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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • 4evergr8ful
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    1970 04-15
    Been listening to the winterland 1970 show featured on this box and must say Am Really digging it..having listened to most dead post 77", it's as if I'mHearing the band for The first time again..can anyone else reccomend any really Good early 70s shows, perhaps some that really stand out, say 70 or 71? Would appreciate it thanks
  • Vguy72
    Joined:
    Hey keithfan....
    ....glad I could oblige. BTW, do any of you experience a delay in getting pm's? I usually get mine a week after they were sent to me....
  • LoveJerry
    Joined:
    Complete Recordings - Great Prices
    I got a copy of Dick's Picks 30 at a great price after someone here mentioned seeing them online, so I thought I would return the favor to people who may be in need. Here are three great prices on box sets. Winterland June 1977: Complete Recordings $299. All others are in the $600 range. http://www.ebay.com/itm/Grateful-Dead-Winterland-June-1977-HDCD-Box-Set… Europe 72 with trunk $377 http://www.ebay.com/itm/Grateful-Dead-Europe-72-complete-recordings-non… Winterland 1973 Complete Recordings $120 http://www.ebay.com/itm/Grateful-Dead-Winterland-1973-Complete-Recordin…
  • kilauea
    Joined:
    Stoked about 30 Trips
    I'm stoked to get my ears around 30 Trips Around The Sun. Love the idea of a show per year. I usually reside somewhere between 1968-78 with 72-74 as my favorite period. I love the improvisational monster jams focused around The Other One, Dark Star, Playin', Eyes, Weather Report not to mention the primal Live Dead jams. Love a good Scarlet-Fire and the Blues For Allah material live is always a hoot. That being said my 80's-90's ventures are usually 80-81' and 89'. I have The Warlocks and love it but skipped out on Spring 90' boxes... but figure I'll get to those soon enough. So I'm looking forward to diving into these 80'-90's shows in 30 Trips, and heck, maybe I'll see what I've been missing. I'm particularly pumped about 67' Shrine, 68' Greek, 69' Dream Bowl, 72' Waterbury, and 73' San Diego among others. I mean what other band releases so much great quality sounding live music for there fans? The quality of the Grateful Dead live archival releases over the past 20 years is completely unparalleled. Perhaps only the box sets and live releases of Miles Davis even comes close and that's fairly distant at best. If Pink Floyd released only a smidgeon of quality live shows from the 70's I'd be super stoked but so far just the Wembley 74' stuff. Frank Zappa releases quite a lot of live material when he was alive and the vault releases have been great but no one compares to the Dead releases. And I'm grateful for it. It's like Christmas every few months when a Dave's Picks arrives or Road Trips before that. Europe 72' is my favorite box followed by Winterland 73'. Like I said I'll get to Spring 90' in due time. So keep us guessing and keep em' coming!
  • KeithFan2112
    Joined:
    Vguy72 / Road Trips '73
    Good call, I put this on at your recommendation. Four words - Holy psychedelic pianos Batman. Wow, just dozed off at work and woke up to Wharf Rat. gotta love cubicles.
  • KeithFan2112
    Joined:
    80sFan 11/4/77
    I checked out a couple of tunes from your link. Definitely a respectable version, and I like that you can hear all of the audience enthusiasm at various points (i.e. clapping on Bertha, cheering after the Brown-Eyed Women solo, which incidentally, is one of the best live versions ever in terms of Jerry's guitar solo). The instruments are definitely louder in the official version, particularly Keith's keyboard work and the drums; these two "mix factors" contribute heavily to the aggressive "rock" feel of the 11/4 show, as experienced in the official version. But yeah, it's always a good idea to own another show featuring the late great Keith Godchaux ;-) PM your address if you want and I'll send it to you.
  • JimInMD
    Joined:
    Re: Keithfan and Bliss
    Yes, KF, there are certainly noticeable differences in sound that are more than the mix itself. What a fabulous collection of venues on that tour, that's the difference. When I travel abroad.. Instead of being a typical nerdy tourist and hitting hard rock cafe's or whatever.. I usually try to pick a theme.. like lets hit all the big castles in Germany or hey, lets hit all the churches where they off'd people in the Angels & Demons movie in Italy.. so my big not so eminent Europe trip will hit all the theatre's they played at. Check them out, great history and some terrific venues. That's what's contributing to the rich sound and variations from night to night. Places like the Concertgebouw and the like. There's a wealth of information on the acoustics of these venues. You may have come to the party late, but you did your homework. Bliss.. one of the ways I cycle through a lot music is on road bike rides and kayaking. Lots of fun and you get a workout to boot. I think you get the big picture this way, overall vibe of the show and jams. You also get a nice progression of growth through a tour/year/decade that way. You do miss minute details like best version of a song on a tour which KF seems to specialize in.. anyway, you are not alone in listening habits.
  • 80sfan
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    Joined:
    currently listening to...
    The AUD of 11/4/77 https://archive.org/details/gd77-11-04.moore.jupile-weiner.15208.sbeok… Curious how it stacks up against DP12? I'm really into this version so i'm feeling (slightly) better about having been shut out of the official release!
  • bliss
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    Joined:
    listening to the band
    Keith-Fan, Your post raises the question of how we go about enjoying this abundance of officially released riches. I listen to a show per day, usually in the background while working. A lot just sort of floats over me this way and I'm often unable to get a "best version" sort of feel, but do get to enjoy the overall sonics of a show. i'll be working away with the music drifiting over me and suddenly tune in and think, "whoa - how the hell did they get out here" ... Work-related listening has been random years/tours as the mood strikes. I have no favorite era. Everything offers something different and worthwhile depending on the mood. I listen to a lot of other music (funk, jazz, soul, rock from all eras), so it's not like I can engage in the deadicated listening a lot of these Dead shows deserve. (seeing RUSH twice next week - and am on a huge related listening kick in preparation -- seeing them is very much a cult-band family reunion kind of phenomenon not unlike the vibe at a Dead show - just a lot nerdier and less trippy). With the 30 Trips Box, I'm going to listen to a show per day on headphones while cycling. Chronologically. After, I'm going to listen to everything I have (pretty much all official releases) in chronological order the same way, ideally while riding and skiing. This is a wonderful way to consume release, as the music evolves and changes organically, in terms of both the playing and song choices. I've managed to do this once in the past, and it took the better part of a year. Psyched to do it again. Long live the Dead.
  • KeithFan2112
    Joined:
    From Version to Version
    It's only since I lost myself in the Grateful Dead Narnia that I've started to appreciate listening to the entire show. I came late to the Dead picnic, and while I saw them a couple of times before Jerry died, I didn't get "into" them until years later. With other bands (The Who, Yes, Rush), I would take the best live versions of songs and make a playlist. It seemed the prudent thing to do since there were only a few live versions of any particular song. The Dead is a different beast altogether, so it took some time to appreciate what they're up to from gig to gig, and clearly cherry picking the best versions is an impossible endeavor, as I end up with nothing on the cutting room floor. That being said, old habits die hard, and there's always a mental comparison going on in my head, hence the post about MSHSU Toodeleedoo. There's no doubt 9/3/77 is the best version for the jam, but not necessarily the bridge to Rio Grandio. And so it goes, there are many "best" versions. Muleskinner, check out Sugar Magnolia from 4/24 - this is thee version of thee song that pulled me in, never to return. I was at a home poker game when my buddy put on Rockin' The Rhein, and immediately caught the fever. 5/18 is close, despite a rare vocal flub where Bob Weir seems to forget he's onstage performing with the Grateful Dead. It's not that there's anything wrong with the 20 other versions from E72, it's just the perfect storm of nuances that come together on 4/24 (the guitars are mixed so smoothly for maximum "groove" effect, the piano is present, the solo is smooth and sweet, the drum fill at the....drum fill part is perfect, the blossoms are blooming, etc). Also wondering if anyone has noticed some of the subtle differences in overall sound from show to show on E72? For example, 4/24 seems to have more reverb than other dates (I don't know if reverb is the right word - it's an echo-like quality I catch on this one - a good thing to my ears); Amsterdam 5/10 also seems to have this quality. 4/11 and 4/29 seem to have a tad less fidelity and more tape hiss than other dates - not a big deal, I just turn the treble up a little bit. 4/26 has magnificent sound and low tape hiss, but Pigpen's organ is a bit lower than other dates (not sure how the fact that it was mixed for Hundred Year Hall plays into this). Heck even the comparison between Steppin' Out versions of the same tunes demonstrates significant differences in the mixing (for example crisper snare drum, compare 5/24 Cold Rain & Snow, or higher piano levels on some songs - check out 4/11 Brokedown Palace). Anyway, I spend waaaay too much time listening to this stuff, but I did earn a PhD in Europe '72, so it wasn't without merit.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Can someone please tell me why in gods name Phil is singing lead vocals??? Why won't they let trey sing? This was my biggest fear....
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12 years 1 month
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That was the most subdued dark star I've heard, have only heard pre-95 before but that was weak
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17 years 4 months
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....going with Trey. He's getting it done!! Impressive.
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17 years 3 months
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Just FYI, Jeffeis' comment was made less than halfway thru DS. They made a pause and launched into a nice jam followed by the second verse and then a segue into St. Stephen
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Man I don't want to be a downer and I truly appreciate this last hurrah, very positive show but let's face it when its dark star into st stephen just to keep pace, the vista cruiser has long been retired. So many beyond description performances by this band, this show is a great reminder / remembrance, guess I'll leave it at that - and that too is truly special, dont mean to diminish but this bands legacy casts an impossible shadow...
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...space -> What's Become of The Baby
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17 years 3 months
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...The other one followed by Morning Dew
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17 years 4 months
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....at the stroke of midnight. Bravo!!
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17 years 3 months
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Thank you and GOOD night!
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15 years 2 months
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Truckin>UJB>Alligator>Cumberland>born cross eyed>Cream puff war>viola lee blues Set 2 Crypt>dark star>st Stephen>the eleven> Love light>drums>space> what's become of the baby> Space>the other ones>morning dew> Casey jones... And this isn't part of the package for sale because?!
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I still need to hear the show,, hopefully Sirius has it going today,, Anybody have any favorite highlights ? The pictures on Instagram from Santa Clara looked pretty cool and hopefully all had a mighty fine time. Tonight the Sunday show could be pretty heavy on tunes from 1971-1972.. And some from 1970, like Dark Hollow I'm thinking tonight will be songs like Greatest Story Ever Told Jack Straw Black Throated Wind And for Sure has to Have a crunchy - Not Fade Away > GDTRFB > NFA - as part of big second jam EDIT : Check out the pics of the massive Rainbow hanging over the Levi Stadium,, Captain Trips was definitely somewhere over the rainbow
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10 years 9 months
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Last night was listening to a FOB 08/06/1971 - great, great energy... has this ever had an official release? Phil singing huh? he could be rough on his best day, back when... i prefer the music from the past, and NOT just for the Dead, really doesn't matter, for me it is like an athlete - at some point you just aren't as good, I think anyway - like being on the seniors tour? I get AARP stuff so i am there too :)
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Per deaddisc.com: Aug 6, 1971 1 live song Fallout From The Phil Zone, Grateful Dead, 1997 Aug 6, 1971 5 live songs Road Trips: Vol 1, No 3: Summer 1971, Bonus CD, Grateful Dead, 2008 Aug 6, 1971 7 live songs Dick's Picks, Vol. 35, Grateful Dead, 2005 P.S. re: The Dead show, I stayed up late enough to learn about the opener. So glad folks had fun! Have a grate summer all.
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11 years 3 months
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go down the road about a week later,, Berkeley Community Theater August 14-15, 1971. Very nice and similar to the two nights at the Hollywood Palladium.
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14 years 4 months
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I should have just guessed Loser instead of Feel Like a Stranger. lol
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9 years 7 months
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I watched it in my living room so not quite the concert experience but man how often do we get to see the guys play some true "live/dead" era stuff--definitely not what I was expecting but really a fun time! Early 70s theme tonight?? American beauty/workingmans dead? Can't wait to see. To all the people complaining, please remember that it's not 1977 anymore. These guys are in their 70s and still rocking out. Open your mind a little and be grateful for what we have. Have fun to all the folks going/watching/listening tonight!
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17 years 5 months
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Great analogy - Tiger Woods comes to mind.
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11 years 3 months
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Any guesses on tonights opener and closer? I had a good feeling Casey Jones would close a set last night and sure enough it was the encore. Somebody posted they opened with a Smokestack tease. I thought for sure it would be Truckin' then a Smokestack.. Any guesses for tonight set openers and closers.. I think tonight will close with Brokedown Palace.. Opener is a tough call,, I would say Promised Land for opener but I think they wanna open with a longer barn burner,, So most likely Dancin in the Streets as tonight opener
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15 years 3 months
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Good Times at 6:00. Boy was I way off. That was one killer setlist.
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9 years 5 months
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What an interesting experience, my first live stream and it went well even though it was a laptop on wifi with some PC speakers. Total lack of preshow banter and the set break was like a screensaver that got beat quickly, I would have preferred the soundboard camera shot like they had before the show began. Yes, I'm a picky Deadhead, but this was okay, which is one of my higher post Jerry ratings ;) The fact I can take the webcast on tour to visit friends and rewatch with them through July makes it even more appealing and I'm seriously thinking about going for the Chicago webcasts and taking them on the road in July to visit some old tour buddies. Going to be hard to beat that setlist though, even if they keep up the chronological theme, it's all downhill from here as far as my tastes go. That's what keeps me from pulling the trigger on the Chicago ones, it's going to be hard to match Live Dead AND What's Become of the Baby.
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15 years 2 months
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Great set list, but they really could have rehearsed more. The whole Live Dead segment was shakey, and I thought they didn't really get it together until Morning Dew and Casey Jones.The drummers were solid, keyboards were low-key all night; Phil, Bob and Trey appeared lost at times. Hope things improve tonight.
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15 years 6 months
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Cream Puff War was the best tune of the night! Phil needs to turn more vocals over to Trey. My one takeaway from last night would be to shorten the jams-they were too aimless and none seemed to really go anywhere. No need to jam for the sake of jamming.
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12 years
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The band sounds good!!! Some nice footage on youtube
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16 years 1 month
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Sounded like practice to me.
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13 years 9 months
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A little shakey on this online streaming business...Have the House to myself and would like to see the show. What is the easiest way and How?? I have an ipad, a BLU RAY and one Desktop computer. Would like to watch on the big TV though.Any Possibilities here?? I appreciate the Help!!
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17 years 4 months
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....purchased the first Santa Clara show through youtube. How can I replay it?
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17 years 3 months
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Vguy- I have been unable to replay on Youtube, either. It just says the live broadcast is over with a frowny face. Kevinbrandon- based on the three devices you mention, your desktop computer is the best option. Note: by ordering on youtube, you can only watch on the device with which you place the order. You have to have a youtube account or google account. After purchasing, you will get an email confirmation with a hotlink in the email to access the broadcast. Depending on what audio and video outputs your computer has, you can pipe the audio to a big audio system and the video to a larger screen. The webcast is in stereo, the video is HD 720p. Hope this helps.
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14 years 11 months
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Some of you may be interested in the 1st night results. Truckin' was correctly guessed by 5 people: TheeAmazingAce333, WhenInRome, Wadeocu, Strider88 and Mbarilla. The last two folks both sent in their entries right at 6:00. The first one to show up in my inbox was....(cue dramatic music, cut to commercial). OK, we're back. The first one to show up in my inbox was....(drumroll)...Strider88! Come on down! (Actually, just send me a PM with your address so I can ship your prize) Congrats! I'll use the same entries for tonight's opener. Good luck to all!
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17 years 4 months
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....one time only. Figured it out....oh well. Guess I could always buy it later. Probably not though....
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For those who may be curious, here's how the guesses went: 6 entries: Feel Like A Stranger, Promised Land, The Music Never Stopped 5 entries: Golden Road, Jack Straw, Truckin' 4 entries: Bertha, Hell In A Bucket 3 entries: Help On The Way, Here Comes Sunshine, Viola Lee Blues 2 entries: Playin' In The Band, Shakedown Street 1 entry: Box Of Rain, Cassidy, Caution, Cold Rain And Snow, Dancin' In The Streets, Estimated Prophet, Gimme Some Lovin', GM Little Schoolgirl, Half-Step, Iko Iko, Early Morning Rain, Let The Good Times Roll, Minglewood, Not Fade Away, Saturday Night, Passenger, Sugar Magnolia, Wheel, Uncle John's Band. And a special gold star to whoever mentioned "What's Become of the Baby" - never thought I'd hear that one played! Cheers!
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And Phil can't sing. The whole first set was a struggle. Interesting that the whole show was tunes from 1970 and prior. Will all the setlists be such segmented time slices? Will they repeat anything between cities? Phil's only strong vocals were on Whats become of the baby. Trey Can't Sing the Blues, but OH MAN he sure came through in the second set!! I streamed it, and enjoyed all the great camera work on Mickey. Bruce's vox and piano should have been louder, and Trey should only try singing when he feels sincere. so I had mixed feelings. I would have felt ripped off if I had trecked out there and sweated through that weak first set.
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This has probably already been mentioned here but if you buy the stream through MLB then you have 30 days to watch it. YouTube is only 24 hours. http://mlb.mlb.com/concert/dead50/
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Consensus from this board not very positive. I saw one say " could have been worse". I thought it sounded real good and thought the band was solid. I was in atom with some other people so wasn't watching as close as others. Wished Phil would not sing solo and that Hornsby was more prominent but all in all ... It very much exceeded my expectations.
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I CANT STAND ALL THE NAY SAYERS ON HOW THE BAND PLAYED SOUNDED OR ANY THING NEGATIVE !!!! Phil's 70 something and Bob's younger but still a senior citizen thank the Good lord they even played live at all. Not a day goes by that I don't miss Jerry or my Father or both there both gone way , way too young so to all that negativity shut it ,cause I wish to God I could go And see the Boys Just one more time
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9 years 8 months
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I was at the show last night. All I can say is wow! Sure during the first few songs we saw them having problems connect at times... But it just got better and better. I agree with the "Phil needs to sing less" comments but not with the comments that the jams were too long and aimless. You can look at a setlist or watch a webcast... But being there was incredible. Trey fit in very well and did so without just trying to mimic Jerry. His style was still very present... But he was playing the notes that jerry would have played. In the next four shows, these guys are going to get better and better and there will be many faces melted in the process...
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"Home in Missoula,Home in Truckee, Home in Opelousas, Ain't no home for me. Home in old Medora, Home in Wounded Knee, Home in Ogallala, Home I'll never be." Sal Paradise
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I have no doubt that will be true. The so-called "consensus" isn't. I, for one, will be watching tonight. Seventeen minutes 'till showtime!
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12 years 11 months
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Just checking in! watching tonights webcast! Looking forward to it! RIP Chris Squire...a great underrated bassist! He will be missed! Take care folks!
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15 years 2 months
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Did anyone else catch the frustration by bobby and phil for the song perhaps not starting on time, Watch for phil and bobs reaction, around 32:00-33:00 into the first set..maybe it's just me, but interesting nonetheless https://m.youtube.com/watch?v=LTUA46DyiIk
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10 years 6 months
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For the love of Christ!!! Let trey sing!!!!! Not even row jimmy??? Cmon
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11 years 3 months
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No condemnation here- just joining the dialogue. Just watched the first set video someone generously posted on youtube. The band was fun, and definitely more dynamic than the bulk of the Dead's shows post '90, but I wasn't inspired by it. It sounded more or less like every other post-Jerry incarnation of the Dead/Further/ whatever. Actually of all the incarnations I've heard, I thought that late Furthur with Kadlicek has been the best, and has risen a bit above the others. Still, although the guys are reasonably tight and musical, the music's lost the subtleties, grandeur, rawness, lyrical density, and unpredictability of the Dead in the 60's, 70s, and parts of the 80s. Also- again, I'm not 'hatin,' as they say- I've always felt Hornsby is too polished and polite for the Dead, though he helped to save their ass when Vince was around. Plus- with two drummers AND two keyboard players, the music's developed this crowded ensemble feel. Trey- he's fine, as guitarists go, but I'm surprised that people are so wowed by him- his playing here doesn't sound particularly distinctive or seem to advance the music. Just the first night, though- maybe a strengthening is in store. Am not saying that no new guitarist could bring some magic back to the band, but so far he hasn't been found for these shows.
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17 years 4 months
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....on purchasing tonight's show. Sorry Phil, but you can't sing. One Hornsby lead last night? Really? Unfortunately, I think it's an ego thing with Lesh. Stick to the bass.....please. Bruce should sing most every Garcia tune, with some Anastasio sprinkled in....no brainer imo....
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15 years 10 months
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Thanks for posting the first set. Loved it!!!
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15 years 2 months
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Your welcome , glad you enjoyed it :-)
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15 years 2 months
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Set One: Feel Like a Stranger > Brown-Eyed Women > Loose Lucy > Loser > Row Jimmy > Alabama Getaway > Black Peter > Hell In A Bucket Set Two: Mississippi Half-Step > Wharf Rat > Eyes of the World > He’s Gone > Drums > Space > I Need A Miracle > Death Have No Mercy How was it from anyone who watched/was there?
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