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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • lowspark75
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    @Chastason
    Looks like we pretty much got the same box. Yours is 30 editions after mine(0580) exactly and has the same pass/ticket. I have noticed the material on the bottom of my box, which looks like the rings of a tree, is already splitting/tearing in spots. That's a small bummer. Off to work... wish I could call in and Trip out. At least I have '66-'71 on my phone already to listen to while earning my pay.
  • wjonjd
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    @Dead Tanuki
    Sorry, I respectfully disagree. Although the wording was ambiguous on the dead.net site regarding the "memorabilia of the time", I do not think they meant to imply "originals" as they definitely did mean to imply with the released news for the current box. Even on the tickets included in the Hampton box, there is no attempt at all made to hide the fact that these are replicas: they each have WORLDWIDETICKETCRAFT.COM printed plainly on the back, a company that did not even exist until 1999. I'm willing to place a friendly wager on this, if you like :) I'm 99% sure of this, but I take back my left nut risk. Still, 99%. Would you like to wager on this?
  • JeffSmith
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    THE EAGLE HAS LANDED!
    Box #3793 survived “mail innovations” without mishap and has landed safely in the mountains of west Texas. Everything looks just exactly perfect. With extra time to wait and read early reports, I was worried about what I’d find in the shipping box. I couldn’t be more pleased with what was inside (and I’m an artist). The 30 Trips Box was well conceived and has been beautifully executed. I trust those with damaged boxes get their problems corrected promptly. FYI: Red Felt Ticket: Cal Expo 5/27/93 (coincidentally my 50th birthday!) Pass: Charlotte Coliseum 3/22/95 My Grateful Dead Memory: included in the well-made book. BTW: One of the 4 phases of the moon on the top of the box was reported earlier to have “already rubbed off”, but it actually is featureless and represents a New Moon. I know: ENOUGH ALREADY! . . . TO THE MUSIC!
  • wjonjd
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    tickets and passes
    I went online to find original GD tickets from the 80's or 90's mail order variety (as opposed to ticketmaster), looking for one that had excellent photos of front and back. One of the things I found is that on the back there is some writing, it looks like maybe from a stamp, sometimes in pinkish red ink, sometimes in greenish ink, barely visible because it is placed over the regular wording. Using a strong magnifying glass I could make out some of the words, including "international" and "copyright". The tickets included in the new box have this (at least mine does), but the ones in the '90 box do not. Also, because of counterfeiting problems in the late 80's and 90's, I believe you should be able to see something under an ultraviolet light, but I don't have one. I'd bet my left nut these are originals, as they said they were. As far as the passes, yes there obviously are lot less of these, but also a much higher percentage of all those printed for each show would actually be unallocated. Again, I bet that 6,500 out of 9 years of shows is a very small fraction of the number they actually have in the archive in pristine condition.
  • wjonjd
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    @Ziffle
    I completely agree. My ears always adjust to whatever sound quality issues are in the recording, unless it's truly something unlistenable, which none of these even comes close to being. It never affects my enjoyment of the music, because as you said, I am very quickly immersed in the music itself at which point I am no longer even conscious of sound quality issues - I'm back into that musical space letting it take me where it will. But, yes, the switch to the AUD patches can be jarring. Someone mentioned that for the small patches it's not a big deal at all, and I agree. The only patch I remember lasting longer than a few seconds, or even a minute or so, is the 1981 show which has a substantial amount (about 30 minutes) as an AUD patch. I'm still glad they released this show - what are they gonna do, hold it back forever because they don't have the end except as an AUD. I'm fine with it.
  • Ziffle
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    wjonjd sfrank115 rrot Tape hiss is OK for me
    The worst sound quality consensus that I get is 81 (for the aud patch) and 82 (for the hiss) as worst sounding shows. But I don't even hear hiss, my ears adjust. I think because I am old enough that I grew up on LPs that frequently had tape hiss. Actually, the presence of tape hiss is a plus in my opinion. It means that the engineer didn't use processing to suppress the hiss (and, almost inevitably, kill the delicate upper harmonics). I just listen through it and the mind/ear cancels it out, although I can understand it would be more of a blemish for folks that grew up with digital audio. So I'll take 1981 as the "worst" quality recording and start there. Thanks for the comments. I'm enjoying reading all the responses to the various shows and look forward to the day, some day, when they deliver the USB set!
  • dead tanuki
    Joined:
    Tickets and passes
    Here's what it says on dead.net about the Formerly the Warlocks box: "This collector’s set comes packaged in a wooden replica of a cigar box (Virginia being a tobacco state dating back to colonial times), and is filled with all sorts of goodies, from a photo-laden historical essay to various pieces of cool memorabilia from the time." Doesn't specify whether the tickets are replicas or originals. But it does say "various pieces of cool memorabilia from the time." Are we assuming that anything in that cigar box actually dates to 1989, physically? I've never assumed that. I kind of think "original" for the 30 Trips swag means the same thing as "from the time" does for the Warlocks box. It's "original" and "from the time" in the sense of being a faithful reproduction of original stuff that actually survives from the time in question...
  • dead tanuki
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    Tickets and passes
    wjonjd, your math works, certainly. But let's just say it's a miracle that those extra tickets, which would have been considered basically trash at the time, were kept in archival conditions for decades *before being handed over to an archive*. And that doesn't account for the 6500 backstage passes, which would have been printed up in far smaller numbers to begin with, and numbers presumably far closer to what was actually required. And note that the passes in the 30 Trips box are also in mint condition. So I'm still skeptical. You're right that the promo material for the Spring '90 box specifies that the tix and passes are replicas. Then again, since that's promo material meant to convince people to buy the box, it may have had more careful lawyering on the language. Since everybody getting the email about the 30 Trips box had already paid for it, and nobody was expecting the ticket and pass, I could imagine whoever composed the email not being as careful about the wording. Not that I imagine any intention to mislead, just a hastily written email meant to forestall a bunch of Deadheads impatient for news of the box. I want to stress, for whatever GD organization people might be reading, that if these are repros, I'm not complaining! I'm as happy with a reproduction as I would be with an original. I'm listening to 11/10/67 now. Gawd this is good.
  • wjonjd
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    @Deat Tanuki
    Sorry, my post must have come off not as I intended - I do that sometimes. I just meant to point out that I think they meant it when they said they're originals. I'll look for the equivalent materials in the Spring 90 boxes that said those were repros. I do know someone who is a very good friend of one of the original band members for many years. He has told me lots of stories over the years, and even just a good friend would normally get lots, or at least several, tickets to the shows, especially the later year stadium/arena shows. Just think how many were probably allocated to band members, road crew, production staff, venue executives and/or staff, etc. Large numbers of those probably went unused occasionally. The tickets they included are only from a few shows, but I think I saw at least what 10 or 11 different dates there. Let's say that 15 dates were included in all 6500 boxes. That's only 433 (average) per show. You don't think they have in their possession 430 tickets for venues that held over 20,000 (Oakland Coliseum holds over 60,000) ticketable seats? At 4 tickets per person, that's just over 100 people's worth of "extras". That doesn't even include any shows that weren't literally sold out (it looks like there are more tickets for some dates than others), or for which many tickets may have been held out of sale for some reason. 6,500 tickets spread over 9 YEARS of shows (I've seen tickets here range from 1986 thru 1995) is not very many. Edit: I would guess it's a fairly small fraction of the number of original tickets and passes that they have in their possession in the archives.
  • wjonjd
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    ticket stubs
    Here is what is says (I think unchanged since it was originally put up) on the dead.net website about the contents of the Spring 90 TOO box (just a part of it, and my bolding): What's Inside: •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson •A portfolio with three art prints by Jessica Dessner • Replica ticket stubs and backstage passes for all eight shows. •8 complete shows on 23 discs •3/14/90 Capital Centre, Landover, MD •3/18/90 Civic Center, Hartford, CT •3/21/90 Copps Coliseum, Hamilton, Ontario •3/25/90 Knickerbocker Arena, Albany, NY •3/28/90 Nassau Coliseum, Uniondale, NY ...
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Now THAT's a bucket list! ;) sorry,couldn't help it
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Barton Hall 5/8/77 will be announced as a single release on June 23, 2015.
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13 years 2 months
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That's pretty specific-why June 23rd? Eventually, it should be released just for posterity. (My copy was always missing beginning of Minglewood anyway)
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15 years 4 months
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Living in Australia and having to pay so much for the concert tickets was brutal and this was the last thing I needed...still got it though. Looks like there will a fair few more 50 hour work weeks.
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Any guesses as to how many more inaudible videos he'll continue releasing until he figures out you can shoot video indoors?
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All I can say is....windscreen.:)
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It used to annoy me, the seaside distractions, wind, how a tsetsi fly can yank his mind from a killer Scarlet>Fire to, "Hey, look, a boat and a sea gull" Now it just cracks me up. I actually look forward to them. We should make a drinking (or toking) game out of it somehow. It wouldn't be a release video without the outdoor distractions and C- production effort. It would be like the year they did Saturday Night - "not live." Remember that? Didn't work. Just my two cents.
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Been a lurker but finally decided to join in. I cut my teeth on the Dead about 2 years ago and have been loving every minute of it. The music really is a conduit to whatever you want it to be. The fact that there are so many shows and so many ways to listen to them is mind blowing and I have a long way to go on my GD journey. This thread has been great, yes there has been bickering and some whining here and there, but overall, it's been a great teaching tool. I love when people mention show dates or versions of songs that they love, it gives me things to research and brings out the nuances of the music and differences in people's taste. Trying to find a copy of DP19 now, thanks for that info. There was no question for me, I had to have the box. I can't wait to see what this behemoth is going to look like already. Let's go Dave, show us some pics! "When you gotta shoot a video, you gotta shoot a video." And to add to the decade debate, I find myself gravitating to the energy and youthfulness of the 70's but there is something about Jerry's voice in the 89-90 run that I can't get out of my head. (FYI, the TOO box is worth the purchase.) The warble, the reaching...something magical is happening during the show's where he's on. I'm obsessed right now with Cold Rain and Snow from the 7/4/89 show. I thought it couldn't get any better until I recently heard his backup vocals on Desolation Row from the 7/19/89 show. Unbelievably haunting and beautiful. Can anyone point me to other versions of Row like this one?
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Fantastic! I´ve been listening to a handfull of the shows selected for the BIG BOX. They´re all great! I found them on archive.org, and I can only believe that they sound even better on CDs. There are many shows where Phil exels: Greek theatre, Parc des Expositions, and many others Being a bassplayer myself, it give me enormous pleasure to listen to them! If I could afford the box (and my wife would allow it: -When you´re gonna listen to them all? -You have everything else...hundreds of CDs!..&c) it I´d buy it immediatly.
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3-24-90, on Postcards of the Hanging
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Thanks - I missed the heck out of the old Eleven crew...that and the black hole gravitational pull of The Box wouldn't let me permanently escape deadnet's orbit. RD - Re: the "precursor" series - after burning a few videos for posterity sake, I sold almost all releases on ebay for a handsome profit. Unfortunately, having requested a comparably aged spouse, I had to dump him at a deep discount as that 80's stuff just don't sell as well with deadheadz. peace, K
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Long time lurker... First post. I'm thinking of buying a second box with the intention of trading it for a Europe 72 trunk + Dave's 1&2 with bonus. I would consider other combinations like Europe all music + Dave's 2012 complete. Pm me if you have any interest and I can order the box to be shipped directly to you. Possibly interested in some road trips.
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Pretty happening... Cryptical Envelopment -> Drums -> Jam -> Drums -> The Other One -> Cryptical Envelopment ->
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I have all the other Boxsets even the Fillmore set. Unfortunately I wont be able to bite the bullet on this one this year. But if someone wants to Miracle me one Im sure I have some music I can trade. :)
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Seth says: "I reviewed my LMA MP3 derived set of the complete Dead sets from 5/15/70 and can't find the Pigpen rant I have been angry about GDM removing during the Road Trips editing!I must have imagined it years before. It was so firmly entrenched in my mind that I never discovered it WASN'T THERE until you're disbelief made me check in with reality!" Dang! I would really like to hear this speech. A friend of mine swears that some choice banter that was on his 10/30 or 31/1970 tape didn't make it over to the digital realm. Perhaps that is the issue with 5/15/70?
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I just sent you a PM :)
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anyone know how many left? I was goofing with my wife last night, told hear about the 30 trips box. I said to her, oh, didn't you say the charge on the credit card? it should show on the card any day... Her jaw dropped... again, I did not purchase, but was curious to her reaction... good thing i didn't pull the trigger! dog house for sure...
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It's sold out. Sold out Thurs. when u go to checkout will say " basket contains item sold out or " item cannot be paid with V .me
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Hey Keithfan. They just dropped below 1900 left, so 4,600 out the door. They seem to be clicking along at 50 - 100 sold per day. So while it is not as fast as the E'72 box, it will sell out, probably end of June, early July. So that will give some folks more time to collect their coins. Rock on
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Nope. I can still add to the cart. Must have been an error on Thursday.
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I can. It's 700 bucks! That simple fact alone will keep lots of fans like myself from even considering purchasing this. Any way I shake it I just can't pay that much in one shot for a box set of cd's no matter how badly I want it.
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I'm with you, it's 700 bucks! Many of my buds were in shock when we heard that last week. I also can't believe that so many have actually sold. It's just out of reach for me but it sure will be something special. Spent all of Saturday night early Sunday revisiting the May 77 box. Loved reading the booklet & getting deep into the Alabama show.
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Me neither. Talking about Veneta. I am shocked that thing is still available. I jumped on it the first day it went on sale. I consider it a top 5 all time show, it's incredible! The slipcase packaging is very cool, I display it next to my Todd Mcfarlane Jerry Garcia "action" figure. :)
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then after we win we can each buy a copy . So many good shows that deserve the official treatment, yet it is beyond my grubby little dollar colored fingers. Send me your dollars, and I'll play Lotto for you. Stoltzfus 169 Please Road Fatchoad, NE 0U812 cash only
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Looks like the 50th Anniversary T is back in stock... I can afford that! ;)
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IF I was to buy into this "thing" I would prefer to pick my own 30 Trips. That would mean so much more to me. If I say any more I would just get a bunch of people pissed off. So I would rather pick my own 30 trips and lets just leave it at that.
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Maybe I will get that shirt for Father's day, Ha! My dog Sugaree would love that stoneware bowl to eat her chow from. Honestly if I am out and about and I see something cool Dead related I will usually buy it, but I rarely purchase stuff like that online. I only think about the music when it comes to dead.net
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...but I wouldn't hold my breath waiting for THAT opportunity.
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I figured with Venetta, at least maybe the reason was because it's commercially available in (I assume) large numbers. Does anyone know how many Sunshine Daydreams were pressed? Was it limited edition? I bought mine at Barnes and Noble in April of 2014, and that's actually what got the ball rolling on me spending 1000s of dollars on Grateful Dead music, as my collection went from about 20 to 200 in the past year. We shall see how 30 Trips does. I hope it sells out.... With regard to comments that it hasn't sold out because of high price - I think the litmus test was E72 - wouldn't it be the same buyer pool? Are we saying that E72 was significantly less expensive, or significantly better? Or has it just not been enough time? Anyone know how long it took E72 to sell out of the original trunk limited editions?
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I will give you this $700 box set and you give me in return The complete Fillmore box with the bonus disk possibly some road Trips and some (I repeat SOME cash) Let me know. Thanks
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I have the idea that this box is not really attractive to scalpers, so they haven't been buying it up en masse. Most limited editions seem to sell on eBay for at least three times the original price, but how many people will be willing to fork out $2000 or more for this in 6 months or a years time? Not that many is my guess and I think the scalpers know this. Their other possible strategy is to sell individual shows but by doing that they risk getting stuck with a bunch of less popular shows. Furthermore, buying a whole bunch of these to sell later is going to cost a buttload of dollars with less certainty of a (quick) return on the outlay. Sure some copies will show up on eBay etc., but I would not expect to see as many of these as there are examples of (much) cheaper sold out limited editions.As I recall the Europe '72 box sold out in a matter of days, maybe 4 days. That certainly surprised everyone.
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but this would without doubt have given me cardiac arrest: 7/03 & 11/19/66 11/10 & 11/11/67 10/12 & 10/13/68 2/21 & 2/22/69 9/18 & 9/19/70 12/14 & 12/15/71 9/23 & 9/24/72 2/09 & 2/15/73 6/22 & 6/23/74 6/17 & 9/28/75 10/14 & 10/15/76 2/26 & 2/27/77 7/07 & 7/08/78 10/27 & 10/28/79 11/28 & 11/29/80 But what would one call it? Dead to die for? sheesh
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There is something to be said for a mass market release before the Chicago/California shows. This seems like a great opportunity to release a show that fans could pick up in person. Or maybe they'll be selling copies of the shows fans just attended.
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I am fairly certain that the limited edition box of Europe 72 sold out in less than 48 hours...
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9 years 8 months
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I have a little bit of a different perspective. I only got into the Dead a few years ago, and while I've never seen them, I love the music - we're talking non-stop tunes in my house. My uncle had hooked me up with a starter set of Ladies and Gentlemen, Go To Nassau, Dozin' at the Knick, and Hundred Year Hall. I didn't even know who was who in the band other then Jerry and the good looking other guy. I immediately stayed away from Dozin at the Knick because I sensed something different in the keyboards, and that something was Brent Mydland's sound. There is something very distinctive about his sound that I can't even describe, but it's not a classic grand piano sound like you get with Keith Godchaux's playing. Even today I can't tell you what the difference is in their equipment, but Brent's keyboard is very abrasive to me, and I mean his piano synthesizer, not the organ like sound that he sometimes uses in the early 80s (Hammond?). Anyway, I kept buying shows, Crimson White and Indigo was another, so was Closing of Winterland, and the pattern with the keyboards seemed to follow Brent Mydland, so I began to steer away from those CDs. I also don't care much for his voice. He does not sound good at all when he tries to harmonize with the others, and I was in chorus for 5 years in my youth, so a high level of discordant singing is very apparent to me. I guess if I had to sum up my position, it is as an unbiased historian. I've never seen the Grateful Dead, I wasn't around when they were making music (for the most part), so I am simply replaying recordings as an unbiased listener and observing that there is a huge discrepancy in the quality of songs when you compare a live performance of a song like let's say Cassidy or Jack Straw or Scarlet Begonias between the 70s and let's say Spring 90. What I hear in 1990 is a tired Jerry, an out of tune, gravelly voiced Brent, and these piano sounds that sound loud and out of tune with the rest of the music (and by out of tune, I mean it doesn't mix in well like Keith's Grand piano sound, it doesn't make a "whole" full sound, the audio frequencies do not mesh to create something bigger than the individual parts). So, I don't find myself putting on anything after 1978 too much. I try from time to time, in the interest of discovering something, or "getting past" my hang-up, but it always goes back to the fact that comparatively speaking, the music doesn't sound nearly as good after 1978 as it does before. I get some enjoyment out of songs that were new to the 80s era, such as Feel Like a Stranger, Alabama Getaway, etc, but that's about it. I can understand why some people like it - I think the people that like it were probably introduced to the Grateful Dead in the 80s or 90s, or followed them out of the 70s and into the 80s and 90s. I think these folks probably saw a lot of the shows or at least shared in them together with friends when the shows were originally played, and so there is an emotional investment that makes these shows more appealing. I even get the "pre-hiatus" people, as there was a tectonic shift in the music after the hiatus that is clearly the result of having two drummers - gone were the days when the Dead played Dark Star, and the improvisations always went so far!
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11 years 3 months
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Looks like they've got the new Best Of on vinyl.Good price too.:)
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12 years 6 months
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I believe E72 Trunks sold out within a few days could be wrong
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17 years 5 months
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Sydney Bechet "The Best of" (Blue Note) 6/08/39 ("Summertime")James P. Johnson "Snowy Morning Blues" 6/08/44 Roland Kirk "Introducing" 6/07/60 Gigi Gryce "Rat Race Blues" 6/07/60 Grateful Dead Winterland 6/07/77 Set two Scarlet > Fire > Good Loving Bob Marley "Easy Skanking" 6/08/78 Boston Music Hall What?
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11 years 3 months
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11.21.85 ,, Some incredible stuff here Crazy Fingers > Playing In The Band > She Belongs To Me > Drums
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17 years 5 months
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seems to think the mass-market release is going to be 8-4-76 w/ DVD. Anyone else hear this?
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12 years 11 months
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Want to go there, yes I think I will. From what year will DP 15 be? I say 1976. HAPPY MONDAY DEADLAND, so glad it's (almost) over!!!! Peace
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17 years 5 months
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If I remember correctly, they were gone within four days.
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11 years 3 months
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i would be happy with a lot of offerings from this year, but a few standout.. 7.18.76 - 2nd set jam fest Might As Well Samson & Delilah Candyman Lazy Lightning-> Supplication-> Let It Grow-> Drums-> Let It Grow-> Wharf Rat-> The Other One-> Saint Stephen-> Not Fade Away-> Saint Stephen-> The Wheel-> The Other One-> Stella Blue Sugar Magnolia, Encore: Johnny B. Goode 1st set also worth checking out with a great choice of tunes
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17 years 5 months
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Yeah, 7-18 is 24K.I would love to see the entire Orpheum 76 run get the box treatment, or at least compiled as a solid compilation with 7-18 as the centerpiece. I'm still thinking 73 for Dap 15....3-16 would fit the bill nicely.
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15 years 1 month
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http://www.dead.net/features/europe-72/holy-s-it’s-complete-europe-’72-box-over-60-discs Hey now! Due to overwhelming demand, surprising even those of us with huge faith in the Europe '72 project, the entire limited edition run of 7,200 boxed sets has sold out in less than 4 days. We thank you beyond words for your support and belief in this unprecedented and wonderful release.
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