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    jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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  • gfink
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    midi switch?
    Regarding Brent and Big River 3/14, I'm thinking Brent may have had a little midi switch that links the synth to the piano, so he plays the piano and it also triggers the synth.
  • wjonjd
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    3/14 Big River
    I also thought the playing on 3/14 was super-hot. I think that it and 4/1 have the hottest playing in this box. The 3/14 show is hot from the beginning, but it was at the Big River where I really began to realize how hot this show was getting, and couldn't keep still. Brent's playing is inspired, prominent and FUN, and they're all listening well, as they are playing off of each other brilliantly throughout the show, kicking musical ideas off of each other in a polyphonic blaze of glory. The Loose Lucy the follows the Big River is the hardest rocking of them, Dylan's SIOMWTMBA and then Jimmy are sublime (check out Phil in both of them) and in Let it Grow checkout the interplay between Jerry, Bob, Phil and Brent. Of course, the Rhythm Devils are just exactly perfect. The second set take the energy level a notch higher and in a different way. Fingers is a treat, but it is in Playing that you find yourself again in a creative wonderland of sound. Uncle John is beautiful and I LOVE the little jam section that follows it. Drums and Space are both creative and different than what they were doing in '89 - takes you to some very enjoyable places. I've never been a huge Miracle fan, but this one cooks and is a perfect foil for Peter, where we get a VERY intense rendition of this song - if they always played Peter with this much umph I would have looked forward to it more throughout the years. Lovelight to close and Muddy River to end are sweet icing. This show will get many plays.
  • wjonjd
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    SACD, DVD-A
    I have quite a few SACD's and DVD-A. My favorites are SACD of Dark Side of the Moon, DVD-A of Blood on the Tracks, and lots of my classical music SACD's. They sound absolutely fantastic. However, they aren't really like HD tracks. Although they are "high resolution" like HD tracks, I found that in each case, with my SACD's and DVD-A's, they actually did different mixes from the original masters that highlight sounds in different ways AND most of them have more than two playback trakcs, like 5.1, which my system plays back beautifully. In several of the studies I referenced in the below posts, many of the test subjects involved were musicians, audio professionals, and other audiophiles (along with lots of other people), and in EVERY scientifically conducted study to date, when placed in a double-blind study where they didn't know before-hand which recording was which, and where the "high resolution" music tracks used were made from the EXACT same masters, mixes, volume levels, etc. it turns out that NONE could distinguish which were high resolution files versus CD (16/44.1) at anything over chance (50%). I LOVE SACD (I have more of those than DVD-A) - I love surround sound (my car plays these as well) - they sound deeper, and richer, etc. But, don't make the mistake that high resolution is the reason. It's all the other factors. The high resolution alone is apparently not distinguishable from 16/44.1. Please see the studies I referenced below. Those audiophiles were sure they would be able to tell the difference also. If you try to do testing home YOU NEED TO START WITH HIGH RES (24/96 OR 24/192) FILES, have them PROFESSIONALLY BROUGHT DOWN TO 16/44.1 by a professional who knows how to properly dither due to bit size drop and who knows how to determine that the final result is identical in playback volume. THEN, you need to design a way (which will be much easier with assistants) to test listening to each of them at least a couple of hundred times in a double-blind fashion where NEITHER YOU NOR THE ASSISTANT has ANY way of knowing which recording is which when you listen to them - you should only be able to see which was which AFTER the testing. You can't just go back and forth between them - which one you are listening to each time needs to be entirely RANDOM. There are lots of other factors I'm leaving out. You can read about the many other pitfalls that people run into during testing that will bias the results as well. Until that is done, you don't really KNOW whether you can tell the difference because comparing an SACD to the CD is NOT the same. I'm assuming that the HD downloads of the 1990 box are from the same master recordings, so you could test using those. However, you would need to get BOTH the CD quality downloads (or make your own) and the HD downloads AND (this is critical) you would need to use professional quality software to bring the files to the same playback volume (it is VERY unlikely that they are the same in this regard as the process used to bring 24-bit files to 16-bit files changes the volume level a little). Again, without doing all this and then ensuring a truly unbiased style scientific double-blind testing process and setting, you're not really comparing apples to apples and you won't KNOW that you can tell the difference. In scientific studies to date, NO ONE has been able to.
  • Underthevolcano
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    box set, etc
    I am about halfway thru this set-I'm taking my time and not going for a marathon binge. I am really impressed with this box-the sound is amazing and the playing is the apex of late era Dead, IMHO. It was a different band in those days as many have commented upon-the exploratory jams are gone but the nuance/detail epiphanies are still certainly there and the presentation is more "pop"-but a good "pop".You know, that eclectic, Dead style take on all things musical in a more accessible way, I guess. I also love the Jerry Band stuff during this time period. He is articulate in his vocals, has thoughtful delivery and some really tasty solos. On SACD, HDCD, etc-my opinion is that it all goes back to the original mix and recording. I don't think hi-res will improve bad source material-it will just make more transparent bad source material. S...in, S...out.
  • mustin321
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    Big River from 3/14/90
    Brent's solo in the middle of the song, he starts playing a really nice piano solo, then halfway through the solo he adds an amazing synth part on top of the awesome piano part. Not sure how he does it, but I love it!
  • guit30
    Joined:
    HD tracks
    Anyone here have any SACDs or DVD-As? They are similar to HD tracks. MOFI is currently making an SACD of "Workingmans Dead" and "American Beauty". You hear so much more detail on a good SACD. You have to have a player that will play SACDs, they have players that go up to 5,000. I have a 200 dollar multidisc player that plays DVDs, DVD-As, SACDs and HDCD. Anyways, I just reviewed a MTB release, the one where they opened for the Dead on 9/3/77 , sound is just plain bad. DPs 15, The Dead on same day sounds awesome.
  • mikeblood
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    The post I was specifically
    The post I was specifically referring to has been modified
  • TN Dead
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    Why Not ?
    Its all fun and games until ?This Box Set Flat Out Kicks Ass !
  • gfink
    Joined:
    This set is great.
    For quite some time I viewed the Without a Net release as showcasing an era I was not that interested in hearing. I was into the 1969-73 version. 90s wasn't entirely lost on me, but I never played it. It took awhile for me to come around. This set makes the case that they were on their game big time.
  • mikeblood
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    :/
    That's cool you like the box set and the music, but why boast about rushing the stage ?
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17 years 8 months
jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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16 years 1 month
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I can't wait to hold this in my hand. Keep them coming, i am in! First box set is through the roof, sooooo well done, sound is amazing, keep the good times rollin. Jerry thank's you, i thank you. A great time to be alive.
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14 years
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My copy arrived Downunder this afternoon (Tuesday) so glad I didn't pay extra for the express delivery. Another beautiful box, now for the music.
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16 years 3 months
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My big box arrived yesterday in sunny South Australia and in every which way, the total package and contents are just absolutely perfect!
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15 years 4 months
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Thank you Dead.net A very beautiful box and I can not wait to start listening. While waiting for this I have been doing the rounds of 72-73 but this tour is my favourite. Only complaint is that the music is 'too perfect' hahaha. From Camden to Rydalmere I will be rocking these shows to and from work. Think I will start tonight though by putting 3/14 on my ipod. Thank you to all those who worked on this box set. Great job!
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16 years 6 months
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Love Ryan Adams, and looking forward to the new album. I will try to get to my local shop today to pick up the wax.
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13 years 9 months
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Does anyone know where I could find digital/.jpg versions of the "album art" for each of the individual shows in the Spring 1990 TOO box? Thanks for any help!
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15 years 9 months
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My box just now arrived at my doorstep in Tennessee. A day earlier than I expected! Box number 5,837 of 9,000.
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10 years 6 months
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Saw Ryan last night in DC for his record release show. He was in great spirits and the band sounded really tight. New stuff was pretty strong, if a bit poppy. Surprised, but I don't think he played anything pre Cold Roses/Jacksonville Nights. No covers, though people did holler out for Wharf Rat and Bird Song. Good time all around.
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11 years
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Yes I think wjonjd is right. Reading about the mixup "I know the packaging and shipping of these is probably outsourced..". I admit I buy a few CDs a month. Many come from ImportCDs. Same packaging, labeling, and return address in Shepherdsville KY as dead.net. Still waiting on a shipping notice for my TOO box.
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16 years 7 months
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I PAID 160.00 FOR THE DOWNLOADS AND THERE IS NOTHING TO DOWNLOAD. JUST EMPTY LINKS. EVENTUALLY IT TELLS YOU THAT YOU'VE EXCEEDED THE MAXIMUM NUMBER OF DOWNLOADS. CUSTOMER SERVICE DOES NOT HAVE A CLUE. THEY TOLD ME IT TAKES 7-10 DAYS FOR THE DOWNLOADS TO ARRIVE.
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17 years 4 months
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Rhino moved over 1,000 units this week. That means they will all be gone in about a week from now, so please, all of you true Heads, get them now while they are still available. I don't want to see anyone miss out and I certainly do not want this site filled for weeks with folks complaining that they didn't get it and that Rhino screwed them by limiting the amount sold. Anyone who wants this (and who wouldn't?) has had plenty time to get on board. You procrastinators out there, now is the time to pull the trigger or forever be quiet. I am counting the hours until mine hits CT. this Friday.Rock on
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17 years 5 months
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I'm shocked that this has arrived in Canada for the release date. I'm pretty rural and don't think i've ever received an official release within 3 weeks of launch. The box is beautiful looking - can't wait to get into it. Problem is, I'm still digesting DaP 11 which only just (finally) arrived a few days ago. $23.53 duty for you other canucks out there ...
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My copy arrived today, very happy with it. Really nice box, solid sound quality. The coin is really a nice touch. If you are still on the fence, better get it now while you can. I'm sure the second they sale out they will be on Ebay for 40% more. Great release, now please tell us about DP12. Jam on! Peace
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10 years 6 months
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I got it! Rushed home at lunch to dig in to it (and a great ham and swiss sandwich). Anyone know how they decide who gets which box? I pre-ordered it on the first day, and I got 8447! Sound is incredible. Definitely thinking about framing the faux stubs and backstage passes - add a little Spring 90 to my music poster wall.
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10 years 7 months
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I got it! Rushed home at lunch to dig in to it (and a great ham and swiss sandwich). Anyone know how they decide who gets which box? I pre-ordered it on the first day, and I got 8447! Sound is incredible. Definitely thinking about framing the faux stubs and backstage passes - add a little Spring 90 to my music poster wall.
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14 years 5 months
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AAC is a lossy format, comparable to high quality mp3. ALAC (Apple Lossless) is…lossless. It says AAC above, but I have read these should be Apple Lossless files. Just wanted to clarify for any confusion that might be here. Carry on….CARRY ON...
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16 years
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The sound is amazing! Gonna be a long, long, crazy, crazy night Silky, silky, crazy, crazy night.
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17 years
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So where's the number at as I can't find it on mine?
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16 years
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It's on the coin under the lid.
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17 years
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Thanks fourwinds!
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13 years
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I'd like to buy this spectacular box. I'd like to touch and smell all the things inside this box and of course listen these HDCDs, but I live in a country named Brazil. Some people in Europe don't like to pay U$50 -U$100 in import taxes and fees. It would be a dream to me pay this. Do you believe that in my country I would pay over U$240,00 only in import taxes + fees? I'm not kidding! 100%! It's our goverment....The highest taxes and no hospitals, no schools... ok some new and beatiful soccer stadiums. Does anyone know a place on earth where the import taxes and fees are so high? I have U$ 240,00 but I don't have U$ 520,00 ( 240 - box + 40 - shipping to Brazil + 240 or more from import taxes and fees). Hey you from USA, buy it! Think in my case. The price is not so high. I need to move to USA, Europe or maybe the sunny Australia. It's sad to be a Dead head in Brazil...
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16 years 3 months
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I don't know how to get a suggestion to David, so I'm going to post it here and hope that someone relevant sees it. Regarding the downloads.... since most people probably don't burn their lossless downloads to CD, is it possible to have the second sets made seamless for the downloads? I understand the fade-ins and fade-outs at the end of the discs, but if the files aren't being burned to disc it would be nice to have Drums>Space seamless, instead of "Drums>Space fade-out" followed by "Drums fade-in>Space". Just a thought! Aside from that... keep doing that awesome thing that you do!
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10 years 6 months
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If I'm not mistaken I read they would not be ready until the end of the month...?
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10 years 6 months
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I just read my mistake.
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16 years 3 months
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No, you're right. I'm just asking if, when they appear, they can be in that format (if they aren't already).
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10 years 6 months
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I am sure you will get it , even if there is a hiccup right now. I'm one of those (have to have it just in case people) I bought the box but it will be transferred to my pc and burnt for the car or whatever. I just don't have the pc power to trust myself not losing it. I hope you get it the way you want. I know customer service must be inundated with problems right now. But they are good people.
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17 years 5 months
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1. We believe the technical issues with the downloads are now fixed. Please speak up if you experience an alternative reality. 2. Apple Lossless, CD quality audio are available now. The HD FLAC files will be along soon. 3. Cover art is now available on the download page. Sorry for the issues, but hope all is good now. Thanks and happy downloading!
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17 years 5 months
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does anyone know if spring vol one downloads are going to be the 24 track or 2 track
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14 years
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Oh no!I told myself (and my wife) that I didn't need this box especially after I saw the price... then I heard some of the music and saw the spoiler video... Can I let it go? It's going to be a tough decision. Don't have much 1990 in the collection... But it sounds so good!
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11 years 3 months
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Jump on it man! Less than 1500 as of yesterday. Better to grab it while ya can than regret it down the road...
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13 years 9 months
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Just a note about the lossless downloads. Since the ALAC files are lossless, this means they can be easily converted to wav and flac (and back again) with zero change in sound quality. So you can create your own flacs from alac. Now, since the flacs are listed as "HD FLAC" I,m going to assume that they will probably be 24bit 96khz files as opposed to 16bit 44.1khz (cd quality) or at least something over what they are encoding for the alac files. However, (and what I'm about to discuss frequently upsets audiophiles), I urge you to google studies concerning people's ability to distinguish 24bit 96khz from 16bit 44.1khz recordings. There have been several from top universities, and their results and methodology have been extensively scrutinized. These are all scientifically designed studies, some using surprisingly large sample sizes. Most of these studies are fairly similar to each other. Double blind - no one participating in each listening session knows at the time which recordings are hd (24) or sd (16). They used multiple audio systems ranging from top end systems and speakers designed by audiophiles, down to basic systems. They used professional headphones down to basic equipment. They chose many different types of music. They checked to make sure that hd recordings were from the same source/mix as the sd recordings. That is frequently not the case, by the way, and is one reason many people are sure they can tell the difference. They usually chose large numbers of participants who self identify as audiophiles or not, musicians or not, a large range of ages, backgrounds, etc. The results of all studies recognized as scientific (that I am aware of) have been basically the same. The rate at which each user can correctly pick which recordings are sd or hd is about 50%. A coin toss. Audiophiles fared no better than others, with highest percentages being around 52%, and some studies then when back to people like that and found that the more music samples they tried the closer the success rate approaches 50%. Some of the write ups go into great detail into methodology of the studies, and if you read them you will begin to see how hard it is to try to duplicate doing tests like this at home (although it can be done). Some of the things that can bias results are NOT obvious. Many will always disagree, but so far as I know NO study has found ANYONE, who can, under their controlled environment, distinguish 16 bit recordings from 24 bit recordings from the same source at anything significantly over 50% (same as guessing). Btw, this doesn't mean things like SACD don't sound better than their cd counterparts. But they use more playback tracks than stereo (like 5.1), are almost always special mixes, etc. it's not apples to apples, and these studies indicate the great improvement is not due to just the difference between 24 bit and 16 bit or 96khz and 44.1khz. Just something to think about before you spend extra for hd when the source is identical.
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If they would have had them listen to 24/96 flies on a good system for a period of say a week or so and then switched back to 16/44 files then I think they would have heard a difference.
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16 years
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Now what we need is Fillmore West '69 and Europe '72 available in HD FLAC.
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17 years 5 months
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THIS is the box set. I have everything the band has ever put out...This outdoes the original 1990 box set for sound and it out does it for quality of the box set. I LOVE THE TIGER COIN IN THE COVER! OMG! It nearly brought tears to my eyes.... Jerry would have loved this. He really would have. Listening to disc 1, song 1 as I type... *sigh* can't wait til I get to the shows I was at. This is so nice. THANK YOU DAVE LEMIEUX.
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17 years 5 months
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#711 has arrived in Denmark. Really cool number, just like #710 would have been. Anybody here got that?This box is a work of art, and I've not even started listening yet. Thank you, David & Rhino!
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15 years 7 months
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Since Spring 1990 (The Other One) is now available digitally, why not do what you did for the Europe '72 box set and offer the shows individually as well? Not every Head has that sort of spare change lying around, and it would be nice to have the opportunity to hear more of this truly great era. Anyway, I went out and picked up Wake Up To Find Out as a consolation prize (but what a prize!), and am not interested in paying for a show I already own. Anyone else out there think this is a good idea?
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17 years 4 months
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As stated in the digital download FAQs, FLAC files cannot be played in Windows Media Player. However, there is a plug-in which makes this possible, namely "Directshow Filters for Ogg Vorbis, Speex, Theora, FLAC, and WebM" from Xiph.org. The file (opencodecs_0.85.17777.exe) can be found here: http://www.xiph.org/dshow/
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@fourwindsblow - That may be. And it may not. Before sticking to your opinion on this go ahead and look up the studies that have been done on this, read them thoroughly, and see if you change your mind. Because in order for what you say to be true all of the studies would have to be flawed in just such a way to create the 50% success rate they all get. See what you think after you read them. Or don't. It's not my money. And, even if someone can't hear a difference, if they think they can and they're happier, that's fine too. You say things like "on a good system." Have you looked at what they used. Most of them didn't just use a "good system". The very purposely used severly "excellent systems" AND several "very good" systems AND several "basic" systems, etc. That's the whole point behind a truly scientific study. Address all known variables that might bias results. Not just the "sound system", but the people (audiophile, musician, other), ages (teenagers with young years, twenties, thirties, etc.), listening environment, kinds of music, and even factors that wouldn't necessarily seem relevent like educational background. They make as sure as possible that something as simple as "as is the system good enough" doesn't affect the ability of the study to be able to answer the question they are studying - can people hear the difference between A and B. Anyway, as long as people are happy it doesn't really matter.
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11 years
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wow its so nice. time 2 lock myself in my house and ignore the world 4 a few days
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10 years 11 months
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wow its so nice. time 2 lock myself in my house and ignore the world 4 a few days
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12 years 3 months
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For what it's worth, whether you believe in the superior quality of high-definition recordings or not, HD-Tracks is advertising digital downloads of Wake Up to Find Out: Nassau Colisuem: Uniondale, NY 3-29-1990 at both 96/24 ($40.98) and 192/24 ($53.98) sampling rates. Presumably, it's available now for download. http://www.hdtracks.com/wake-up-to-find-out-nassau-coliseum-uniondale-n… It will be interesting to see if the rest of the set is listed at these higher rates.
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15 years 10 months
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I'm curious if this experiment were performed with a recording of a piece of music the listener was very familiar with. Could they pick up any nuances between the 16 bit and 24 bit versions? I have not read the study, so I don't know that info. But if one listens to a piece of music that person may not intimately know, I think the brain will be absorbing the composition as a whole, so it might not pick up the nuances between 16 bit and 24 bit.
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16 years
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What I was saying was have them listen to 24/96 files for a little while before doing the A/B tests.
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15 years 9 months
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I'm in agreement. I was just curious if I could tell the difference with some of my "reference CDs": Darkside of the Moon, Aja, Lamb Lies Down on Broadway, Revolver, DP3, DaP5, Orig LedZep Box, Babylon by Bus on really good audio gear. With that said, as I wait patiently for S90TOO (Friday delivery), I've autoripped the amazon mp3 of Wake Up set that I bought for my buddy's birthday in a couple of weeks and it sounds awesome on the office stereo - can't wait to crank it up from the boxset in HDCD on the big boy stereo! Since I only have a better than average stereo (far from an audiophile rig found on audiogon), I don't think I could tell a difference.
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13 years 9 months
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I'm pretty sure that Dark Side of the Moon is one of the ones that had a complete remix/remaster than the CD. Here is a link that shows and describes the differences in the mastering of the CD and the SACD of DSM. When you are done reading it you will see than anybody would probably be able to tell the differenced between them, even if they had both been put out in 16/44.1 http://www.stereophile.com/news/11649/ You really need to read the studies to begin to realize how much went into trying to find out whether the human ear can detect those differences. The people looking had no agenda other than trying to answer the question. It can't be too much of a coincidence that all the academic studies come up with the same results.
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