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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • #6901
    MinasMorgul
    Joined:
    1795 Box Sets Left
    I can put 1795 units in my cart but not 1796. I'm thinking this is going to be a stretch for them to sell off the rest. Presumably, all of the die-hards have ordered theirs already, so a $750 box set now has to be sold to 1795 casual fans. I'm not so sure that's going to happen before the Shipping date. What is going to piss me off is if they reduce the price in an effort to sell the remainders. I can't imagine the turmoil that would create on this forum. Nah, they wouldn't do that....would they? Probably not until after 9/18 (otherwise everyone would cancel their order, right?) I wonder how many of the sales are illegitimate, due to that computer glitch last week. Let's see, even at 4705 units sold, that means they've earned $3,293,500 (th-that's 3 million son). Just ship this shit already, I need a fix. I'm pissed there are no Help on the Way / Slipknot! / Franklin's Towers in any of the 70s setlists. What a jip. And not one show from the month of January, August, or December! Way too many other months represented in this set, but we January, August, and December lovers have to go f@#k ourselves. And if you count Dave's Picks, the January / August drought continues - so we can go double-f@#k ourselves. If you go back as far as Road Trips, there are still no January releases, so we January lovers are given the proverbial triple-go-f@#k ourselves. Make that a quadruple - Dick's Picks features nothing from January either - DID THIS BAND EVEN PLAY IN JANUARY?!? Ah yes, it looks like I have to delve into the Download Series all the way back to almost the 1960s to get my fix of January Dead, with Volume 2, clocking in at 1/18/70 and one of the shows where it all started - Live Dead The Eleven and Lovelight from 1/26/69.
  • #6902
    JimInMD
    Joined:
    re: mabarilla 9/11/73 William and Mary
    yea.. but of all the fall '73 horn shows, 9/11 is by far the best. And there isn't really that much annoyance from the horns (comparatively), especially on Let it Grow. This could be the only show where it worked. The Playin', DS and MDew make this rise to the top like cream. Its a great show, Phil is heavy in the mix. Supposedly Hornsby's first show, so in a sense, changed GD history. My copy cuts out during Morning Dew though, and has an audience patch. I wonder what the copy sounds like that's 5 floors down under the vault? 6/10 and 6/30 are killer also. Can't make a bad pick between the bunch. ..also, for what its worth, I that Duke Ellington box looks really good. If I had more scratch, I'd pick it up.
  • #6903
    mbarilla
    Joined:
    Most questionable Date on the List is.. 9.11.73
    Just for the fact I have heard on record, the Vault Master state the Horns shows would not be released. Daves 15 my prediction is a selection from 1973 or 1976 A show that will include a few of the following, Stella Blue Eyes Bird Song Playing in the Band I will take 6.10.73 or 6.30.73
  • #6904
    mbarilla
    Joined:
    LoveJerry , I will gladly buy those Unwanted 80-90's shows
    if you are selling them at $10 bucks a pop. $15 if its your lucky day. Just kidding good luck with those listings. *Zuckfun thanks for posting the list. A few definetly stick out. 3.9.81 must have been nixed at some point in favor of another show, Could have been a switcheroo for 4.6.82 or RT MSG90 was chosen as the MSG material. 1.2.70 - classic Dark Star and following sequence 6.10.73 - 3 set epic, which a small portion will be featured on Sirius today at 7pm
  • #6905
    Dennis
    Joined:
    Seriously - Duke Ellington....
    Just checked, used copies of the Duke are now going for 400 bucks and new copies are 600. I looked because it sounded like a great set to have. As long as we're talking money, have you seen the prices some want for Pure Jerry disc!
  • #6906
    rusty string
    Joined:
    Around the sun...
    Felt really bad about this at first. Limited to 6500? Couldn't they have given the 80s guys some relief by not making them have to buy ten 70s shows again? For a total of $700?People tearing their box sets apart before even getting them?But now I have ordered it. And it's all good. This is just too exciting. Can't wait for September. With all those single shows being offered here, everyone might get what he wants. And: A few days ago I realized that the cinema in my Southern German hometown will screen the last Fare Thee Well show on July 6! It won't be live, but anyway. The cinema might sell out quickly because it's rather small, probably a capacity of 50 or so. Never thought I might have the chance to attend such a kind of MUATM here in Germany. They call it "The Grateful Dead In Concert"...
  • #6907
    FH2
    Default Avatar
    Joined:
    corrected list in box
    corrected list in box (typo, meant 87 not 77) shows on the list in the box 9/28/75 10/3/76 5/16/81 10/21/83 9/18/87 10/26/89 10/27/90
  • #6908
    LoveJerry
    Joined:
    PT Barnum (and like-minded others) - I am frustrated too,
    but, I understand why it has to be this way. Maybe this will help put it in perspective...... You wrote: "Everything you said I agree with, release the music to the masses and let us purchase what we want when we want it, period. Limited editions is just a marketing tool to get an item sold as quickly as possible." This is the way that they need to do it to 1) make a profit, which they're entitled to, and 2) invest some of that profit into future projects, which provides availability of more shows for Grateful Dead fans in the future (some of which you may approve of). You also mentioned, "I had to laugh when I heard Dave's pitch to Rhino about this set, he stated they all perked up when he mentioned this, do you think it was because of all these great shows being released? or was it the prospect of huge rewards? Something to think about." Well I thought about it, and I decided that while it would be nice to pay one flat rate per show for (say 30 dollars) for whichever shows I wanted, it would benefit me, because I wouldn't be stuck with all of the substandard 80s and 90s shows that are included; but I also know that they are a business, and they're not going to take a loss for any customers - no business does this. And that is what would happen if they adhered to your business plan - assuming a sellout of these box sets before September 18th (which is almost a foregone conclusion), they will have sold 195,000 individual shows (6500 x 30) in 3 months by doing it their way. Your alternative idea, is for them to sell 195,000 individual units in 3 months, which is not going to happen, based on past experience. When you look at the numbers sold by other series, such as Road Trips or Spring 90 (The Other One), they're going to end up with a warehouse full of overstock for a long time. Time is of the essence in business; they may as well burn the money. So, I get your frustration, and believe me, I don't want all 30 shows for $700, I only want 13 for less than half that - but if the alternative is nothing at all - well then I'll just pony up and sell off my overstock on eBay (probably to you), and hopefully pay for my 13 shows with the proceeds - thank you!
  • #6909
    Cousins Of The…
    Joined:
    Seriously
    Making all single 30 shows available would be a major production planning headache: how many 90s shows to produce? How many 70s shows? A limited number edition makes perfect sense. Each disc will cost you ~$9 ea, how can anyone call this a cash grab? To give a perspective, the Complete Duke Ellington RCA box set sold for well over $300 when it came out, and contained only 24 discs(and of course, none of the $ went to either Duke or his sidemen since they were all long dead.) Also, if they decided to make single shows available for download, it still would not diminish the value of the box as a collectible(the original Beatles cover has not been devalued because it has been reissued a few years ago.)
  • #6910
    Ridin that Train
    Joined:
    exclusivity
    Well I agree with you in that if you want to hear the music it is all there if you can type in archive.org and turn on the computer speakers. I meant being able to hear these shows cleaned up and given the full sonic treatment in all their glory. Some people don't mind listening through tinny computer speakers and I do that a LOT when I want to hear a show I don't have but it makes me want to OWN it that much more. To be able to take it with me wherever i go and enjoy it any time or anywhere I want to. You are completely right though, this is the best time in history to be a deadhead for strictly having access to the music. It's truly incredible how much is available to hear. I can imagine how it must feel to have been listening to barely audible cassettes back in the day just to hear the band live versus what we have now. we are truly blessed!
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Submitted by jrf68@hotmail.com on Mon, 06/29/2015 - 00:14

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I'm kinda checkin' in with the shows at my leisure by watching what's on youtube.I've gotta say,Dark Star from last night is pretty f'n good. Just sayin'. My brother Matt & his wife Mary made it to Cali in last minute,deadhead style and I hope to hear some stories soon. :) Whew...and Hell'inna Bucket from tonight is pretty good too. P.S.-My only thing is a thing I've been hung-up on for years.No matter the incarnations,it's the SLOW CADENCE of all songs played now.That's it,my only gripe.You know,when Truckin' is slow?Alligator is slow.Etc.Etc. P.S.S.-I would definetly give the Hell In A Bucket from tonight a 1990-1992 rating(w/ Hornsby,of course)(even if ya can't hear him,his persona & influence on stage is palpable) :) P.S.S.S.?-By the end of it,Bobby was definetly Enjoying The Ride!
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12 years 6 months

Submitted by TheeAmazingAce333 on Mon, 06/29/2015 - 01:28

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Set:1Stranger Minglewood> BE Women Loose Lucy Loser! Row Jimmy Alabama Getaway!!!> Black Peter Bucket!! Set:2 Half Step> Jam> Wharf Rat (Trey!!)> Jam (with a Caution tease!)> Eyes> He's Gone> Drumz> [NO SPACE¿?]> Miracle> Death Don't Have No Mercy (Bobby!! & EPIC Organ solo in the middle by JC!)> Sugar Mags/SSDD ~~~~~~~~~~~~~~~~ {BOBBY ASKED FOR A MOMENT OF SILENCE FOR "THOSE WHO SHOULD BE HERE"} Brokedown (a heartfelt version for sure...) great performance by the whole band (ummm, except Mickey...) the mix/sounds was fantastic as well... Chitown should be even better... ♤
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15 years 6 months

Submitted by guit30 on Mon, 06/29/2015 - 04:01

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Phil was policing everything Trey did. Trey did some good thingsthough.
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15 years 6 months

Submitted by guit30 on Mon, 06/29/2015 - 04:05

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I liked Row Jimmy, Didn't Trey sing "Alabama Getaway"?
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11 years 2 months

Submitted by mbarilla on Mon, 06/29/2015 - 04:59

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Congrats Strider 88, back in school we used to play a game called "Quick Draw McGraw" Basically a game that would test who had the quickest reflex/trigger finger,, dang Strider 88 ya got me there. Congrats to the others who guessed Truckin' and Feel Like A Stranger. I knew they would close with Brokedown Palace last night. 7.5.15 Final night closer will be... Ripple and some where along the line will be Box of Rain to open a set or help out with encore duties. Merch question - anybody see the 12 prints/posters they were selling at Santa Clara ? The Mike Dubois was my favorite from the pics I saw, in person maybe a diiferent one will shine. Will these be offered at Soldier Field ? Or will be different set of prints ? And final question is price point,, I would imagine most are $30 - 60 ? if anybody can provide a list of artist name and pricing of merch that would greatly appreciated. Heading to Chi-town soon,, yesterday I spent the day at the annual comminuty music n arts festival, some excellent bands and I saw a sweet Pigpen print, but didnt buy cause of all the stuff going down this week !!
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Submitted by annalee10 on Mon, 06/29/2015 - 05:43

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Curious about Santa Clara, so I checked out Cumberland blues on you tube. My 6 year olld son was playing nearby, he looks up at me and says "that doesn't sound very good,that must be from after Jerry died." ..........I cant wait to get this big box set of awesome shows!!!!
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Submitted by mbarilla on Mon, 06/29/2015 - 07:00

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just scored this, outer case is a little worn, but its all there with bonus disc !! For sure is coming on the trip to Chi-town. I looked at the Chicago weather forecast and its supposed to be 60-70 degrees for Fri, Sat, Sun, same as the weather yesterday in Columbus. I barely broke a sweat and was out the majority of afternoon until late evening. In May, Dear Jerry had perfect weather and great times, I get the feeling Soldier Field is looking the same
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Submitted by garciaddicted on Mon, 06/29/2015 - 07:54

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I was just wondering how difficult it was to get to the floor if you didn't have Gen Adm floor tickets. My brother and I have obstructed view for Chicago and I was hoping it wouldn't be too hard to meander down to the floor. Is there a wrist band or something? Hope this question doesn't rub anyone the wrong way.
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Submitted by Moses Quasar on Mon, 06/29/2015 - 08:15

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Great show last night!..reaffirms why I love this band! I do think that Eyes is not for Phil lead vocals though...valiant effort as it was!...
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10 years 9 months

Submitted by owlshead on Mon, 06/29/2015 - 08:40

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I think Tiger needs his Ex to hit him over the head again with a club... worth a try?
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10 years 9 months

Submitted by owlshead on Mon, 06/29/2015 - 08:56

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Thanks - think i have RT v1 n 3 and DPs 35... but, was really enjoying the FOB off the archives!
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Submitted by wilfredtjones on Mon, 06/29/2015 - 09:55

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Owlshead, fwiw the H2H on Fallout is from an AUD source. Only one tune though. Ever since the advent of matrix recordings, I've been a huge fan of those. I just recently listened through the July '78 Red Rocks shows and they were each fantastic. Both have board issues so they are helped greatly (in different ways) from matrix treatment. I wonder if any of the shows on 30 Trips will be matrix. Anyone ask or hear from David on this?
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Submitted by 4evergr8ful on Mon, 06/29/2015 - 09:56

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Ok I love phil, but not singing eyes of the world orMuch else for that matter on lead vocals..as someone invested in this chicago box set, I must say I'm starting to worry
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Submitted by mustin321 on Mon, 06/29/2015 - 10:08

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I'm really proud of the boys for playing really well the last two nights. If they, at least, play half as well in Chicago, I'll be one happy fan. As big of a deal as these shows turned out to be, its really great that they can stay loose and just have a good time. I guess that's part of what always made them a good band. If you are a Phish fan or not, you have to give Trey a lot of credit for making these songs sound familiar and also a little unique. He obviously is filling in some big shoes but I think he is doing it with style. Cream Puff War was definitely a 1st night highlight for me. Anybody who plays guitar knows that's not the easiest song to play but it sounded perfect on Saturday and had a nice little jam at the end. I think Trey (and Hornsby) should probably be singing lead a little bit more but I'm sure its important to the boys to sing it themselves, when they can.
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Submitted by JimInMD on Mon, 06/29/2015 - 17:24

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hey Wilfred.. I did ask David Lemieux the matrix question with regards to the 30 trips shows a few weeks ago and he did answer the question. To the best of his knowledge, there are no Matrix recordings on 30 trips. He did not comment an any audience patches or phased in crowd noise, etc. I was 'impressed' with the sound of DaP 8, the only officially release matrix show (Hard to Handle on Fallout from the Phil Zone not withstanding). Then again, I'm usually drawn to the crisp, clear soundboards and can do without crowd noise altogether. ..since DaP 8 worked, I completely see a reason to include if it helps the sound. Anyway, hope that helps. No audience / soundboard composites on the box, but I bet we see them again from time to time if they are an improvement from the board in the vault. Oops.. edited for terrible grammar. Sorry folks..
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14 years 11 months

Submitted by bolo24 on Mon, 06/29/2015 - 11:09

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As mentioned in my "rules" post, I'm also giving a prize to the first person to guess the 2nd night opener (from the original pool of entries). Wow - 4 people guessed "Feel Like A Stranger" right at 6:00, and 2 others a bit later - nice! Correct entries were received from Dennis Wilmot, Wilfred T Jones, peakshead, chilly1214, Syracuse78 and uv1 - the last 4 all at 6 PM. The first one to hit my inbox was...syracuse78. Congrats! Enjoy Chicago - all who are going, watching, listening, or getting a direct feed to the brain from the cosmos. Cheers!
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11 years 2 months

Submitted by mbarilla on Mon, 06/29/2015 - 11:21

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may well be right around the corner from your whereabouts,,, and that would be a show recorded at Merriweather Post Pavilion,, I am thinking that 1 of the six will get the matrix treatment and if they wanna toss in some killer filler I am all for that as well Bolo24 u got an official screen shot of your inbox? Lol, they do say never trust a pranster, those 6 o clockers must have been a dead heat
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Submitted by Syracuse78 on Mon, 06/29/2015 - 11:41

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Hey, back off mbarilla! lol Woohoo! 100s of hours hanging out on dead.net finally paid off! Fun stuff, thanks Bolo! I'm looking forward to seeing the boys next weekend here in Chi-town. To answer the next contest before it's offered: Sunday's encore will be Ripple a cappella. ;-)
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Submitted by mbarilla on Mon, 06/29/2015 - 11:57

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was poking fun at bolo24,, I am still a little goofy from the community festival I was at yesterday,, the Main stage I spent the majority of time was called the Bozo stage.
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15 years 1 month

Submitted by Cousins Of The… on Mon, 06/29/2015 - 12:15

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Anyone else sees somewhat of a parallel between Jack Straw lyrics and the two real life escapees? They did indeed shared the women and the wine, killed a cop...I don't know, it's a slow day here :-)
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Submitted by 80sfan on Mon, 06/29/2015 - 12:20

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Just picked up RT Vol 4, No. 3 (11/21/73)....currently listening to the playing>el paso>playing>wharf rat>playing...yeah that'll do nicely.
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Submitted by other003 on Mon, 06/29/2015 - 12:27

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There is no way that I'm going to shell out that kind of money for shows that available via the BitTorent sights that will provide the same set of 30 shows in good condition.

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Submitted by floridabobaloo on Mon, 06/29/2015 - 13:23

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I just learned how to play this song with just acoustic guitar and voice.What a beautiful song! And playing it just makes me feel so tranquil and at peace. True it is how the most simple things can bring the most pleasure.
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Submitted by mbarilla on Mon, 06/29/2015 - 13:42

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some suspected years I am thinking the folks at Rhino are getting ready to release to the masses... 1973 .. potential for 2.15.73, Universal City, Roosevelt City or Nassau from Sept. I will still take the PITB from 6.26.73 if they wanna add that for laughs n giggles 1971 - April, August, Dec. has some candidates 1976 - I will practically take any show from this year,, 1976 super 1981 - Uptown, MSG, lots from May or July
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13 years 5 months

Submitted by One Man on Mon, 06/29/2015 - 15:39

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Ostensibly (look it up) this is about 30 Trips. Sometimes it gets sidetracked. Congrats on saving yourself 700 bones (plus tax). Come September, I'll be digging the physical components of the box along with a few thousand other folks, AND the music as prepared by audio professionals. I don't mind paying a fair price for the work of all who contributed to this unprecedented display of audacity. Bonus: It's likely to retain its resale value for years to come, much like F69, the Winterlands, May 1977, and E72. Enjoy your downloads of questionable legality! Thanks for letting us know!
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Submitted by Mar-T on Mon, 06/29/2015 - 15:58

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Hey, Clovett...You asked about the ease of getting onto the floor of a show and oh-so-tastefully said "I hope it doesn't rub anybody the wrong way." Well, guess what? It rubs me pretty rotten. My last Dead show was the Deer Creek show in '95 when a bunch of ticketless creeps stormed the back fences and got into the show for free. I saw a female security guard get punched in the face and another get his arm broken. And the fans cheered. The Dead were FURIOUS. They played New Speedway Boogie for a not so subtle message that what happened was very uncool. Then, the Dead announced that they cancelled the following night's performance. Much deserved. You should read the letter the Dead wrote admonishing their fans to grow the fuck up and act like humans - see it at http://hake.com/gordon/deadletter.html. Certainly, the Dead community thrives on a little chaos and anarchy, but please know that if you sneak down to the field, you will diminish the experience for others by making it ridiculously crowded. That being said, do whatever you like, but just because you sneak down with a smile on your face doesn't mean I won't clock you if you're crowding my space down there Saturday night! Enjoy what you've got and let's finish out the Dead experience on a positive note.
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Submitted by garciaddicted on Mon, 06/29/2015 - 16:14

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Thanks for the feedback.
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Submitted by dantian on Mon, 06/29/2015 - 17:13

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I think we're overdue for some '73 love. It's been 2 1/2 long years since the last '73 release. Which reminds me, time to put some good old '73 on the stereo...
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Submitted by JimInMD on Mon, 06/29/2015 - 18:03

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There's a couple Merriweather shows that are release worthy. I don't think there's a soundboard of the Noah's Flood show in '83 :(. '85 seems to sound the best, but '84 has some moments. Too bad they pulled the plug on that venue. I think it was freaks taking showers in the outdoor fountains at the Columbia mall that got the most press. The locals got a little freaked at the people camping everywhere too. Good times. The Allman Bros. had some good runs there as well.
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Submitted by Bach 2 Bach on Mon, 06/29/2015 - 17:36

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...for the 'name that tune' contest, it was a ton of fun! And congrats to Strider88 and Syracuse78 for taking the prizes!
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Submitted by boblopes on Mon, 06/29/2015 - 18:04

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Bobaloo, I hope to see you enter your acoustic rendition in next years Dead Cover Project!!! ~ My take on what I saw - stop singing Jerry songs Phil. It was cute and nostalgic in the late 90's with Phil & Friends. But a definite downer on songs that should've ripped. I love you man - but blow us away ripping up the bass. Drop a few bombs, take TOO to the next level!!! Songs I think Trey would excel at: Peggy-O, Comes a Time, Tenn Jed, Row Jimmy, Althea, Here Comes Sunshine, Eyes, Scarlet -> Fire, Alligator, St Stephen, Dire Wolf. Cosmic Charlie Songs I think Bruce would excel at: MAMU, Stella Blue, Liberty, Standing on the Moon, Terrapin, Two Souls in Communion, Dupree From a Video perspective I know it's really about the legacy about the four, but if there's a guitar solo, organ solo or piano solo, let's see it. Let's not show every one else and then pan to the soloist as the solo wraps up. I felt the same way about the MUATM this year. As much as I did not want to see Jerry's dirty fingernails, I really wanted to see him play the solos. The camera shot does not need to constantly move and change from camera to camera??? I loved the side shot when they all sang together. I did get goosebumps seeing them together and feel sad that next weekend is it. But step it up boys, go out strong! Release your ensemble, you picked them for a reason...
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Submitted by TheDude77 on Mon, 06/29/2015 - 18:34

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This isn't Deer Creek 1995, so I seriously doubt there's going to be chaos if you and your brother go for it...but I do believe you will find it quite hard to get down there. Security should be pretty strong.

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Submitted by floridabobaloo on Mon, 06/29/2015 - 20:08

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Hello friend! Hey thank you for the vote. I have hesitated to play Dead songs for years because of the reverence fans hold them in. I don't mind slaughtering a Buffett tune, but some of these songs, well you just have to show them honor.I do love reading everybody's take on this. It's been its own strange trip since the big announcements. First the rumors then the formal and then the additions. And the ticket drama. Wow! I'm thinking of goin to the cinema on Sunday. I never saw them, but as you and others know I am a huge fan today. Lots of you steered me to some of the best versions of songs I've ever dreamed of. My logic is, Sunday will possibly be the last time the universe will hear the echo of this truly legendary ensemble and it's my very last chance to see and hear what is left of a dream and life force that has romanced millions of people. Yeah I think I'd be a big fool to miss this last chance...........
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Submitted by mbarilla on Mon, 06/29/2015 - 20:40

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that could do it , haha i can definetely see that happening. Merriweather is very cool,, that must have been one heck of a time for those weekends 83-85. A person I spoke with said she had gradauted that summer and snuck in the first 1983 Dead show at Merriweather and certainly enjoyed the ride. There is a definetley a lot of interest in these shows
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Submitted by nitecat on Mon, 06/29/2015 - 20:56

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Hey Clovett, I'd echo thedude77, go for if you are so inclined. SC GA required a cheap paper armband, like you get to buy alcohol. Granted, Levis and Soldier Field are under different management, but they probably get security requirements from the producer. OK, I went to both nights in SC, had VIP seats 20 rows from the field at the 50 yard line one night and GA the second. I am so glad I was there. Sure they had a rough start, but both second sets were great, and Trey is obviously stepping up and playing better and better each show. He really rocked out Alabama Getaway and blew out the stops on Sugar Magnolia. I was standing in GA up front, thinking wistfully this is my last Sugar Magnolia, then I danced up a storm! I echo who said the video was not with it. Cut cut cut cut cut, how creative. Please sit on a shot long enough for us to actually appreciate what the musician is doing. Wider two and three shots would be nice, too, to see the musicians interact. The occasional wide ensemble side shot was nice. Really, please let Trey sing more, what a wasted opportunity. Wow you guys at Chicago are in for a really super treat! Have big fun! nitecat
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Submitted by rdevil on Mon, 06/29/2015 - 22:21

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I really don't think sneaking down to the floor is the same as gate crashing but it seems like an awful lot of work to me. When I first started going to shows the guys I went with had been going for several years and it was almost a matter of pride among them to sneak down to the floor if they had other seats. One guy, who always dressed like a junior high school teacher was ALWAYS able to stroll casually down to the front of the stage while the ushers hassled us long haired guys wearing tie dye and stopped us from entering the section.I'm more of a laid back guy, especially with a cool buzz and it didn't take long for me to realize that this was just not for me. The third night of Atlanta '91, after our "square" looking friend walked casually to the floor, another friend and I tried several times to get down. By the time we gave up there were no decent seats left in the balcony and we wandered around for awhile, finally settling on seats behind the stage. We were tripping our asses off, of course, and it was relaxing back there and sounded very good by the way. As it turned out, we had a great time back there and enjoyed the show. It was interesting to see the band from that vantage point. My lasting memory is how happy and enthusiastic Vince was. Later in the night, after we got back to our hotel room, the two of us who sat behind the stage decided we had dry mouth so bad we needed to walk across the highway to Denny's for some ice cream. We were still tripping and by the time the waitress brought our sundaes we realized we weren't really hungry at all. We basically just sat there and watched them melt, paid the check and went back to the hotel for more beer to solve our dry mouth problem. Soon after that trip, I met a girl who started going with us to shows (she's now my wife) and we were pretty content to find a comfortable spot early and enjoy the shows without all the fuss of sneaking somewhere or other. There were still times when we "stubbed" someone down if we had good seats. Maybe that's frowned upon now but it was the norm for our group at the time.
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Submitted by rdevil on Mon, 06/29/2015 - 22:32

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I mentioned last week that I was a little embarrassed to tell people how much I was spending at one time for a box of CDs. Last night I talked to an old friend who's a historian and mentioned the box set and added that I'd rather not say how much it cost. He laughed and mentioned that Louis XIV had the monetary records for the Palace of Versailles destroyed because the cost was so high (and, perhaps, embarrassing). Just thought it was kind of interesting. It's good to be king.
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Submitted by owlshead on Tue, 06/30/2015 - 05:00

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Ripple is a great, great song to play on the old acoustic, it is almost a song, even if people don't like the Dead, almost, somewhere deep in their soul, they can sing along to ripple around the campfire, or so it seems? posted this on another thread on this site: Somewhere in the space between cosmic freedom and a responsibility towards the people you love and who love you lies the answer to life... The guitar is a good place to go in search of it... quote from: "Guitar Man"
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Submitted by owlshead on Tue, 06/30/2015 - 05:10

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Don't think I knew about Deer Creek 95. my last show was summer of 89. so six years removed... read the link from the boys, sounds just horrible... i always felt i got out at the right time for me (so to speak) -- got married in 1990, first son born Spring of 1995 -- and a few months away from 25th anniversary

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Submitted by floridabobaloo on Tue, 06/30/2015 - 06:13

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Ripple is an exceptional song I agree. The second line of each verse to me is the key to that. The way the melody line just glides with the simple chord change from G to C which is so very standard in western music. 4ths and 5ths are our backbone, and this song moves so gently and yet powerfully using these pillars. It's like water. Such a gentle and submitting element of life, yet so very powerful as shown in the Grand Canyon.Once I get this locked down to my satisfaction, I plan to recruit a mandolin friend. I think that will be the ideal presentation in playing this one out. May the music move us all, and guide us in our lives today.....
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Submitted by 4evergr8ful on Tue, 06/30/2015 - 08:14

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Every now and then I think as deadheads we all have those certain moments that make us realize exactly why it is we love this band. Well, I had one of those today watching a clip from a 78" show which im sure is well known 4/12..I never listened to much 78"... Never seen Jerry this animated on stage..I mean the energy is just captivating..and put a smile on my face ear to ear..if you listen, it is sure to do the same for you.. this is why I love this band and hopefully by posting this i can add a little brightness to someone's day out there. https://m.youtube.com/watch?v=tbfjnUlhVc4
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Submitted by claney on Tue, 06/30/2015 - 16:39

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Thanks for the link 4ever, wonderful. And even better - I had to step away, and when I came back, Youtube was still playing and I thought, wow, what the hell, I love this - and saw it was now Rich Stadium July 4 1989. Listening now. Wow. Liking 89-90 more and more (until the MIDI takes over in the long jams - I don't think I'll ever change on that one). This is the best sung Cold Rain I've ever heard. Guess I need to finally get Truckin' Up To Buffalo! Anyway, also came across this review of Santa Clara, worth reading (apparently there's a #LetTreySing out there ha!) http://www.glidemagazine.com/138552/grateful-dead-fare-thee-well-santa-…
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Submitted by Strider 808808 on Tue, 06/30/2015 - 17:53

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Proof , the band reads this stuff. Helluva call who ever suggested that one. And further (furthur) more, Bravo to Trey Anastasio. He rises to meet the challenge. And about that Rainbow. My Zuni and Hopi friends/relations talk about Rainbows to be considered a living being as in the ancestors visiting. Call it a sign.
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Submitted by itsinmyhead on Tue, 06/30/2015 - 19:26

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I really hate to be the one who rains on the parade but...Billboard magazine is reporting that the rainbow at Santa Clara June 28th was only an illusion. The Dead and/or Shapiro paid a company $50,000 to make it happen. Until confirmed i will be the first to admit that as of now it's just an ugly rumour. It would be really really nice to know that it just happened naturally and it really was a sign from above.
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