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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • #6631
    KeithFan2112
    Joined:
    Speaking of Decline
    Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
  • #6632
    JimInMD
    Joined:
    DearJerry
    For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
  • #6633
    Cousins Of The…
    Joined:
    Mo' Keith
    Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
  • #6634
    PalmerEldritch
    Joined:
    I love the keyboard/era debates!
    I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
  • #6635
    KeithFan2112
    Joined:
    hahahaha What?? He stole Jerry's stash??
    No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
  • #6636
    LoveJerry
    Joined:
    Jim In MD
    I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
  • #6637
    KeithFan2112
    Joined:
    You Know a Rumble Ain't a Rumble Without Me
    Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
  • #6638
    JimInMD
    Joined:
    Re: DearJerry/Keith
    Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
  • #6639
    JimInMD
    Joined:
    Re: Brokedown
    I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
  • #6640
    mbarilla
    Joined:
    Check out JGB live shows from 1978
    Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Submitted by comdata55 on Thu, 07/30/2015 - 09:43

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We're not going to see this thing until it's already sold out?
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Submitted by 4evergr8ful on Thu, 07/30/2015 - 09:58

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Bob Weir and Mickey Hart to Perform at LOCKN', join Phil Lesh and Bill Kreutzmann on the Lineup...so this is not the last time they will play together?
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Submitted by Willysin4wd on Thu, 07/30/2015 - 10:44

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Once i had kids that became my favorite Brent song, another that might make your rotation (gender aside) is Lennon's Beautiful Boy.
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Submitted by WharfratWhitey on Thu, 07/30/2015 - 14:41

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The Rhino deal...yeaaaahhh. This has been a match almost made in heaven if you're a guy like me that enjoys the nicely packaged, historical write ups, photos, top-shelfie Dead. But I offer you a sample from the WharfratWhitey Vault. A fairly well known ditty that goes like this: 'I wish they would do some general non-limited releases like Crimson, Truckin' Up, Ladies & Gentlemen, Fillmore East 1969, etc.' You guys remember this popular ditty of mine. Give me a reason to go to my local record store more than twice per year(RSD, RSDBF). Peace.
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Submitted by DaveStrang on Thu, 07/30/2015 - 17:45

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Quite possibly the most beautiful love song ever written. That's a great "set-list" for your daughters. I'm happy to see folks starting their kids on music when they're so young. I think music for kids is as important as reading. You need to "feed" the ears as well as the eyes. It's not easy to find but I would suggest adding Rickie Lee Jones 'Rainbow Sleeves' to your kids lullaby "set-list". I'm a cantankerous 55 year old, but my eyes still tear up when I hear it. It's absolutely gorgeous. Kudos to you!
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Submitted by Life may be sw… on Thu, 07/30/2015 - 19:17

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I'm feeling great about the Band's 50th, loved Santa Clara, excited about the box set and all the other offerings! For those of limited means, check out Archive.org of course where there are tons of free soundboards the band lets stream free. If you have a bit more, get spotify which allows you to stream all Dick's Picks, Road Trips, All Europe 72, plus most studio and other live releases. Earlier in the thread people complained about the Bands money grab. For the cynical Dead Heads who project some nostalgic, Jerry would never allow this nonsense, recall that Jerry sold his artwork on ties for Petes sake! And for those who think the band/Jerry in the good old days wanted to give it All away and not live well, check out this quote from Garcia. Peace to all, and enjoy the celebration and the ever evolving grateful dead derivations! Fuck ‘people’s music’.” laughs Jerry Garcia from a reclining seat in the plush, wood-finished business offices of the band. (The comfortably expansive cluster of rooms are located in a streamlined San Rafael complex.) “I mean, I thought it was a dumb discussion even when it was the big thing awhile back to talk about how music should be free… that music belongs to the people and musicians rip them off. That kind of thing really irks me. “It’s like, in order to get so you can play music you have to sacrifice a lot of what would have been your normal life. You know what I mean? For lack of a better phrase, you have to pay the dues to get so you can play music. It’s not a thing you just do. If that were so, everybody’d be making their own music and there wouldn’t be professional musicians. There’d be no need for them. For someone to deny the fact that you spent a certain amount of your life working on some sort of discipline and learning how to play… that’s the rip-off. That’s the state versus the individual. Anytime someone comes down on artists and claims their work on any level, I think that’s pure bullshit. There’s been too many great musicians who died poor. People’s music… it just ain’t so.”
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Submitted by Dschian on Thu, 07/30/2015 - 20:15

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I went for the box option. Here's why. While I've noticed that hi-res sources can sound better than cds- and I have about 200 hi-res discs in my collection, so I am definitely a believer- I believe that often much of the improvement comes from the advantage also provided by well-done re-mixes or re-masterings that are frequently done for hi-res releases. For example, the use of the Plangent Process for the HD Tracks Studio Albums package would help to improve the sound over prior releases, so that could help to confound listening differences between those tracks and earlier cd releases for the same albums that people have noted. Even apart from these kinds of changes to the source, improvements tend to be heard more from recordings that were otherwise particularly well-made to begin with. For example, a strong orchestral recording from 2005 or 2015 can sound remarkable on SACD, but I have a highly-regarded Universal (Japanese) SACD release of Regatta de Blanc and because of the limits of the source material, even with remastering the improvements are modest- certainly not a must-have difference. The musical content is awesome, but not the acoustical portrait. Crucially, nearly all of the 30 Trips shows are two-tracks (which tend to simplify the acoustic presentation a bit), and the earlier years obviously have variable and often more limited recording quality. While the Dead's official live releases typically sound great to my ears, that's compared to bootlegs or mp3 streams online. I haven't heard them, but for these reasons, comparing the HD Tracks multi-track studio releases of the Dead, or even Wake Up to Find Out (a multi-track from 1990) to two-tracks from 1969 or 1974 or even 1982 (hell, that one could be from a cassette!) is probably misleading. Maybe if you have an amazing audio system or amazing ears or are listening VERY closely, the difference will be significant, but otherwise, I think one is primarily getting convenience and hardly any sonic improvement from the hi-res set, while losing the book and other physical niceties of the box set. The only possible wild-card audio advantage here would be if in your case you have both a cd player a stand-alone DAC unit and the latter one sounds significantly better than the first. The USB set is a fine choice, but for convenience purposes and not primarily audio differences, I would venture.
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Submitted by JimInMD on Thu, 07/30/2015 - 21:02

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I wish we could see the box as well. Its the music inside that's important though. If memory serves, I think they had some significant box design modifications for E72 between the mock pictures on dead.net and the final box. I don't think we knew what it looked like until it showed up on the porch. So there must have been some changes along the way. Since this box has even more discs, I bet there was (is) a logistical battle between size and elegance. It has to fit through the front door after all, right. I hate to speculate, but it could be they don't have a finished product to show us yet. ..or Lemieux got into another scuffle with a surely seal after the last seaside chat and wants the bruises to heal before filming again. Pick your poison.
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Submitted by Ziffle on Thu, 07/30/2015 - 21:36

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Dschian makes a good point. If you don't have (or aren't planning to purchase) a top quality playback system, the USB version will probably not provide anything beyond convenience, and might actually sound worse than the CDs. On the other hand, if you do have a fine playback set up (and you know who you are), most assuredly the 96kHz/24 bit USB version will take this set to another level. Try a simple test. Take a nicely mastered LP and record excerpts at different resolutions and word lengths. I have found that every increment up to 96k/24 makes a difference (although 88.2 to 96 at 24 bits is subtle). Some of the soundboards are DAT - 48kHz/16 bits. It is impossible for a 48kHz signal to sound the same downsampled to 44.1 kHz for CD. The original DAT will have more space between the instruments. Whether or not the originally analog recordings sound better is entirely a function of the mastering done. I presume top quality engineering here, in which case it will be much better. The point made about the need for a playback system that will handle a high res signal is well taken. Nonetheless, if I was a young person with a modest stereo, I would buy the USB version for the future. For those happy with a mid-fi system, the CD is likely a better choice.
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Submitted by One Man on Fri, 07/31/2015 - 02:48

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Ziffle, try your listening test as a double-blind trial. That is, the person playing the excerpts doesn't know which resolution he is playing, and you don't know which one you are hearing. I'll bet your results are surprising. I did this exact test (using LP clips, as you suggest) at 16/44.1 and 24/96 and was pretty confident I could hear the difference. But - surprise - I was wrong about half the time, which is statistically the same as guessing. Make sure you listen to at least 50 A/B clips. More is better. Use good headphones, studio monitors, whatever you want. I'd be very curious to hear your results.
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Submitted by comdata55 on Fri, 07/31/2015 - 05:10

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oh it is definitely all about the music in this ginormous box, i just really love the box designs they put out and love seeing all the extras. It's more of a, I know we're not getting this thing for another month and a half coupled with my impatience for it to get here already, lol. on another note, i finally sprung the news of the purchase to the wife over the weekend. she wasn't exactly brimming with joy but she also didn't say cancel the order, so i think that one goes in the win column. As far as the dimensions go, I hope I have to take the front door off the hinges when this thing arrives...or maybe hire a crane to hoist it up so it can be pulled in through the second floor double windows...
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Submitted by mbarilla on Fri, 07/31/2015 - 06:37

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For $50 shipping it should be bigger than Europe 72' Steamer Trunk.. $50 is a lot for shipping!! Spring 90 boxes are a decent size, but I would hope for similar design to Steamer Trunk, in regard to holding the discs. What's up with some updates about this box ? Sirius had some killer 1982 he last few days. Red Rocks and Manor Downs. He's Gone > Truckin from Red Rocks (7.28.82) killer transition at the end of He's Gone and jam out of Truckin is pretty sweet. Call me crazy, but I may like this more than the Scarlet Fire from Manor Downs
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Submitted by hbob1995 on Fri, 07/31/2015 - 07:01

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As long as you live in the U.S., and place your order before 9/18, Boxzilla has free shipping. The only unfortunates who have to pay are the Heads outside the U.S. Rock on
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Submitted by JimInMD on Fri, 07/31/2015 - 07:19

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Listening to a snippet from Manor Downs now on Today in GD History. Completely violates my don't sneak a listen if you have something on order rule.. but I have heard that show before. There's a lot to like here. Have a good weekend everyone..
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Submitted by mustin321 on Fri, 07/31/2015 - 07:54

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I just listened to this show for the 1st time the other day. Then I made a comment on here that 7.3.88 will be the next 80's Dave's Picks, completely spacing that its on the Boxzilla (30 shows are hard to keep track of but still surprised no one corrected me). I never listen to a show after its been announced for release, so I slipped on that one. I don't really care though. It's a fantastic show. By the way, I didn't buy the boxzilla for the 80's shows. Nor did I buy it for the 70's shows. I bought it because there are THIRTY FREAKIN SHOWS! Every show is different...different setlist, different songs, different sound, different line-up, different era...variety is the spice of life.
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Submitted by Dennis on Fri, 07/31/2015 - 07:42

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I'll toss my 2 cents in again. The USB stick MAY sound better, BUT, once again where are you listening to it? If you're sitting at home in front of a great sound system, maybe, you'll hear it. If in your car, mowing the lawn with mp3 player, washing the dishes or sitting at work you will NOT hear a difference. I see some say USB might be more convenient, yeah it might if you only listen to digital playback, but,,, if the usb chip gets,,,, oh what's the technical term??,,, oh yeah, fucked, by dropping in toilet, stepping on, zapped, then oh well there's a 700 buck collection down the drain so to speak. I would get the CD's. First they will be easier to sell down the road if you wanted to. Second the odds of all the cd's being fucked is almost nil (could you have a bad one or two, sure,,, but not 80). Third, you can make your own usb stick once you have the collection. If ease of play is your thing. I rip my disc to mp3. I have a series of memory sticks that I load with different things in my car. Just pop in the memory stick and bang, good to go. Now if you got an extra 700 to piss away (technically I do, but I really fuckin cheap :-) ) then I'd buy a usb set just to sit on. Someday someone will pay you a premium for it. Not enough to retire on because even if it tripled in price where's 2100 bucks get ya. The funny thing is when the offer first came out I read it that the usb chip was included with the cd's. Seemed reasonable to me, hell what's the chip worth 30 bucks? Why wouldn't it be included in a 700 box set? I was like yeah, I wouldn't have to rip all the disc myself!
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Submitted by garciaddicted on Fri, 07/31/2015 - 09:13

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I couldn't agree more! I'm looking forward to all of these shows as well as the many unreleased shows I still haven't listened to on archive.org. 7/3/88 is a great show. I just listened to it yesterday and was lucky enough to have been there. Also Willysin4wd and DaveStrang: Both songs are great suggestions for the lullaby rotation. I don't know if I've got the pipes for Rainbow Sleeves and I'm not sure I'd make it through that without breaking down. LOL, I just listened to it for the first time this morning. That is a beautiful song and I was pleasantly surprised to see it was penned by Tom Waits.
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Submitted by DaveStrang on Fri, 07/31/2015 - 13:47

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If memory serves me, Mr. Waits and Miss Jones were romantically involved several lifetimes ago. Glad you liked the song and it can be a strain on the vocal cords…now I gotta work on the 'waterworks'.
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Submitted by Topheraw on Fri, 07/31/2015 - 16:47

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Finally ordered mine this morning! I wonder how many of these bad boys are left......... hmmmmm ;)
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Submitted by planet1 on Fri, 07/31/2015 - 17:11

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Ha ha ha i like your words made me laugh, and i could'nt agree more. It would be so nice to have both, although my next purchase is A PONO PLAYER because Neil rules! now i just can't wait until the epic saga arrives!!! Thanks Dave and Rhino...keep e-m commin but please not for a while as im broke ok. PEACE ALL
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Submitted by ds smith on Fri, 07/31/2015 - 19:44

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Couldn't resist it. Got one. Can't be many more left. CDs for me
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Submitted by lowspark75 on Fri, 07/31/2015 - 21:10

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I can't even think about ordering this until next week. Please let there still be some of the cds left to order when my time comes!
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Submitted by DaveStrang on Fri, 07/31/2015 - 22:40

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You might want to order it now. They won't charge your cc until it ships. When you order, the charge will show on your cc for approx. 24 hrs and then it's taken off. I believe they do this to verify your cc is active/valid. Hope this helps and hope you get one.
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Submitted by Strider 808808 on Sat, 08/01/2015 - 06:08

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Cumple Ano Geronimo Garcia. Thank you Jerry.
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Submitted by Anttheknee on Sat, 08/01/2015 - 12:19

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The copy states, "Shows will NOT be sold individually on CD." This does not preclude individual shows being offered for download, which is what I think will happen, once the sets are sold out. Anyway, I have ordered the CD box set. I don't like downloads and want the book with the extras.
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Submitted by ToddWCorey70 on Sat, 08/01/2015 - 19:19

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If I'm not mistaken, the USB version also includes the book.
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Submitted by ToddWCorey70 on Sat, 08/01/2015 - 19:21

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Now I see it contains a digital version of the book. Not quite as cool.
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Submitted by KeithFan2112 on Sat, 08/01/2015 - 19:46

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I am selling any 10 shows from 1979 - 1995 for 330 bucks. PM me your email address if you're interested. Peace KeithFan2112
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Submitted by mpace on Sat, 08/01/2015 - 20:22

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Since the E72 shows were sold separately (physical copies) after the declaration of this is it - buy it now - I think the precedent of going back on what was said in the initial advertising and offering single shows has been set. At least an offering of 10 each - I would certainly buy 20 (can't justify $700 for not even wanting most if not all of '88-'95). Can't wait till this sells out or the PTB pull the cord and say it is sold out so we can see what happens next!
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Submitted by olddeadheadtoo on Sun, 08/02/2015 - 04:47

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Read the advertisement, there will be no copies of these shows sold on CD. If they do decide to sell individual copies of these shows, that will be false advertisement and will make the original run of boxes no longer limited editions. Just like E72, if they decide to sell individual shows of this box, that would open rhino up to some not paying for it. You can't advertise something as limited and then say it's not limited, that is false advertisement and will bite them in the arse if they do try and sell these again. But if they want to, go ahead, I will ask for a refund and keep the box, thanks rhino. On a separate note, let's hope the box is a better box and better sleeves than E72. The first time I opened the E72 box and tried to get a cd out of the sleeve, it ripped, causing a lot of people to ask for replacements. Let's just hope they learned a lesson on the first big box. Personally, I don't care if it's in an old orange crate and wrapped in toilet paper, I just want the music on cd.
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Submitted by DaveStrang on Sun, 08/02/2015 - 08:09

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Deadprayers are in order for you. (Traffic guy?)
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Submitted by Topheraw on Sun, 08/02/2015 - 09:01

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Wasn't expecting my Da15 till tomorrow! Came with a nifty little sticker too! My Sunday just got that much better :)
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Submitted by snafu on Sun, 08/02/2015 - 10:56

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How right you are. It really gets old reading comments from people who think it's ok for a company to lie about a product. This has been for sale for quite a while anyone who wants it could have bought it by now.Possibly more importantly it speaks to their ethics if it's ok for a company to lie what about the person in the mirror
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Submitted by Seth Hollander on Sun, 08/02/2015 - 11:44

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The current EDITION is limited. Any change to any element of the release would then count as a NEW EDITION. My E72 Steamer Trunk Box was limited. The Music Only edition was not. The individual show releases are not even Box Sets, much less identical to the E72 Steamer Trunk Box! I picked up the Springsteen 73-84 Limited Edition Box Set earlier this year. Now each remastered album is coming out individually. This is happening with lots of similar limited edition catalog re-issue boxes. Many fancy vinyl re-issues these days begin with a limited edition run on colored vinyl. Subsequently, the pressing plant runs of a much larger number on black vinyl for the "unlimited" edition. Rhino/GDm could simply press a run of this box in a blue cover and call it a new edition! If you feel strongly about limited/unlimited issues you should get a law degree before you start yowling. Your feelings from your heart are not applicable, this is about technicalities. "will NOT be sold individually on CD" is pretty clear and unambiguous. It also leaves a lot of options open. Enjoy your Box. The CDs sound the same regardless of how many other people are able to buy them.
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Submitted by snafu on Sun, 08/02/2015 - 12:08

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is a wonderful thing ...for self deluded minds. And you don't evenneed a degree in psychology to get that lol
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Submitted by wjonjd on Sun, 08/02/2015 - 14:14

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ST. STEPHEN!!!!!! ST. STEPHEN!!!!!!!!!

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Submitted by claney on Sun, 08/02/2015 - 14:42

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EXCELLENT! Love the timely Grateful Dead Movie reference, wjon. Took me a second, then... much hilarity here in Massachusetts.
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Submitted by claney on Sun, 08/02/2015 - 14:42

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Jocularity! Jocularity!
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Submitted by wjonjd on Sun, 08/02/2015 - 14:45

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Thanks, I thought it fit the moment.
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Submitted by claney on Sun, 08/02/2015 - 14:50

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ah, but do you get MY (admittedly non-Dead) pop-cultural reference?
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Submitted by wjonjd on Sun, 08/02/2015 - 14:57

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I knew it sounded really really familiar, but couldn't place it. So, I googled it. Col. Potter's imitation of Father Mulcahy on M.A.S.H., right? Also, very apropos.
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Submitted by claney on Sun, 08/02/2015 - 16:10

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wjon, yes indeed. Loves me some Google. And some M*A*S*H. On another note: Made a casserole tonight, just finished dinner with the family. Almost every ingredient was from my wife's farm (the zucchini, the kale, the eggs, the goat-yogurt, the thyme, the oregano, the garlic, the piracicaba) - everything but the cheddar cheese and the ritz crackers. Now drinking another gin and tonic. I told my wife to put the following on my tombstone: "He liked the Grateful Dead, and casseroles." Maybe it's the gin and tonics, but damn, I am SO grateful for this life. Family, farms, food, love... music, and when I die, I will be among the GRATEFUL dead. Tonight after I put my daughter to bed, headphones and more DaP 15, which is GREAT. Wishing you all the best. #FeelingSappy
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Submitted by wjonjd on Sun, 08/02/2015 - 16:24

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God, that could be right out of a Norman Rockwell. You sound totally happy and grateful, and I hope you find yourself there countless times again before that tombstone needs to be used. Nothing wrong with sappy. Salud!
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Submitted by lowspark75 on Sun, 08/02/2015 - 16:44

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Yes, besides loving the Grateful Dead, I also am a huge fan of Traffic... and really anything Winwood was ever involved with.
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Submitted by DaveStrang on Sun, 08/02/2015 - 17:04

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It's hard to believe he was only 16 when he started with Spencer Davis Group. I've always liked 'Shootout At The Fantasy Factory'. I think it's highly underrated.
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