30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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admin

Joined:
March 9, 2007

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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October 4, 2015 - 8:32am

#3601

Born Cross Eye…

Joined:
August 25, 2008

2/21/95

I used to have this show on cd-r and the source, a soundboard, was good but not remarkable. The music was good, and probably one of the few whole shows of 1995 I really like. I recently streamed the remastered recording that's included in this box and WOW! this show really came alive. Looking forward to when I receive this box.It's my opinion that shipping notices emails may be sent out as early as Monday, October 5th. I have no idea when late will be, but somewhere, somehow, somebody and probably quite a few people will get this big parcel before they they get that shipping notice email. And that too is a bit of humor.
October 4, 2015 - 8:28am

#3602

dallanW

Joined:
January 1, 2011

Corrupted file

That is about my experience. Out of around 400 tracks two have been corrupted. The only real issue I had was that for the first time it happened (a a year or two back) they brushed me off and I still have an audience version inserted into that show where it gets to that track. I'm happy just to have a download option actually but gets a little hard listening to a new show and getting screeching static and skipping in our ear out of the blue. Either way enjoying most of it. However if it happens on the USB I may feel differently
October 4, 2015 - 8:21am

#3603

Nanno-1974

Joined:
March 31, 2014

1977

Thanks to those who entered the discussion regarding 1977 GD. There have been some good comments posted, which I generally agree with. The issue ultimately comes down to personal preference, and I certainly ain't going to mess with trying to influence the personal preference of anyone. I completely respect those that love 1977 GD, or any performing year for that matter. I agree, it is difficult to compare 1972-GD with 1977-GD, as these two eras are different on so many levels. The spacey improvisation (i.e. 1972-1974) I crave on a daily basis is simply not available in 1977 GD, therefore I haven't turned-on a show from 1977 (or 1976-1978) for quite some time. I know that a lot of Deadheads get off on 1977 GD, which is a wonderful thing. I love all eras of GD, but my personal addiction is the pre-hiatus sound, particularly the 1972-1974 era. I believe this era captures everything that the band is about. The degree of tightness in 1977 is very impressive, and I enjoy the sound of the era, but I usually require more adventure and space. Thank you especially for not making this a personal debate. The civil replies are very much appreciated. Please continue to comment, if so inclined. Perhaps I should turn on a show from May 1977... Thanks again.
October 4, 2015 - 8:14am

#3604

Born Cross Eye…

Joined:
August 25, 2008

My credit card expiration date

The credit card I use the most for online purchases expired September 2015, so I used another one for buying of this box. It expires April 2020, 4/20. If you see the humor here, that's good. If not, sorry too bad that you don't get the joke.
October 4, 2015 - 6:06am

#3605

simonrob

Joined:
June 7, 2007

Confused - Mojobrojo...

I am having difficulty understanding your recent post. In one sentence you say (quite correctly) that you thought it was supposed to be all about the music, but in the next sentence you suggest that it is really all about the number of bits per dollar, that 24 bits resolution rather than 16 bits resolution is a better deal. Indeed at 24 bits you get 50% more bits for your money, but really it is all about the music not the number of bits. Have you possibly been persuaded by the arguments that the number of bits and the frequency (96kHz/24-bit vs. 44.1kHz/16-bit) results in a higher quality listening experience?
October 4, 2015 - 5:58am

#3606

wjonjd

Joined:
January 24, 2011

1977

My opinion is that no, 1977 is not overrated; 1972 and 1977 are my two favorite years. It is true that they no longer reached the kinds of deep space after the hiatus that they had previously, and I won't argue that it was or was not because of the return of Mickey, because I don't know. However, I will point out that they DID reach very psychedelic deep space from 67 thru early 71. They had both drummers during all those years. Think Dark Star in 1969 and 1970, and many, many, other examples. Yes, these deep spaces were different than than later in '71, 72, 73, and 74, but wouldn't that be expected anyway? Unlike the two deviled beast prior to 2/71, the two deviled beast from 1976 onward either didn't, or could no longer, reach those same deep psychedelic spaces. I'm using psychedelic not in the sense the media does, but in the sense I think deadheads will understand - the kind of jams that just take your mind OUT there. However, before 2/71 they also had lots and lots of jamming of a different kinds. Think how they could jam for half an hour on Lovelight, blues based jamming that could get plenty weird, but often wasn't weird, just prime examples of group musical conversation. Viola Lee Blues is another example. Although The Other One frequently went into deep space, it just as often went into more structured jams, where they tore into it as a group mind. Well, I would say that 1977 was one of their ultimate peaks. Nanno, you refer to the "professionalism" of their sound, but I would say that many (most?) heads that revere 77 do so because of the outrageous emotional power they brought in 77. They were frequently having whole group mind "musical conversations" of an intensity unparalleled. These group excursions were no less group excursions just because they didn't go into deep psychedelic spaces. The jams in Mississippi, Sugaree, Let It Grow, The Other One, Truckin', Not Fade Away, Dew, Dancin' In The Street, Franklin's Tower, Scarlet-Fire, Playin', not to mention the ballads, had an emotional power that were psychic nuclear bombs, and group improvisation at its finest. Many feel their ability to reach the most emotionally intense musical peaks on a consistent basis reached its apex in 1977. I think that the 72-74 has my favorite deep space moments. 77 has my favorite emotionally powerful group playing. I'm thrilled I have both (and all the other years, too!) So, no, I don't think 77 is overrated. It's revered for different reasons than 72-74, but those reasons are still quintessentially Dead.
October 4, 2015 - 5:56am

#3607

mbarilla

Joined:
August 8, 2013

1972-74 vs 1977 nearly worlds apart, both nearly equal beasts

In the Europe 72 tour, Keith is a fairly new to the band,, but "Old Piano" player as joked during one of the AOM March 72' shows.. The Drugs consumed were different,, I'm guessing more LSD was dropped during 1972-74.. Compared to the thrill of new drugs encountered in 1976-77,, 72-74, The band was with 1 drummer, new songs emerge and for some part ,, was dropping some songs like Alligator,, maybe Keith didn't sound right on that one,, always wondered why that was dropped, even when Pigpen was still with them, the AOM or Europe 72 not played.. The tunes developed through time and some got stronger,, some weaker. Check out a "Tennessee Jed" from multiple eras,, 1971 maybe (Dave's Picks 3 = 10.22.71) , then a version from Europe 72,, then go to Wall of Sound maybe,, even use(Dave's Picks 9 - 5.14.74) Tennessee Jed.. and then compare to May 77 version and final stop is Spring 1978 at 5.17.78..
October 4, 2015 - 5:29am

#3608

JimInMD

Joined:
June 27, 2011

Blanton's and Hot Bird Songs?

I'm in. I just need to call in sick for work tomorrow in advance. I don't reach for bourbon often, but Blanton's is just about my favorite.
October 4, 2015 - 5:12am

#3609

mojobrojo

Joined:
November 29, 2013

STILL some of the USB Sets available-- weird!

The Hardbound Book and the Scroll and the golden 45 all seem like pretty cool extras but I thought it was supposed to be all about The Music! Besides taking up an inordinate amount of shelf space, why would ANYONE pay the same money for 44.1khz / 16-bit recordings of these 30 Shows when you could have 96kHz / 24-bit recordings for the same price? Nutty! I'm bummed that I have to wait a little longer for my USB version but it's gonna be GREAT when it finally arrives! And for the Folks who only bought this Set strictly as a Collector's Item, the run of 1000 USB Lightning Bolts are gonna be a lot rarer than the 5000 CD versions will ever be.....
October 4, 2015 - 2:25am

#3610

Alain

Joined:
June 8, 2007

@ Nanno-1974

I feel things like you. I think it's the return of the second drummer who made the big difference between the freedom of improvisation before the hiatus (freedom which allowed the music often explore unknown territories and galaxies) and jams more orderly and wiser from 1976.The debate is as old as the Grateful Dead are. Personally, I do not judge, I like the Grateful Dead in all its aspects. But my heart and my mind go first to the period before 1975. And when the GD had only one drummer, music seems to have breathed me more fully, more freely, more boldly. All this is of course personal taste.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

Vocals

Can someone please tell me why in gods name Phil is singing lead vocals??? Why won't they let trey sing? This was my biggest fear....

DS

That was the most subdued dark star I've heard, have only heard pre-95 before but that was weak

Good call....

....going with Trey. He's getting it done!! Impressive.

DS

Just FYI, Jeffeis' comment was made less than halfway thru DS. They made a pause and launched into a nice jam followed by the second verse and then a segue into St. Stephen

Nice Celebration

Man I don't want to be a downer and I truly appreciate this last hurrah, very positive show but let's face it when its dark star into st stephen just to keep pace, the vista cruiser has long been retired. So many beyond description performances by this band, this show is a great reminder / remembrance, guess I'll leave it at that - and that too is truly special, dont mean to diminish but this bands legacy casts an impossible shadow...

Lovelight -> Drumz....

....and people are bitching?!

continued....

...space -> What's Become of The Baby

onward..

...The other one followed by Morning Dew

Casey Jones....

....at the stroke of midnight. Bravo!!

The End

Thank you and GOOD night!

Setlist 6/27

Truckin>UJB>Alligator>Cumberland>born cross eyed>Cream puff war>viola lee blues Set 2 Crypt>dark star>st Stephen>the eleven> Love light>drums>space> what's become of the baby> Space>the other ones>morning dew> Casey jones... And this isn't part of the package for sale because?!

Wow !! Setlist craziness

I still need to hear the show,, hopefully Sirius has it going today,, Anybody have any favorite highlights ? The pictures on Instagram from Santa Clara looked pretty cool and hopefully all had a mighty fine time. Tonight the Sunday show could be pretty heavy on tunes from 1971-1972.. And some from 1970, like Dark Hollow I'm thinking tonight will be songs like Greatest Story Ever Told Jack Straw Black Throated Wind And for Sure has to Have a crunchy - Not Fade Away > GDTRFB > NFA - as part of big second jam EDIT : Check out the pics of the massive Rainbow hanging over the Levi Stadium,, Captain Trips was definitely somewhere over the rainbow

reading some of the reviews

Last night was listening to a FOB 08/06/1971 - great, great energy... has this ever had an official release? Phil singing huh? he could be rough on his best day, back when... i prefer the music from the past, and NOT just for the Dead, really doesn't matter, for me it is like an athlete - at some point you just aren't as good, I think anyway - like being on the seniors tour? I get AARP stuff so i am there too :)

@owlshead re: live releases of 8/6/71

Per deaddisc.com: Aug 6, 1971 1 live song Fallout From The Phil Zone, Grateful Dead, 1997 Aug 6, 1971 5 live songs Road Trips: Vol 1, No 3: Summer 1971, Bonus CD, Grateful Dead, 2008 Aug 6, 1971 7 live songs Dick's Picks, Vol. 35, Grateful Dead, 2005 P.S. re: The Dead show, I stayed up late enough to learn about the opener. So glad folks had fun! Have a grate summer all.

owlshead, if you like 8.6.71

go down the road about a week later,, Berkeley Community Theater August 14-15, 1971. Very nice and similar to the two nights at the Hollywood Palladium.

Re: Bolo24 Contest

I should have just guessed Loser instead of Feel Like a Stranger. lol

So cool

I watched it in my living room so not quite the concert experience but man how often do we get to see the guys play some true "live/dead" era stuff--definitely not what I was expecting but really a fun time! Early 70s theme tonight?? American beauty/workingmans dead? Can't wait to see. To all the people complaining, please remember that it's not 1977 anymore. These guys are in their 70s and still rocking out. Open your mind a little and be grateful for what we have. Have fun to all the folks going/watching/listening tonight!

owlshead

Great analogy - Tiger Woods comes to mind.

Anybody else guess Truckin' and enter at start time 6:00pm ?

Any guesses on tonights opener and closer? I had a good feeling Casey Jones would close a set last night and sure enough it was the encore. Somebody posted they opened with a Smokestack tease. I thought for sure it would be Truckin' then a Smokestack.. Any guesses for tonight set openers and closers.. I think tonight will close with Brokedown Palace.. Opener is a tough call,, I would say Promised Land for opener but I think they wanna open with a longer barn burner,, So most likely Dancin in the Streets as tonight opener

My guess...

Good Times at 6:00. Boy was I way off. That was one killer setlist.

Santa Clara webcast

What an interesting experience, my first live stream and it went well even though it was a laptop on wifi with some PC speakers. Total lack of preshow banter and the set break was like a screensaver that got beat quickly, I would have preferred the soundboard camera shot like they had before the show began. Yes, I'm a picky Deadhead, but this was okay, which is one of my higher post Jerry ratings ;) The fact I can take the webcast on tour to visit friends and rewatch with them through July makes it even more appealing and I'm seriously thinking about going for the Chicago webcasts and taking them on the road in July to visit some old tour buddies. Going to be hard to beat that setlist though, even if they keep up the chronological theme, it's all downhill from here as far as my tastes go. That's what keeps me from pulling the trigger on the Chicago ones, it's going to be hard to match Live Dead AND What's Become of the Baby.

6/28 opener...

Bertha

Last night

Great set list, but they really could have rehearsed more. The whole Live Dead segment was shakey, and I thought they didn't really get it together until Morning Dew and Casey Jones.The drummers were solid, keyboards were low-key all night; Phil, Bob and Trey appeared lost at times. Hope things improve tonight.

Cream Puff War

Cream Puff War was the best tune of the night! Phil needs to turn more vocals over to Trey. My one takeaway from last night would be to shorten the jams-they were too aimless and none seemed to really go anywhere. No need to jam for the sake of jamming.

6/27/15

The band sounds good!!! Some nice footage on youtube

Last night...

Sounded like practice to me.

PLEASE a little Help

A little shakey on this online streaming business...Have the House to myself and would like to see the show. What is the easiest way and How?? I have an ipad, a BLU RAY and one Desktop computer. Would like to watch on the big TV though.Any Possibilities here?? I appreciate the Help!!

kevinbrandon

Assuming you have an HDMI port on your TV, and a Wi-Fi network in your home, the easiest way would probably be with Chromecast or Roku or the like. Edit to add links to info: http://www.dead50.net/watch-listen/ http://www.dead50.net/youtube-supported-devices/

Question....

....purchased the first Santa Clara show through youtube. How can I replay it?

God Bless Chris Squire

Gone too soon

Re.: Webcast questions

Vguy- I have been unable to replay on Youtube, either. It just says the live broadcast is over with a frowny face. Kevinbrandon- based on the three devices you mention, your desktop computer is the best option. Note: by ordering on youtube, you can only watch on the device with which you place the order. You have to have a youtube account or google account. After purchasing, you will get an email confirmation with a hotlink in the email to access the broadcast. Depending on what audio and video outputs your computer has, you can pipe the audio to a big audio system and the video to a larger screen. The webcast is in stereo, the video is HD 720p. Hope this helps.

"Name That Song" contest

Some of you may be interested in the 1st night results. Truckin' was correctly guessed by 5 people: TheeAmazingAce333, WhenInRome, Wadeocu, Strider88 and Mbarilla. The last two folks both sent in their entries right at 6:00. The first one to show up in my inbox was....(cue dramatic music, cut to commercial). OK, we're back. The first one to show up in my inbox was....(drumroll)...Strider88! Come on down! (Actually, just send me a PM with your address so I can ship your prize) Congrats! I'll use the same entries for tonight's opener. Good luck to all!

YouTube....

....one time only. Figured it out....oh well. Guess I could always buy it later. Probably not though....

First song breakdown

For those who may be curious, here's how the guesses went: 6 entries: Feel Like A Stranger, Promised Land, The Music Never Stopped 5 entries: Golden Road, Jack Straw, Truckin' 4 entries: Bertha, Hell In A Bucket 3 entries: Help On The Way, Here Comes Sunshine, Viola Lee Blues 2 entries: Playin' In The Band, Shakedown Street 1 entry: Box Of Rain, Cassidy, Caution, Cold Rain And Snow, Dancin' In The Streets, Estimated Prophet, Gimme Some Lovin', GM Little Schoolgirl, Half-Step, Iko Iko, Early Morning Rain, Let The Good Times Roll, Minglewood, Not Fade Away, Saturday Night, Passenger, Sugar Magnolia, Wheel, Uncle John's Band. And a special gold star to whoever mentioned "What's Become of the Baby" - never thought I'd hear that one played! Cheers!

Trey Can't Sing The Blues... 6/27

And Phil can't sing. The whole first set was a struggle. Interesting that the whole show was tunes from 1970 and prior. Will all the setlists be such segmented time slices? Will they repeat anything between cities? Phil's only strong vocals were on Whats become of the baby. Trey Can't Sing the Blues, but OH MAN he sure came through in the second set!! I streamed it, and enjoyed all the great camera work on Mickey. Bruce's vox and piano should have been louder, and Trey should only try singing when he feels sincere. so I had mixed feelings. I would have felt ripped off if I had trecked out there and sweated through that weak first set.

stream

This has probably already been mentioned here but if you buy the stream through MLB then you have 30 days to watch it. YouTube is only 24 hours. http://mlb.mlb.com/concert/dead50/

Santa clara

Consensus from this board not very positive. I saw one say " could have been worse". I thought it sounded real good and thought the band was solid. I was in atom with some other people so wasn't watching as close as others. Wished Phil would not sing solo and that Hornsby was more prominent but all in all ... It very much exceeded my expectations.

I SO WISH I COULD HAVE BEEN THERE

I CANT STAND ALL THE NAY SAYERS ON HOW THE BAND PLAYED SOUNDED OR ANY THING NEGATIVE !!!! Phil's 70 something and Bob's younger but still a senior citizen thank the Good lord they even played live at all. Not a day goes by that I don't miss Jerry or my Father or both there both gone way , way too young so to all that negativity shut it ,cause I wish to God I could go And see the Boys Just one more time

I was at the show last night.

I was at the show last night. All I can say is wow! Sure during the first few songs we saw them having problems connect at times... But it just got better and better. I agree with the "Phil needs to sing less" comments but not with the comments that the jams were too long and aimless. You can look at a setlist or watch a webcast... But being there was incredible. Trey fit in very well and did so without just trying to mimic Jerry. His style was still very present... But he was playing the notes that jerry would have played. In the next four shows, these guys are going to get better and better and there will be many faces melted in the process...

Like a wave upon the sand

"Home in Missoula,Home in Truckee, Home in Opelousas, Ain't no home for me. Home in old Medora, Home in Wounded Knee, Home in Ogallala, Home I'll never be." Sal Paradise

Face Melting

I have no doubt that will be true. The so-called "consensus" isn't. I, for one, will be watching tonight. Seventeen minutes 'till showtime!

Whats up people!

Just checking in! watching tonights webcast! Looking forward to it! RIP Chris Squire...a great underrated bassist! He will be missed! Take care folks!

Cumberland blues

Did anyone else catch the frustration by bobby and phil for the song perhaps not starting on time, Watch for phil and bobs reaction, around 32:00-33:00 into the first set..maybe it's just me, but interesting nonetheless https://m.youtube.com/watch?v=LTUA46DyiIk

Pleassssssssse!!!!

For the love of Christ!!! Let trey sing!!!!! Not even row jimmy??? Cmon

Fun but not inspiring

No condemnation here- just joining the dialogue. Just watched the first set video someone generously posted on youtube. The band was fun, and definitely more dynamic than the bulk of the Dead's shows post '90, but I wasn't inspired by it. It sounded more or less like every other post-Jerry incarnation of the Dead/Further/ whatever. Actually of all the incarnations I've heard, I thought that late Furthur with Kadlicek has been the best, and has risen a bit above the others. Still, although the guys are reasonably tight and musical, the music's lost the subtleties, grandeur, rawness, lyrical density, and unpredictability of the Dead in the 60's, 70s, and parts of the 80s. Also- again, I'm not 'hatin,' as they say- I've always felt Hornsby is too polished and polite for the Dead, though he helped to save their ass when Vince was around. Plus- with two drummers AND two keyboard players, the music's developed this crowded ensemble feel. Trey- he's fine, as guitarists go, but I'm surprised that people are so wowed by him- his playing here doesn't sound particularly distinctive or seem to advance the music. Just the first night, though- maybe a strengthening is in store. Am not saying that no new guitarist could bring some magic back to the band, but so far he hasn't been found for these shows.

Decided to bow out....

....on purchasing tonight's show. Sorry Phil, but you can't sing. One Hornsby lead last night? Really? Unfortunately, I think it's an ego thing with Lesh. Stick to the bass.....please. Bruce should sing most every Garcia tune, with some Anastasio sprinkled in....no brainer imo....

Sorry....meant to be a

Sorry....meant to be a private post.

Thanks 4ever8ful!

Thanks for posting the first set. Loved it!!!

First set

Your welcome , glad you enjoyed it :-)

6/28 setlist (Night 2)

Set One: Feel Like a Stranger > Brown-Eyed Women > Loose Lucy > Loser > Row Jimmy > Alabama Getaway > Black Peter > Hell In A Bucket Set Two: Mississippi Half-Step > Wharf Rat > Eyes of the World > He’s Gone > Drums > Space > I Need A Miracle > Death Have No Mercy How was it from anyone who watched/was there?

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