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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • hbob1995
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    @Lowspark75 - re: Donna
    From everything I have read, Donna grabbed Jerry one night and told him Keith would be the Dead's next piano player. Keith just put his head down on the table and said nothing. But once Jerry & Billy worked him out by themselves, they knew he was 'da man! I really don't think Donna argued for a place in the band for herself. She did not begin to sing with them for a good 6 months or so after Keith took his place at the keys. I know she can definitely be a point of contention on this board. I got on the bus in '73 and I love her, especially on PITB. So there you go. No accounting for taste! Lol. Rock on
  • Arno
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    Nothing wrong with you mbarilla
    I'm in the camp of Loving all incarnations of the Dead! Vince and Donna included!They were a talented bunch. They each have their individual talents but the Sum of the parts always made a difference! In different ways when there were different parts but always GRATE to my ears!
  • Gary Farseer
    Joined:
    The Sun and The Compass
    Well off to get ready for Tedeschi Trucks. Decided to wear the 1987 Ventura Fairgrounds shirt. Nice big Stealie on the back with Grateful Dead on top and "Love is real not Fadeaway - Tour 1987" on the bottom. The front says "A Weekend at the Beach!" Then has the 30 trips SunStealie with the four directions (four winds) of the compass. The compass has a pelican on it. What an incredible weekend that was. Standing on the beach, daytime show. Palmtrees swaying on the side. Electric intensity, Bob growling a Prophet on the Burning Shore. Awesome. Much more to this weekend if any one wants to hear more. Gotta get to it, like the Shakedown man twirling his watch (?).
  • garciaddicted
    Joined:
    Donna and Bobby
    My wife, who is younger than me and was more of a Phish head when we met, used to laugh every time she would hear Donna wailing, or Bobby screaming at the end of Hell In a Bucket. However, after a couple of years together, and much more exposure to live Dead, she commented one day that she missed Donna when listening to the eighties Dead. I used to defend Bobby's shrieking by saying "you had to be there". I can't be sure(since I never saw the band with Donna) but I'd bet the same is true for Donna. BTW, I just gave Dave's Picks 15 a good listening last night. That's a very nice show.
  • Jason Wilder
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    '74 Growing on me, Donna discussion, more stats
    '74 Trips show growing on me on 2nd listen. Especially the first set and Disc 3. Jazzy to be sure. That's what makes the Dead so wonderful IMHO, a little bit for everyone. Jazz. Improv. Country. Blues. R&B. Rock n' Roll. Shredding. Sweetness. Often all on the same night. Certainly over the course of the entire 30 years. And an ideology of sorts. Let's not try to make things exactly perfect, but do things in a way that is true to ourselves and keeps things interesting for us. That's the way we'll make musical magic most often, which is what it was really about. And the great accomplishment is not only how often they succeeded, but how many were willing to take the journey with them. In terms of mistakes and such, they all made them. We've been focused on vocal issues and Bobby's slide guitar, but all members had their issues. Pig's vocal ramblings could get a tad long. Sometimes the exploration a tad too atonal. Whatever, it was all a part of the journey. The experiment. We knew what we were signing up for, and that experimentation was part of it. And it's not like chemicals didn't play a part many nights for the band as well. Sometimes, mistakes could be fantastic. I can remember a Deer Creek show where Bobby blew the lyrics to Truckin (shocker!) but Jerry put a bit of extra muscle into the jam and the whole band seemed to join in. One of the best Truckin's I ever heard, probably wouldn't have went down that way if Bob hadn't flubbed the lyrics. I can think of a Samson on a release where Bob blows the vocal intro and the band responds by going on a raging 4 minute jam before the lyrics even start. Gotta run, no time for stats. Peace!
  • brianhahne
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    Still going...
    But going VERY slow... Up to 1971 after spending a lot of time on 1969 and 1970. Love those 2 shows! 1971 is STELLAR. This is my favorite Greatest Story, I think.... it has hints of the Pump Song still in it, with it's little musical interlude after each song phrasing. I love it... LOVE IT. I may make it to 1972 today... but May have to give 1971 another listen.
  • Gary Farseer
    Joined:
    nice timing
    Watched "It's a Great Pumpkin, Charlie Brown" last night. It has been decades since I watched it. Great story, even for us older folks. It was also the 50th anniversary showing, nice. Who was one of Charlie Brown's close friend? Of course, Pig!
  • Mr.Dc
    Joined:
    Weir Vocals
    A great moment for me was Bob singing The Eleven at the first Santa Clara show, gives me chills, he really gave it his all. Don't know if it will translate through recordings but live it was awesome! This is the season of what now!
  • antonjo
    Joined:
    scream dream
    Sorry, bros 'n sisters, but being an 80's kid, I LOVE the Bobby screams on Estimated, Lovelight, Sailor/Saint, etc, etc. Listen to Estimated from Hampton 3-20-86 ~ that scream-scatting is a work of art. (His screaming on It's All Over Now in the first set, less so, I'll concede ; ) I was thrilled 2nd night Santa Clara when he screamed the big "HEY"s on the Sugar Mag finale till he had nothing left. Would've loved a Donna appearance there. reijo29, I remember that Trans tour, but couldn't convince my older brother to get us tickets -- so I had to wait till '86, with Crazy Horse. (They did play Sample & Hold that time, though.) lowspark, I spaced that you're in Portland. So am I. Maybe we should organize a listening party for one of these trips around the sun. And, yes, Neil did kind of sneak into town. Once in awhile, those otherwise annoying Ticketmaster e-mails land me a hot tip.
  • Gary Farseer
    Joined:
    It's Just a Set Man
    As far as Donna, I am right there with most. Right in the middle. Some things she did well, others not so well. Enjoy the input from all. I never saw her but can imagine that description of her looking down on all with the smile. Image looks very pleasing. Family aspect, love that thought. Did all members and all eras have greatness and flubs...I say yes and I can live with that. From what Jerry said, it was just one set. One set maketh not greatness nor tragedy. Jer seems to have a great perspective, even seems to be based on sound statistical reasoning. Most bands practice same set over and want to make everything just exactly perfect (OK had to use that once) for the audience that night. This thought process leads us to everything from Rush and Yes to Kiss. I have nothing against this way of thinking. However, I think Jer figured out you can't have greatness or really valid "highs" without flubs and really valid lows. (Manic Depression indeed, so is the cycle of life.) It is just a set, that was great. It was just a set, that was horrible. It is improv, you will have both. I furthur posit that Grateful Dead took it that each show should have a touch of each. They talked about how each fan approached the band from various positions. I know I have posted this before...some fans approach the band from statistics. When was the last time they played this, how many times on this tour. You know who you are...I see you got your list out. Others approach it differently...make me a tape but I only want the song parts, skip the jazzy wierd stuff. I believe that Jer figured this out early. Each show with its silver lining and touch of grey has its moments of intense peaks of rapture and some bottoms of despair. However, which is which. For whom is the rapture...can one man's rapture be another's despair. Well of course. So from Jerry's point, it is just one set. Let's pack up the gear, hustle on down the road, get the circus into another state where state lines provide a new set of state laws and enforcement so that all get home safe. The epitomy of Grateful Dead, rise (from the curb to space); fall (take down the equipment and move on). The cycle of life, one set. Do I enjoy Donna? Mostly yes. Does Bob's slide guitar get under my skin? Absolutely sometimes. It is never perfect, even for Rush, but it is just a set man. Look at how many we have now to enjoy and debate over. Fascinating!
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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11 years 3 months
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Shitty day. My apologies.;0)
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17 years 5 months
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Hi dead land I just had to cancel my order am recovering from my 3rd back surgery I'm really embarrassed for even asking a miracle for this box set but I am don't want to tell my hole storyy so people feel sorry for me but this is now the only way I would be able to get my hands on this I'm a mojar 80s-90s fan so this is the best release by far for me if no one can all good peice everyone and I also have the 73 and 77 box sets with bonus CDs with both boxes I would give if I get the help
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12 years 3 months
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Loser from 3/24/90 simply SMOKES!
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9 years 5 months
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I've come to appreciate the band's 30 year journey as one long trip with many peak experiences. I can't quite wrap my head around a favorite era, but rather acknowledge there were some consistently strong years, show in, show out. Sort of like that roller coaster ride where the car slowly climbs upwards out of the gate, you just know you're going to enjoy the ride. 1967, peaking with the thrill of the initial rush, release and momentum that carried them through to '71 when they began a second ascent. Climbing to another mountain peak 1972, running in full tight jam-mode through '74. For me, another peak around 1977 although shorter and not quite as brilliant. Then some new sparks with Brent and the acoustic sets in '80. Must have dropped a second hit early 1987 which initiated a second-wave that spiraled upwards to space, gaining speed and transcending time through the Spring '90. After that it was all downhill from there, all-be-it a mostly soft landing. But looking back it really was all-good. I love this music!
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16 years 1 month
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Thirty years of rapture.
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10 years 7 months
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Hi bolo24, I'm late to the game of guessing guest appearances for this weekend, but what the hay. Guests = 2 First Guest = David Nelson I noticed weeks ago that NRPS are playing in Chicago this weekend, with a late show time each night. By the way, I (we) enjoy the clues you provide regarding the upcoming Dave's Picks releases. Do you mind giving us a clue for Dave's Picks 15 once the '50th Anniversary' weekend hoopla quiets down? Gracias muchas! -Andy
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10 years 7 months
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Please ignore my previous post. My careless arse posted my guess to the entire board. I guess I'm disqualified (although confident in my guess). Y'all enjoy Chicago this weekend!
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15 years 1 month
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For some reason I'm thinking shakedown or help/slip frank opener, help/slip possibly to start 2nd set If not 1st
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11 years 2 months
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I'm a '68-'77 guy, and we're all entitled to our opinion, but maybe "travesty" is a bit of hyperbole? Spring '90 might not be a "just exactly perfect" tour, but it's definitely the best run since Summer '85, and possibly since Spring '78. 3/24/90 is an all-time show, and there are some seriously great moments to be had in 3/16, 3/22, 3/29, 3/30, and 4/1. One can definitely hear Jerry's decline from '77 on (with mini-revivals sprinkled throughout), but I don't think even '95 is a "travesty". It's just not as good as '90, which isn't as good as '77, which isn't as good as '74, and so on. I agree that FW69 and E72 are THE releases so far, but you can't listen to 26 shows for the rest of your life. Try Spring '90 again. It's still better than anything without Jerry on it, and you may be surprised. At the very least, it keeps the REALLY good stuff ('72-'74) from getting stale.

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10 years 6 months
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I think Mina's post was implying a travisity in regard to the ravage that drugs brought on the band. Maybe the music isn't to his liking, but the point that Jerry could be with us in Chicago this weekend, but isn't, is the product of bad choices.Writing on these boards can be a difficult way to make ones point. I could be wrong, but that's what I got from it. Cheers to all. 3 shows left, wow.
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13 years 11 months
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My profile picture is from this,show. Think I got a tshirt with the Dead Ahead pict. Tampa, Daytona, Reddick, Micanopy and Orlando friends along. Great show. I've got the Jester shirt on.
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11 years 3 months
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I was checking out a few snippets of last night's show on YouTube and it was really quite good. The nostalgia bug bit me hard and I just had to get the ppv for tonight. Got my wine in hand, and ready to rock. Happy 4th all God bless America, and God bless the Grateful Dead
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13 years 4 months
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Now I wish I was there.. but some years you can't do it all, now.. can you. Glad I can at least stream it. ..and yes, Dantian.. enjoying a good bottle of red myself.
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Here's to hoping Mr. Tambourine Man himself shows up tomorrow night.Cheers & Happy 4th folks! ;)
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15 years 10 months
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I've been a Dead fan since '76 when I heard a radio show from Boston Music Hall. Got tons of music, like so many do. Since '99 I've been really loving Phish and I think this line up with Trey is just pure heaven. :). Happy 4th everyone!!
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I've been a Dead fan since '76 when I heard a radio show from Boston Music Hall. Got tons of music, like so many do. Since '99 I've been really loving Phish and I think this line up with Trey is just pure heaven. :). Happy 4th everyone!!
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11 years 3 months
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After watching some of last night's recaps, and getting all teary eyed and sentimental (wife walked in and was like, "Are you OK?" lol) I was actually looking for tickets online this morning and scheming about going to Chicago last minute. She was not down with such craziness, though. Sure wish I was there now.
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15 years 10 months
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I actually got teary-eyed. Seeing the guys together again having so much fun... Just brought back so many memories.
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17 years
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Can someone post the setlist or a link for tonight's show? Any thoughts or reviews? A while back I posted about telling my cousin about purchasing the new box and how I was a bit embarrassed to tell him how much it cost. He called me this morning and said he couldn't resist yesterday and spent almost $800 on two tickets for him and his girlfriend last night. He was pumped about the show and that almost inspired me to buy the PPV. But the only option on Comcast seemed to be $40--I've got plenty of video that I virtually never watch so pulled out Crimson White and Indigo and watched that instead. Pretty kick ass show and Phil is on. Maybe I'll spend the money tomorrow night...
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I think Bob Dylan is touring Europe right now so he seems to be doubtful for tomorrow night. Funny that there's been no chatter about Bolo's latest contest. My first thought was that the best guess would be no guests at all since that might somehow take away from the "core four" who are already sharing the spotlight with Trey and Bruce (and Chementi). But I was/am really hoping for an appearance by Donna Jean; and David Nelson seemed to be a natural fit since NRPS is in Chicago. If he wasn't invited to play on Ripple or FOTD it seems doubtful he'll be there tomorrow.Since so many people made the same guess at the very first minute in the last contest I decided to go out on a limb with a far out guess: Keith Richards. The Stones were in Indy on the 4th so maybe he'll stop by for a Satisfaction encore or first set closer. Actually, that sounds beyond ridiculous. What was I thinking?
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Yes, no chatter about guests. In typical fashion, I missed the time for the Bolo contest (significantly). So in the five min or so it took to think up some names and check their tour schedules, I realized every fucking body (except me) is in Chicago right now. Melvin Seals, David Grisman, David Nelson, Mahatma Gandhi, Elvis, Roy Orbison, Janice, Jimi (I can do this all night.).. So I frantically put five names down, quick, and hit send, quick. Only after I hit send did I began to give it some serious attention, but surly in jest.. I am no better at solving Bolo clues than I at double Jeopardy. one edit: for me, Jorma would be a welcomed guest. He did a masterful job on Sugaree at the Dear Jerry show, really special. Plus, did anyone else besides me pick up on what a beautiful new guitar he was sporting? A magnificent instrument. By the way, what about Phil's (new to me) bass? Another spectacular instrument, real art and I'm happy to see these guys use them.
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12 years 6 months
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been tryin Space, it's ruff out there...Set:1 Shakedown Liberty M&MU Standing on the Moon Tennessee Jed Cumberland! Rooster FOTD Deal Set:2 Bird Song THE GOLDEN ROAD!!! Lost Sailor> Saint of Circumstance!!! West LA Fadeaway (THIS is when Bruce & Trey took hold of the drivin') Foolish Heart> Drumz/Space!!> Stella Blue> Saturday Night ~~~~~~~~~~~~ US Blues (Fireworks to orchestra music, with Phil on stage mock-conducting, classic stuff!!) set:2 pre-drumz was well over an hour... & was absolutely fantastic! ♤
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10 years 6 months
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To Go OR NOT To GoSure I Would Love to be there through the good, bad, and ... I'm in Northern Michigan, I think I hear it across Lake Michigan. Yes, Satellite radio with pre-show commentary from our Tales from the Golden Road Boys. Just to hear the music Kicks Ass. Saw 1st Santa Clara thru nugs/MLB (trademark/steal your face) Think I'll stream video again Sunday. SOUNDS GRATE!!!
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17 years 5 months
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Man, I sure wish I could make a show this weekend. The universe worked completely against me starting from before the mail order, Ticketmaster on sale date and a number of other attempts to score a ticket for any show. I watched the PPV on Friday and it has only made me wish I was there all that much more. Damn I live close to Chicago and got totally shut out from a once in a lifetime experience. ;( A lot of it is nostalgia, but, when it's done, it's done, and all that will be left will be the memories. I'm lucky that I got to see them as often as I did when Jerry was alive and am Grateful for that. Admittedly, it's going to be tough to not sulk for a while though for missing out on this weekend (I tried)... ...unless they decide to say "fuck it, we're not ready to retire yet". Wishful thinking....sigh...
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I couldn't help but think that a couple of these set lists would have really pissed off some folks here. I went Friday and loved it, and couldn't believe how much of Blues For Allah they played. No disappointments for me, and Ripple is my favorite song on the planet, so to hear it semi-acoustic for the first time since Radio City was truly special. Seems like there have been two shows out of four where they haven't ventured beyond '78 in their set list, with night 1 in Santa Clara being the most focused on early stuff. I'm going with my wife tonight and looking forward to another memorable show. I thought about my Friday show all day Saturday. I can't remember the last time that happened after a concert. I would think there would be no guests based on the first 4 shows, except for Bolo's contest. I think it would be cool if the opened with Tomorrow Is Forever, sung by special guest Donna Jean Godchaux. But I don't get to officially guess, since I am already basking in the glow of my recent Bolo Contest. Have fun tonight. I'd be very surprised if the set list was as "mundane" as last night. Either way, I am sure there will be tears shed.
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12 years 6 months
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agreed 'cuse that 1st set last night took a minute to come together & the list wasn't so awesome (check out my extensive review on the FTW Complete boxset thread) but that second set was dizzying......where u sittin tonight?? tryin to say hey to anyone on this thread who's in the house!! (DEFINITELY see u later, Rory!!) everyone have an EPIC final show, wherever you're enjoying it!!! Not Fade Away opener tonight!!!!! ♤
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17 years 5 months
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Hello everyone just wanted to no if anyone was interested in trading I have 73 box and 77 box both with bonus CDs am looking for Dave's picks 1-10 if anyone wants to make a deal pm me thx
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11 years 3 months
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I didn't know Grisman was in town, thanks for the heads up. I would love to see him make an appearance, it would be very fitting.
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13 years 4 months
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mlb.dead50.com should work. They're getting a late start.. I think you still have time. ..yes, Dantian, would love to see half the other bands that are currently playing in Chitown sit in for a song, including the Dog. Good times..
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12 years 8 months
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need miracle link please
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12 years 10 months
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MinusMorgal--I totally agree with you. I went to my first show in 1985 and ended up going to 23 overall. Most were great, a couple not so good. But now I find myself only listening to shows up through early 1978. I can't listen to anything after that, including any of the shows I went to. I'm kind of glad I didn't know how great the early stuff was back then.
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11 years 3 months
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How anybody could find 3-29-90 a travesty is WAAAYYY beyond me.One of the greatest recordings of ANY kind of music of all time. Uh...in my opinion.
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9 years 6 months
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Was listening to some shows from fall 94 over the weekend (mostly because it was my last favorite tour) and man, Oct was something else....definitely some stinkers, but between 10/1, 10/5, 10/14, 10/18 and others, there was definitely something fun happening with the band! Hope everyone enjoyed the shows this weekend!
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14 years 11 months
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Well, so much for guessing the guests - a big "nada!" I had been hoping for Donna Jean on a couple tunes and at least a cameo by Robert Hunter, but I guess this really was all about the "core four." Needless to say, no one guessed "zero" and "nobody," so I'll roll the prize(s) over to another contest in the future. So, farewell to "Fare Thee Well." Some great moments in those 5 shows. In the meantime, life goes on. And the music never stopped.
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9 years 5 months
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OK, now can we see the box? pretty please??????
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13 years 4 months
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I got your back on 3/29, jrf, one of the truly great shows in GD history. I have had a good board of that show for as long as I can remember. There's youtube coverage of a good bit of that show also. but when I cycled through Spring '90, in its entirety.. it was the under the radar shows that captured my attention. I thought 3/14 and 3/28 sounded fresh and spirited. Sometimes its how a show compares to expectations that's grabs you. A lot like the Fare Thee Well shows, exceeded my expectations. My views are much like rdevil's. I have my favorite shows/era's/styles, but what I like certainly spreads beyond years and band lineups.
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9 years 9 months
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jack straw - thanks for getting what I was saying. jrf68 - I'm saying that I have no choice but to listen to a show like 3/29/90 in its proper historical context, which is in comparison to performances by the "old" Grateful Dead. For me and many others, it stings the ears to hear Brent Mydlands backup vocals and keyboards on songs like Cassidy, The Wheel, Bertha, Eyes of the World, Estimated Prophet etc, and by comparison, it is a travesty (in the literal meaning of the word); which is to say, a substandard, inadequate representation of something that was originally much better. His vocals just don't sound good on those old songs to me and many others, so it kind of ruins those songs for us. That's all I'm talking about. Never in a million years could I put on Bertha from 1990, compare it to any performance between '71 and '78, and say, yeah, this is the better version. I'm just not a fan of that plinky keyboard sound or overwhelmingly loud Hammond organ; and Brent sounds like he's struggling for breath when he sings, so it just results in this quotient that KILLS old Grateful Dead songs. That's how I can say it's a travesty. What I was really asking was how can the fans of these shows not feel the same way? I haven't really heard an answer. I've gotten a lot of flak, particularly in the PMs (which I won't reply to - man up and say it in public), but really, I'm just asking how? Maybe it's simple and the folks that love it have never heard Bertha performed at Venetta or a number of times on Europe '72; or perhaps they don't like tube amps or tape hiss - I don't know, nobody has said. I would add - I may be one of the few Bruce / Vince fans, as I do enjoy some stuff from their era. I know Jerry wasn't sounding so hot by then, but I'm saying that the keyboards and backing vocals aren't ruining the performance for me. I'm looking forward to the 30 Trips representations from these years.
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13 years 4 months
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..have to agree with you on declining vocals. There are some horrendous out of tune vocals in the early years too(Pigpen, of course, excluded). I guess I am solidly in the corner of I'm in it for the songs and I'm in it for the jams. Watching Fare Thee Well come and go, I forgot how much the rich fabric of songwriting affects me. Got to give it to the band for creating a rich tapestry of material to play with. That's a big part of the legacy for me. Let there be songs, to fill the air. Anyway.. to all parties, I bet the glue that binds us is stickier than the forces that separate us. We are talking about the same band, just which snippets of time cast the strongest spell.
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17 years 5 months
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Does anybody honestly believe that the Dead would have broken sales records at Soldier Field in 2015 and sold $200-$700 CD box sets entirely based on what transpired prior to 1979 and had the Dead stopped touring and recording during the Keith and Donna era? This music has touched each of us all in each our own way and everybody has their favorites. For me, I'm drawn to the high energy and intensity level of the Brent era.
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12 years 4 months
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Just to preface, my 40 some odd live attended GD shows were from 85-94. With the bulk of them taking place in the travesty years. And yes I now most certainly prefer 68-78 shows but to say that the 3/29/90 show & other peak moments from those years are a travesty because of Brent's plinky keys & out of breath vocals is just plain old rude & insulting. I am most certainly an anti midi, anti bad 80's keys & anti non tube amps kind of guy. But there was still plenty of magic in the air, just not as much as years prior. The 3/29/90 show was indeed the best GD concert I have ever attended. I don't feel the same way as you that the songs were ruined. They are basically different interpretations paired with different sounding instruments & amps. But not as radically different as a 1968 Dancing to a 1978 Dancing. Time marches on & yes things do change, but I am particularly happy that the band carried on after 1978. My wife certainly does not look like she did 25 years back, should I simply move on? I think your point has been made and you can choose to ignore anything post 1978. But realize you are slighting those of us that are enjoying this current reunion and the 80's era. That being said I really had a blast last night catching the simulcast at Wonder Bar in Asbury Park. Been a great celebration the last couple of weekends seeing so many people get their Dead on. Cheers to the core 4 plus Bruce, Trey & Jeff!
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17 years 2 months
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I was not at any of the shows, I'm curious if Robert Hunter's contributions were specifically highlighted/thanked as part of the gigs. Or those of any of the lyricists.
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10 years 1 month
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noun, Rhetoric 1. obvious and intentional exaggeration. 2. an extravagant statement or figure of speech not intended to be taken literally, as “to wait an eternity” or "the Dead with Brent were a travesty". 3. a travesty of idiomatic convention employed with reckless abandon in a polarized society for which reasoned and proportionate reaction has become anathema. Good grief!/K
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12 years 11 months
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One of my favorite shows is 3/25. Another is 3/21. I think the Albany run and the Copps "mini-run" are fantastic. and I agree, 3/14 is an awesome show in itself! Take care folks! Daves 15 any day now people. Waiting for that '71 show announcement!
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