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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • Oxford 88
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    Cumberland County Blues...
    Owl's Head- You churned two memories directly related to the Mighty Cumberland County Civic Center, Portland's music mecca. Saw many great shows, including the Heads in 83 and Hamstrung in 86. I saw the Stop Making Sense show three times within a week (Springfield, Portland, Cape Cod) and while the show had just a little variation with the set list, these are the best concerts I ever saw. Musicianship, energy, choreography (a word not often used in discussions about live Dead). This was the show to end all shows (no wonder they never toured again). The movie and soundtrack are still in heavy rotation. The Hamstrung Blues was part of a strange night at the old barn. The first set was pretty fun. We had seen the shows in Hampton and beside the Box breakout, that run was really weak. Right up front for the first set, the playing was energetic (in relative terms-I was always quite critical about the shows I saw) with Jerry providing good energy. The Hamstrung Blues split the set up with people scratching their heads, trying to figure out if they had heard it before. Second set was very run of the mill... Portland shows were always great with the Old Port rocking and laid back security inside. Would love a 9/17/82 release. I appreciate the Maine loving on 30 trips.
  • pghas1
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    Brent...
    My years were 87-94 so I was and still am a huge Brent fan - thought that his high range vocals with snarl fit perfectly. In terms of his playing, he really worked tremendously well with Jerry and pushed him to new heights during that renaissance period. He knew where his spaces were and how to get in and out of them. Because of the nature of the two instruments, Garcia really needed a keyboard player he could work with and Brent was the guy. My personal opinion, touching also on the Garcia interview, is that he was both devastated and furious at Brent's death. To the point where it wasnt too long after that that he lapsed back into serious drug use and never really recovered. And man, even if you weren't crazy about Brent at the time, how could you not love him once Vince Welnick joined the band? Now that was a pick made with the "we've got 4 weeks until tour and he has a high register voice" decision, because I never felt like his style meshed with what they were doing.
  • boblopes
    Joined:
    Sneakpeak & re: Talking Heads
    Three of my favorite TH tunes are "No Compassion", "Warning Signs" & "Crosseyed and Painless". Got a better appreciation for Cities after I saw Phish cover it at Lemonwheel... When they added Bernie Worrell and that intensive persussion section, they definitely stepped up their game. Saw David Byrne at Avalon (Now HOB) probably 10 years ago and it was a good show... I could not resist, I created a playlist of what I had from the archive that's being released on 30 Trips. I'm listening to it in chronicle order and was pleasantly surprised by Pigpen doing "It's a man's man's man's world" channeling Janice without her dynamic range (of course). People are in for a treat!!! Almost want to stop listening so I will get totally blown away by the stuff I never heard... Come on Dave, unless you're redoing the seaside chats with less wind, release another chat!!! Or at least a sneakpeak at the box... EDIT: fixing bad grammar...
  • Cousins Of The…
    Joined:
    More Brent"(and Weir)
    I thought he was ok the first few years, soundwise; though his songs were definitely late 70's "light rock" However, I cannot listen to his ad-libs on Little Red Rooster, just plain vulgar and ugly. On the other hand, Weir's songs after Terrapin got really clunky both lyrically and musically. It's hard to believe the same songwriting team that wrote a piece as melodic as Weather Report Suite(not to mention the whole Ace LP), came up with Feel Like a Stranger and Picasso Moon.
  • stoltzfus
    Joined:
    Brent
    Keepers: just a little light, pocky, a bunch of others the one I wish had never been brought out (keep it in the family): I will take you home. Way too personal of a song. in any case Brent's awesome. a little showboaty sometimes, but still awesome. listen to 9/24/83's Uncle John's Band. Brent's keys are so freakin' beautiful.
  • owlshead
    Joined:
    Revolutionary Hamstrung Blues
    Anyone? Listening to "Shakedown Stream" from yesterday... doing 1986... the only year for this baby... Brent - he was my keyboard guy when I went to shows: 84-89. And I thought he was fine... Now, at 50+ -- and I can listen to so...... so.... much, that I would never have imagined back when I was a kid. So now, Keith and Donna are my faves.... But yes, Donna sometimes swallowed the mike (as an old friend use to say) and I am another one that is not a big fan of the Pig raps... oh well. But, I love the Beatles too, and I don't love everything... so my 2 cents Speaking of back in the day, any Talking Head fans on this board? I remember that a number of my Dead friends (as well as myself) where into them... in the 80s. Was watching Stop Making Sense last night on youtube... When I saw that movie in 1984, me and a couple other guys I was with were dozed, but my big take (or high-insight at the time, and it still holds) was rhythm and percussion, I was fascinated by it from the movie, and it still informs my acoustic guitar playing to this day! As well as Jer and Bobby -- Jerry had some pretty good rhythm chops too :)
  • JimInMD
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    Blow Away
    Blow Away is my destructive Brent Anthem. Great tune live. Also glad I didn't notice that.
  • Mar-T
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    Ornette and Brent
    Ornette Coleman, free jazz sax legend and Dead collaborator died this morning. Remarkably courageous and powerful player... RIP, man.On the Brent front, I wasn't a fan when I was in my 20's. In fact, "I will take you home" was dubbed "I will take a piss" or "I will get a beer." Great chance to take a breather. Not until he died did I really begin to fully appreciate his contributions. Like Oxford, I am particularly thrilled by his use of the B3 and Leslie. He channeled more authentic blues energy than anyone in the band. Listen to some of those Walking Blues or Never Trust a Woman from 90 and check out his stunning organ and scat solos. The dude had chops. He rocked best to Pocky Way and Blow Away, IMO, not to mention Gimme Some Lovin and Hey Jude. Hell, now that I have two kids of my own, even I Will Take You Home has a place in my heart!
  • Oxford 88
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    Gone South Overnight
    Ooowee, the Brent bashing has reached new lows overnight. My live experiences with the Dead spanned the Brent era. I am not a diehard advocate for Brent's tunes, although that Hey Pocky Way opener at Shoreline 87 blew me away. As a back-up singer, Brent took a few years to hit his stride, but I liked the smoky fills on a number of songs. Jerry loved singing back-up, but he sure needed help for a good stretch of the 80's. In terms of the playing and his "sounds", after he got away from the Schroeder toy piano sound and started working the B-3 with the Leslie, I thought it was outstanding. I liked the semi-soulful, pseudo Allman sound this brought to the mix. Hell, I even liked the cat scratch fills on Loser (haters may want to skip this on 10/21/83-it was incredible live and for me it has held up to multiple listenings). We are a funny bunch- grumbling about too many Lovelight raps from Pig, the off key caterwauling Donna on many tunes and the block chords that Keith resorted to at the end. I listen to it all- yes, I absolutely prefer the strongest eras and the best shows within each. I did not purchase either of the '90 boxes because I knew I wouldn't give them the time they deserve. I am not sure there is a need to tear anyone apart in these forums, whether a band member or current poster. We have the ability to simply move away from what we don't like and allow others their space to enjoy. Even within the world of licorice there are many different textures and tastes.
  • Chris Grand
    Joined:
    minas
    that's a bit harsh, but i agree that the 70's songs sounded better in the 70's. i will say this about brent...i caught a "go ahead" show in new orleans in the late 80's (billy & brent plus some other players), where brent was the bandleader, and it was FANTASTIC something about being the man in the band brought out a side of him rarely seen with the dead. gone were the michael-mcdonald-warbling and the occasional histrionics, and in its place was well played rock/blues/R&B so take that for what its worth...
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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yea.. but of all the fall '73 horn shows, 9/11 is by far the best. And there isn't really that much annoyance from the horns (comparatively), especially on Let it Grow. This could be the only show where it worked. The Playin', DS and MDew make this rise to the top like cream. Its a great show, Phil is heavy in the mix. Supposedly Hornsby's first show, so in a sense, changed GD history. My copy cuts out during Morning Dew though, and has an audience patch. I wonder what the copy sounds like that's 5 floors down under the vault? 6/10 and 6/30 are killer also. Can't make a bad pick between the bunch. ..also, for what its worth, I that Duke Ellington box looks really good. If I had more scratch, I'd pick it up.
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9 years 9 months
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I can put 1795 units in my cart but not 1796. I'm thinking this is going to be a stretch for them to sell off the rest. Presumably, all of the die-hards have ordered theirs already, so a $750 box set now has to be sold to 1795 casual fans. I'm not so sure that's going to happen before the Shipping date. What is going to piss me off is if they reduce the price in an effort to sell the remainders. I can't imagine the turmoil that would create on this forum. Nah, they wouldn't do that....would they? Probably not until after 9/18 (otherwise everyone would cancel their order, right?) I wonder how many of the sales are illegitimate, due to that computer glitch last week. Let's see, even at 4705 units sold, that means they've earned $3,293,500 (th-that's 3 million son). Just ship this shit already, I need a fix. I'm pissed there are no Help on the Way / Slipknot! / Franklin's Towers in any of the 70s setlists. What a jip. And not one show from the month of January, August, or December! Way too many other months represented in this set, but we January, August, and December lovers have to go f@#k ourselves. And if you count Dave's Picks, the January / August drought continues - so we can go double-f@#k ourselves. If you go back as far as Road Trips, there are still no January releases, so we January lovers are given the proverbial triple-go-f@#k ourselves. Make that a quadruple - Dick's Picks features nothing from January either - DID THIS BAND EVEN PLAY IN JANUARY?!? Ah yes, it looks like I have to delve into the Download Series all the way back to almost the 1960s to get my fix of January Dead, with Volume 2, clocking in at 1/18/70 and one of the shows where it all started - Live Dead The Eleven and Lovelight from 1/26/69.
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Dave 15 and 16 will be Fall 69' and 76'. Just one man's opinion. I do agree; maybe 73'. My guess would be 6/10/73, but that could be released much like 8/27/72. Oh, we are blessed! Minas, how dare you stir up controversy! How would you feel if you were born in January? You might just think they were picking on you. Bet you were born in September. Smile, smile, smile! Sam T
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9 years 5 months
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Sure you have to wait a couple extra tunes for them to get to the Franklins but its worth the wait!
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11 years 2 months
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In my skull splitter spindle set, a portion 9.11.73 was included. It rocks. JimInMD, I will have to revisit the Morning Dew,, but I do not remember any cuts or patches.. As expected, 6.10.73 portion was just on Sirius. Eyes through HCS. And a teaser for tomorrow will be music recorded in the Aloha State from 1970.. Get your popcorn ready for this one.. Could be some uncirculated material. Or another healthy dose of a 1970, That's It For The Other One
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The Duke. Edward Kennedy Ellington and His Orchestra. 40 CD box set on History label. Greatest bargain in CD history.
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15 years 1 month
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The Duke:Complete Works 1924-1947 now over $200 used on Amazon. I bought it years ago for almost nothing. Sorry.
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…I learned the hard way on the E72 Box and couldn't let the 30 Trips box pass by… I placed my order last Thursday. It went right through and it took about 2 min to receive my confirmation email. $700 is no small expenditure. And this is no small offering. But for less than $9/disc, there is some outrageously good material in this set. The Shrine Expo was my first bootleg, and if the sound quality of the Morning Dew sample is indicative of the rest, this show alone is a treasure. The shows for 68, 69, 70 and 71 are all powerful and have many, many moments of the rolling thunder that these years are famous for (check them out on Archive). The other shows are all well documented in many online forums and, while opinions will always be what they are, there is a lot to like in each one of these shows. And considering that Jeffery Norman and associates will have had their hand in editing and adjusting the sound from the source recordings for all 30 shows, I’m looking forward fidelity that’s up to his high standards. David Limeaux was on Sirius this morning w/ Gans & Lambert. He explained, it some depth, the cost structure of these releases. Things like artist royalties and production cost are huge parts of the price. At one point he indicated that, after all the costs, the releases are slightly better than breakeven for Rhino. He also talked about how they learned from the E72 release and also how long it took to sell out the Spring 90 sets. I trust that he would not misrepresent or mischaracterize these things, and it helped explain some of the questions on things like the limited offer and releasing individual shows. Form many of us, Grateful Dead music is in our sonic DNA and resonates like no other. I love the Grateful Dead and their music. And I’ve accepted that the Grateful Dead are gone and that their recorded music is now part of a multi-million dollar business transaction. Rhino paid a handsome price for its rights to the vault- we can be sure they will try to sell as much as they can however they can. And I personally hope they continue to do so. I don’t always like every release that comes out (or the way that some of them have come out). While I have most of the releases, there are some I chose not to buy. Are there other shows I wish I saw in the 30 Trips box set? Of course!! I’d love to have seen 11/5/85 (shakedown, supplication, tom thumb), or 9/2/68 (the raspberry farm!), or 3/26/87 (bird song, desolation, china-rider) and a slew of others. But they will come. For now, I’m looking forward to sitting outside on a fine autumn day in September… Santa Clara, Chicago, and all the other hype will be over, and I will be cranking up the volume on the on the sonic journey that this box set memorializes. And loving THE GRATEFUL GODDAMNED DEAD!!!!
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The Duke and the Dead have a lot in common in a way, not musically of course. Stable core line up with some changes over the years. Constantly touring. Basic core set list used as jamming vehicles. Unseen songwriting genius (Billy Strayhorn-Robert Hunter). Any Dead Head not familiar with the Duke should at least check him out.
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I've responded to half a dozen people who posted that they wanted to trade for some of the individual copies of 30 Trips, since they can't afford it. Three of them (50%) didn't actually have anything they were willing to give up, and offered to burn me copies of what I was asking for in return for the 30 Trips CDs I am not interested in. Really? I'm trying to help YOU, not the other way around. Please don't waste people's time and ask for a trade when you don't really have anything you want to give up. The nerve of some people.
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mbarilla, in the liner notes in Dave's 6, Dave references the reels returned by Janet Cohen which completed 4 fantastic shows from late 69/early 70. Two of those shows were represented on Dave's 6 and a third was Dave's 10. This leaves a fourth show. Dave says there is a show which has a fantastic Dark Star with Phil providing "unusual" noises, and the show contains great versions of Morning Dew, The Eleven, and That's It For the Other One; plus much more! Dave 10 contained none of these tunes. The bonus disc has 3 of the 4 songs above mentioned, but no Morning Dew and of course, not a completed show. My guess based on that setlist the pick would be from Fall 69'. However, wonder since we got Da 10 last year, they might wait till the first or second release for next year to bring it out from the mystical caverns of the vault.Check out the notes and see if you come up with the same conclusion. Now the question is will an archive setlist contain all 4 of these songs, or will some of the material be unknown because of a missing reel or reels? Sam T
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Almost every show in this new box is essential. The choices from '95, '93, '90, '83, '78, '76 and '71 may or may not be considered "under the radar", yet as a set on a whole, every piece of this puzzle belongs together. Dave not only knocked this grand slam of a release out of the ball park, he also got the hat trick. 30 Trips is a stroke of genius!
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Courtesy of the Wayback Machine, these 5 shows should be added to the previously posted list: 1/3/70 Fillmore East- New York, NY 1/2/72 Winterland Arena- San Francisco, CA 8/30/80 The Spectrum Philadelphia, PA 8/30/83 Hult Center- Eugene, OR 12/27/89 Oakland Coliseum- Oakland, CA https://web.archive.org/web/20111028071605/http://www.dead.net/
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Could not find a show from late 69/early 70 that contained dew, DS, TOO, and Eleven. There is 1/2/70, but no Dew. Some patching, but looks like a pretty complete soundboard. Also, very "unusual" DS, but I think in a good way. Some of those early 70's, two show performances are possibilities. Hmmmmm
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13 years 4 months
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mhammond, I agree about the Duke/Dead comparison. The paring of composition and improv.. add in touch of django reinardt, Bill Monroe, Owleys finest and you have the Greatful Dead. Coral Sands, great post and well written. I missed the Golden Road this week.. I am happy they continue to mine these (sometimes) old tapes and put some decent effort into restoring them and bringing them into production. Theres a lot of us that are thankful (edit: grateful)
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10 years 6 months
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All this talk about smoking hot late 73 shows has me thinking about here comes sunshine.... I always thought that song was just pure magic and one of Garcia's best jam vehicles.... Which is why I can't figure out why it was dropped from the rotation I believe by 74....does anyone know why this was? And why they took it out of the lineup? Only to bring it back in 93.... A damn shame..... Maybe a question for Dave or David or Gary..... Anybody know?
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17 years 5 months
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Agreed....had a Madison WI 73 tape with HCS and that was always my benchmark. I hope the box has one to measure up, im sure it will...I must say, as ive said in other posts, 80 discd and not one pig pen Smokestack Lightning. ..same for E72 Trunk. ..no Smokestack Lightning Disappointing to say the least... My first MSG show 3/10/81 had a tremendous Smokestack tease ...garden went wild.... but just a tease... Wish that one was included, but nonetheless, im still seeking a Smokestack to rival Bears Choice. Any suggestions???? iGrateful
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There's some history on it in the comments section of the GD Blogspot (see link below). The reviewer also does a decent job of highlighting some of the better versions. http://deadessays.blogspot.com/2011/05/here-comes-sunshine-guest-post.h… There's a link to a youtube video with Steven Marcus (GDTS) and David Gans doing the filming. At about 18:20 into it Garcia talks about HCS a bit. https://www.youtube.com/watch?v=8JOhtcJCjXA Sounds like it was ever-evolving and just never got nailed down. Its certainly likable as is most of '73. Hope that helps. __________________ One Edit: IGrateful - funny you should bring up Smokestack Lightin' in the same conversation, both were great songs where the Dead pulled off great performances.. but only a handful of times each. (actually, smokestack was played a good bit in the later years with Bobby on vocals, but that's not what your talking about). Whats up with that?
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For those who heard the 6/10/73 Eyes on Sirius (I don't have Sirius), how did it sound compared to the best SBD of that show you've heard? Was there a short drop out/patch right before the 3rd verse of lyrics, at about 6:55ish? This is my favorite Eyes, one of my favorite shows (Allman flavored NFA, anyone?), one of my oldest friends, and I would be thrilled if/when it gets released.
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Just re-listened to the Eyes played on Sirius (they buffer the last few hours on the Internet Version). I did not notice any dropout, unless was super subtle. Nice mellow jazzy version. Funny, I just read Kruetzmann's comments on this show today in his book.
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Nice, mellow jazzy version, that's what I love about it. 6/30 is another in the same vein. What did Kreutzmann say about this show?
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9 years 5 months
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2/19/71 has a nice one, and a great Easy Wind which has a "i can't do it no more rap" and seems to be one of the last Easy Winds.
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15 years 9 months
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We've got 30 shows and roughly 16 weeks of reveals. I'd like to hear a show by show chat about the merits of these shows from the vault master!!! Like my idea of the chats from upcoming secure locations, but rather have the wind than no video at all... Can't wait for the HCS from the 1973 offering. Glad to see it got promoted to the 4cd release... Great hook for someone tasting live Grateful Dead for the first time... Thanks for the link to the vhs recording of the interview, will watch it tonight... Love the spacey background...
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Spoiler Alert - I wont say much for people reading the book.. but to answer your question.. He was talking about playing with the Allman Bros. He talked about Watkins Glenn (Great sound check, but the main show was not their best). Then he spoke fondly of 6/9/73 and 6/10/73 as a sort of redemption for that. He said they were playing well, played a bunch of their newer material that he was fond of in a way made up for the main Watkins Glenn show. Apparently somewhat of a rivalry existed. They were good shows, were talking about them 42 years later after all. Thanks for bringing that up. Made me re-listen.
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14 years 7 months
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Yes, Houston this is Space Your Face, we're having a Font problem...Please engage the font Houston!
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17 years 5 months
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I can see the dust on my computer screen now. I thought it was 'stars' at first!-edit- oh, wait...glad I didn't revert to the sandpaper option. :-)
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10 years 6 months
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Very cool.... Is there anything more fun than listening, watching a jerry Garcia interview??? Does anyone get the feeling that although he would NEVER say it, jerry always kinda knew he was magnetic? And usually the most intelligent person in the room..... I think so..... And I think he enjoyed it..... Love that guy..... Hey Jim, how funny that Garcia thought they only played HCS a "couple of times?" And that he said it didn't really work.....wtf?? Hilarious.....
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13 years 4 months
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Wilfred, me too. I have been trying for hours to get that dust off my screen.. Damp cloth (nothing), Windex (a little better), sandpaper seems to be doing the trick though... Brokedown, yea.. I got a kick out of that too. I liked the his comments in general on songs they don't do anymore (Viola [wow, that would have been something] and others). Dantian got me to re-listen to the fragment of 6/10/73 w/ Eyes>Stella Blue, Big River and Here Comes Sunshine. I've listened to that show no fewer than a dozen times over the last decade or two. What a loose, jazzy, funball of a show that is and that segment shines. Fun and creative.
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13 years 9 months
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HCS? Dear Jerry . ... It works! My favorite HCS was done by Furthur (Saw GD many times). Futhur opened with HCS on a what was a gloomy, rainy, humid Summer evening at PNC Arts Center N.J.. PNC is an ampitheater built into the earth with a round cement top roof but with open air-sides. As already noted, it was a gray rainy day but just before Furthur took the stage the weather started clearing up and the sun was burning through the clouds from the west and shining down between the cement roof and built-into-ground amphitheater. It was moive-like perfetc. I think that they probably decided to open with an un-setlisted HCS due to the perfect setting. This was a very, very, enthusiastically loud crowd which prompted Phil to comment on on that enthusiasm. I recall Bob was said that the Philadelphia, N.J. through NYC-Long Island area as being Dead-Belt country where some of their largest followings could be found. That Furhtur show holds fond memories. I scored two front row tickets for that one from GDSTOO( Thank You.). God Bless Bobby. Heal, brother, heal.
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14 years 9 months
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pranksters at play!
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11 years 3 months
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I might try that sandpaper trick. First I'm going to make sure there's nothing wrong inside the computer, though. Here's a quick and easy check you can do yourself: What you do is take the cover off, and look for any loose parts inside. Like those funny little cylinder shaped doodads sticking up out of the big board? Using pliers, wiggle them back and forth, and if they're loose, take a small hammer and gently tap them back in. Computer maintenance 101.
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12 years 6 months
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Everyone who ever talked about Jerry spoke of his force... He was funny and witty, sharp and incredibly well read and traveled. My favorite instance of this is in Festival Express. Rick Danko, a pretty charismatic guy in his own right literally fawns over Jerry. I love how Jerry ends up jamming with each genre in their own cars on the train. The guy loved to play and jam, no doubt. He fought the boredom of the road by refusing to play anything the same way twice. He obviously loved guests on stage- a new sound, new angles to explore. He loved giving up the lead role (at times, it seemed to me that he had more fun singing back-up on Promised Land or Samson than many of his own tunes). Things got really rough when Jerry wasn't having fun anymore.
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17 years 4 months
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The counter no longer works! So any one on the fence has to be careful now since you can no longer see how many are left until the sell out, which you know is coming. Rock on
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13 years 4 months
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claney, thanks for the 2001 reference. Kubrick lives on. Dantian - great PC fix. I tried it and my pc is screaming fast now. I did notice one unintended side-effect though, it keeps bouncing me out of Dead.Net and drops me into the Metallica site. Oh well, I will get used to it.
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11 years 3 months
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Can we switch it back? I kinda liked it.:)
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15 years 1 month
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Date of show is 7/21/72. There are 8 extra songs, without a date: GDTRFB, NFA, You Win Again, Bird Song, Playing, Morning Dew, UJB, One More Saturday. Anybody know the date? Thanks Regarding Duke, for the 20s & 30s I prefer the Columbia recordings over RCA's, in general. When RCA first issued "The Blanton-Webster Years" on CD, the mastering was horrible compared to the vinyl issue(still thinking the best way to hear it is on the original 78s...)
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12 years 3 months
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Samthardman, 12/11/69 has all four songs, and 3 of the 4 were on the DaP 2014 bonus disc (with DaP 10). True, the Dew was not on the CD, but it was played at the show, so I think this is the mysterious "4th show", though not released in its entirety.
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15 years 1 month
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Thanks for the links, got the answer and more...Love the Download series!
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17 years 5 months
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Is a tent-pole show one that 'holds up' an entire era, or one that gets us excited? (think morning wood) I'm not sure the metaphor he is going for there, but I probably wouldn't have used it. As you were...
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11 years 3 months
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from start to finish. Wife is at work, and I'm off today. Got a bottle of merlot, and nowhere else to go. Morning Dew opener is killer, and we're off to a great start...
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12 years 1 month
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You are correct Todd. My thinking is if they got back a reel or reels to complete a show, they would release it in it's entirety. Now Dick might have released bits or chunks of shows that suited his tastes; however, I do not think that is the case now, and I am glad. To me, it would be a travesty not to release a fully intact show with high quality sound from 45 years ago. And I think the boys and girls running this ship agree.Now, back to some sleuthing! Sammy T
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11 years 2 months
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How is the bonus disc packaged with this release ? Is it Inside the sealed box ? I know it has its own sleeve I remember for Winterland 77, was inside the box under all the discs or on top.. And it was a pleasant surprise when I found it.. Approximately how many sets of these were made of Winterland 1973 ? Over 10,000 ? Bonus only came with early orders, how many of those are there ?
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