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    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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  • Vguy72
    Joined:
    The music on Spring TOO is so good.....
    ....that I just realized there is a book in the set......Bonus!!
  • robshead
    Joined:
    Update re HD FLAC downloads subsequent to original post
    Yes, thank you. That was added after my original post and email to dead.net requesting clarification on the hi-res downloads.
  • wilfredtjones
    Joined:
    3/25 Eyes of the World
    Correct me if I'm wrong, but it sounds like this marks the return of the slower tempo Eyes of the World. I wonder what the genesis of the change was. Was it something that had been discussed for years? They open the second set with it, a rare thing in and of itself. The 3/19 show has the up-tempo Eyes of the World. Does anyone know exactly when the faster tempo Eyes of the World was introduced? Perhaps it was a gradual thing, but it sounds to me they started increasing the beat on the first leg of the Spring '78 tour and things just started getting faster from there. (4-12-78 Duke to be precise.)
  • FiveBranch
    Joined:
    guess its my turn.....
    I was a guilty fence sitter for quite a while but now am now a fully satisfied owner. Sound wise, is as everyone has praised, with the sort of distinctive clarity usually only found in studio recordings. My preference for listening actually tends to be top-spun audience pulls (which was partly to blame for the hesitation) but having the opportunity hear perfectly balanced levels, being able to cue into the goings on of any one of our six psychedelic minstrels... well, just too much to pass up. And what a great tour for this. While maybe not quite hitting those X factor peaks that can push the sweat out from the soles of your feet, I’m not sure there are other tours where the band moves as fluidly as a collective unit as they do here. The music simply rides on an effortless wabi-sabi of intuitive inspiration and leaves the show boating to the Knicks. Probably the most democratic mode the band ever found themselves in. The other reason for my purchase was the artwork. As much as I will always connect to the standard iconography (yes, put a bolt on it, indeed!), how lucky we are to have an entirely fresh visual expression for the GD ethos. And to this head, Dessner’s work is as much of a natural fit as say, Mouse’s efforts for the original Europe ‘72 release. It works.... perfectibly! Besides that, with the release limited to 9,0000, who knows? The box set might just appreciate value for this aspect alone. Impossible to predict though as finicky as the art world is. Although, when I spread all the discs out upon my coffee table, or catch a glimpse of the carousel skeleton riding dandy in the bookshelf, proudly between Mark Twain’s Library of Humor and Cormac McCarthy‘s The Crossing, I understand without a doubt the contribution that has been made to my home (and I live in a bitsy house, mind you). So maybe that will persuade others to close this one out. And don’t worry, I don’t work for Rhino. Am only one of the many many out there that still finds himself amazed that he can listen to this great great band with the same enthusiasm as he always has year after year, decade after decade.
  • KCorriganM
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    Brent
    Listen to Brent's work on Stella Blue on 4/1 at the Omni. Really beautiful. There are so many examples in Spring 90 of guys just being totally in the moment and playing creative runs and fills. These are truly great shows.
  • hbob1995
    Joined:
    Brent
    Musically speaking, I think Brent brought a lot to the table. He added a new dimension and some innovative sounds. It is quite obvious that Jerry really enjoyed playing with him. As for his vocals, I love him as a background singer and not so much as the lead singer. I do really like Just A Little Light and Blow Away from the first Spring '90 box are great too.Rock on
  • gfink
    Joined:
    For all not floored by the "sounds" of 1990 GD....
    I totally hear you guys on not liking Brent's sounds or Jerry's midi sounds in this era of the Dead. How can it compare to earlier versions? Etc. I had that exact view for no less than 20 years. My two times seeing them with Jerry was 7-2-89 and 9-24-91, or basically a year or so on either side of Spring 90. The 89 show was awesome, the 91 show not bad, but with both I was really wishing that I was seeing the version from 20 years back. I came close to SELLING Without a Net at one point! Always liked Dozin, but could not understand the Terrapin Ltd, the Warlocks set, Nightfall of Diamonds. Now, I have come around. I think it was hearing a friend's copy of the first Spring 90 set that did it. This stuff is really superb, just different. I really think this was a high point of their career. Yes I love 68-74, and 77 and other choice moments in their timeline. No question. But as you keep listening to this stuff over the years, you start to appreciate more that quirky stuff that sometimes came to the table during this era. It brings a little variety. And the band is playing rock-solid in the meantime. I appreciate Brent more than ever - he was the right guy for them at this particular point in time. Anyway.... just saying give it time, you'll probably be just as happy to hear this stuff as any other era. Edited to add: Brent's songs, OK, still not usually the highlight but for the most part I listen to them now - never did before -and some are quite good - Blow Away, JALL...
  • dantian
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    Supermark420
    It says right here on this page in the Digital Download section: "HD FLAC Available in 192kHz/24bit"
  • brianhahne
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    Joined:
    Guys...
    Wow.. thanks...I'm still looking for that RT bonus disc for you... it's a tough one to find.. I haven't come across it yet. But eventually I will. Thanks again for the shout outs. I appreciate that!! BTW.. since this is the Spring TOO forum.. let me say, I'm on my 3rd listen through the box set. I haven't even cracked open the book to read it yet. The music is amazing. I go concert to concert... then start over. LOVE THIS STUFF!
  • madpanic
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    Joined:
    I agree about brianhahne!
    I got a couple of items I wanted from him on ebay as well for a very fair price. Still looking for my white whale, the Road Trips 2011 bonus disc, but in the meantime his prices on other cds are very, very good.
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jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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17 years 5 months
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Got my order in.awesome.
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11 years 3 months
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I hope it sounds better than the first box. If I take the plunge send me copy #1990 or #9000 , I always wondered who gets those ?
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17 years 5 months
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This is going to be nice. The music will play. I'm happy with this release, I'm sure it will sound awesome. I am surprised that another 1990 was released so soon. Deadheads were talking about the 80's so much that I believed it would be 80's. I'm sure some heads will be disappointed. i'm always glad just to get anything. 24 year old shows will entertaining for sure. I passed on the print, it's nice but just not for me. I bet it sales out in a few weeks at the most, 9000 copies is not really that many. Looking for hints on DP11. Peace
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12 years 7 months
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I like the Brandford show.....but I have a copy. As a 70's fan, will I listen to the rest enough to warrant buying this? Need some honest advice from the 80's and 90's guys (or the 70's guys) to help me make up my mind. I'm asking VERY sincerely and NOT trying to start up an ugly war of words! Just want HONEST feedback please. Peace.
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*
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Recorded by long-time Grateful Dead audio engineer John CutlerMixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered to HDCD specs by David Glasser
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If you have the first box, I would say that's all you need. With the exception of 3/29/90, the better shows are on there. If you missed the first one, you might want to look into getting this one. The shows are well-played, but lack the power of the 6 from the first box.
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17 years 4 months
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.....nice to see you. Nice release BTW....Hopefully Spacebro will be pleased, but probably not...
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13 years 2 months
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$240 for 3-29-90 and the other shows that aren't as good as the first box? C'mon now...
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15 years 2 months
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Before I met a wonderful woman and got married and had a wonderful child I could have afforded this! I had to pass on the first Spring90 box and have to pass on this one too. The only show I knew I loved on the first box was 3/22, but this has two I love: 3/25 and (of course) 3/29! Sob...I desperately hope that in a year or so GDM will issue the Spring90 shows individually like they did with the E72 shows. I will jump on about half of them! Ooooh I want this!
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I'm in the same place. Got & love the BM show & really like the 80's & 90's too. This is kinda steep for me at the moment but will see if I can dig up the cash. Always dug Myland & the Drums & Space from this era so most likely........Good luck & good rocking! Ken
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16 years 3 months
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a whopping € 41, sigh... I guess a completist's gotta do what a completist's gotta do, even if it means skipping eating out for a month. Anyway, apart from the 3/29 Marsalis set there is enough to savour. It may not be the years Spacebrother wants released, but at least the later years are not ignored. @Thursday's child: I'm basically a pre-hiatus fan, but especially if you missed out on 1990/the first one, you'll need this. Great playing, Brent & Jerry in top shape, some nice rearrangements (Death don't have no mercy, Loose Lucy) and, as far as I'm concerned, nice warm sound. It works whether you play it loudly or just as background music. Now for some October/November 72 or some 67 or some 70?
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17 years 4 months
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....price is right. I'm probably on board. I too enjoy the Drumz/Space from this era....
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12 years 1 month
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Just purchase the 3/29 show by itself. Save the remainder of your money or pick up a few road trip shows from the 70s. Easy decision.
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17 years 5 months
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looks like the branford show will be a sep. release (check rollingstone, amazon pre-orders, etc.)
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My sincere appreciation to TPTB for releasing the Branford show on it's own. The box looks fantastic but with a wife and two busy teenagers I just can't afford the big bucks on a 1990 release. I would LOVE to buy a couple of these shows a la carte, much the way the Europe '72 shows have been offered.Personally, I'd like to see more boxes in the $100 range but that's not meant to be a complaint, just input. There's a ton of great music in this box and cheers to those of you placing your orders; I'm getting a bit of a vicarious thrill knowing how much you will all enjoy it!
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I think on this one the quality of the recordings made this the reason for the box. I would much rather see a lot of other spring tours (such as 76) but the recording quality and vault availability are probably challenges. If you love this era, then congratulations and enjoy! I got the first box (no regrets) but I'd be lying if I said it gets a lot of rotation on my IPOD.
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12 years 2 months
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We were making DATs and Minidisc not T6 on this tour. Of course I will order and continue to wonder why Barton Hall is held Ransom when things go out at about $270,000 for the remaster and boxing per show. Anyways back to work on West High 6/21.
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10 years 9 months
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Could not agree with you more, well put... also two teenagers, one going into his sophomore year at college... $100.00 would be more manageable... but, nice box nonetheless "Thank You My sincere appreciation to TPTB for releasing the Branford show on it's own. The box looks fantastic but with a wife and two busy teenagers I just can't afford the big bucks on a 1990 release. I would LOVE to buy a couple of these shows a la carte, much the way the Europe '72 shows have been offered. Personally, I'd like to see more boxes in the $100 range but that's not meant to be a complaint, just input."
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Will these be released on digital or CD only? A lot of us don't use CDs.
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"My sincere appreciation to TPTB for releasing the Branford show on it's own. The box looks fantastic but ... I just can't afford the big bucks... I would LOVE to buy a couple of these shows a la carte, much the way the Europe '72 shows have been offered.Personally, I'd like to see more boxes in the $100 range but that's not meant to be a complaint, just input." Thank you RDevil, that comment was just exactly perfect!
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Shipping to the Netherlands is $41.99 (not €41.99). This works out to €30.88 at the current exchange rate. The $239.98 for the box itself is €176.51. Box + shipping together is €207.39.
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15 years 9 months
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Wow, $239.98, ok roughly $10 a disc, not bad, $14.95 for shipping? Really? $22.94 for sales tax? $277.87, man. How to come up with the fund to pay the credit card bill now, how much is blood going for these days? Can't wait, love this tour, these are all solid shows with lots of highlights. And Branford, ooh yeah!
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I have the first two years of Dave's Picks sealed with the bonus discs for anyone who might want to exchange a copy of this for those. PM me if interested.
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13 years 11 months
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Just when I had convinced myself I didn't need anymore GD box sets I go and press buy!! Hefty postage tho' at $41.99!!! Ouch!!
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14 years 11 months
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Click on the RollingStone link and read the article.
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15 years 9 months
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I'd love to see them go back to more reasonably priced box sets. Not that I don't love these massive sets, but even a music only edition without all the boxes and trinkets (never look at 'em twice!) for us poorer folk would be nice.
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13 years 3 months
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now for all the people who complain about the Dave's Picks all being from the 70's..."settle down easy" (~);}
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14 years 7 months
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Mixed from the 24-track tapes to full Normanized Glory. Thank You. Thank You.
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17 years 5 months
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Don't forget that the customs will also take their cut before it gets to you. Ouch again!!
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17 years 4 months
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....Where the hell have you been? Thought you were Dead. (Head)....
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16 years 3 months
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@Simonrob: I stand corrected. It did not deter me from ordering it anyway. But at € 26/show plus book (plus the box & ticket stubs that I do not really need), it works out OK I guess.
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15 years 9 months
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Coworker of mine is ordering the box, shipping price jumped $10 for each delivery option. Weird!
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13 years 11 months
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Already thought of that probably another £34 ($58) OUCH again but what's a guy gonna do. Once you start collecting/listening to these things when do you stop.What if the best show/song I've aver heard is out there and I just haven't actually heard it yet!!!
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12 years 2 months
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Confirm order Check. My wife's gonna kill me oh well got till September to cool her down.
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11 years 3 months
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:0)
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15 years 1 month
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Saved me a lot of money. I push "buy" on almost everything here but not 250$ for more 90's shows. Dodged a bullet.
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17 years 5 months
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Blood isn't bringing much these days... you might want to consider selling an organ or two....!
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17 years 4 months
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I love all Dead eras, with my favorite probably being the pre-hiatus time along with '77.But I could not pull the trigger on this fast enough! I loved the first '90 box and I am sure I will love this one also. To me, this is the last great tour and I cannot have too much of that. Order soon as it will disappear quickly I suspect. Rock on
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Just what we need: another over-packaged behemoth. Seriously kids, just give us the music at a lower price and we'd still be happy. Does anybody really spend time fondling their "replica ticket stubs and backstage passes" while listening to 'Loser' from 3/24/90? (And I don't want to know if you do ...). I picked up the first one and truth be told, ditched the actual box once the discs found their new home on my shelf. As for the ephemera, it's out there . . . somewhere.
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My first thought was, "oh, shit. My wife will kill me, but I have to get 3/29." Then I saw that it's available by itself. Thanks to TPTB for having the vision to put that out by itself.
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17 years 5 months
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this is great!
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13 years 9 months
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While Spring 1990 is great GD, I think that the GD legacy would be better served by a box set from an altogether different time period. Having said that, I'll still enjoy it. How long did it take the first Spring 90 box to sell out in? $$$ are tight at the moment.
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14 years 7 months
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According to the Rolling Stone article, an HD Download option will be available the same time as the official release date. Thanks for the tip Bolo.
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17 years 4 months
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check your PM and email me back at my address
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17 years 4 months
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Check you PM and email me back at my address.(Sorry about the incorrect post earlier) I need to slow down! Too excited right now!
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