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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • mbarilla
    Joined:
    Phil and Friends re-create 5.8.77
    http://www.jambase.com/Articles/125427/Video-Phil-Lesh-and-Friends-And-…
  • mbarilla
    Joined:
    Anybody have Dave's Picks 1 for sale ?
    For a Reasonable price ? Can do cash, credit, or trade. Lots of good stuff showing up at my doorstep lately, make an offer if ya got it and are willing to part. Or Fillmore West Complete Recordings ? If you are searching like me, I may have what you are looking for. Hey Forensicdocevelen, what is the good word in regard to 3.11.71 - U. Centre Ballroom, Dekalb, IL ? Was this show cancelled ? 4.18.71 going a few days ago,, excellent Truckin : Hard To Handle. And the Drums during Good Lovin' ,, so nice Billy K is killing it. I may just have to call him "Billy Killin'IT" Edit: Is there any truth or can someone confirm if the Grateful Dead played a show at Kent State on 4.2.71 ? One person says it happened at a small bar and not a large venue. 2 days later they would be in NYC, but no local records show they played at Kent State. Being the middle of the semester I suppose school newspapers would have documented this, but nothing has turned up.
  • boblopes
    Joined:
    Free the Fillmore West Complete Recordings - Re-Release Please!
    To TPTB: Please, please, please free the Fillmore West Complete Recordings from their captivity. Make it a brown box special so the original pressing is more valuable. Just like old Beatle records - 1st generation pressings are worth the most! Re-Release for the 50th Please! Thank you!
  • mbarilla
    Joined:
    4.13.83 primo
    Included in the Jeebs stash, as was Riverbend 85. Jeebs was always trying to find some of the more quality recordings from all eras. I suspect a few of these 30 trips shows were picked based upon higher quality sound compared to others in the same year. And a few were also picked to save some meat for releases in other series. 1980 does standout considering August, September, October all have some very special stuff. One show Jeebs didn't recommended was 6.24.83 probably because only Audience are circulating. But this one is a dandy. Sets fire from first contact. And the Candyman > Red Rooster is full throttle. April 84 showing up lately, and 4.29.84 is going way under the radar.
  • Vguy72
    Joined:
    Ten years from now....
    ....when I'm pushing sixty, I imagine them releasing a huge box to store all the boxes. Hopefully in the shape of a vintage VW bus, circa '74, with a pop top. That would be neat...really neat. ....some of those buses were awesome eye candy. Even in the late eighties, they turned my head, Dead that is....
  • Mr. Jack Straw
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    Choices of shows
    Really impressed by the choices made here, especially post-1978. Dave really put together a fantastic set. I'm wondering if there are any choices that people are second-guessing, and if so, what would they replace them with (knowing what we know about the contents of the Vault). Remember, I'm not complaining! I love this set, purchased one, and can't wait to dive in. But we've got to pass the time somehow until 9/18 and keyboardist debates can get old (and sometimes violent). I feel the choices for 1966, 1967, 1969, 1974, 1975, 1976, 1979, 1981, 1982, 1984, 1987, 1989, 1991, 1992, 1993, and 1994 are spot-on. Wouldn't change a thing. I don't know much about the choices for 1968, 1983, 1986, or 1990, so I won't comment on them. I love the choice of 4/15/70. Great show. But I would have gone with 9/20/70 to get some of that Fall 1970 sound. If that's not in the Vault (unclear), then I'm fine with this choice. They also could have used 6/7/70, which is in the Vault. I also love the pick of 3/18/71, but its the exclusion of December '71 material that has me second-guessing. 12/5/71 or 12/15/71 are up there too! A complete 8/6/71 would also have been nice, but much of that show is out with DP35 and RT 1.3. The 1972 choice is interesting. The one that circulates could use some cleaning up, and that may catapult the show into top-tier status. Much of October 1972 is not in the Vault, so choices like 10/18/72 and 10/28/72 aren't options. I would have gone with 9/28/72 from September or either of the Berkley shows if not 9/24/72. That said, I'm looking forward to the Vault's copy of this show. Again, 11/14/73 is a GREAT show. Love it. Happy with the choice. But I would have picked 6/10/73, 10/25/73, or one of the March shows over it. 1977 is a unique case. I would have taken a number of shows over 4/25, but they're not in the Vault. 2/26, 5/5-5/9, 10/29, and 11/6 aren't there. 3/18 could have been a great pick...perhaps someday? However, I'm happy with what I've heard of 4/25 and this is a worthy choice. I'm a bit baffled by the choice for 1978. I've always felt that '78 got worse as the year went on, with January > Feb > April > May. I know 1/22/78 and Red Rocks aren't in the Vault, and all 3 would have been great options. Maybe 4/21/78? With DP18, From Egypt with Love, COW, and DaP7, some of the best shows are already out there. Similarly, the 1980 choice is confusing. Obviously, I would have hoped for an acoustic set from Sept or Oct, but those were chopped for Reckoning and Dead Set. I always felt 11/29 was a superior show to 11/28, and 6/20 would have also been a better choice. I like 6/24/85, but it pales in comparison to 6/30 or 7/1. Hopefully, those are a mini-box at some point. There are some good November shows, but I'd still go with 6/24 over those. I'm no expert on 1988 or 1995, but I always felt 7/2/88 was the best show of '88 and 3/30/95 was the best of '95. What do you think?
  • will74
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    Joined:
    Re: Choices of Shows, Brent
    In response to Mr. Jack Straw...here is my quick 2 cents. Overall, I am very excited about most of the selections in this box set. He was either spot on (10/27/79), or very close (6/24/85) with a lot of the choices...in my opinion. However...here are a few dates I would trade out for. 1981: 3/6/81 ...amazing show...Let it Grow>Deal is a must hear, as is the Estimated>Franklin's. Would have loved to have seen 7/10/81 also...awesome 2nd set. Hope this could be a Dave's pick soon. 1983: Most of the Spring tour, especially 4/13/83 (one of the best Scarlet>Fires EVER), and 6/20/83 would have been incredible to see in this box. 1985: 6/27/85, Saratoga: great playing, inspired setlist...including Feel Like a Stranger> Eyes, a 1st set Crazy Fingers, and an exciting Supplication jam Whoever does not know these shows should check them out. Quickly on Brent...I did not learn to appreciate him until well after even Jerry died. I love his early singing more than his later years, but I LOVE Blow Away these days. I also love a nice Far From Me. I would have laughed myself out of town 20 years ago if I heard myself say these things...but there you go.
  • Morning Sun
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    Brent, et al.
    Just a Little Light, Blow Away, Easy to Love You, I Will Take You Home, all fine by me. Do the people railing on IWTYH have children? Hey Pocky Way cover was a highlight. I agree the Blow Away rap was cring-inducing at times, but the song structure and way it jammed out to an unexpected stop, particularly '89 versions, was great. My reaction to much of the "90 boxes was that the band was lucky Brent was there, because he was working like mad to keep these songs coherent. A little like Garth Hudson for The Band--the more you listen, the songs are really his keyboards combined with all the sweet singing. Except for the Dead you had not so sweet singing, at that point, usually. Bob's 'angular' later songs? Throwing Stones, Picasso Moon, Feel Like a Stranger--love them all. I expect some of the highlight shows not included in this newest box are to save for later DPs and boxes.
  • MLavallee
    Joined:
    Speaking of Brokedown Palace...
    Noticeably absent from the box altogether. Was always my favorite encore, just perfect.
  • davey concepci…
    Joined:
    May post more later, but I
    May post more later, but I was at the Cincy '85 show and was a little surprised that it was selected. I hope DL2 gives us some thoughts on how the shows were selected . . . I mean, after all, that's part of the fun of being an obsessive Deadhead is engaging in such arcanity (and why the Boys still make lots of money off us!). I thought a good show, better than most during that period in which Jerry was so obviously seriously impaired, but would have thought Saratoga a few nights later or one of the Red Rocks shows, or the Halloween show in Columbia, SC with the Space opening of set 1(which was quite good). Also a bit confused why none of the anniversary shows from 1980 were selected instead of a pretty pedestrian Lakeland, FL show. Any clues on that one? I mean, is it correct that the NOLA shows were not recorded by Healey or Betty? I've always loved the AUD of that second show with the Brokedown encore. Please don't take this as whining . . . it's not. I bought on day 3 (had to fix debit card max charge and didn't realize the snafu for a couple of days) and think this will be superb. This may be the product that my kids (25 and 21) really come to grips with the importance of the Dead as a musical phenomena as opposed to a social and commercial one. Anyway, just rambling gambling thoughts! DCFHOF. It's time. Kentucky Scott
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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I wanted to say how much I love the versions of Estimated Prophet when Jerry began to extend his solo's in the middle of the song. My very favorite version of this is from Dick's Picks 5 which is a 79' version. He absolutely scorches it! At one point Bob even starts trying to sing again but Jerry just keeps right on going until he decides that's enough and gives an emphatic punchy riff to end the solo letting Bob know he can sing "my time coming" now. Pure awesomeness!
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17 years 4 months
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...or tragedy? Or both?
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I would love to hear crisp soundboards of this run as well.. The rainforest drums out of Eyes from the first night is spectacular.. Personally, I would like to see more from this summer tour released... The Greek theatre shows are really good too.. It's sad that we haven't even seen a Greek theatre release yet.. I thought for sure we would get an 80's show from there before they would release that 68' show that's in the 30 trips box.. I guess we'll have to wait some more...
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And you used a THIN black Sharpie? Should've used at least a FINE black Sharpie...
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One show I really love is the third night of Irvine, April 19th. Doesn't hurt that this was my first run of shows, my 14 year old life was changed forever for which I am eternally grateful! While there are no big jams, indeed only Wharf Rat threatens to hit the 10 minute mark, the execution is very strong, Brent is definitely on and it's a really fun listen with a unique setlist.
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Those were a two of the first shows I had on cassette back in 1988 and night one is still one of my favorites. The second set is just plain old solid-- really good China-Rider, Estimated-Eyes with a good peaking solo from Jerry in Estimated (as you all have been discussing). It has always been disappointing that better quality recordings haven't surfaced of Alpine 85 and 87.
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a band that you enjoy. It is a "peak experience" without equal. And brother Dedicated indeed reminded me of my maiden voyage in this fantastic venue 37 years ago yesterday evening. And then we came back to the 7/8/78 show to bask in the Grateful Dead's glow again. . The boys were in fine form!! I implore all who read this post or my account of those '78 Dead shows (see below), make plans in the future to head out to Denver, take someone you love, and visit Red Rocks to experience any music that you enjoy. It will be 'better'. Give your head/heart this gift. The Truth is realized in an instant, the act is practiced step by step.
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My only Red Rocks show was Bunny Wailer opening for String Cheese years back.Great show and FANTASTIC venue! Go see someone you love at Red Rocks. You will not regret it. :) edit: For any WSP fans out there that haven't been,the joint's got flash-flood warning signs that read "Climb To Safety!"
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I lived outside of Boulder for 15 years and saw many an artist at Red Rocks. A most amazing venue!
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Without a doubt the coolest venue I have been to .Saw the Allmans there in 96 and tentcamped about a mile away.Lightning over Denver most of the show was really cool.The other funny thing was the campground host looked like the prospector from Toy Story.Even funnier when he said if we were there to see Phish we could turnaround and stay somewhere else.He must have known something we didn't..I think it was soon after that they practically boarded up Morrison during their run
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Agree with the comments about Red Rocks! I have been fortunate enough to see WSP play 24 shows there since 00. I am still glowing from the Fare Thee Well experience in Chicago! What a run, the atmosphere was nothing but amazing and positive. 70,000+ people just singing and dancing. Truly a memorable experience! Everyone I met at soldier field was super friendly and kind. Absolutely loved this past weekend!
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From Uncut magazine: Heads up! Next month’s Uncut – on sale July 28 in the UK – comes with a FREE GRATEFUL DEAD CD: our historic attempt to piece together the album that should have followed “Workingman’s Dead” and “American Beauty”… Read more at http://www.uncut.co.uk/uncut-editors-diary/fare-thee-well-the-grateful-… ---- I am looking forward to this. Often wondered what that studio album would have looked like. Here is what I picture: SIDE ONE Bertha Ramble on Rose Mr. Charlie Tennessee Jed He's Gone SIDE TWO Jack Straw Chinatown Shuffle Brown Eyed Women The Stranger / Two Souls Wharf Rat
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...how bout: Mason's Children, To Lay Me Down, It's A Man's World, Silver Threads & Golden Needles AND PLEASE Cold Jordan!!!my thoughts were based on their debuts were all in or around 1970 like the tunes on AB & WMD... ...& yea, it's a total reach, but He Was A Friend Of Mine would be sweet! AND... killer article with DL2, SO THANK YOU FOR THE LINK!!! 10.1.94 is start to finish is easily one of thee top 5 GD shows 92-95... ANYONE who loves Jerry would love this show, as JG is in TOP form... as someone mentioned a few days ago Fall 1994 has a lot of great shows: 10.1, 10.5, 10.14, 10.18 & lotsa AMAZING moments... also, check out: 9.29.94 Set:2 Playin>Eyes(super slow & groovy & Jerry plays some super unique riffs during!)>Estimated>He's Gone>D/S>Spanish Jam>Other One>Wharf Rat>Sugar Mags... 10.3.94 Set:1 closer Bird Song & Set:2 Box of Rain, Shakedown, Cassidy>GDTRFB(!!)> D/S>Wheel>Watchtower>Attics>Around & Around ~ Brokedown dig em... u will if u can... ♤
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Garcia mentioned in an interview I saw long ago that he really regretted not getting into the studio before E72. That 'those songs' deserved studio treatment. Does anyone else recall hearing that? You guys nailed the song selection, but what are we up to in 45 min vinyl, 3 lost albums?
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Keith, you know I know: Weather report Suite intro comes out of Deal on May 24. Did you know already or did you happen to see that review?
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TheeAmazing - agreed those are great songs, but... I left off any songs that were on the solo albums thta came out during that period (so, no To Lay Me Down, which was on "Garcia"), and none of those great songs on Ace (Playing, etc). In fact, since Bobby loaded up all his songs from this period, it means there are almost no Bobby songs on the fictional album I came up with. But hey, that's Bobby's fault, ha ha. Totally agree about songs like Cold Jordan, but those are covers and, given the wealth of originals at the time, my (perhaps incorrect) feeling is that they would not have included covers (I think they only did that early on, when they didn't have enough songs, and again later for the same reason). I do recall Jerry saying something about wishing they had done an album too...(good memory Jim!) EDIT - oops, oh yeah, Masons' yeah, and that does put us over the 45 minute limi...
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It has occurred to me while pondering recent events that we are going to need a 50 TRIPS AROUND THE SUN
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When I listened to that 5/24 show last year, I heard the Prelude tease before Deal. I immediately ran to the Greatest Stories Ever Told page for Weather Report Suite and posted about it. I was so friggen' proud of myself...then I forgot to ever check back and see what folks said. I did today! http://www.dead.net/features/greatest-stories-ever-told/greatest-storie…
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That would be something.. If these boxes were made in Greece, the offering could single handedly save the Greek economy. but it would also be met with unintended consequences. Half the surviving deadheads would succumb to heart attacks the moment this beast gets announced. Three months later the remaining half would succumb to spouse inflicted stab and bullet wounds the day the charges for this box hit their credit cards.
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9 years 3 months
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I want these so badly. Any idea if there will be a music only version for a somewhat lower cost of admission?
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Indeed it is 5/24 / Deal. yeah, I became aware last year when I was working on my PhD in E72. Nearly pooped a kitten when I heard it. Jmalcorn - just read the link you posted for WRS - good stuff. I am.
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https://archive.org/details/gd1995-07-09.sbd.miller.114369.flac16 Thought I heard a blackbird singin' up on Bluebird Hill Call me a whinin' boy if you will Born where the sun don't shine and I don't deny my name Got no place to go, ain't that a shame? Thought I heard that KC whistle moanin' sweet & low Thought I heard that KC when she blow Down where the sun don't shine Underneath the Kokomo Whinin' boy -- got no place else to go So many roads I tell you So many roads I know So many roads -- so many roads -- Mountain high, river wide So many roads to ride So many roads So many roads Thought I heard a jug band playin' "If you don't -- who else will?" from over on the far side of the hill All I know the sun don't shine, the rain refuse to fall and you don't seem to hear me when I call Wind inside & the wind outside Tangled in the window blind Tell me why you treat me so unkind Down where the sun don't shine Lonely and I call your name No place left to go, ain't that a shame? So many roads I tell you New York to San Francisco All I want is one to take me home From the high road to the low So many roads I know So many roads - So many roads From the land of the midnight sun where ice blue roses grow 'long those roads of gold and silver snow Howlin' wide or moanin low So many roads I know So many roads to ease my soul
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Many great versions. I can see the attraction to Englishtown 9/3/77, but for me, there was this ever so fleeting moment in May '77 that Jerry sings the first line "Across the Rio Grandio" that was just...right (you thought I was going to say exactly perfect, didn't you?). 5/12, 5/17, and 5/25. It didn't seem to be there on 4/30, an it seems to have slipped away into the black hole called Dead Nuances by even the 6/9/77 rendition. I prefer the 5/25 version above all (I imagine the fact that it was the first version I've heard has something to do with it). There is just something quiet and peaceful to the way he delivers that vocal that puts me at the beach, where I listened to it another 100 times the week after I discovered it.
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As a newbie, I know nothing (Jon Snow), but I put on that Dave's 1 Mississippi Half-Step and enjoyed it, then got putzing around with something else around here and it went into a different version that just blew it out of the water for me and it was 9/3/77. Of what I have heard so far over the last year, I've considered that one of my favorite single tracks so far out of the whole mess, and the side-by-side bolstered that. Not that there's a right or wrong answer or anything wrong with that 5/25 version. What a kick ass song when that's even debatable, eh? I'm at 5:50 into this Englishtown version with over 7 and a half minutes left to go..how is this possible without tearing a hole in the fabric of the space time continuum? This is heavy stuff, Doc.
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Took the matrix with me for my commute today - probably haven't played it since the last time Orboros told us of his adventure - thanks - as always another great listening selection from the sages of the board. Looking forward to more enlightenment from Dave on his selections for the box. The Boston Globe article was a nice tease... My friend still raves about the 10/1/94 show we went to that I burned him a matrix of that show. I can't wait to hear the cleaned up version or the Oxford show. I wonder if any of the near future DaP releases will be some bookend shows to some in the boxset, like the earlier night in Oxford - I love my matrix of that show... Or is it Matrix Reloaded...
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Keithfan, thanks for the comparisons of late. I rarely stack my brain on song comparisons show by show, I generally listen to a big run of shows and revisit the ones I like, then get into the icing and begin to compare best sequences (big jams) to shows that seem similar. You and the good doctor add a level of refinement. Checking interesting recommendations gives me something to do when waiting for PC to process this and that. thanks man, good fun. Makes work way more interesting. Muleskinner, I have been wondering about your E72 endeavor, did you get all the way through? Someone else that visits this thread got it late like you, could have been boblopes, but Im not sure... would love to hear a fresh recap. Keithfan, MD recently gave us his top 5 to reach for. Several were on my top.. but I think I had 4/14 for the LLR and the dark star. I might have had Rotterdam on my top too.. anyway picking only 5 is a bit silly.. how was the trip through the discs?
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Actually, I'm still plugging away slowly...things have been busy lately and haven't been able to listen as much as I'd like, at least closely. Plus I'm several weeks behind on the board with the shows and other hub bub, so been trying to catching up here and there instead of posting. But I'm up to 4/24 Dusseldorf, not very great progress quite yet, but it's very intriguing when you hear so many good things about May and haven't even touched it yet! I still rank 4/8 high so far..but I really enjoyed 4/16 and 4/17 as well. From the perspective of an audio collection, 4/21 was fine knowing the context, but I'm not inclined to rank it among the full shows. Other than the Dark Star sequence of 4/8, so far at least, my other favorite is Playin' In the Band and on from 4/16. Dire Wolf! And a 20 minute raunchy Good Lovin'. Bitch dog in heat. I really have enjoyed the Pigpen drag outs, maybe a highlight of my listening so far. Jump in your saddle and ride.. So I'm looking forward to listening to the rest, I should be able to a bit more over the next few weeks compared to the last month. I also have been listening to Winterland '77 in the car..doesn't do it justice to intermingle like that, but I've maybe appreciated that more since I can focus in the car. And there's nothing like driving and turning it up LOUD. Was it 6/7..Terrapin > Morning Dew? Gowzah. Speaking of being behind, had a few things to discuss and was planning to catch up first but it's proved futile so far. So, sorry to be repetitive but a few points: 1) Newsweek Jerry Garcia Tribute - Even I could tell this thing was full of errors, what did folks think of that publication?? 2) How did ya'll like the On Broadway Garcia release? I've really enjoyed the Acoustic Band stuff, doing a myriad of old folk / bluegrass / blues songs I love. 3) I cracked up seeing Bill Walton on the webcasts from both CA and Chicago..glad to see him still representing, throw it down, big man. I'm sure you've all seen this, but I just came across it and loved it: https://www.relix.com/blogs/detail/watch_bill_walton_gave_three_minutes…
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....I am currently entrenched in the Playin'->El Paso->Playin'->Wharf Rat->Playin' sandwich from Denver 11.20.73. The songs just fall into each other. Melting! That's a Dagwood if I ever saw / ate one. 1973 is just fine....
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9 years 6 months
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I'm right there with you - posted about this exact jam last week....blew my mind for about a week straight!
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16 years 4 months
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I need a miracle. How do I get my hands on the RTR bonus disc? Saw lots of GD shows at Red Rocks. Awesome venue, always fun. Jerry did shine his light through that Colorado rain!
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It's only since I lost myself in the Grateful Dead Narnia that I've started to appreciate listening to the entire show. I came late to the Dead picnic, and while I saw them a couple of times before Jerry died, I didn't get "into" them until years later. With other bands (The Who, Yes, Rush), I would take the best live versions of songs and make a playlist. It seemed the prudent thing to do since there were only a few live versions of any particular song. The Dead is a different beast altogether, so it took some time to appreciate what they're up to from gig to gig, and clearly cherry picking the best versions is an impossible endeavor, as I end up with nothing on the cutting room floor. That being said, old habits die hard, and there's always a mental comparison going on in my head, hence the post about MSHSU Toodeleedoo. There's no doubt 9/3/77 is the best version for the jam, but not necessarily the bridge to Rio Grandio. And so it goes, there are many "best" versions. Muleskinner, check out Sugar Magnolia from 4/24 - this is thee version of thee song that pulled me in, never to return. I was at a home poker game when my buddy put on Rockin' The Rhein, and immediately caught the fever. 5/18 is close, despite a rare vocal flub where Bob Weir seems to forget he's onstage performing with the Grateful Dead. It's not that there's anything wrong with the 20 other versions from E72, it's just the perfect storm of nuances that come together on 4/24 (the guitars are mixed so smoothly for maximum "groove" effect, the piano is present, the solo is smooth and sweet, the drum fill at the....drum fill part is perfect, the blossoms are blooming, etc). Also wondering if anyone has noticed some of the subtle differences in overall sound from show to show on E72? For example, 4/24 seems to have more reverb than other dates (I don't know if reverb is the right word - it's an echo-like quality I catch on this one - a good thing to my ears); Amsterdam 5/10 also seems to have this quality. 4/11 and 4/29 seem to have a tad less fidelity and more tape hiss than other dates - not a big deal, I just turn the treble up a little bit. 4/26 has magnificent sound and low tape hiss, but Pigpen's organ is a bit lower than other dates (not sure how the fact that it was mixed for Hundred Year Hall plays into this). Heck even the comparison between Steppin' Out versions of the same tunes demonstrates significant differences in the mixing (for example crisper snare drum, compare 5/24 Cold Rain & Snow, or higher piano levels on some songs - check out 4/11 Brokedown Palace). Anyway, I spend waaaay too much time listening to this stuff, but I did earn a PhD in Europe '72, so it wasn't without merit.
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Keith-Fan, Your post raises the question of how we go about enjoying this abundance of officially released riches. I listen to a show per day, usually in the background while working. A lot just sort of floats over me this way and I'm often unable to get a "best version" sort of feel, but do get to enjoy the overall sonics of a show. i'll be working away with the music drifiting over me and suddenly tune in and think, "whoa - how the hell did they get out here" ... Work-related listening has been random years/tours as the mood strikes. I have no favorite era. Everything offers something different and worthwhile depending on the mood. I listen to a lot of other music (funk, jazz, soul, rock from all eras), so it's not like I can engage in the deadicated listening a lot of these Dead shows deserve. (seeing RUSH twice next week - and am on a huge related listening kick in preparation -- seeing them is very much a cult-band family reunion kind of phenomenon not unlike the vibe at a Dead show - just a lot nerdier and less trippy). With the 30 Trips Box, I'm going to listen to a show per day on headphones while cycling. Chronologically. After, I'm going to listen to everything I have (pretty much all official releases) in chronological order the same way, ideally while riding and skiing. This is a wonderful way to consume release, as the music evolves and changes organically, in terms of both the playing and song choices. I've managed to do this once in the past, and it took the better part of a year. Psyched to do it again. Long live the Dead.
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Yes, KF, there are certainly noticeable differences in sound that are more than the mix itself. What a fabulous collection of venues on that tour, that's the difference. When I travel abroad.. Instead of being a typical nerdy tourist and hitting hard rock cafe's or whatever.. I usually try to pick a theme.. like lets hit all the big castles in Germany or hey, lets hit all the churches where they off'd people in the Angels & Demons movie in Italy.. so my big not so eminent Europe trip will hit all the theatre's they played at. Check them out, great history and some terrific venues. That's what's contributing to the rich sound and variations from night to night. Places like the Concertgebouw and the like. There's a wealth of information on the acoustics of these venues. You may have come to the party late, but you did your homework. Bliss.. one of the ways I cycle through a lot music is on road bike rides and kayaking. Lots of fun and you get a workout to boot. I think you get the big picture this way, overall vibe of the show and jams. You also get a nice progression of growth through a tour/year/decade that way. You do miss minute details like best version of a song on a tour which KF seems to specialize in.. anyway, you are not alone in listening habits.
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I checked out a couple of tunes from your link. Definitely a respectable version, and I like that you can hear all of the audience enthusiasm at various points (i.e. clapping on Bertha, cheering after the Brown-Eyed Women solo, which incidentally, is one of the best live versions ever in terms of Jerry's guitar solo). The instruments are definitely louder in the official version, particularly Keith's keyboard work and the drums; these two "mix factors" contribute heavily to the aggressive "rock" feel of the 11/4 show, as experienced in the official version. But yeah, it's always a good idea to own another show featuring the late great Keith Godchaux ;-) PM your address if you want and I'll send it to you.
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Good call, I put this on at your recommendation. Four words - Holy psychedelic pianos Batman. Wow, just dozed off at work and woke up to Wharf Rat. gotta love cubicles.
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9 years 7 months
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I got a copy of Dick's Picks 30 at a great price after someone here mentioned seeing them online, so I thought I would return the favor to people who may be in need. Here are three great prices on box sets. Winterland June 1977: Complete Recordings $299. All others are in the $600 range. http://www.ebay.com/itm/Grateful-Dead-Winterland-June-1977-HDCD-Box-Set… Europe 72 with trunk $377 http://www.ebay.com/itm/Grateful-Dead-Europe-72-complete-recordings-non… Winterland 1973 Complete Recordings $120 http://www.ebay.com/itm/Grateful-Dead-Winterland-1973-Complete-Recordin…
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I'm stoked to get my ears around 30 Trips Around The Sun. Love the idea of a show per year. I usually reside somewhere between 1968-78 with 72-74 as my favorite period. I love the improvisational monster jams focused around The Other One, Dark Star, Playin', Eyes, Weather Report not to mention the primal Live Dead jams. Love a good Scarlet-Fire and the Blues For Allah material live is always a hoot. That being said my 80's-90's ventures are usually 80-81' and 89'. I have The Warlocks and love it but skipped out on Spring 90' boxes... but figure I'll get to those soon enough. So I'm looking forward to diving into these 80'-90's shows in 30 Trips, and heck, maybe I'll see what I've been missing. I'm particularly pumped about 67' Shrine, 68' Greek, 69' Dream Bowl, 72' Waterbury, and 73' San Diego among others. I mean what other band releases so much great quality sounding live music for there fans? The quality of the Grateful Dead live archival releases over the past 20 years is completely unparalleled. Perhaps only the box sets and live releases of Miles Davis even comes close and that's fairly distant at best. If Pink Floyd released only a smidgeon of quality live shows from the 70's I'd be super stoked but so far just the Wembley 74' stuff. Frank Zappa releases quite a lot of live material when he was alive and the vault releases have been great but no one compares to the Dead releases. And I'm grateful for it. It's like Christmas every few months when a Dave's Picks arrives or Road Trips before that. Europe 72' is my favorite box followed by Winterland 73'. Like I said I'll get to Spring 90' in due time. So keep us guessing and keep em' coming!
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....glad I could oblige. BTW, do any of you experience a delay in getting pm's? I usually get mine a week after they were sent to me....
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15 years 1 month
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Been listening to the winterland 1970 show featured on this box and must say Am Really digging it..having listened to most dead post 77", it's as if I'mHearing the band for The first time again..can anyone else reccomend any really Good early 70s shows, perhaps some that really stand out, say 70 or 71? Would appreciate it thanks
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You should run out to the record store and buy Ladies and Gentlemen...the Grateful Dead and Three From The Vault. These are the best sounding CDs available from 1971. You should also grab Dick's Picks 2 and Dick's Picks 35. And while you have your credit card out, Road Trips Summer and Autumn '71 and Dave's Picks 3. Personally, I don't recommend Skull and Roses, because I don't like the studio overdubs, but it is a very popular commercial release. oh, and DP 35 has one heckofa Hard to Handle The dates of all of that stuff April 25th - 29th Ladies and Gentlemen Feb 19 Three from the Vault (but check out 2/18, it's better in my opinion, but not "officially" released) Road Trips 71 summer is I think August 6 & 8 Road Trips 71 autumn is Nov 15 with bonus from 14th I think Daves picks 3 is 10/22 Dick's picks 2 is 10/31 and has one of the best Dark Stars ever While you're at it grab Sunshine Daydream from August '72 or Rockn the Rhein from 4/24/72
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VGuy, if you are not getting your PM's right away, something is very wrong, they must be on to you. What exactly have you been posting the last couple weeks? Never mind.. no bother.. better focus on what to do next. If you single, no biggie, just head to Joshua Tree for a couple months and bring a big bag of fungus and some tunes. If you have a family, job, life, etc. it gets a little more complicated. Either way, I suggest living and doing the exact opposite of what you normally do until you have some time to figure this out and devise a plan. Start by loading your portable digital device with lots of 1973 GD, including the Denver Road Trips. That will put your worried mind at easy until you figure out exactly what you did to put yourself in this predicament. Good luck my friend, see you on the other side. We are all pulling for you. If it makes you feel any better, the same thing happened to Dantian a couple months ago. We got him back. Wish we could say the same for wjon and a few others.. don't despair, think happy songs.
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12 years 10 months
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:)
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13 years 5 months
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The reason 4/24/72 (most of it) sounds different from the rest of the big E72 box is because they used the older Rockin' the Rhein mixes, with some exceptions. The older mixes are much smoother, more detailed, and yes happen to have more reverb than any of the rush-mixed box set. But don't get me started! Pet peeve!
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12 years 10 months
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12/5/7106/22/73 That was to EZ, now how hard is it to get either one or BOTH of these gems released?
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12-5-71, 6-22-73, and L&G are GREAT suggestions but I would also like to throw in 12-1-71 Boston Music Hall. I only have the second set which flows well from beginning to end but TOO is a Monster! This is actually my favorite non released show.
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