Truckin'
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12 years 3 months
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Klara Lewis Track: Untilted Label: Editions Mego Cat#: eMEGO 190
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17 years 5 months
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English Interpretation The night is quiet, the streets are calm, In this house my beloved once lived: She has long since left the town, But the house still stands, here in the same place. A man stands there also and looks to the sky, And wrings his hands overwhelmed by pain: Upon seeing his face, I am terrified-- The moon shows me my own form! O you Doppelgänger! you pale comrade! Why do you ape the pain of my love Which tormented me upon this spot So many a night, so long ago?
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16 years 11 months
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What a long strange trip it's been/ The Best of the Grateful Dead
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16 years 11 months
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summer '71/ volume 1/#3 Big Railroad Blues...Saturday, Sunshine and Grateful Dead...a perfect day!
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12 years 3 months
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Musiciens Du Dompago Track: Flûtes Et Clochettes Label: Philips - Prophet Series Cat#: 9814309
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17 years 4 months
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Playin' in the Band!
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16 years 11 months
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Truckin' up to Buffalo 07/04/1989Rich Stadium, Orchard Park, N.Y.
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16 years 11 months
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Jerry Garcia Band/after midnight Kean college 2/28/80
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16 years 11 months
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JGB...soothes my soul
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17 years 4 months
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Grateful Dead ~ View from the Vault IV ~ July 24,1987 Oakland Stadium - Oakland, CAJust like They are still there I know I was. Real good show which also had Bob Dylan join later for a couple of sets that ran pretty late. So much joy watching this and going back again tonight. "Where does the time go?"
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Thanks A.Cajun.Head, Cool. Sometimes I get those directions mixed-up like everything is happening at once in waves or something.
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15 years 5 months
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A pleasant thing to come home to. Kudos to the United States Postal Service! The new Dave's Picks is pretty sweet, and not just because it's from '72. As usual, the latest release sounds great, but I love the context.... the Dead were in the middle of an amazing run that saw them perform over 50 shows in the last half of '72, a show every three or four days. They bounced around the country daring tour heads to keep up.While I enjoy the local perspective as expressed in the liner notes, I wish Dave (or whomever) would have included some historical perspective as it relates to this awesome run of Dead shows. This Wichita show is but one of many incredible performances that summer and fall. A slice of the Dead at their peak. I'm still deep into playing this for the first time, but already the standout tunes are the Jack Straw (yeh, yeh, I know... Jack Straw from Wichita), followed by a pretty new Box 'o Rain. Yeah, the Box is sketchy, but Phil's bass line from the previous J Straw had me distracted, I think he really is a God. Sweet China Rider transition, too. Truckin' Other One Brokedown looms.... we'll see how it goes.
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As I alluded to on the #11 thread, I've recently discovered Tull; despite the usual studio reccos for newbies from a couple JT boards, my first choice - after copious sampling on Amazon and iTunes - was a '77 live comp (specifically, "Bursting Out", which would be absolutely no surprise to Heads :)) ). Anyway, "A Passion Play" arrived in the mail yesterday and I listened with a sense of rapturous epiphany on the way in for some unscheduled (and blessedly quiet) time at the office. However, in one of those queer alignments of cosmic circumstance, my draw from the Toscanini RCA box - that is, for listening once in the office - was AT & the NBC SO's rendition of Haydn's Symphony No.88*; an extraordinary coincidence because I was immediately struck by a strong similarity between the powerful musical currents of the 2 works! Sadly, my lack of technical musical education or general knowledge correlates with a deficient vocabulary in this area that precludes a more satisfying explanation of these congruencies. Still, a pretty neat observation among pieces written approximately 185 years apart! *Given the forum, I feel inclined to specify that the piece was recorded in studio on 3/8/38 ;) ...deadheads and dates...(and yes, that's nineteen thirty-eight (magnificent sound, by the way)/ peace,kate
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Your canonization of PL is spot-on in my book! :)) The more I read, the more I understand that he is a seminal figure in the evolution of the bass guitar from a simple anchor line to rhythm support. Because of his quick wit and native intelligence, interviews are always an intriguing affair. Perhaps one of my favorite, and also the most surprising, responses came during a Jackson interview (of course!) in April 90, to which Phil averred, in response to a question regarding musical influences: "...I don't study other bassists, and I don't think I've really drawn much from them. In my own style of playing, such as it is, I've been influenced more by Bach than by any bassists. Actually, you can go back even further - Palestrina, sixteenth century modal counterpoint." Okay, now I could identify diverse influences of the blues, jazz, country, western, balladic, and even carribean (Aiko) musical traditions in the Dead's catalogue, but 16th century modal counterpoint had eluded me entirely!/kate
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12 years 3 months
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Hot Chocolate Track: Put Your Love In Me Label: RAK Cat#: 5C 006-60 166
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William S. Burroughs Track: "Summer Will" Label: Industrial Records Cat#: IR0016
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13 years
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#11 upon arrival most of yesterday, today back to my latest find, Tull (well it's a timely discovery for MY life's journey)...I suspect TAAB may well have just permanently catapulted into my all-time top 5 albums list. Holy cow! As proof that '77 was a gr8 year for someone other than the Dead, I give you the mad genius of IA and JT: peace, kate
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We all seem to post past one another here, but I must say that you undoubtedly have the most eclectic personal taste in music that I've ever encountered. While nothing has yet struck me, I do listen - and look forward - to your diverse audio samples! Keep 'em coming!/thanks, kate