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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • giantnerd
    Joined:
    Thanks team Rhino!!!
    This box is clearly a labor of love and is spectacular!!! The jump between 66 and 67 is a quantum leap that can only be explained by alien intervention, and I am doing my best to go from start to finish to get the sense of their artistic development. My wife knew there was a contest so she (gasp!!!) opened my box set with the kids while I was at work. When I came home my kids ran to tell me they didn't find a prize in the box, so I asked them if they opened the secret complement. It blew their minds when I flipped open the lower flap and then I told them there was a book of spells and pulled out the "leather" bound book with the skeleton imprints and their jaw dropped. They believed me for a second, but then I told them it really wasn't a book of spells, but there was a secret scroll... Oh to be young and full of wonder. But the real reason I'm posting is that my buddy is a urologist as assures my that Mr. Lesh's diagnosis is very, very favorable and that he would expect him to recover fully from this. Get well soon Mr. Lesh!!!
  • allman
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    Joined:
    7/3/66 Disc One Question
    On 7/3/66 Disc One, in the first few seconds of Dancing In The Streetis there a complete drop out of the right channel only leaving sound on the left channel for a second or two? Just asking to see if I need to ask for a replacement.
  • ryanpm1976
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    Joined:
    Story with 3/18/71?
    3/18/71 is not listed in Taping Compendium and only second set listed in Deadbase. Is this show fairly new to circulation? Anyone know?
  • purpleerik69
    Joined:
    Phil
    be well soon , and thank you Mr Lesh for all the music and the enthusiasm you still invest in keeping the Dead alive.As i`m still waiting on my Boxzilla i roam through my collection of shows , today is Phil time in the Purple Zone......listen to that bass guitar tones an take a ride
  • deadfeat1
    Joined:
    More Zacherlee and Headphones
    Thanks for the trip down memory lane. During high school I can remember tuning in my old Sony radio to late night radio up and down the East Coast. I lived on a peninsula that jutted out in the Chesapeake Bay and I could tune in all sorts of stations late at night. WNEW stands out as does WBZ in Boston. I remember hearing new albums by the Ultimate Spinach and Beacon Street Union while listening to the "Boss sound of Bosstown on WBZ. Both stations turned me on to lots of great music. Washington, DC had a great station in WHFS, Home Grown Radio, broadcasting from high atop the towers in Bethesda, MD. Great radio back in the day! Some high value headphones you might want to consider... Sennheiser Momentum - Closed back phones in on ear or around ear models - Bass forward phones. Music Direct has some incredible sales on both models Sennheiser HD 558 or 598 - Nice spacious sound - very good for listening to live performances or action movies. Grado - Grado SR 125 - Nice open sound stage that lets you hear a lot of detail. Choose any of the Prestige models and I think you would be happy. Alessandro Series by Grado - You are on the stage with the band with incredible focus on guitars. The MS1 comes in two prices $99 and $109. Can't go wrong with either. Google Alessandro High End to purchase. Grado headphones are handmade in Brooklyn HiFi Man RE400 - In ear phones. Nice for travel and noise isolation. Hard to beat for around $79 The Audeze headphone mentioned earlier are exceptional - just a little out of my price range... Thanks for all the good stuff here!
  • Strider 808808
    Joined:
    John Zacherley / Chiller Theater
    I may be cut from the same paisley cloth as Mr. Ziffle. In the early 60s I used to watch Chiller Theater out of N.Y.C. It was hosted by none other than the famous John Zacherley. He would do these great comic interludes during horror movies. Voodoo Island stands out in my mind. Fast forward to WNEW in the late 60s. Cutting edge radio that was thought provoking. I remember a DJ by the name of Roscoe who would read works he had written. Really deep material. As for FM radio in the present day, there are some true free form seat of the pants DJs that can inspire and heal the listeners. The history of Underground Radio really begins with Tom Donahue and KMPX in the Bay Area. Playing complete albums and capturing the spirit of long songs such as Viola Lee Blues or Butterfield Blues Bands song East/West. I believe those pioneers of the mid 60s took great inspiration from classical ragas of India and extended jams of John Coltrane. And going back earlier, dance marathons anyone? But I digress. Certainly Jack Kerouac used spontaneous prose as a form "stretching out". Anyway Ziffle and I must have been at some of the same Dead concerts at the Fillmore East and the Capitol Theater (Port Chester). My fourth row center seat at the Fillmore 9/19/70. Maybe it was Mr. Ziff or one of his buddies who sold it to me on the street before the show for face value. ($5:50) Long live Zacheley! Love and healing to Phil.
  • wjonjd
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    @Alain - 30 Trips Vol2
    Actually, when I first posted I listed 5/11/72, and then immediately said "Oh merde!! I better change that to 5/4 before Alain sees!!!!" and quickly changed it. LOL, that's the truth. :):). "Tragedy narrowly averted!"
  • unkle sam
    Joined:
    gninetsil ot eseht swohs sdrawkcab morf 95 to 85 so far
    started on the 95 show, very nice, if you notice, this show and a few others were recorded by John Cutler vs others by Dan Healy, the Cutler shows are recorded much better. 94 show is very good, there seems to be a drop out or digi skip when help on the way goes into slipknot, from track 1 to 2, anybody else got this? 93, right away you notice the sound quality is not as good as 95 and 94, recorded by Healy, but a fine show non the less. 92 Hell in a Bucket on this show and 93 show, not my favorite opener and why 2 in a row? Healy again and Bucket starts off inferior recording, but gets better as the show progresses. 91 great show, 8 man band with Hornsby and Branford, great sound, better Healy recording. 90, another great show, with Bruce and Vince, Bruce really did fit in great with this band. 89, 24 track, recorded by Cutler, this is the shit here, best show of 89. I have stories about this weekend in Miami, but will save those for another post. 88, inferior sound quality again and there are way better 88 shows to pick from, why this one? must be the Touch of Gray. The fall 88 tour was hands down better than the spring or summer tour. 87 and 86, 2 discs, short shows, no big jams, nothing special here and another hell in a bucket. I will say the Terrapin from 86 is pretty sweet. I did not go to Dead shows in 86 or 87, giving Jerry some breathing room after his near brush with death. 85 is a very nice show, there were a lot of good shows in 85, especially on the fall tour. The Cutler shows are all top notch recordings, the Healy shows, not so much. I will be listening to the rest of these 8o's shows today, so far, no real problems with discs or anything, the sleeves are way better than those ones from E72, which ripped if you tried to get the disc out, these are much better, the box is nice but won't last very long, made of cardboard, but is a bit sturdier than E72's box, which is very fragile. Love the book, the stories in it are awesome and the way that half is one side up and the other half is up side down, is this the way everyone's is or is mine just put together wrong? doesn't matter, still all there and quite cool. All in all, a good 11 shows to start off the listening experience, I would have chosen better shows for 85 86 87 and 88, but I don't have access to the vault and the shows I would have picked may be worse recordings than these, who knows? Just my opinions and are subject to discussion. More later, have a great day, freezing here in the mountains this am, gonna be a long long cold winter, good thing I have this box to keep me warm :)
  • claney
    Joined:
    Contextualizing Dick's Picks 4
    ziffle - Incredible posts on the 2/13-14/70 runs. Thanks for all that info, and I always love those first-hand stories. Jim - After Ziffle's contextualization of the shows, here is my attempt to explain why I think they chopped up that run when they released DP4, by contextualizing the release. First, this was released in early 1996, very early in the Vault release experiment - and it WAS an experiment at the time. Dick's Picks 1 was a chopped up 73 show - two discs, DP2 was one (awesome) disc, DP3 saw them chopping up one of the all-time 77 Dead shows (also two discs). So, DP4 was the first three-disc release. More expensive, more risky. At the time in the music biz, A two disc CD set was a big deal, and a three-disc set was nearly unheard of - a "box set." The BIG expensive box sets released in the early to mid-90s were things like Marley's Songs of Freedom, or the Police Message in a Box (ALL their albums and singles, from their whole career, on four discs!!!). This was part of a gradual evolution to bigger releases... first to complete shows (Dick's Picks 5!), then two shows together (DP29), then full runs (Fillmore West 69), and still later to complete tours (Europe 72). Now, it's easy to wish they had figured out earlier that we are willing to cough up tons of money for complete, but this is forgetting yet another factor: We were all much younger then, with far less disposable income. In Feb 1996 I had just finished grad school; I had begun my first full-time college teaching gig only a few weeks earlier. I was living in a shack, putting all my money into ramen noodles and paying down student loans. I would NOT have been able to buy full runs, etc. So, in short, the evolution of bigger boxes and more complete releases coincided with (but was not caused by) the evolution of many of the Deadheads to old farts with some money to spend. Co-evolution baby! It's 27 degrees here in western MA. My wife is making scones, my daughter is making Play-doh people, and I haven't heard much of 30 Trips yet, just hard to with all this other stuff going on. But I will - and life is GOOD. Time for more coffee. Cheers everyone ...
  • mbarilla
    Joined:
    Fillmore East sound board + Dick's Picks 4
    Top notch for the era from what is stated about the sound board. I think Bears notes mention John Chester unique sound board. Check out Dicks Picks 4 notes for details and also the Allman Brothers Band - Fillmore East February 1970 CD notes that was released on GDRecords. I think I read someplace Dick L or Bear mentioned the tapes were Mono and Stereo, which may have been the challenge of getting them out? Bear mentions the two bands briefly crossed passed in Atlanta 1969, but did not hear the ABB play live at the time. Only hearing their studio album in Autumn later that year, so it was a treat and sort of surprise for Bear to see 2 trap sets, similar to the GD when they were billed together in Feb1970 "Glorious Sunday morning" - love that
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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11 years 3 months
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Now THAT's a bucket list! ;) sorry,couldn't help it
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Barton Hall 5/8/77 will be announced as a single release on June 23, 2015.
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13 years 2 months
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That's pretty specific-why June 23rd? Eventually, it should be released just for posterity. (My copy was always missing beginning of Minglewood anyway)
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15 years 4 months
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Living in Australia and having to pay so much for the concert tickets was brutal and this was the last thing I needed...still got it though. Looks like there will a fair few more 50 hour work weeks.
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15 years 10 months
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Any guesses as to how many more inaudible videos he'll continue releasing until he figures out you can shoot video indoors?
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11 years 3 months
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All I can say is....windscreen.:)
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It used to annoy me, the seaside distractions, wind, how a tsetsi fly can yank his mind from a killer Scarlet>Fire to, "Hey, look, a boat and a sea gull" Now it just cracks me up. I actually look forward to them. We should make a drinking (or toking) game out of it somehow. It wouldn't be a release video without the outdoor distractions and C- production effort. It would be like the year they did Saturday Night - "not live." Remember that? Didn't work. Just my two cents.
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Been a lurker but finally decided to join in. I cut my teeth on the Dead about 2 years ago and have been loving every minute of it. The music really is a conduit to whatever you want it to be. The fact that there are so many shows and so many ways to listen to them is mind blowing and I have a long way to go on my GD journey. This thread has been great, yes there has been bickering and some whining here and there, but overall, it's been a great teaching tool. I love when people mention show dates or versions of songs that they love, it gives me things to research and brings out the nuances of the music and differences in people's taste. Trying to find a copy of DP19 now, thanks for that info. There was no question for me, I had to have the box. I can't wait to see what this behemoth is going to look like already. Let's go Dave, show us some pics! "When you gotta shoot a video, you gotta shoot a video." And to add to the decade debate, I find myself gravitating to the energy and youthfulness of the 70's but there is something about Jerry's voice in the 89-90 run that I can't get out of my head. (FYI, the TOO box is worth the purchase.) The warble, the reaching...something magical is happening during the show's where he's on. I'm obsessed right now with Cold Rain and Snow from the 7/4/89 show. I thought it couldn't get any better until I recently heard his backup vocals on Desolation Row from the 7/19/89 show. Unbelievably haunting and beautiful. Can anyone point me to other versions of Row like this one?
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Fantastic! I´ve been listening to a handfull of the shows selected for the BIG BOX. They´re all great! I found them on archive.org, and I can only believe that they sound even better on CDs. There are many shows where Phil exels: Greek theatre, Parc des Expositions, and many others Being a bassplayer myself, it give me enormous pleasure to listen to them! If I could afford the box (and my wife would allow it: -When you´re gonna listen to them all? -You have everything else...hundreds of CDs!..&c) it I´d buy it immediatly.
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3-24-90, on Postcards of the Hanging
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Thanks - I missed the heck out of the old Eleven crew...that and the black hole gravitational pull of The Box wouldn't let me permanently escape deadnet's orbit. RD - Re: the "precursor" series - after burning a few videos for posterity sake, I sold almost all releases on ebay for a handsome profit. Unfortunately, having requested a comparably aged spouse, I had to dump him at a deep discount as that 80's stuff just don't sell as well with deadheadz. peace, K
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Long time lurker... First post. I'm thinking of buying a second box with the intention of trading it for a Europe 72 trunk + Dave's 1&2 with bonus. I would consider other combinations like Europe all music + Dave's 2012 complete. Pm me if you have any interest and I can order the box to be shipped directly to you. Possibly interested in some road trips.
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10 years 9 months
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Pretty happening... Cryptical Envelopment -> Drums -> Jam -> Drums -> The Other One -> Cryptical Envelopment ->
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17 years 3 months
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I have all the other Boxsets even the Fillmore set. Unfortunately I wont be able to bite the bullet on this one this year. But if someone wants to Miracle me one Im sure I have some music I can trade. :)
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Seth says: "I reviewed my LMA MP3 derived set of the complete Dead sets from 5/15/70 and can't find the Pigpen rant I have been angry about GDM removing during the Road Trips editing!I must have imagined it years before. It was so firmly entrenched in my mind that I never discovered it WASN'T THERE until you're disbelief made me check in with reality!" Dang! I would really like to hear this speech. A friend of mine swears that some choice banter that was on his 10/30 or 31/1970 tape didn't make it over to the digital realm. Perhaps that is the issue with 5/15/70?
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11 years 5 months
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I just sent you a PM :)
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10 years 9 months
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anyone know how many left? I was goofing with my wife last night, told hear about the 30 trips box. I said to her, oh, didn't you say the charge on the credit card? it should show on the card any day... Her jaw dropped... again, I did not purchase, but was curious to her reaction... good thing i didn't pull the trigger! dog house for sure...
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It's sold out. Sold out Thurs. when u go to checkout will say " basket contains item sold out or " item cannot be paid with V .me
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Hey Keithfan. They just dropped below 1900 left, so 4,600 out the door. They seem to be clicking along at 50 - 100 sold per day. So while it is not as fast as the E'72 box, it will sell out, probably end of June, early July. So that will give some folks more time to collect their coins. Rock on
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9 years 8 months
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Nope. I can still add to the cart. Must have been an error on Thursday.
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I can. It's 700 bucks! That simple fact alone will keep lots of fans like myself from even considering purchasing this. Any way I shake it I just can't pay that much in one shot for a box set of cd's no matter how badly I want it.
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I'm with you, it's 700 bucks! Many of my buds were in shock when we heard that last week. I also can't believe that so many have actually sold. It's just out of reach for me but it sure will be something special. Spent all of Saturday night early Sunday revisiting the May 77 box. Loved reading the booklet & getting deep into the Alabama show.
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Me neither. Talking about Veneta. I am shocked that thing is still available. I jumped on it the first day it went on sale. I consider it a top 5 all time show, it's incredible! The slipcase packaging is very cool, I display it next to my Todd Mcfarlane Jerry Garcia "action" figure. :)
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then after we win we can each buy a copy . So many good shows that deserve the official treatment, yet it is beyond my grubby little dollar colored fingers. Send me your dollars, and I'll play Lotto for you. Stoltzfus 169 Please Road Fatchoad, NE 0U812 cash only
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Looks like the 50th Anniversary T is back in stock... I can afford that! ;)
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IF I was to buy into this "thing" I would prefer to pick my own 30 Trips. That would mean so much more to me. If I say any more I would just get a bunch of people pissed off. So I would rather pick my own 30 trips and lets just leave it at that.
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Maybe I will get that shirt for Father's day, Ha! My dog Sugaree would love that stoneware bowl to eat her chow from. Honestly if I am out and about and I see something cool Dead related I will usually buy it, but I rarely purchase stuff like that online. I only think about the music when it comes to dead.net
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...but I wouldn't hold my breath waiting for THAT opportunity.
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10 years 3 months
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I figured with Venetta, at least maybe the reason was because it's commercially available in (I assume) large numbers. Does anyone know how many Sunshine Daydreams were pressed? Was it limited edition? I bought mine at Barnes and Noble in April of 2014, and that's actually what got the ball rolling on me spending 1000s of dollars on Grateful Dead music, as my collection went from about 20 to 200 in the past year. We shall see how 30 Trips does. I hope it sells out.... With regard to comments that it hasn't sold out because of high price - I think the litmus test was E72 - wouldn't it be the same buyer pool? Are we saying that E72 was significantly less expensive, or significantly better? Or has it just not been enough time? Anyone know how long it took E72 to sell out of the original trunk limited editions?
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I will give you this $700 box set and you give me in return The complete Fillmore box with the bonus disk possibly some road Trips and some (I repeat SOME cash) Let me know. Thanks
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I have the idea that this box is not really attractive to scalpers, so they haven't been buying it up en masse. Most limited editions seem to sell on eBay for at least three times the original price, but how many people will be willing to fork out $2000 or more for this in 6 months or a years time? Not that many is my guess and I think the scalpers know this. Their other possible strategy is to sell individual shows but by doing that they risk getting stuck with a bunch of less popular shows. Furthermore, buying a whole bunch of these to sell later is going to cost a buttload of dollars with less certainty of a (quick) return on the outlay. Sure some copies will show up on eBay etc., but I would not expect to see as many of these as there are examples of (much) cheaper sold out limited editions.As I recall the Europe '72 box sold out in a matter of days, maybe 4 days. That certainly surprised everyone.
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but this would without doubt have given me cardiac arrest: 7/03 & 11/19/66 11/10 & 11/11/67 10/12 & 10/13/68 2/21 & 2/22/69 9/18 & 9/19/70 12/14 & 12/15/71 9/23 & 9/24/72 2/09 & 2/15/73 6/22 & 6/23/74 6/17 & 9/28/75 10/14 & 10/15/76 2/26 & 2/27/77 7/07 & 7/08/78 10/27 & 10/28/79 11/28 & 11/29/80 But what would one call it? Dead to die for? sheesh
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There is something to be said for a mass market release before the Chicago/California shows. This seems like a great opportunity to release a show that fans could pick up in person. Or maybe they'll be selling copies of the shows fans just attended.
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I am fairly certain that the limited edition box of Europe 72 sold out in less than 48 hours...
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9 years 7 months
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I have a little bit of a different perspective. I only got into the Dead a few years ago, and while I've never seen them, I love the music - we're talking non-stop tunes in my house. My uncle had hooked me up with a starter set of Ladies and Gentlemen, Go To Nassau, Dozin' at the Knick, and Hundred Year Hall. I didn't even know who was who in the band other then Jerry and the good looking other guy. I immediately stayed away from Dozin at the Knick because I sensed something different in the keyboards, and that something was Brent Mydland's sound. There is something very distinctive about his sound that I can't even describe, but it's not a classic grand piano sound like you get with Keith Godchaux's playing. Even today I can't tell you what the difference is in their equipment, but Brent's keyboard is very abrasive to me, and I mean his piano synthesizer, not the organ like sound that he sometimes uses in the early 80s (Hammond?). Anyway, I kept buying shows, Crimson White and Indigo was another, so was Closing of Winterland, and the pattern with the keyboards seemed to follow Brent Mydland, so I began to steer away from those CDs. I also don't care much for his voice. He does not sound good at all when he tries to harmonize with the others, and I was in chorus for 5 years in my youth, so a high level of discordant singing is very apparent to me. I guess if I had to sum up my position, it is as an unbiased historian. I've never seen the Grateful Dead, I wasn't around when they were making music (for the most part), so I am simply replaying recordings as an unbiased listener and observing that there is a huge discrepancy in the quality of songs when you compare a live performance of a song like let's say Cassidy or Jack Straw or Scarlet Begonias between the 70s and let's say Spring 90. What I hear in 1990 is a tired Jerry, an out of tune, gravelly voiced Brent, and these piano sounds that sound loud and out of tune with the rest of the music (and by out of tune, I mean it doesn't mix in well like Keith's Grand piano sound, it doesn't make a "whole" full sound, the audio frequencies do not mesh to create something bigger than the individual parts). So, I don't find myself putting on anything after 1978 too much. I try from time to time, in the interest of discovering something, or "getting past" my hang-up, but it always goes back to the fact that comparatively speaking, the music doesn't sound nearly as good after 1978 as it does before. I get some enjoyment out of songs that were new to the 80s era, such as Feel Like a Stranger, Alabama Getaway, etc, but that's about it. I can understand why some people like it - I think the people that like it were probably introduced to the Grateful Dead in the 80s or 90s, or followed them out of the 70s and into the 80s and 90s. I think these folks probably saw a lot of the shows or at least shared in them together with friends when the shows were originally played, and so there is an emotional investment that makes these shows more appealing. I even get the "pre-hiatus" people, as there was a tectonic shift in the music after the hiatus that is clearly the result of having two drummers - gone were the days when the Dead played Dark Star, and the improvisations always went so far!
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11 years 3 months
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Looks like they've got the new Best Of on vinyl.Good price too.:)
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12 years 6 months
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I believe E72 Trunks sold out within a few days could be wrong
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17 years 5 months
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Sydney Bechet "The Best of" (Blue Note) 6/08/39 ("Summertime")James P. Johnson "Snowy Morning Blues" 6/08/44 Roland Kirk "Introducing" 6/07/60 Gigi Gryce "Rat Race Blues" 6/07/60 Grateful Dead Winterland 6/07/77 Set two Scarlet > Fire > Good Loving Bob Marley "Easy Skanking" 6/08/78 Boston Music Hall What?
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11 years 3 months
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11.21.85 ,, Some incredible stuff here Crazy Fingers > Playing In The Band > She Belongs To Me > Drums
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17 years 5 months
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seems to think the mass-market release is going to be 8-4-76 w/ DVD. Anyone else hear this?
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12 years 11 months
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Want to go there, yes I think I will. From what year will DP 15 be? I say 1976. HAPPY MONDAY DEADLAND, so glad it's (almost) over!!!! Peace
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17 years 5 months
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If I remember correctly, they were gone within four days.
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11 years 3 months
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i would be happy with a lot of offerings from this year, but a few standout.. 7.18.76 - 2nd set jam fest Might As Well Samson & Delilah Candyman Lazy Lightning-> Supplication-> Let It Grow-> Drums-> Let It Grow-> Wharf Rat-> The Other One-> Saint Stephen-> Not Fade Away-> Saint Stephen-> The Wheel-> The Other One-> Stella Blue Sugar Magnolia, Encore: Johnny B. Goode 1st set also worth checking out with a great choice of tunes
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17 years 5 months
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Yeah, 7-18 is 24K.I would love to see the entire Orpheum 76 run get the box treatment, or at least compiled as a solid compilation with 7-18 as the centerpiece. I'm still thinking 73 for Dap 15....3-16 would fit the bill nicely.
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15 years 1 month
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http://www.dead.net/features/europe-72/holy-s-it’s-complete-europe-’72-box-over-60-discs Hey now! Due to overwhelming demand, surprising even those of us with huge faith in the Europe '72 project, the entire limited edition run of 7,200 boxed sets has sold out in less than 4 days. We thank you beyond words for your support and belief in this unprecedented and wonderful release.
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