• 7,852 replies
    admin
    Joined:

    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

Comments

sort by
Recent
Reset
  • wurm79
    Joined:
    RE Watchya gonna listen to first?
    Dig the post born cross-eyed. Here's the shows I'm probably going to dive into first. 1) 10/21/83 Worcester, MA - This show is appealing to me since it's a Brent Bday show, and I've never heard this show yet as well. It sounds like it could be a hot one, since it follows the Fall 83' Hartford run. 2) 6/24/85 Cincinnati, OH - Another mid-80's show that I haven't touched base with yet. Should be good since it's June 85' show. 3) 9/18/74 Dijon, France - Wall Of Sound.. I'm ready for some Phil bombs!! 4) 11/28/80 Lakeland, FL - Big fan of anything Fall 80'. This is the only November 80 show that I haven't heard yet.. Looks really good. 5) 3/18/71 St. Louis, MO - Really hot 71 show. It'll be nice to hear a official remastered version of this..
  • bohlint
    Default Avatar
    Joined:
    Re: Sound quality
    Alvarhanso, thank you for your response. Would you or anyone out there mind explaining what determines if a show is mixed from a 2 track, 16 track, 24 track, ect. If 16 track was available for shows as far back as 69 shouldn't it be available for at least some of the other releases of lesser sound quality? For example, why was a 2 track mixed used for Spring 90 1, and a 24 track mix used for Spring 90 2 (The Other One Too) when all the shows were from the same tour. It seems like the 24 track mix should have been available for both boxes. And for the DaP's and RT's were 16 track mixes not available for some reason or did they opt not to use that method? Thanks again just trying to get a good grasp of this process!
  • SPACEBROTHER
    Joined:
    Resale
    Wishing for others misfortune? No. Expressing something about how it would make perfect sense to wait to have product in hand before committing to a resale by a specific date, only to have delays and before a proper inspection of the product to assure quality is the point I made. If I were a buyer who already paid money for a product in a second hand market, expecting it to arrive by a certain time, and expecting it to be exactly as described is what I would hope a seller would take into consideration. I would find late shipping and potential inferior product far more disturbing as a buyer than some friendly advice to potential sellers. Oh well. Some lessons are learned through trials and tribulations, and some salivate at creating imaginary conflict.
  • unkle sam
    Joined:
    The Wait
    Some great comments on this board about the postponement of shipping. Could be somebody dropped the ball, created a logjam, slacked off or procrastinated, and now we have this holding pattern of doubt and anger. It's a bit funny, the veracity of this setback creates a lot of downtime for some who were anticipating spending some quality time with the sounds. It could have been worse, could have been discontinued, or a filibuster could have been used to stop the release, or put into a permanent suspension, stalled in a endless holding pattern or lost in a long cooling off period. The setback has put to test the resolve of deadheads and this cunctation will pass. The sales pitch was "don't delay" order yours now, get it before it's too late, due to ship...the lag is hard to handle, but we will survive this jam. Others commented that they would cancel their order, or that the ship date is after the date that you can dispute a charge on your credit card. Others are afraid that the sound will suck, that it will be sloppy productions and bad or less than stellar mastering. Relax, why worry, it will all be ok, I worried once so much I was worrying why I wasn't worrying anymore. Anyone out there remember the Europe '72 box? I had 10 bad discs in that one, with several ripped cd cases made of cardboard, it took over a year, but it was all settled and all was replaced or refunded. I don't think dead-net or rhino is out to rip us off and the delay is better than the alternative - a sub par product that we all will complain about, or worse yet, return for a full refund. Could you imagine all these boxes coming back to rhino for a refund, that could be funny, as long as you didn't work there and have to deal with it. By and By, we will survive.
  • alvarhanso
    Joined:
    sound quality
    Spring '90 TOO and Europe '72 have the best sound quality, because they are from multitrack masters. The first Spring '90 set was mixed from a 2 track mix, the second was culled from a new mix of the 24 track masters. Europe '72 was remixed from the 16 track masters (as was Fillmore West '69), so Spring '90 TOO, Europe '72, and FW '69 ought to sound the best. Dave's Picks and Road Trips as well as Dick's Picks are from 2 track masters, so there are definite limitations in how much Jeffrey Norman can change the mix, such as to lower Donna, or bring up Bob. By using individual tracks, he can give you the feeling of being onstage as with Spring '90 TOO, or inside the Fillmore. 10/26/89 is one of the shows in 30 Trips that comes from a multitrack master, I think it was on a 16 track. Some people complain about the sound on the Formerly the Warlocks box, which also came from a 16 track source. I think it sounds good, but not great. I think the 30 Trips set will have a range of sound quality, and would expect 10/26/89 to be the best sounding. Hopefully they used multitrack masters on other later shows as well. As to rushing, I think they gave Mr. Norman a breather with the last Dave's Picks and chose one that had already been readied for release as Dave said the May '77 box was almost an April '78 mini-box of 4/21-24/78. I would think, they put the time and effort into getting the sound quality to be as high as they could. And I'll be listening in order from '66 to '95, so I can hear the evolution of the band's sound in an easy to discern and digest manner.
  • Born Cross Eye…
    Joined:
    Watchya gonna listen to first?
    When reviewing the list of shows that are included in this release as they were revealed in June, a few shows came to mind that I wanted to hear first.1. 11/10/67 I had a bootleg CD sometime ago and it seemed to have a muddy sound, but great performance. I hope the official release cleans up the sound. 2. 10/27/79 I still have a sbd cd-rs of this show, I hope this official release improves the sound, also it's my birthday. 3. 10/27/90 I only streamed this show via Sennheiser HD480 headphones. again it's a b'day show! 4. 10/01/94 Sometimes ya just gotta get into 1994. 5. 02/21/95 sure beats those Chicago shows in July (of '95), in my opinion. 6. the 1968 thru 1977 shows - my favorites. Later on, I decided to play everything in order of year, similar to I have done with Europe 72 for the last five years.
  • lgreen
    Joined:
    Sound Quality
    I hope I am wrong but I fear the mastering has been very rushed indeed... if you go back and play the 'listening parties' on this site [as well as other sites like uncut] you will hear tracks - especially the 80s which are significantly below what we have grown used to with DPicks - obviously most of this is because the 80s soundboards are either cassette masters or very early digital tapes but the work done on DaveP 8 and DickP 32 show with time and care in the mixing you can overcome a lot of the drawbacks. None of the samples offered so far for 79 to 88 suggest this work has been done... even the 89 sample [from a multi-track] sounds 'unmixed' in that Brent's voice and keyboard dominate in a way that they addressed in Spring 90 1&2 I really do hope that I am wrong but I fear this will be a very expensive lost opportunity and I say this having ordered my set on the first date and acknowledging I am still very excited in anticipation... Perhaps we should have all gone for the USB as the high-res files for Spring 90 1 sound stunning through even a mid level portable player
  • Ziffle
    Default Avatar
    Joined:
    RE: Packaging is a big part
    If you copy the USB to a hard drive, transcoding to Apple Lossless at 44.1/16 bits, put the whole lot in iTunes. You can burn the CD's from iTunes easily. But they will NOT be HDCD encoded! Just ordinary CD quality if you want something better than the 320 mp3's included for listening in the car. On a Mac this can be accomplished easily as a batch operation using freeware XLD by setting the following preferences in XLD: In the "General" preference, set output format to Apple Lossless, click the option button, and set "Sample Rate" to 44.1, and "Bit Depth" to 16. Below that is "Output Directory" click the "Specify" button, and then click "Set" to tell the app where to put the files. In the "Batch" preference, make sure that "Preserve directory structures" IS selected, and make sure that "Delete original files" is NOT selected. Then close the preference, and use the usual File menu "Open" and select all of the folders (or however they deliver the USB version) of FLAC files, and go have a cup of coffee and cut the lawn (if you have one) or whatever. It will take as long as an hour, depending on how fast your processor is. This is very easy and XLD is a great reliable application. Then, burn away at will. I'm sure that there is equivalent and easy to use Windows software that will accomplish the task, but I don't know anything about that. Maybe someone else can provide a Windows explanation.
  • bohlint
    Default Avatar
    Joined:
    Sound Quality?
    Happy Saturday Deadland. I have a question regarding the sound quality of this release. Please keep in mind that I am not very well versed in the technology of recording. In my opinion from listening to the releases over the years The Other One is easily the best dead mix I have heard. I revisit those CD’s often and love them. The Europe 72 releases also sound great to my ear as well. I believe I can hear a big difference between these and the Dave’s Picks and Road Trip series. Is there any way of knowing what to expect with the CD’s in this release. Mixing is one of the most time consuming and costly parts of a release, right? Is there concern that they may have rushed this or was it done right? Thanks in advance!
  • JimInMD
    Joined:
    Re: Credit Card Dispute
    I think it depends on the card.. but I had an issue a few years back that went back much more than 30 days and AmEx investigated the matter and refunded me 100%. ..but I'm still holding out hope that this will be a decent release. There are several shows in this offering that have my attention, some old, plus Cape Code, Augusta and MSG. I think I am somewhere in the middle of BrianHahne and OneMan in listening habits. For E72, Brian (must have) started with a few dozen pots of coffee and didn't sleep until he listened to the whole box. One Man must be close to finishing his first listen now, but needs to review and re-write some of his notes as the Staples near his home has run out of paper (again). (kidding folks). I expect it to take me on the heavy side of six months to get through this monstrosity. ..and I doubt if I really hit too much other stuff so I am getting in my diversity now. Doc Watson yesterday, Summertime, when the livin's easy. Man that guy can pick.. super clean. Good Luck FH2 and everyone else.
user picture

Member for

17 years 8 months

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

user picture

Member for

17 years 3 months
Permalink

Out
user picture

Member for

17 years 2 months
Permalink

I would love to buy these shows on CD but that price is too prohibitive. I hope they reconsider and release these shows individually or in smaller box sets (of perhaps 10 shows each) that could be purchased over time. No one is complaining about the price per disc -- it's that the $700 lump sum is too great for many people's budget in any given month, which makes this set so disappointingly unobtainable to so many loyal fans.
user picture

Member for

13 years 4 months
Permalink

Game on Zuck. My piano player can kick your piano players ass. I am including a youtube of him, yes.. that's a full-size grand piano, he's a giant. https://youtu.be/tSxzA1y-zWg
user picture
Default Avatar

Member for

11 years 5 months
Permalink

Yeah,talking about the music, and technology is what keeps me coming back to this forum. I am a noob compared to most people on this site, but I love how passionate some people are about the music. Believe it or not, I've only been listening to the dead for three years. And the first shows that got my attention were the Spring 1990 shows from set one. Since then, I have listened to shows from every year - except 1986 and 1995. The GD app is pretty convenient for checking out the stuff on Archive.org. Then I got into the JGB, Old & In The Way, Kingfish, Further, Phil Lesh and Friends, etc..... I have copies of some of the shows from this box set, but to hear it mastered with great equipment, in high quality (wink wink) - and to essentially be transported back to a time that I never knew existed, and have front row seats for it is incredible. (Thank you Betty Cantor and Charlie Miller) As for the eras, I find that one day I love 77, and another day I am listening to Alligator from 69. This week has been all about 1985. Especially June 1985 - while Jerry wasn't looking too good physically - the sound is great. Overall, what I am trying to say is that there is so much to talk about, and everybody's opinion and knowledge is incredible. If you have to throw people under the Furthur bus to make yourself feel big then that sucks - because I think its this community that keeps the music alive. I mean, go to any other band site and look at their forums. I don't see any crazy threads for Pearl Jam releases ;) Now, back to my 1990 jam.
user picture

Member for

12 years 5 months
Permalink

Anyway, great point JiminMD. I like getting turned on to things on these boards. Somebody mentioned 2 from the vault last night. I've been meaning to pick that up. Went on DeepDiscount site (sorry Rhino/GD store but free ship plus no tax) & saw that & so many other GD titles on sale. Bought that & 2/11/69 for less than half price. Also saw the new vinyl GD double LP 1967-77 for only $14, why not? Then decided I should replace my deeply scratched American Beauty with a new 180g lp. Outside of GD I picked up the new King Crimson recent tour release, Black Sabbath's Sabotage on vinyl & the new Courtney Barnett release. Watch out for her, a great singer/songwriter that rocks as well. The thing I passed on was the Egypt cradle 2cd/1dvd set. Only $20 but not sure if it's good, thoughts anyone? I can't afford the new box but It felt good picking up a few odds & ends.
user picture

Member for

15 years 2 months
Permalink

Ignoring posters who are constantly trying to stir up arguments is the best answer to their baiting. It's the one thing they can't respond to-silence.
user picture
Default Avatar

Member for

14 years 7 months
Permalink

That's a great video you posted Jim- gave me a good laugh. Thanks
user picture

Member for

14 years
Permalink

Do you think the 80's shows will be matrixes? It's a big factor in me getting this.
user picture

Member for

9 years 5 months
Permalink

Long time reader and finally decided to post something. First off the box set is overwhelming(in a good way). There is something for everyone in it no doubt. It's too much for me to afford but I am thrilled that it exists and will be available to those with the means to purchase it. What a treasure trove of music! The last box set I went for was the Winterland 73 box. I have all the DP's all the Road Trips and every commercial vault release but I just can't afford the boxes. I have bought a few of the Europe '72 shows ala cart. My wife (like many others it seems) is not a deadhead and therefore does not understand why I need 100 different versions of Dark Star! Ha! It's just easier for me to purchase these shows in small amounts to limit the marital strife. I am primarily a 68 to 78 guy but I like it all, just spend most of my time in that 10 year window which to me is the peak of their live output. I hope to see Cornell get released one day. I listened to my AUD copy of Morning Dew last night and it has got to be one of the all time best versions ever to me. Sorry for the rambling post just wanted to give a little background and say how much I enjoy reading the discussions.
user picture

Member for

10 years 9 months
Permalink

agree - down thread someone posted something like: "i would hope there aren't folks who come just to troll this forum" I think there are folks who troll any and all forums, regardless! My experience anyway.
user picture

Member for

11 years 3 months
Permalink

Matrixes in this box set? I certainly hope not.
user picture
Default Avatar

Member for

14 years
Permalink

I quite like Rocking the Cradle, Egypt 1978. It has a very mellow vibe that I keep coming back to and the DVD, though it leaves you wanting more, is an excellent document of a piece of Grateful Dead history, and the 15 minute home movie vacation tapes is a cool special feature. It will never be my favorite show, but like a kids' lemonade stand you can't help going for a taste even if the lemons are of imperfect freshness or they've over done it on the sugar. I think the people who are most disappointed in it are those who really love 77-78, because its got a different feel than the normal stuff from that era. The second song on disc 1 is a nearly 12 minute row-jimmy and I'd say that that song is sort of characteristic of the vibe I get when I think about the album. There was also a bonus disc that I missed out on at the time and picked up later used and overpriced on eBay. The best two songs from the bonus disc, Bertha>Good Lovin', are included on the DVD already. If you like the album, you may ultimately wan to pick up the bonus disc, but the six songs unique to the bonus disc are there for a reason, be it sound quality or performance quality. Personally I'd say the bonus disc is definitely worth listening to, but not something you need to be in a hurry to grab. I like Rocking The Cradle as great road trip material. In the middle of a long drive it's nice to plop those two CD's in and let your mind wander. It's a show that will take you places only the Dead can, but does not demand rapt and unrelenting attention to every note the way some of the other big shows can.
user picture

Member for

9 years 5 months
Permalink

I agree with you about the Egypt shows. I have that set and the bonus disc it's pretty cool, very mellow. What I go back to more than that though is the Road Trips From Egypt with love. To me it's incredible. 78 is a smoking year. That NFA with John Cippolina is a monster.
user picture

Member for

17 years 4 months
Permalink

David have you guys pondered yet about doing a complete Red Rocks Box set? And just a suggestion, how about a three or four month installment plan to pay for these box sets? Since its still four months out, you should give us regular guys out here who were dedicated dead heads for many years but who may not be able to afford $800.00 in one chunk....
user picture

Member for

17 years 4 months
Permalink

David have you guys pondered yet about doing a complete Red Rocks Box set? And just a suggestion, how about a three or four month installment plan to pay for these box sets? Since its still four months out, you should give us regular guys out here who were dedicated dead heads for many years but who may not be able to afford $800.00 in one chunk....
user picture

Member for

12 years 2 months
Permalink

Up until your post, I'd never known about deepdiscount.com. Holy crap!!! It's a potential goldmine! Thanks, man.
user picture

Member for

11 years 5 months
Permalink

Listening to the live disc from Birth of The Dead. That freaking King Bee is incredible!!!! Knew there was a reason why I love primal Dead.
user picture

Member for

9 years 5 months
Permalink

Curious how you all listen to the Dead. Do you reach for a specific disc or a complete show? For me I have an Ipod which is loaded with only GD from my collection that I carry around with me everywhere I go. I just shuffle that thing and let it play. It takes me weeks to go through the whole thing and then I just start it over. That way I never know what I will hear next or from what year it might be and it's fun. For years I would listen to one complete show at a time but once I went the "shuffle" route I have really embraced it. Sometimes it's weird to hear a China go into something besides a Rider but you get used to it. Ha!
user picture

Member for

13 years 4 months
Permalink

I cant do the shuffle. I like to listen to contiguous shows in a tour/year. Press play and a few months later its done. Then perhaps revisit parts that stand out. mbarilla has a remarkable adaptation, he has evidently developed some piece of proprietary hardware (firmware/chip) that he self implanted in the frontal gyrus part of his cerebrum that enables 100% absorption in hi def quality at 20X normal speeds. Not to be outdone, forensicdoceleven has attempted to develop and implement a similar technology on himself, but it has some bugs. With the exception of brief glimpses into 1983 and 1984, his chip only works for 1971. Go figure. Others have developed similar adaptations, but none are sharing. How can I tell? I listen to a butload of music, but pale in comparison to half the people that post here.
user picture

Member for

9 years 5 months
Permalink

I cut my Dead teeth so to speak on whole shows. I listened that way for years. I can still do that and sometimes do with the Ipod but I like hearing a wide variety of different tunes from different years. I listen in the car or the shower or while i'm running or at work, the portability of the Ipod can't be beat. Best invention ever! Being able to carry around 1,000 songs in your pocket is just so great.
user picture

Member for

10 years
Permalink

I prefer to listen to complete shows (or at least a complete disc) but most of the time I can find some great stand alone cuts. It's hard to beat a good Alligator / Drums / Caution though!
user picture
Default Avatar

Member for

11 years 2 months
Permalink

If I had the time, I'd do whole shows. Sadly, it tends to be discs, or sometimes just random tunes on my commute to and from work.
user picture

Member for

13 years 4 months
Permalink

emailed D. Lemieux and he replied. The 80's shows are not sdbd/audience composites. I take that to mean they are as Healy recorded them unless they needed some cosmetic touching up...
user picture

Member for

12 years
Permalink

I've always loved Looks Like Rain, my pick for the greatest one ever is 1983-04-16, Bredan Byrne Arena, NJ. Bobby screaming and Jerry's incredible fast pickin, like standing in the rain,,, brings tears to my eyes. On the listening front, generally I'm always catching up since so much music pours into my house everyday. I try and knock out Dave's Picks when they come, my car accepts usb memory sticks and I keep one in the car that contains a block of shows by years, I'm trying to listen to every show, I'm in the second half of 69. I like to listen to them by show also so you get the correct "into". Though sometimes it's nice to hit shuffle and you can be surprised by the way some things really work together. I'm also always listening to some audio book. This on top of the endless soundtrack that plays in my head. I saw someone mentioned deepdiscount.com (I think that was the name) I gave a 30 second look, didn't think discounts were that deep! I buy a lot from Amazon USED, shipping is always 4 bucks, but if you can score a cd for a buck, what the hell. I tend to buy a lot of odd things also, like how many Deadheads have complete collections of Andy Williams or Doris Day? I recently acquired some used Renaissance albums that I had in vinyl but got remastered replacements for a couple of bucks. Snagged a couple of used "the watts 103rd street rhythm band" Stuff coming in all the time. I don't lack for listening material. So check out used amazon stuff, you might be surprised. Will keep deep discounts in my search pattern though.
user picture

Member for

16 years 1 month
Permalink

I listened to all the 80's sound boards that are in the box and they all sound pretty good.
user picture
Default Avatar

Member for

14 years 7 months
Permalink

Generally I jump around from disc to disc, sometimes within the same year, though often from era to era. I'll try to listen to a whole show when it's released, and for Box Sets. Though many times it's portions of shows as time permits. Last night I had some time so first it was the pre-drums from 7/31/82, then the Truckin to Morning Dew from DP28. Then Set Two from 10/3/76 and finally Iko to Drums from 12/12/90. Usually don't have this much time. It's strange with how much released music there is, still often I reach for music that's unreleased.
user picture

Member for

13 years 3 months
Permalink

Really? you guys listen to the whole show? I always just go straight for the jam tunes. Then, after hearing the jams a few times, I might check out the other songs here and there. Honestly, I don't think I've ever listened to a complete Dead show all the way through, except for the ones I attended. I'm sure there are large chunks of my collection I've never even heard, even from my beloved pre-hiatus era. Maybe I don't know what I'm missing? I know wjonjd made a persuasive case for listening to 2/24/74 from beginning to end. I'll have to try that some day. Sometimes I even space on the jamming :/ I got the Winterland 77 box when it came out but just started listening to the 6/8/77 Estimated-Eyes this week. Man, that is an absolutely essential "Eyes"!- how could I have overlooked that for so long?
user picture

Member for

15 years 2 months
Permalink

Love Doris Day; just picked up "7 Classic Albums" off Amazon for under $20. Good stuff!Have some of her Vinyl as well. I also everything Jerry Lee Lewis recorded, on vinyl; Carlos Gardel, the Misfits, Megadeth and Patti Page, to name a few. I'm still missing some Dead original issues, but I do have the 1st LP in Mono, and it sounds great! The original Aoxomoxoa is one I often go back to. Right now I'm on the hunt for a vinyl copy of Without A Net at a decent price...
user picture

Member for

14 years 11 months
Permalink

big black women got a sweet jelly roll. :) I did it, I swallowed the bait, hook, line, and sinker. I could not resist, it was like someone else was guiding me as I pushed all the right buttons and entered all the right numbers, it was weird, in a strange and positive way. I feel relieved, I feel at peace, I think I just had a flashback? It's too much money, it's too much to absorb at one time, but, I need this, just like a fish needs water. Like a bee needs honey, like a rock needs to roll. I feel free. Thanks to all who provided this wonderful feeling. I love you.
user picture
Default Avatar

Member for

9 years 9 months
Permalink

A few 65$ sales......
user picture
Default Avatar

Member for

12 years 11 months
Permalink

The wife and I did not get the good news we were hoping for, our daughter suffers from Lennox-Gastaut Syndrome which causes her to have seizures, the anticonvulsant medication is $900.00 per month, for a few months our medical insurance covered the cost now because they deem the drug as "experimental" they refuse to cover the cost. We've lobbied local politicians, Doctors, lawyers you name it we tried every which way to get the medical insurance company to recognize her need to no avail, what a maze that is. I actually had twice the amount saved up for this box set however my child's needs ALWAYS come first, on a lighter after leaving the doctors office we stopped by a Walgreen's & I was able to purchase the Newsweek Grateful Dead Collector's Edition I've been looking for it for 2 weeks so cool to finally find it. I'll just order the "small" edition of 30 Trips, & try my luck with eBay come September. Now I'm really hoping that TPTB release each show individually just like they did with E72, at least that way I'll still be able to enjoy the music that never stopped. HAPPY FRIDAY, DEADLAND!!!!
user picture

Member for

11 years 3 months
Permalink

just scored a Sealed Skull and Roses. I wasnt sure if it was going to have the sticker,, and sure enough it did. Green Warner Bros label and sticker, for under $40. Good day today. Over Memorial weekend, I went to a record swap and a guy I bought some Allman Bros and BB King vinyl from told he has been collecting for over 30 years and has only found a couple of those stickers. That definetly peaked my interest. A few other sealed scores I picked up today are more recent -Janis Joplin - Move Over - 7 inch box set, $12.50 what a steal and -Chris Robinson Brotherhood - Betty's Blends Volume Two
user picture

Member for

17 years 4 months
Permalink

There have only been about 40 boxes sold today. Still wonder why it was limited to 6500?After the first day initial rush things have slowed down considerably. It looks like it will take quite awhile before they sell out. So those who needed a bit more time to gather their coins will get their wish. Good for them! Rock on
user picture
Default Avatar

Member for

13 years 9 months
Permalink

Thanks. Good to know. I and others thought that 'matter of days' sell-out might not be the case with the multiple order snafu factor. Maybe TPTB got the number of boxes to build almost right?
user picture

Member for

17 years 5 months
Permalink

How do we send messages to David about his work on this?
user picture

Member for

9 years 5 months
Permalink

I have ripped all my GD CDs to HD, and luckily I had them all, then i added SBDs of classic shows and AUDs of shows i was at that don't circulate as SBDs and deconstructed the official releases and put them back together in chronological order and saved the files as "complete" sets. Then I put them all on a 1 TB HD and i let it shuffle as background music, it takes over 2 month to make it through the playlist once, much of which I miss because i'm not listening to it while it shuffles away.recently I found the flac codec for mediaplayer and I just doubled my space on the 1 TB HD by ditching the wavs for flac versions of the files which until now had been the backups to the wav files ;)
user picture

Member for

17 years 4 months
Permalink

I know I should not be so derogatory about the concerts coming up by using the term "Dead Phish". Trey is a very accomplished guitarist and will make thousands of concert goers happy. I joke around a whole lot so pardon my poor National Lampoon stylie of humor at times. No one called me on it, I just wanted to clear the air. And I don't want to be knocked out by a leaded treble hook. You see I have Tourette Syndrome. And I knew some tour etts on the road. Have only seen Phish once and the Dead some blah blah blah amount. Wow Bill Walton went to over 850 Dead shows, how did he ever have time for basketball. I myself have been a trail-blazer of the soil variety. Even saw the Dead in Portland in 72. Meanwhile the box-set. In September 72 my friends and I went to a rodeo somewhere in Con-Edicate before the Waterbury GD show that's being released. A couple hours before the show I went the backstage door and talked Joe Winslow into letting me in for free. I told him some BS about being an Oregon hippie. He was cool, told me to find a seat (open seating). Ron Rakow looks at me and asks Joe "who the fuck is this guy", and Joe tells him "leave him alone he's a good guy". Many thanks Joe. I also remember Rex Jackson and some other roadie wrestling on the stage. Figured these dudes are as tough as the Allman Brothers roadies, better not piss them off. So thank you Dave Lemieux, Mark Pinkus for releasing this gem. Special thanks to Joe Winslow and thank you Kid, Ramrod, Sparky, Rex Jackson and Ron Rakow for not throwing me out on the street. By the way those two nights at Waterbury were a couple weeks after my Mom died. Music heals. Love heals.
user picture
Default Avatar

Member for

14 years
Permalink

Keep in mind, the description says the shows will not be made available as individual CDs. My guess is at some point, they will be made available as individual digital downloads. The is my hope anyway.
user picture

Member for

15 years 2 months
Permalink

Thanks for the heads up perspective. My son was struck with meningitis and was in a coma for days. All ok now. My wife is a breast cancer survivor after radical surgery. All ok now. My daughter suffered a spinal cord injury that left her paralyzed from the waist down and then was diagnosed with leukemia which almost killed her until intense chemotherapy saved her. Will never say "All ok now" for her but she's doing great. All are big Grateful Dead fans and conversant in concert lore and personal opinions about eras. Point is a lot of us have stories and the sun always comes up. $700 is out of the question for me too. Hell, that's 4 hours of my daughter's physical therapy. The sun always comes up.
user picture
Default Avatar

Member for

14 years 7 months
Permalink

My apologies for the repetition, and if this is already known, please disregard the contents. The money required to purchase this box isn't necessary until September. Even then, if using credit, smaller payments can obviously be made. When it's ordered, the purchase price (via credit or debit) will be pre-authorized for a few days and then restored. When this ships in September, the card will then be charged. This message just a reminder that billing for this set is over 3 months away. But the funds for the purchase price need to be available now, for the pre-authorization only. Sorry if this information is already known, it just stinks people are missing out because of the high price. It does seem that shows will (hopefully) be available for purchase as downloads, because surely we're not the only ones frustrated some fans are missing out.
user picture
Default Avatar

Member for

10 years 4 months
Permalink

I like to pick 7 or so complete shows of different years from the current month and listen to them in chronological order in the car. Works like a charm. Most grateful for the upcoming box!
product sku
081227955892