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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • hbob1995
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    @Lowspark75 - re: Donna
    From everything I have read, Donna grabbed Jerry one night and told him Keith would be the Dead's next piano player. Keith just put his head down on the table and said nothing. But once Jerry & Billy worked him out by themselves, they knew he was 'da man! I really don't think Donna argued for a place in the band for herself. She did not begin to sing with them for a good 6 months or so after Keith took his place at the keys. I know she can definitely be a point of contention on this board. I got on the bus in '73 and I love her, especially on PITB. So there you go. No accounting for taste! Lol. Rock on
  • Arno
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    Nothing wrong with you mbarilla
    I'm in the camp of Loving all incarnations of the Dead! Vince and Donna included!They were a talented bunch. They each have their individual talents but the Sum of the parts always made a difference! In different ways when there were different parts but always GRATE to my ears!
  • Gary Farseer
    Joined:
    The Sun and The Compass
    Well off to get ready for Tedeschi Trucks. Decided to wear the 1987 Ventura Fairgrounds shirt. Nice big Stealie on the back with Grateful Dead on top and "Love is real not Fadeaway - Tour 1987" on the bottom. The front says "A Weekend at the Beach!" Then has the 30 trips SunStealie with the four directions (four winds) of the compass. The compass has a pelican on it. What an incredible weekend that was. Standing on the beach, daytime show. Palmtrees swaying on the side. Electric intensity, Bob growling a Prophet on the Burning Shore. Awesome. Much more to this weekend if any one wants to hear more. Gotta get to it, like the Shakedown man twirling his watch (?).
  • garciaddicted
    Joined:
    Donna and Bobby
    My wife, who is younger than me and was more of a Phish head when we met, used to laugh every time she would hear Donna wailing, or Bobby screaming at the end of Hell In a Bucket. However, after a couple of years together, and much more exposure to live Dead, she commented one day that she missed Donna when listening to the eighties Dead. I used to defend Bobby's shrieking by saying "you had to be there". I can't be sure(since I never saw the band with Donna) but I'd bet the same is true for Donna. BTW, I just gave Dave's Picks 15 a good listening last night. That's a very nice show.
  • Jason Wilder
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    '74 Growing on me, Donna discussion, more stats
    '74 Trips show growing on me on 2nd listen. Especially the first set and Disc 3. Jazzy to be sure. That's what makes the Dead so wonderful IMHO, a little bit for everyone. Jazz. Improv. Country. Blues. R&B. Rock n' Roll. Shredding. Sweetness. Often all on the same night. Certainly over the course of the entire 30 years. And an ideology of sorts. Let's not try to make things exactly perfect, but do things in a way that is true to ourselves and keeps things interesting for us. That's the way we'll make musical magic most often, which is what it was really about. And the great accomplishment is not only how often they succeeded, but how many were willing to take the journey with them. In terms of mistakes and such, they all made them. We've been focused on vocal issues and Bobby's slide guitar, but all members had their issues. Pig's vocal ramblings could get a tad long. Sometimes the exploration a tad too atonal. Whatever, it was all a part of the journey. The experiment. We knew what we were signing up for, and that experimentation was part of it. And it's not like chemicals didn't play a part many nights for the band as well. Sometimes, mistakes could be fantastic. I can remember a Deer Creek show where Bobby blew the lyrics to Truckin (shocker!) but Jerry put a bit of extra muscle into the jam and the whole band seemed to join in. One of the best Truckin's I ever heard, probably wouldn't have went down that way if Bob hadn't flubbed the lyrics. I can think of a Samson on a release where Bob blows the vocal intro and the band responds by going on a raging 4 minute jam before the lyrics even start. Gotta run, no time for stats. Peace!
  • brianhahne
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    Still going...
    But going VERY slow... Up to 1971 after spending a lot of time on 1969 and 1970. Love those 2 shows! 1971 is STELLAR. This is my favorite Greatest Story, I think.... it has hints of the Pump Song still in it, with it's little musical interlude after each song phrasing. I love it... LOVE IT. I may make it to 1972 today... but May have to give 1971 another listen.
  • Gary Farseer
    Joined:
    nice timing
    Watched "It's a Great Pumpkin, Charlie Brown" last night. It has been decades since I watched it. Great story, even for us older folks. It was also the 50th anniversary showing, nice. Who was one of Charlie Brown's close friend? Of course, Pig!
  • Mr.Dc
    Joined:
    Weir Vocals
    A great moment for me was Bob singing The Eleven at the first Santa Clara show, gives me chills, he really gave it his all. Don't know if it will translate through recordings but live it was awesome! This is the season of what now!
  • antonjo
    Joined:
    scream dream
    Sorry, bros 'n sisters, but being an 80's kid, I LOVE the Bobby screams on Estimated, Lovelight, Sailor/Saint, etc, etc. Listen to Estimated from Hampton 3-20-86 ~ that scream-scatting is a work of art. (His screaming on It's All Over Now in the first set, less so, I'll concede ; ) I was thrilled 2nd night Santa Clara when he screamed the big "HEY"s on the Sugar Mag finale till he had nothing left. Would've loved a Donna appearance there. reijo29, I remember that Trans tour, but couldn't convince my older brother to get us tickets -- so I had to wait till '86, with Crazy Horse. (They did play Sample & Hold that time, though.) lowspark, I spaced that you're in Portland. So am I. Maybe we should organize a listening party for one of these trips around the sun. And, yes, Neil did kind of sneak into town. Once in awhile, those otherwise annoying Ticketmaster e-mails land me a hot tip.
  • Gary Farseer
    Joined:
    It's Just a Set Man
    As far as Donna, I am right there with most. Right in the middle. Some things she did well, others not so well. Enjoy the input from all. I never saw her but can imagine that description of her looking down on all with the smile. Image looks very pleasing. Family aspect, love that thought. Did all members and all eras have greatness and flubs...I say yes and I can live with that. From what Jerry said, it was just one set. One set maketh not greatness nor tragedy. Jer seems to have a great perspective, even seems to be based on sound statistical reasoning. Most bands practice same set over and want to make everything just exactly perfect (OK had to use that once) for the audience that night. This thought process leads us to everything from Rush and Yes to Kiss. I have nothing against this way of thinking. However, I think Jer figured out you can't have greatness or really valid "highs" without flubs and really valid lows. (Manic Depression indeed, so is the cycle of life.) It is just a set, that was great. It was just a set, that was horrible. It is improv, you will have both. I furthur posit that Grateful Dead took it that each show should have a touch of each. They talked about how each fan approached the band from various positions. I know I have posted this before...some fans approach the band from statistics. When was the last time they played this, how many times on this tour. You know who you are...I see you got your list out. Others approach it differently...make me a tape but I only want the song parts, skip the jazzy wierd stuff. I believe that Jer figured this out early. Each show with its silver lining and touch of grey has its moments of intense peaks of rapture and some bottoms of despair. However, which is which. For whom is the rapture...can one man's rapture be another's despair. Well of course. So from Jerry's point, it is just one set. Let's pack up the gear, hustle on down the road, get the circus into another state where state lines provide a new set of state laws and enforcement so that all get home safe. The epitomy of Grateful Dead, rise (from the curb to space); fall (take down the equipment and move on). The cycle of life, one set. Do I enjoy Donna? Mostly yes. Does Bob's slide guitar get under my skin? Absolutely sometimes. It is never perfect, even for Rush, but it is just a set man. Look at how many we have now to enjoy and debate over. Fascinating!
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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12 years 6 months
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Some shows still up for grabs from my 30 trips box. Just PM me if you want to call dibs. Years available: 1976 1978 1980 1981 1983 1985 1986 1988 1993 Cheers
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I too didn't 5 ink it was a bad song. At that time I was doing a lot of touring and it did get old. Seemed like they played it every other show
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I'm not sure what I'd think about the song if I didn't know the back story.But knowing the backstory definitely makes the song more interesting. I think its a semi-catchy tune but JG always seemed to mumble the lyrics on this one, so I'm not sure if I've ever heard a great version.
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"God bless the child that's got his own stash, a 9 to 5 and a place to crash!" Clash of cultures indeed!
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15 years 9 months
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I'd heard that it was dropped due to popular demand. Also rad they dropped Money Money due to fans' request.
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17 years 5 months
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I always thought this could have been a good JGB song with the gospel style treatment with Gloria Jones and Jaclyn LaBranch handling the bg vocals.
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10 years 3 months
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I could have sworn this was a Barry Manilow song, no?
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11 years 3 months
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To be honest, I'm much less familiar with the first set, can't even remember last time I listened to it. You'll have to fill us in! But the Crazy Fingers thru Franklin's is top notch...and I always go back to it.
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The band came under a lot of criticism for this song. Many Heads thought the band was being snide and taking a shot at them personally. Jerry has said that was not the intent at all. The band just trying to send a cautionary message to the fans. I mean, how many people after attending a great show, or a great movie, or a great game, say to themselves "I think I will try to do that for a living". While that may happen, the odds are pretty slim, and the band truly meant to warn folks not to give up their first income until they were sure the new endeavor was going to pay off. Rock on
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I was totally right on this one, it WAS Barry Manilow. Singing to the world Its time we let the spirit come in Let it come on in I'm singing to the world Everybody's caught in the spin Look at where we've been We've been running around Year after year Blinded it with pride Blinded it with fear But it's your Day Job If you wanna' to believe It can be Day Job Ain't no time to grieve Say its your Day Job If you 'll only believe And let it Shine, Shine, Shine... all around the world!
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....not my favorite encore by a county mile. Keith passed 35 years ago (?) today, Brent's last show was 25 years ago (?) today, and it's my son's 14th birthday today...a bitter and sweet day in my history....
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Good excuse to pivot from the bitter to the sweet. ..and with that, "Without a Warning..." (Go Pig)
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9 years 3 months
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I read one of your prev post you were interested in selling 10 shows from 79' to 95' from your box set.I'm a 80's fan I would like to buy the shows from 79' Cape to 89' Miami. I saw you wanted a copy of the 78 Tennessee show, I have that coming and almost all DIck's and Dave's picks, bonus disk's and live Garcia's if you need..
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Have spoke now shut the fuck up about day job
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"By now you know the face on your dollar got a thumb on it's nose and a hand on your collar." So true, and never ceases to make me smile.
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I was there for both Hunter's and the band's breakout of the song. While most of the folks in the lovely meadow in Veneta were trying to figure out what this was, I was laughing. because Hunter had done it with much dramatic flourish (10/9/81, Boarding House), and you don't forget something like that. Hell, I can still see it. Veneta also had Dupree's as an encore, which didn't happen that often.
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Either...time to go to 'the head', grab a drink, exit the show.........Oh No! ;)
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They are paving and widening some of the roads in my small town. I can only assume they needed to do this to accommodate the wide-load truck that is about to drop Boxzilla on my porch in 5 weeks. ..yet another example of how the 50th Aniv. of the dead is adding to the GDP. Looking at historical data, there's almost a perfect correlation between giant GD Box Sets and the strengthening of the US dollar.
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1995 - 1966Although I'll be tempted to go straight for several select years, I've decided I am going to start at the end of their career and proceed backwards in time. A sampling once through anyhow. It will be fun to try this. I am looking forward to cheating though.
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Great idea.. I wish I could read books that way, every book about the dead starts kick ass but by the time it ends, I feel like I've been living vicariously through they eyes of a stone cold junkie for the last six chapters. The Benjamin Button listening method :D
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Actually, since CD's are driven by supply and demand consider this: Only 6,500 of each of these shows is issued vs the 16,500 Dave's Picks. And many of the 30 trips boxes will stay complete boxes. So the actual number of individually circulating shows in the 30 Trips will be be maybe 1/4 of the availability of Dave's Picks releases. I would imagine the strategy of buying the box and keeping what you really want while selling the others to defray the cost is a good strategy - I have to believe there will be at least good demand for all the individual shows. I mean, the bonus discs seem to be in very high demand on eBay (even among contributors on this board) because of their scarcity, and there are only 1/2 as many of each individual 30 trips show as there are Dave's Picks bonus discs! SO they're issuing 30 shows that will be much scarcer than any bonus disc - for $28/show. I'm baffled it isn't sold out already. Sorry, I don't mean to make it sound commercial - I don't buy or sell discs on eBay - I just buy and hold every GDM/Rhino release for the last 20 years. But it will be interesting to see the values ascribed to the individual releases.
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Q:What's the worst way to get a cantankerous go your own way group like Deadheads not to follow your demands A: Tell them to stop. Sorry VGuy ( not really) Day Job Day Job Day Job
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Especially anxious to hear Lindley Meadows. I hope they kept all the stage banter in, like, "Is there a doctor in the house? There's a woman backstage, and she's having a baby..." then Jerry starts to noodle Happy Birthday. Love the feel of this show. There's just something very special about it. Also Greek '68 been in my collection for some time, and can't wait to hear the upgrade. Great show. Dijon '74 as well. Someone on these very boards (I want to say rrot, hope I got that right) mentioned more than a year ago how great the UJB opener is, and boy was he right, best UJB I've ever heard. The '72 and '73 shows I'm not familiar with, and I'm resisting the temptation to preview them, but hey, they're '72 and '73, and you know I'll be down for that ;) Same for the '76 and '77, and really all the pre-'79 shows (not to offend anyone, that's just my zone), can't wait to explore these shows. Christmas in September. Boy, are we some lucky bastages to have such great music headed our way. - Disclaimer: Just the late night ramblings of a half-drunken fool.
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Listening to 4/23/69 The Ark, just now. After the opening tune, "He Was A Friend Of Mine," someone must have called out "Morning Dew!" Jerry says, "No. Fuck You." Phil: "You've got to stick around to hear Morning Dew." Jerry: "Right, 'til morning." Phil: "Hahaha"
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Right on, Dantian! I mentioned in the other thread that I think the '75 show is possibly the most wanted in this box, at the very least it's near the top. Thanks for reaching out to me when this was announced. You inspired me to "pull myself up by my bootstraps" and find a way to afford this. Or maybe a more accurate way to say it is you inspired me to negotiate a plan with my wonderful wife. Like you I'm particularly excited about the pre-79 shows but I'm also looking forward to the rest of the box, especially '79, '82 and '87. I have no complaints about the show selection in this box. In fact, it's so good I'm spending way more than I should on CDs. There are a few things I would have done different, but that's not a complaint, just personal preference. I would have preferred the '71 show to be from late in the year with Keith. But I read something about Jerry playing a unique guitar in the '71 show. I'm looking forward to hearing what Dave liked about this show. I know 10-26-89 is a monster show for that era but I would have preferred something from summer, before the MIDI became such a big thing. And I don't dispute the merits of 9-10-91 but I'd rather hear the band without a special guest sitting in all night and there are some great shows from that fall tour. Minor quibbles for sure. Looking forward to DaP15 to bridge the gap. And then...September--months of sleeping on the couch in front of the stereo.
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What are the Top 5 shows for you? 3/18/71 11/14/73 10/3/76 5/16/81 6/24/85 For the 2nd set alone!
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Hey there Dantian - you asked for my thoughts on the first set of 6/14/76. Here you go, ready or not. I used this version - a better sounding SBD than my old CDR:https://archive.org/details/gd1976-06-14.sbd.orf.240.shnf A tale of two sets (EDIT - "two halves of the first set") really - the first half is perfect, the second half flags: Cold Rain - There is not one version of this song I don't like, or find something interesting about. Also my favorite opener. This version is top tier - especially much better sung than this song generally was. Mama Tried - if you usually skip this one, don't. Row Jimmy - A case-study for the way Jerry could alter his vocal phrasing drastically, but always keep it tasteful. He clips the words in weird ways that fit this slightly more staccato version; or listen to how he sings "let the two time roll" - he stretches out the "two" in a lovely, trippy way - "twoooowoooo." As with the entire first half of this set, every single member of the band is perfectly dialed in. (The mix really let's you isolate each one) Cassidy - Rumbling Phil-led version. Donna is experimenting with phrasing too - the theme of this show: Listen, around 1:25, to her harmony on "blow the horn" - low LOW harmony, in perfect tune, stunning and unique. Followed a moment later by an outburst of pure joy - "whooo!" Not much of a jam in this one, but again, you can't single out any one player - everyone is JUST EXACTLY PERFECT. Brown Eyed Women - Here it is Jerry's guitar and vocal phrasing that is being monkeyed with. I don't have the vocabulary to describe the way he plays this, it just has to be heard. But vocally, he does things like "only I turned BAYad" and he leaves words off the end of lines - e.g., "drink to the dregs of the whiskey..." and "didn't get the lickin's that the other one..." A SLIGHTLY TIRED SECOND_HALF-----=--- Big River - Energy starts to flag here. A song that is almost always roaring with energy, but this version leaves me flat. Anytime Keith solos more than Jerry on Big River, there's a problem (no offense to Keith, but that's not what I go to the Big River for). Might as Well - About like the other version of this song. Not a song I care about all that much, but this does have some very cool and clear cymbal work (from Billy?) in the first minute. The nuances of the cymbals are very clear throughout this recording. Lazy > Supplication - Solid version, very slow transition, almost a dead-stop. Again, something happened after BEW to slow these dudes down... (nice, almost Wolfish-sounding solo from Jerry). T-Jed - Whoah, talk about things slowing down. Holy crap this is a weird version. We're talking Row Jimmy pace. Even has a reggae-esque lilt. Jerry has a lot of fun on this one, digging down low in the register (think of his solo on TLEO on Dick's Picks 10). Is this song suited to this tempo? Nope. Is it nice to have this extremely different version? Absolutely. I like this one. Playin - Average '76 version, which is to say, pillowy meandering goodness, with some spacy stuff in the middle. Unusually pleasant and low-key Donna wails.
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Thin, Out of the post hiatus shows I am selling, I can tell you that I've had the most requests for the 1984 show. Also interesting, the first shows to go on my list were the 90's shows (except 93). I am sure the prices of individual shows from this box will skyrocket & considering what dave's picks go for after they sell out, $50 a show is pretty reasonable. I'm not really price gauging here just giving some folks an opportunity at the shows they want at a fraction of the cost. I may even hock the gold 45 from my box, cuz i'm really only interested in a few shows myself. Here's what is left at $50 a show: 1976 1978 1980 1981 1985 1993 PM me if you're interested
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Working backward from 1995 to 1965 is precisely my plan of attack for storming the beaches of Boxzilla as well. And here's hoping that 7.2.88 is offered up as a DaP in the not-too-distant future.
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Anyone else in the Dallas area going to the Granada to see Forgotten Space for Jerry's Birthday show on the first? If you don't know these guy are a tribute band (I don't like that name for these guy), they're pretty damn good, you can hear their shows on the archive. But every year they have a Jerry Birthday show. Granada is a small venue in Dallas,,, should be good. Tixs were "cheap" in todays world, 25 bucks a head.
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11 years 3 months
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Thanks for thorough review. I will have to go back and revisit it, keeping your insights in mind. What about the second set portion I raved about, the Crazy Fingers thru Franklin's Tower. To your ears, did it match up to my hyperbole? You know, I can get a little carried away at times listening to this stuff ;) @Rdevil, right back at ya, brother.
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17 years 3 months
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dantian, my memory of that second set is, yes it does match up to your praise. But I'll have to give it a serious listen as soon as time allows... Which will be a pleasure, no doubt. They must have "rejuvenated" during the set break.
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14 years
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I am also excited about the megabox. I foresee many many hours of enjoyment discovering all these shows, since I haven't listened to many of them. I've really been enjoying the Europe box, I'm up to the Bickershaw Festival, which is a hum dinger! What a strong tour! Day Job seemed to me when I saw it live to be a simple ditty, nothing too serious. Strange chorus. Not surprised it didn't last long in rotation. Shortest rotation probably goes to Money Money, only a few performances. Strange song. I saw it live in Portland in '74, and I'll never forget Donna belting out "MONEY-MONEY!" Listening the Playin' from 6/14/76, pretty nice...
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12 years 10 months
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Had a girls day out to the Jersey Shore with our 2 girls PLUS 4 nieces, her sister, my sister & 4 other female friends just so I can get everything done around the house, I painted BOTH kids rooms, installed ceiling fans in ALL 3 rooms, installed an AC unit in our younger kids room, also installed 3 way switches in each room, & put in a new headlight, changed the oil & replaced the front brake pads on my car it is 8:09 here in Philly a very long but productive day I shouldn't get a honey do list until early Fall. I listened to a lot of Dead ALL DAY, however I listened to 1 show twice just because it is the most AMAZING show of the entire Brent Era, IMHO & that show is 10/27/79, I to this day still listen to this show on a Maxell cassette as I feel it's the BEST recording I have of it I have 6 different CDR's of this show however the SBD cassette that I have of it is still the BEST quality of any of the versions I downloaded from the IA, the question I have "is this show a Betty Board", it has the sound quality of one hers however I don't think she recorded the Fall 1979 shows, PLEASE send HELP on the WAY, for some reason my inquiring mind would like to know. Here is the list of the shows I listened to today ALL official releases with the exception of 10/27/79; DP 16, 11/8/69, Simply STELLAR DP 03, 5/22/77, INSPIRATION MOVE ME BRIGHTLY DP 13, 5/6/81, He's Gone For Bobby Sands, the most inspired jamming of the 80's IMO DP 36, 9/21/72 My FAVORITE "official" release EVER Dave's Picks Volume 1, 5/25/77 Spring 1977 need I say more? I think NOT RSD Black Friday,2014, 11/17/72 Set II just because it SOLD OUT & it is AMAZING 10/27/79 Set I & II SBD Cassette 2x So the wife and kids are on the way home & the wife said she's bringing home dinner, no doubt ALL of us will be tired but one thing is for sure we ALL will be HAPPY the wife will be happy that everything is done, the kids will be happy because they had a GREAT day at the beach & I am happy because everything I set out to accomplish has indeed been accomplished, so DEADLAND HAVE ONE MORE (HAPPY) SATURDAY NIGHT
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12 years 10 months
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my own question, Dan Healy recorded the Fall '79 tour & it seems he was Chief Recorder ALL through the 80's. I'd like to listen RT 1.1 Fall 1979, however I don't think I'd make it past disc one as WE are ALL quite tired, WE BID YOU GOODNIGHT, DEADLAND!!!!
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9 years 7 months
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I can't wait for this box! But how to digest it? A question asked many times in this thread. I'm thinking 30 trips in 30 weeks straining from 1966. I would really like to review and discuss each show, each week with fellow deadheads. Any input on the best forum for this? A blogspot or a Facebook group? Is anyone else thinking of a similar strategy? Thought and input would be muck appreciated. Edit: much appreciated... But my typo reminded me of a great Hunter S. Thompson quote.... "It's hard to get a footing in all of this muck...
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15 years 1 month
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with over 70 hours of music, millions of dollars in fans orders invested and less than 8 weeks till launch ..how bout a new listening party and weren't they going to reveal more about this box? packaging, design, etc..?
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9 years 4 months
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I'm also going to be selling the shows in my box set individually, but I'm in Europe so that will give folks here a chance to get the ones they want. Depending on the import duties, the sets will be probably at € 60 each plus posting. (Yes, that's Euros). Send me a PM and I'll reserve the year and confirm price and postage in September. Cheers.
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17 years 4 months
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Loving the listening ideas. Had never considered going back in time, which will perhaps be my 2nd wave listen. For the first, I'm hoping the box arrives with enough time left in the Canadian autumn that I can listen to each show over 30 days of fall-weather cycling. The two things that will make this difficult will be potential inclement weather and the onset of early winter in these parts (BC interior), and the sheer toll it'll take on my middle aged body to get back on the bike every day - esp. after some of those marathon early 70s efforts. This box is exciting. Kudos to those bringing it to us. Unbelievable that in an era of declining record sales, the autumn days of physical media for music, the Dead buck industry convention yet again by releasing a set of this magnitude. Love it.
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9 years 8 months
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Love the idea of a forum/facebook page/something to discuss the 30 trips shows. Plan to start at 1966 and go forward. Liked the idea of going backwards but want to get the full effect of songs entering and leaving the rotation as the years go by.
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17 years 5 months
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BoxZilla arrives by the 24th, you could start with 9/24/72 followed by 9/28/75, etc. There'd be a few action packed days - 10/27, 9/18 & 7/03 - but what better way to have it?! Organized chaos at its finest!
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