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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • 4evergr8ful
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    1970 04-15
    Been listening to the winterland 1970 show featured on this box and must say Am Really digging it..having listened to most dead post 77", it's as if I'mHearing the band for The first time again..can anyone else reccomend any really Good early 70s shows, perhaps some that really stand out, say 70 or 71? Would appreciate it thanks
  • Vguy72
    Joined:
    Hey keithfan....
    ....glad I could oblige. BTW, do any of you experience a delay in getting pm's? I usually get mine a week after they were sent to me....
  • LoveJerry
    Joined:
    Complete Recordings - Great Prices
    I got a copy of Dick's Picks 30 at a great price after someone here mentioned seeing them online, so I thought I would return the favor to people who may be in need. Here are three great prices on box sets. Winterland June 1977: Complete Recordings $299. All others are in the $600 range. http://www.ebay.com/itm/Grateful-Dead-Winterland-June-1977-HDCD-Box-Set… Europe 72 with trunk $377 http://www.ebay.com/itm/Grateful-Dead-Europe-72-complete-recordings-non… Winterland 1973 Complete Recordings $120 http://www.ebay.com/itm/Grateful-Dead-Winterland-1973-Complete-Recordin…
  • kilauea
    Joined:
    Stoked about 30 Trips
    I'm stoked to get my ears around 30 Trips Around The Sun. Love the idea of a show per year. I usually reside somewhere between 1968-78 with 72-74 as my favorite period. I love the improvisational monster jams focused around The Other One, Dark Star, Playin', Eyes, Weather Report not to mention the primal Live Dead jams. Love a good Scarlet-Fire and the Blues For Allah material live is always a hoot. That being said my 80's-90's ventures are usually 80-81' and 89'. I have The Warlocks and love it but skipped out on Spring 90' boxes... but figure I'll get to those soon enough. So I'm looking forward to diving into these 80'-90's shows in 30 Trips, and heck, maybe I'll see what I've been missing. I'm particularly pumped about 67' Shrine, 68' Greek, 69' Dream Bowl, 72' Waterbury, and 73' San Diego among others. I mean what other band releases so much great quality sounding live music for there fans? The quality of the Grateful Dead live archival releases over the past 20 years is completely unparalleled. Perhaps only the box sets and live releases of Miles Davis even comes close and that's fairly distant at best. If Pink Floyd released only a smidgeon of quality live shows from the 70's I'd be super stoked but so far just the Wembley 74' stuff. Frank Zappa releases quite a lot of live material when he was alive and the vault releases have been great but no one compares to the Dead releases. And I'm grateful for it. It's like Christmas every few months when a Dave's Picks arrives or Road Trips before that. Europe 72' is my favorite box followed by Winterland 73'. Like I said I'll get to Spring 90' in due time. So keep us guessing and keep em' coming!
  • KeithFan2112
    Joined:
    Vguy72 / Road Trips '73
    Good call, I put this on at your recommendation. Four words - Holy psychedelic pianos Batman. Wow, just dozed off at work and woke up to Wharf Rat. gotta love cubicles.
  • KeithFan2112
    Joined:
    80sFan 11/4/77
    I checked out a couple of tunes from your link. Definitely a respectable version, and I like that you can hear all of the audience enthusiasm at various points (i.e. clapping on Bertha, cheering after the Brown-Eyed Women solo, which incidentally, is one of the best live versions ever in terms of Jerry's guitar solo). The instruments are definitely louder in the official version, particularly Keith's keyboard work and the drums; these two "mix factors" contribute heavily to the aggressive "rock" feel of the 11/4 show, as experienced in the official version. But yeah, it's always a good idea to own another show featuring the late great Keith Godchaux ;-) PM your address if you want and I'll send it to you.
  • JimInMD
    Joined:
    Re: Keithfan and Bliss
    Yes, KF, there are certainly noticeable differences in sound that are more than the mix itself. What a fabulous collection of venues on that tour, that's the difference. When I travel abroad.. Instead of being a typical nerdy tourist and hitting hard rock cafe's or whatever.. I usually try to pick a theme.. like lets hit all the big castles in Germany or hey, lets hit all the churches where they off'd people in the Angels & Demons movie in Italy.. so my big not so eminent Europe trip will hit all the theatre's they played at. Check them out, great history and some terrific venues. That's what's contributing to the rich sound and variations from night to night. Places like the Concertgebouw and the like. There's a wealth of information on the acoustics of these venues. You may have come to the party late, but you did your homework. Bliss.. one of the ways I cycle through a lot music is on road bike rides and kayaking. Lots of fun and you get a workout to boot. I think you get the big picture this way, overall vibe of the show and jams. You also get a nice progression of growth through a tour/year/decade that way. You do miss minute details like best version of a song on a tour which KF seems to specialize in.. anyway, you are not alone in listening habits.
  • 80sfan
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    Joined:
    currently listening to...
    The AUD of 11/4/77 https://archive.org/details/gd77-11-04.moore.jupile-weiner.15208.sbeok… Curious how it stacks up against DP12? I'm really into this version so i'm feeling (slightly) better about having been shut out of the official release!
  • bliss
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    listening to the band
    Keith-Fan, Your post raises the question of how we go about enjoying this abundance of officially released riches. I listen to a show per day, usually in the background while working. A lot just sort of floats over me this way and I'm often unable to get a "best version" sort of feel, but do get to enjoy the overall sonics of a show. i'll be working away with the music drifiting over me and suddenly tune in and think, "whoa - how the hell did they get out here" ... Work-related listening has been random years/tours as the mood strikes. I have no favorite era. Everything offers something different and worthwhile depending on the mood. I listen to a lot of other music (funk, jazz, soul, rock from all eras), so it's not like I can engage in the deadicated listening a lot of these Dead shows deserve. (seeing RUSH twice next week - and am on a huge related listening kick in preparation -- seeing them is very much a cult-band family reunion kind of phenomenon not unlike the vibe at a Dead show - just a lot nerdier and less trippy). With the 30 Trips Box, I'm going to listen to a show per day on headphones while cycling. Chronologically. After, I'm going to listen to everything I have (pretty much all official releases) in chronological order the same way, ideally while riding and skiing. This is a wonderful way to consume release, as the music evolves and changes organically, in terms of both the playing and song choices. I've managed to do this once in the past, and it took the better part of a year. Psyched to do it again. Long live the Dead.
  • KeithFan2112
    Joined:
    From Version to Version
    It's only since I lost myself in the Grateful Dead Narnia that I've started to appreciate listening to the entire show. I came late to the Dead picnic, and while I saw them a couple of times before Jerry died, I didn't get "into" them until years later. With other bands (The Who, Yes, Rush), I would take the best live versions of songs and make a playlist. It seemed the prudent thing to do since there were only a few live versions of any particular song. The Dead is a different beast altogether, so it took some time to appreciate what they're up to from gig to gig, and clearly cherry picking the best versions is an impossible endeavor, as I end up with nothing on the cutting room floor. That being said, old habits die hard, and there's always a mental comparison going on in my head, hence the post about MSHSU Toodeleedoo. There's no doubt 9/3/77 is the best version for the jam, but not necessarily the bridge to Rio Grandio. And so it goes, there are many "best" versions. Muleskinner, check out Sugar Magnolia from 4/24 - this is thee version of thee song that pulled me in, never to return. I was at a home poker game when my buddy put on Rockin' The Rhein, and immediately caught the fever. 5/18 is close, despite a rare vocal flub where Bob Weir seems to forget he's onstage performing with the Grateful Dead. It's not that there's anything wrong with the 20 other versions from E72, it's just the perfect storm of nuances that come together on 4/24 (the guitars are mixed so smoothly for maximum "groove" effect, the piano is present, the solo is smooth and sweet, the drum fill at the....drum fill part is perfect, the blossoms are blooming, etc). Also wondering if anyone has noticed some of the subtle differences in overall sound from show to show on E72? For example, 4/24 seems to have more reverb than other dates (I don't know if reverb is the right word - it's an echo-like quality I catch on this one - a good thing to my ears); Amsterdam 5/10 also seems to have this quality. 4/11 and 4/29 seem to have a tad less fidelity and more tape hiss than other dates - not a big deal, I just turn the treble up a little bit. 4/26 has magnificent sound and low tape hiss, but Pigpen's organ is a bit lower than other dates (not sure how the fact that it was mixed for Hundred Year Hall plays into this). Heck even the comparison between Steppin' Out versions of the same tunes demonstrates significant differences in the mixing (for example crisper snare drum, compare 5/24 Cold Rain & Snow, or higher piano levels on some songs - check out 4/11 Brokedown Palace). Anyway, I spend waaaay too much time listening to this stuff, but I did earn a PhD in Europe '72, so it wasn't without merit.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Alright, I admit it.. this was the right box concept for 2015 and the 50th anniversary. I really do feel compassion for the people that were priced out.. but its a cool idea and likely the right concept. But going into the announcement, I was really digging all the hype and speculation. A Pig Box (hog fest), one show for each year, Fall '73, etc. I was holding out hope for '73 myself. With all the recent talk of '73 and '74, definitive versions of Eyes of the World, a pop-up Wall of Sound Box, complete w/ a WOS Fathead, people building home WOS lego's.. I am already looking forward to 2016. (its also going to take me that long to give Boxzilla a worthy listen). Today in GD History on SiriusXM radio, they played the better part of the second set from 6/24/73. The Dark Star>Eyes>China Doll was sublime, especially the pre-verse jamming on DS. What a great show, and on the heels of UCSB, PNE Coliseum and RFK no less. It re-invigorated the hype center in my brain for a 'classic' box set. So here are some concept ideas that would send my hype center into overdrive. Similar ideas are welcome - if nothing else, it gives us all something to check out while waiting until September. I got on a nice '69 Ark tangent the last time this subject came up. - '72 Berkeley Community Theatre (4 show run). - '72 Fox Theatre, St. Louis (4 show run). - Summer '73 (many options here). - Fall '73 (again, many options, note: Dantian gets my vote as the goodwill ambassador for 12/18/73 if/when it gets released). - WOS Popup/foldout Box (many options). - Ark '69 (3 show run). - '72 Blue Ray/DVD (4/17 and Beat Club). - WBOTB Box. Sorry for focusing on the older years, didn't mean to offend any '80's folks. I'm a big fan of the era.
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I heard this AM also. That Eyes of the World was sublime and the sound quality during Eyes was killer. I will go for round 2 tonight on Sirius, but may cut it short at 7.30 for the Copa America quarterfinal match. Those are great box choices,, how about a Bill Graham box that features many of the venues the Dead played Thanks to Bill Graham? Throw in some blotter art fully dosed and I may trade my nephew for it. He is now currently a deadhead in training after my niece showed him the headphones this morning. I am also down with all and every Fillmore East/West show to be released. - a box of tapes by Owsley Stanley - Betty box,, and so on of all the hired help And Release every.. *Mountains of The Moon *Mission In the Rain *If I Had The World To Give *One Kind Favor Any word on 7.14.70 Acoustic/Electric and 7.16.70 ?? some sweet stuff, some sound tweaks. Classic stuff with the Dead, Bear, and a little Janis EDIT: such a sweet tune... How Long Blues - part of the Blues Trifecta How Long Blues Deep Elem Blues Cumberland Blues 1970 x-factor supreme year for the GD
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I check In daily to read the news on peoples views etc.. on this box set and i love it. For me yes it's a lot of cash and after having warned my other half of a box release this year of which was a must have without knowing what was around the corner ? her reaction was hesitant......then i told her about 30 Trips and for how much.........and to be granted the purchase was a relief whew! So i understand the hardships of many. But i honestly think i would've got it anyhow, due to the simple awsomness of it. I can't wait until Sept :) logs about the 80's ~ i love it!, love Brent too 'Dear Mr Fantacy' i remember Domings Hills was epic, great show, parking lot was a dust bowl. I love the Grateful Dead! so many roads. JGB too, Squaw Valley, ahh the memories, peace. This Box is a must and looking forward to seeing what it looks like, and also hope they're individually In their own Dave's Pick's format with art work for each.
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I contacted Dave to ask him if we could expect a video of what this puppy is going to look like. This is what they did with Spring '90. After all, he had said it is gorgeous. He told me that he thought we all could expect a video soon. I can't wait! Rock on
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Does anyone know if the Wharf Rats will be meeting up for the shows in Chicago? Do they even still exist?
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You should look for the unfixed version of this Miller seed and avoid any "Tetzelli fixes" as they are known inferior versions of the original recordings he tried to fix. His big fix was to make the 2nd set seamless, something Charlie picked up on and implemented to avoid these unneeded fixes. The problem was Bill didn't know how to use the mastering software he used to make the fixes and due to improper setup of the software, most of his fixes added issues not on the original Miller seeds. Bill just wanted to take credit for other peoples seeds, usually Charlie's early seeds and his GD fixes should be avoided. This has nothing to say about his Tetezelli seeds of his recordings, but his "GD fixes" are not fixes at all they are downgrades , every single one of them.
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so, while stuck in the quagmire of inventory (thee none-glamorous side of the wine biz, no doubt...) got me to dreamin' up an 'alternative' set of 30 shows, a wishlist of sorts, sure... ALTHOUGH I'M TOTALLY PSYCHED FOR THIS SET, lemme just put that out there, their choices are fantastic (this BadBoy contains thee EPIC 10.1.94!!!) anyway here's the list, have @ it: 12.1.66 10.22.67 1.17.68 8.3.69 11.8.70 4.8.71 10.18.72 2.15.73 5.19.74 3.23.75 (give it to everyone, it's only 1 disc!!!) 6.14.76 (think not in the vault) 5.9.77 (yea, yea, i know... not in the...) 7.7.78 (okay, okay... same as 76/77... a lad can dream...) 11.1.79 (in its entirety) GAINESVILLE, DUH!!! (11.29) 3.10.81 4.19.82 4.26.83 7.13.84 9.15.85 2.14.86 11.13.87 7.2.88 10.19.89 7.19.90 9.26.91 5.21.92 9.22.93 7.31.94 3.18.95 ♤
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I can get behind *any* release that includes 5/19/74 and 3/23/75. I'd lean towards 9/20/70 personally, but you'd have me with the Portland '74.
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12 years
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Just in time for my road trip to Santa Clara came the JGB on Broadway series Act 01!Sometimes you get lucky.
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14 years 11 months
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"Name That Tune" contest starts at 6 PM Pacific time today. Don't be late! (Don't be early, either)
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This is from the Wharf Rats forum on this site: http://www.dead.net/forum/wharfrats-meet-here#new look for the yellow balloons. Santa Clara: Where can I find the Wharf Rats at the show? The Wharf Rats will have a table near the Participation Row area, on the main concourse close to the Intel Gate A. Chicago.. Where can I find the Wharf Rats at the show? The Wharf Rats will have a table near the Participation Row area, in the South Courtyard inside the South Gates, near Gate 0.
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When this box set was first announced it was not looking good for me to be able to purchase this stellar collection, due to the landing of a side job painting, I was able to preorder 5 minutes ago, needless to say I'm overjoyed at being able to purchase one BEFORE it sells out, however I do have one concern, why am I being charged $58.80 PA Sales Tax on an item not purchased in PA? I take it WE all had to pay the appropriate sales tax for our respective states of residency all I want to know is why? Now what about an "official" announcement regarding DeadBase 50!!!! A VERY HAPPY WEDNESDAY indeed, DEADLAND!!!!!!
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When a company has a physical presence in a state, it must collect sales tax (if that state has a sales tax).
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the usual suspects ,, Feel Like A Stranger Hell in a Bucket, Jack Straw, The Music Never Stopped (probably it) lots of choices.. I went with *Truckin'... we will see 4.16.78 going right now, Scarlet Fire for the ages and killer from start to finish. Very juiced up compared to Columbus show a few nights later
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FEEL LIKE A STRANGER "Gonna be long, long, crazy, crazy night!" Second guess (if allowed) would be THE MUSIC NEVER STOPPED.
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No love for What's Become of the Baby? Rosemary?? ok Born Cross Eyed is my third and final guess. I do get the feeling just by the way this came up that its not going to be one of the familiar few openers.. better to be whimsical and guess for the pure enjoyment of how much fun it would be if you actually got it right. Edit: ok, I guessed Bertha (redacted), Promised Land (scratch that) Half Step (fuck-it) Back to Rosemary (just kidding). Heavens door? Perhaps Ship of Fools is the most fitting.. but they wouldn't open with that, would they?
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along with the other Bobby tunes TMNS and Feel Like a Stranger would increase chances for either night.. Playing in the Band is my sleeper pick into Crazy Fingers.. And For Sure some point during the 3 nights,, The Weight will be played either as 2nd set opener or encore
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I was going to go with "Might As Well" but changed my mind because a) it would be weird to have the wrong guy singing, and b) it's really a JGB tune. Then I thought "Money, Money" but that would be too honest. ;-) They did that instrumental "He's Gone" to open the first Alpine Valley reunion show in '02 or so, which was very cool, but I figured they wouldn't pull that out again. "Let The Good Times Roll" is a possibility. "The Music Never Stopped" is also. But I went with "Feel Like A Stranger" which a few others have commented on. Fortunately, I got mine in at 6:00:01 PST, so I will start clearing space on my office wall. :-)
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...a lil birdy told me the Santa Clara soundcheck setlist from today's rehearsal & much like our beloved friend bolo24 about top secret GD releases, i've been sworn to secrecy...was hoping to share it with y'all... but the consequences could contain cataclysmic catastrophicness... definitely some surprises, for sure... ♤
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Just to chime in on Jim's earlier topic about box releases beyond 30 Trips, I really hope they give our wallets (a bit of) a break next year and go back to a three to five show box like the Winterland and Spring 77 boxes. Fall '73 is always at the top of my wish list but I really like Luis' idea from a few weeks back--a May '74 box. I suppose it wasn't really representative for the 50th but it's a great idea and Dave has said 5-19 will be probably be released at some point.
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I was a bit late getting mine in, so I went with a wildcard: Here Comes Sunshine.
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..I love Luis like the half brother I never met (but reserve the right when I go to Spain next year).. but I'm with you man, with one caveat. If its a '74 box, even a mini-box.. mhammond should design the box or at least get the street cred. The pop-up, fold out, open the box and the Wall of Sound pops up in 3-d Box is an off the top, out of the box idea, and I'm all in. So what if it barely breaks even. and I'm with you on the small box for 2016.. and beyond. These box sets are pushing back my retirement date (not that I'm complaining). ..and this old man is getting old. ..Luis.. are you out there? Edit: claney. Great guess.
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I was late sending my guess also so went with Sugar Magnolia in the hopes they might open with that and close the show (or set or run) with SSDD. Like the Bill Graham shows in '91.
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Victim or the Crime - to show they really mean business!
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10 years 2 months
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Too easy - NFA
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At 6pm Pacific Standard Time, I guessed Playing in the Band. Just could not see it any other way. Sam T
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Hell in a Bucket > Shakedown Hell in a Bucket > Sugaree The Music Never Stopped -- i think this one is good for Trey Feel Like a Stranger Truckin' > Smokestack Lightning , this was my pick. Viola Lee Blues Dancin in the Streets EDIT: SAMTHARDMAN ,, i think you have excellent chances with PITB,, going into Crazy Fingers or UJB
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15 years 1 month
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I too heard David L play the big jam on sirius xm on wednesday. One saving grace of the beautiful box i cant afford is that it does not include 2.15.73 or 6.24.73 so we still gotta shot. (Though the '74 Dijon UJB is worth at least $150). Every SBD of the Portland show that I've heard has a little cut in Eyes and a nasty one in the KYRider from set 1. I wonder if that's what has kept it from official release. Has anybody heard a board tape that doesn't have those jarring remnants of reality?
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12 years 2 months
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I just nabbed the 1973 Winterland box set on Ebay for $52.00 (shipping included)!! I'd say that's a pretty sweet deal.
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11 years 2 months
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great find, was that the final bid or a buy it now ?? the W73 bonus disc alone went for about $130 in a recent auction,, if somebody bought extras of a few binus discs then it would easily pay a hefty portion of the 30 Trips box if the right buyer is located.
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12 years 2 months
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It was a Buy It Now for $49.99 + $2.00 shipping. It's in great shape, but it doesn't include the bonus disc. But I still consider it to be a solid score.
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13 years 4 months
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Score is right.. Winterland '73 is essential.
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11 years 3 months
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i would have pounced on that deal. even though i own 2 already EDIT: Winterland 1973 almost got me arrested a few years ago when I bought it.. I was jammin out and maybe light up a few extra doobies because it was so good and I guess a neighbor called the police on me.. ahhaaha
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14 years 11 months
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So far, 53 entries, 23 different songs. 15 people entered right at 6:00 PM (9 different songs). The order in which the entries appear in my inbox determines who was first, second, etc. The winner may still be out there if the guys open with something really unexpected. Only 2 days 'til showtime - cheers!
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11 years 3 months
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Audio/video sets for pre-order. For those of you hoping for that,there ya go!:-)
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14 years 11 months
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But, if I had my way, they'd open with a rip-roaring, up-tempo St. Stephen/The Eleven for about 17 minutes, then take a couple minute break to allow folks to pick their faces up off the floor.
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13 years 9 months
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Jack Straw> Shakedown Street or vice versa!
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17 years 3 months
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... Day Job. Keep your day job So you can pay For all the releases Comin' your way
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11 years 3 months
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if i had my way, they would open with that also, and then... The Weight ; China > Rider > Playin > Supplication > Playin > UJB > Unbroken Chain : Masons Children > Cumberland Blues ; Casey Jones , ending the 1st set Close the show with a double encore, "Black Muddy River" Bruce Hornsby on vocals. "Liberty" as the 2nd encore. I saw these Other Ones shows a while back, but no rip-roaring St. Stephen/Eleven. == 7/12/1998 Polaris Amphitheatre Truckin > The Other One > Mystery Train, Loose Lucy, Loser, Bruce solo > Blackbird, Black Muddy River, Friend of the Devil, White-Wheeled Limousine, Estimated Prophet > Only the Strange Remain* > Samson and Delilah* > Drumz/Space > The Other One, China Doll > China Cat Sunflower > I Know You Rider *-with Jorma Kaukonen (Guitar/Vocals) (Furthur Festival; Hot Tuna and Rusted Root opened) == 8/31/2000 Schottenstein Center Jam > Hell in a Bucket, Ramble On Rose, Scarlet Begonias > Fire on the Mountain, GDTRFB, K.C. Moan@bw/mk/sk/aj/bh, Friend of the Devil@bw/mk/sk/aj/bh, The Way It Is > Franklin's Tower > Drumz/Jam > China Cat Sunflower > GDTRFB > I Know You Rider, Not Fade Away E: The Weight (Furthur 2000; Ziggy Marley and the Melody Makers opened) == 8/6/2003 Germain Amphitheatre I: Uncle John's Band > Hell in a Bucket > Only the Strange Remain > Big Boss Man*, Subterranean Homesick Blues*, You Win Again*, Dancing in the Streets > Cumberland Blues, Loose Lucy II: A Little Piece for You@ > Jam@ > Me and Bobby McGee@ > Jam > Night of 1000 Stars > Even So > Golden Road to Unlimited Devotion > Drums > Space > China Doll > Uncle John's Band (reprise) > Box of Rain E: Liberty *-with Bob Dylan (Keys/Vocals) (Bob Dylan opened)
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11 years 3 months
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I'm thinking this will be the run ender on the 5th. Final song
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17 years 5 months
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Since there's no 1974 Grateful Dead today, I thought I'd listen to a thing of the normal variety - save a couple at the end: Original Dixieland Jazz Band 6/25/18 King Oliver 6/25/23 Early Ellington 6/25/28 Roy Eldridge "Little Jazz" 6/25/35 Modern Jazz Quartet "Django" 6/25/53 Clifford Brown "The Beginning of the End" 6/25/56 Thelonious Monk "Monk's Music" 6/25/57 Dave Brubeck "Time Out" 6/25/59 Tina Brooks "True Blue" 6/25/60 Bill Evans "Village Vanguard" 6/25/61 Wes Montgomery "Full House" 6/25/62 Andrew Hill "Andrew!" 6/25/64 Lee Morgan "The Gigolo" 6/25/65 Wynton Kelly "Blues On Purpose" 6/25/65 Led zeppelin "How the West Was Won" 6/25/72 Grateful Dead Eugene 6/25/78 Todo Bien.
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12 years
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Jam>Playing In The Band
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