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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • mbarilla
    Joined:
    Phil and Friends re-create 5.8.77
    http://www.jambase.com/Articles/125427/Video-Phil-Lesh-and-Friends-And-…
  • mbarilla
    Joined:
    Anybody have Dave's Picks 1 for sale ?
    For a Reasonable price ? Can do cash, credit, or trade. Lots of good stuff showing up at my doorstep lately, make an offer if ya got it and are willing to part. Or Fillmore West Complete Recordings ? If you are searching like me, I may have what you are looking for. Hey Forensicdocevelen, what is the good word in regard to 3.11.71 - U. Centre Ballroom, Dekalb, IL ? Was this show cancelled ? 4.18.71 going a few days ago,, excellent Truckin : Hard To Handle. And the Drums during Good Lovin' ,, so nice Billy K is killing it. I may just have to call him "Billy Killin'IT" Edit: Is there any truth or can someone confirm if the Grateful Dead played a show at Kent State on 4.2.71 ? One person says it happened at a small bar and not a large venue. 2 days later they would be in NYC, but no local records show they played at Kent State. Being the middle of the semester I suppose school newspapers would have documented this, but nothing has turned up.
  • boblopes
    Joined:
    Free the Fillmore West Complete Recordings - Re-Release Please!
    To TPTB: Please, please, please free the Fillmore West Complete Recordings from their captivity. Make it a brown box special so the original pressing is more valuable. Just like old Beatle records - 1st generation pressings are worth the most! Re-Release for the 50th Please! Thank you!
  • mbarilla
    Joined:
    4.13.83 primo
    Included in the Jeebs stash, as was Riverbend 85. Jeebs was always trying to find some of the more quality recordings from all eras. I suspect a few of these 30 trips shows were picked based upon higher quality sound compared to others in the same year. And a few were also picked to save some meat for releases in other series. 1980 does standout considering August, September, October all have some very special stuff. One show Jeebs didn't recommended was 6.24.83 probably because only Audience are circulating. But this one is a dandy. Sets fire from first contact. And the Candyman > Red Rooster is full throttle. April 84 showing up lately, and 4.29.84 is going way under the radar.
  • Vguy72
    Joined:
    Ten years from now....
    ....when I'm pushing sixty, I imagine them releasing a huge box to store all the boxes. Hopefully in the shape of a vintage VW bus, circa '74, with a pop top. That would be neat...really neat. ....some of those buses were awesome eye candy. Even in the late eighties, they turned my head, Dead that is....
  • Mr. Jack Straw
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    Choices of shows
    Really impressed by the choices made here, especially post-1978. Dave really put together a fantastic set. I'm wondering if there are any choices that people are second-guessing, and if so, what would they replace them with (knowing what we know about the contents of the Vault). Remember, I'm not complaining! I love this set, purchased one, and can't wait to dive in. But we've got to pass the time somehow until 9/18 and keyboardist debates can get old (and sometimes violent). I feel the choices for 1966, 1967, 1969, 1974, 1975, 1976, 1979, 1981, 1982, 1984, 1987, 1989, 1991, 1992, 1993, and 1994 are spot-on. Wouldn't change a thing. I don't know much about the choices for 1968, 1983, 1986, or 1990, so I won't comment on them. I love the choice of 4/15/70. Great show. But I would have gone with 9/20/70 to get some of that Fall 1970 sound. If that's not in the Vault (unclear), then I'm fine with this choice. They also could have used 6/7/70, which is in the Vault. I also love the pick of 3/18/71, but its the exclusion of December '71 material that has me second-guessing. 12/5/71 or 12/15/71 are up there too! A complete 8/6/71 would also have been nice, but much of that show is out with DP35 and RT 1.3. The 1972 choice is interesting. The one that circulates could use some cleaning up, and that may catapult the show into top-tier status. Much of October 1972 is not in the Vault, so choices like 10/18/72 and 10/28/72 aren't options. I would have gone with 9/28/72 from September or either of the Berkley shows if not 9/24/72. That said, I'm looking forward to the Vault's copy of this show. Again, 11/14/73 is a GREAT show. Love it. Happy with the choice. But I would have picked 6/10/73, 10/25/73, or one of the March shows over it. 1977 is a unique case. I would have taken a number of shows over 4/25, but they're not in the Vault. 2/26, 5/5-5/9, 10/29, and 11/6 aren't there. 3/18 could have been a great pick...perhaps someday? However, I'm happy with what I've heard of 4/25 and this is a worthy choice. I'm a bit baffled by the choice for 1978. I've always felt that '78 got worse as the year went on, with January > Feb > April > May. I know 1/22/78 and Red Rocks aren't in the Vault, and all 3 would have been great options. Maybe 4/21/78? With DP18, From Egypt with Love, COW, and DaP7, some of the best shows are already out there. Similarly, the 1980 choice is confusing. Obviously, I would have hoped for an acoustic set from Sept or Oct, but those were chopped for Reckoning and Dead Set. I always felt 11/29 was a superior show to 11/28, and 6/20 would have also been a better choice. I like 6/24/85, but it pales in comparison to 6/30 or 7/1. Hopefully, those are a mini-box at some point. There are some good November shows, but I'd still go with 6/24 over those. I'm no expert on 1988 or 1995, but I always felt 7/2/88 was the best show of '88 and 3/30/95 was the best of '95. What do you think?
  • will74
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    Re: Choices of Shows, Brent
    In response to Mr. Jack Straw...here is my quick 2 cents. Overall, I am very excited about most of the selections in this box set. He was either spot on (10/27/79), or very close (6/24/85) with a lot of the choices...in my opinion. However...here are a few dates I would trade out for. 1981: 3/6/81 ...amazing show...Let it Grow>Deal is a must hear, as is the Estimated>Franklin's. Would have loved to have seen 7/10/81 also...awesome 2nd set. Hope this could be a Dave's pick soon. 1983: Most of the Spring tour, especially 4/13/83 (one of the best Scarlet>Fires EVER), and 6/20/83 would have been incredible to see in this box. 1985: 6/27/85, Saratoga: great playing, inspired setlist...including Feel Like a Stranger> Eyes, a 1st set Crazy Fingers, and an exciting Supplication jam Whoever does not know these shows should check them out. Quickly on Brent...I did not learn to appreciate him until well after even Jerry died. I love his early singing more than his later years, but I LOVE Blow Away these days. I also love a nice Far From Me. I would have laughed myself out of town 20 years ago if I heard myself say these things...but there you go.
  • Morning Sun
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    Brent, et al.
    Just a Little Light, Blow Away, Easy to Love You, I Will Take You Home, all fine by me. Do the people railing on IWTYH have children? Hey Pocky Way cover was a highlight. I agree the Blow Away rap was cring-inducing at times, but the song structure and way it jammed out to an unexpected stop, particularly '89 versions, was great. My reaction to much of the "90 boxes was that the band was lucky Brent was there, because he was working like mad to keep these songs coherent. A little like Garth Hudson for The Band--the more you listen, the songs are really his keyboards combined with all the sweet singing. Except for the Dead you had not so sweet singing, at that point, usually. Bob's 'angular' later songs? Throwing Stones, Picasso Moon, Feel Like a Stranger--love them all. I expect some of the highlight shows not included in this newest box are to save for later DPs and boxes.
  • MLavallee
    Joined:
    Speaking of Brokedown Palace...
    Noticeably absent from the box altogether. Was always my favorite encore, just perfect.
  • davey concepci…
    Joined:
    May post more later, but I
    May post more later, but I was at the Cincy '85 show and was a little surprised that it was selected. I hope DL2 gives us some thoughts on how the shows were selected . . . I mean, after all, that's part of the fun of being an obsessive Deadhead is engaging in such arcanity (and why the Boys still make lots of money off us!). I thought a good show, better than most during that period in which Jerry was so obviously seriously impaired, but would have thought Saratoga a few nights later or one of the Red Rocks shows, or the Halloween show in Columbia, SC with the Space opening of set 1(which was quite good). Also a bit confused why none of the anniversary shows from 1980 were selected instead of a pretty pedestrian Lakeland, FL show. Any clues on that one? I mean, is it correct that the NOLA shows were not recorded by Healey or Betty? I've always loved the AUD of that second show with the Brokedown encore. Please don't take this as whining . . . it's not. I bought on day 3 (had to fix debit card max charge and didn't realize the snafu for a couple of days) and think this will be superb. This may be the product that my kids (25 and 21) really come to grips with the importance of the Dead as a musical phenomena as opposed to a social and commercial one. Anyway, just rambling gambling thoughts! DCFHOF. It's time. Kentucky Scott
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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We're not going to see this thing until it's already sold out?
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15 years
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Bob Weir and Mickey Hart to Perform at LOCKN', join Phil Lesh and Bill Kreutzmann on the Lineup...so this is not the last time they will play together?
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Once i had kids that became my favorite Brent song, another that might make your rotation (gender aside) is Lennon's Beautiful Boy.
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The Rhino deal...yeaaaahhh. This has been a match almost made in heaven if you're a guy like me that enjoys the nicely packaged, historical write ups, photos, top-shelfie Dead. But I offer you a sample from the WharfratWhitey Vault. A fairly well known ditty that goes like this: 'I wish they would do some general non-limited releases like Crimson, Truckin' Up, Ladies & Gentlemen, Fillmore East 1969, etc.' You guys remember this popular ditty of mine. Give me a reason to go to my local record store more than twice per year(RSD, RSDBF). Peace.
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Quite possibly the most beautiful love song ever written. That's a great "set-list" for your daughters. I'm happy to see folks starting their kids on music when they're so young. I think music for kids is as important as reading. You need to "feed" the ears as well as the eyes. It's not easy to find but I would suggest adding Rickie Lee Jones 'Rainbow Sleeves' to your kids lullaby "set-list". I'm a cantankerous 55 year old, but my eyes still tear up when I hear it. It's absolutely gorgeous. Kudos to you!
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I'm feeling great about the Band's 50th, loved Santa Clara, excited about the box set and all the other offerings! For those of limited means, check out Archive.org of course where there are tons of free soundboards the band lets stream free. If you have a bit more, get spotify which allows you to stream all Dick's Picks, Road Trips, All Europe 72, plus most studio and other live releases. Earlier in the thread people complained about the Bands money grab. For the cynical Dead Heads who project some nostalgic, Jerry would never allow this nonsense, recall that Jerry sold his artwork on ties for Petes sake! And for those who think the band/Jerry in the good old days wanted to give it All away and not live well, check out this quote from Garcia. Peace to all, and enjoy the celebration and the ever evolving grateful dead derivations! Fuck ‘people’s music’.” laughs Jerry Garcia from a reclining seat in the plush, wood-finished business offices of the band. (The comfortably expansive cluster of rooms are located in a streamlined San Rafael complex.) “I mean, I thought it was a dumb discussion even when it was the big thing awhile back to talk about how music should be free… that music belongs to the people and musicians rip them off. That kind of thing really irks me. “It’s like, in order to get so you can play music you have to sacrifice a lot of what would have been your normal life. You know what I mean? For lack of a better phrase, you have to pay the dues to get so you can play music. It’s not a thing you just do. If that were so, everybody’d be making their own music and there wouldn’t be professional musicians. There’d be no need for them. For someone to deny the fact that you spent a certain amount of your life working on some sort of discipline and learning how to play… that’s the rip-off. That’s the state versus the individual. Anytime someone comes down on artists and claims their work on any level, I think that’s pure bullshit. There’s been too many great musicians who died poor. People’s music… it just ain’t so.”
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I went for the box option. Here's why. While I've noticed that hi-res sources can sound better than cds- and I have about 200 hi-res discs in my collection, so I am definitely a believer- I believe that often much of the improvement comes from the advantage also provided by well-done re-mixes or re-masterings that are frequently done for hi-res releases. For example, the use of the Plangent Process for the HD Tracks Studio Albums package would help to improve the sound over prior releases, so that could help to confound listening differences between those tracks and earlier cd releases for the same albums that people have noted. Even apart from these kinds of changes to the source, improvements tend to be heard more from recordings that were otherwise particularly well-made to begin with. For example, a strong orchestral recording from 2005 or 2015 can sound remarkable on SACD, but I have a highly-regarded Universal (Japanese) SACD release of Regatta de Blanc and because of the limits of the source material, even with remastering the improvements are modest- certainly not a must-have difference. The musical content is awesome, but not the acoustical portrait. Crucially, nearly all of the 30 Trips shows are two-tracks (which tend to simplify the acoustic presentation a bit), and the earlier years obviously have variable and often more limited recording quality. While the Dead's official live releases typically sound great to my ears, that's compared to bootlegs or mp3 streams online. I haven't heard them, but for these reasons, comparing the HD Tracks multi-track studio releases of the Dead, or even Wake Up to Find Out (a multi-track from 1990) to two-tracks from 1969 or 1974 or even 1982 (hell, that one could be from a cassette!) is probably misleading. Maybe if you have an amazing audio system or amazing ears or are listening VERY closely, the difference will be significant, but otherwise, I think one is primarily getting convenience and hardly any sonic improvement from the hi-res set, while losing the book and other physical niceties of the box set. The only possible wild-card audio advantage here would be if in your case you have both a cd player a stand-alone DAC unit and the latter one sounds significantly better than the first. The USB set is a fine choice, but for convenience purposes and not primarily audio differences, I would venture.
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I wish we could see the box as well. Its the music inside that's important though. If memory serves, I think they had some significant box design modifications for E72 between the mock pictures on dead.net and the final box. I don't think we knew what it looked like until it showed up on the porch. So there must have been some changes along the way. Since this box has even more discs, I bet there was (is) a logistical battle between size and elegance. It has to fit through the front door after all, right. I hate to speculate, but it could be they don't have a finished product to show us yet. ..or Lemieux got into another scuffle with a surely seal after the last seaside chat and wants the bruises to heal before filming again. Pick your poison.
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Dschian makes a good point. If you don't have (or aren't planning to purchase) a top quality playback system, the USB version will probably not provide anything beyond convenience, and might actually sound worse than the CDs. On the other hand, if you do have a fine playback set up (and you know who you are), most assuredly the 96kHz/24 bit USB version will take this set to another level. Try a simple test. Take a nicely mastered LP and record excerpts at different resolutions and word lengths. I have found that every increment up to 96k/24 makes a difference (although 88.2 to 96 at 24 bits is subtle). Some of the soundboards are DAT - 48kHz/16 bits. It is impossible for a 48kHz signal to sound the same downsampled to 44.1 kHz for CD. The original DAT will have more space between the instruments. Whether or not the originally analog recordings sound better is entirely a function of the mastering done. I presume top quality engineering here, in which case it will be much better. The point made about the need for a playback system that will handle a high res signal is well taken. Nonetheless, if I was a young person with a modest stereo, I would buy the USB version for the future. For those happy with a mid-fi system, the CD is likely a better choice.
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Ziffle, try your listening test as a double-blind trial. That is, the person playing the excerpts doesn't know which resolution he is playing, and you don't know which one you are hearing. I'll bet your results are surprising. I did this exact test (using LP clips, as you suggest) at 16/44.1 and 24/96 and was pretty confident I could hear the difference. But - surprise - I was wrong about half the time, which is statistically the same as guessing. Make sure you listen to at least 50 A/B clips. More is better. Use good headphones, studio monitors, whatever you want. I'd be very curious to hear your results.
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oh it is definitely all about the music in this ginormous box, i just really love the box designs they put out and love seeing all the extras. It's more of a, I know we're not getting this thing for another month and a half coupled with my impatience for it to get here already, lol. on another note, i finally sprung the news of the purchase to the wife over the weekend. she wasn't exactly brimming with joy but she also didn't say cancel the order, so i think that one goes in the win column. As far as the dimensions go, I hope I have to take the front door off the hinges when this thing arrives...or maybe hire a crane to hoist it up so it can be pulled in through the second floor double windows...
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For $50 shipping it should be bigger than Europe 72' Steamer Trunk.. $50 is a lot for shipping!! Spring 90 boxes are a decent size, but I would hope for similar design to Steamer Trunk, in regard to holding the discs. What's up with some updates about this box ? Sirius had some killer 1982 he last few days. Red Rocks and Manor Downs. He's Gone > Truckin from Red Rocks (7.28.82) killer transition at the end of He's Gone and jam out of Truckin is pretty sweet. Call me crazy, but I may like this more than the Scarlet Fire from Manor Downs
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As long as you live in the U.S., and place your order before 9/18, Boxzilla has free shipping. The only unfortunates who have to pay are the Heads outside the U.S. Rock on
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Listening to a snippet from Manor Downs now on Today in GD History. Completely violates my don't sneak a listen if you have something on order rule.. but I have heard that show before. There's a lot to like here. Have a good weekend everyone..
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I just listened to this show for the 1st time the other day. Then I made a comment on here that 7.3.88 will be the next 80's Dave's Picks, completely spacing that its on the Boxzilla (30 shows are hard to keep track of but still surprised no one corrected me). I never listen to a show after its been announced for release, so I slipped on that one. I don't really care though. It's a fantastic show. By the way, I didn't buy the boxzilla for the 80's shows. Nor did I buy it for the 70's shows. I bought it because there are THIRTY FREAKIN SHOWS! Every show is different...different setlist, different songs, different sound, different line-up, different era...variety is the spice of life.
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I'll toss my 2 cents in again. The USB stick MAY sound better, BUT, once again where are you listening to it? If you're sitting at home in front of a great sound system, maybe, you'll hear it. If in your car, mowing the lawn with mp3 player, washing the dishes or sitting at work you will NOT hear a difference. I see some say USB might be more convenient, yeah it might if you only listen to digital playback, but,,, if the usb chip gets,,,, oh what's the technical term??,,, oh yeah, fucked, by dropping in toilet, stepping on, zapped, then oh well there's a 700 buck collection down the drain so to speak. I would get the CD's. First they will be easier to sell down the road if you wanted to. Second the odds of all the cd's being fucked is almost nil (could you have a bad one or two, sure,,, but not 80). Third, you can make your own usb stick once you have the collection. If ease of play is your thing. I rip my disc to mp3. I have a series of memory sticks that I load with different things in my car. Just pop in the memory stick and bang, good to go. Now if you got an extra 700 to piss away (technically I do, but I really fuckin cheap :-) ) then I'd buy a usb set just to sit on. Someday someone will pay you a premium for it. Not enough to retire on because even if it tripled in price where's 2100 bucks get ya. The funny thing is when the offer first came out I read it that the usb chip was included with the cd's. Seemed reasonable to me, hell what's the chip worth 30 bucks? Why wouldn't it be included in a 700 box set? I was like yeah, I wouldn't have to rip all the disc myself!
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I couldn't agree more! I'm looking forward to all of these shows as well as the many unreleased shows I still haven't listened to on archive.org. 7/3/88 is a great show. I just listened to it yesterday and was lucky enough to have been there. Also Willysin4wd and DaveStrang: Both songs are great suggestions for the lullaby rotation. I don't know if I've got the pipes for Rainbow Sleeves and I'm not sure I'd make it through that without breaking down. LOL, I just listened to it for the first time this morning. That is a beautiful song and I was pleasantly surprised to see it was penned by Tom Waits.
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If memory serves me, Mr. Waits and Miss Jones were romantically involved several lifetimes ago. Glad you liked the song and it can be a strain on the vocal cords…now I gotta work on the 'waterworks'.
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Finally ordered mine this morning! I wonder how many of these bad boys are left......... hmmmmm ;)
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11 years 3 months
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Ha ha ha i like your words made me laugh, and i could'nt agree more. It would be so nice to have both, although my next purchase is A PONO PLAYER because Neil rules! now i just can't wait until the epic saga arrives!!! Thanks Dave and Rhino...keep e-m commin but please not for a while as im broke ok. PEACE ALL
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16 years 8 months
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Couldn't resist it. Got one. Can't be many more left. CDs for me
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9 years 1 month
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I can't even think about ordering this until next week. Please let there still be some of the cds left to order when my time comes!
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12 years 10 months
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You might want to order it now. They won't charge your cc until it ships. When you order, the charge will show on your cc for approx. 24 hrs and then it's taken off. I believe they do this to verify your cc is active/valid. Hope this helps and hope you get one.
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17 years 3 months
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Cumple Ano Geronimo Garcia. Thank you Jerry.
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17 years 3 months
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The copy states, "Shows will NOT be sold individually on CD." This does not preclude individual shows being offered for download, which is what I think will happen, once the sets are sold out. Anyway, I have ordered the CD box set. I don't like downloads and want the book with the extras.
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12 years 2 months
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If I'm not mistaken, the USB version also includes the book.
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12 years 2 months
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Now I see it contains a digital version of the book. Not quite as cool.
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10 years 1 month
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I am selling any 10 shows from 1979 - 1995 for 330 bucks. PM me your email address if you're interested. Peace KeithFan2112
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15 years
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Since the E72 shows were sold separately (physical copies) after the declaration of this is it - buy it now - I think the precedent of going back on what was said in the initial advertising and offering single shows has been set. At least an offering of 10 each - I would certainly buy 20 (can't justify $700 for not even wanting most if not all of '88-'95). Can't wait till this sells out or the PTB pull the cord and say it is sold out so we can see what happens next!
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9 years 2 months
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Read the advertisement, there will be no copies of these shows sold on CD. If they do decide to sell individual copies of these shows, that will be false advertisement and will make the original run of boxes no longer limited editions. Just like E72, if they decide to sell individual shows of this box, that would open rhino up to some not paying for it. You can't advertise something as limited and then say it's not limited, that is false advertisement and will bite them in the arse if they do try and sell these again. But if they want to, go ahead, I will ask for a refund and keep the box, thanks rhino. On a separate note, let's hope the box is a better box and better sleeves than E72. The first time I opened the E72 box and tried to get a cd out of the sleeve, it ripped, causing a lot of people to ask for replacements. Let's just hope they learned a lesson on the first big box. Personally, I don't care if it's in an old orange crate and wrapped in toilet paper, I just want the music on cd.
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12 years 10 months
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Deadprayers are in order for you. (Traffic guy?)
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9 years 8 months
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Wasn't expecting my Da15 till tomorrow! Came with a nifty little sticker too! My Sunday just got that much better :)
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16 years 5 months
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How right you are. It really gets old reading comments from people who think it's ok for a company to lie about a product. This has been for sale for quite a while anyone who wants it could have bought it by now.Possibly more importantly it speaks to their ethics if it's ok for a company to lie what about the person in the mirror
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15 years 1 month
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The current EDITION is limited. Any change to any element of the release would then count as a NEW EDITION. My E72 Steamer Trunk Box was limited. The Music Only edition was not. The individual show releases are not even Box Sets, much less identical to the E72 Steamer Trunk Box! I picked up the Springsteen 73-84 Limited Edition Box Set earlier this year. Now each remastered album is coming out individually. This is happening with lots of similar limited edition catalog re-issue boxes. Many fancy vinyl re-issues these days begin with a limited edition run on colored vinyl. Subsequently, the pressing plant runs of a much larger number on black vinyl for the "unlimited" edition. Rhino/GDm could simply press a run of this box in a blue cover and call it a new edition! If you feel strongly about limited/unlimited issues you should get a law degree before you start yowling. Your feelings from your heart are not applicable, this is about technicalities. "will NOT be sold individually on CD" is pretty clear and unambiguous. It also leaves a lot of options open. Enjoy your Box. The CDs sound the same regardless of how many other people are able to buy them.
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16 years 5 months
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is a wonderful thing ...for self deluded minds. And you don't evenneed a degree in psychology to get that lol
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13 years 8 months
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ST. STEPHEN!!!!!! ST. STEPHEN!!!!!!!!!

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17 years 2 months
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EXCELLENT! Love the timely Grateful Dead Movie reference, wjon. Took me a second, then... much hilarity here in Massachusetts.
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17 years 2 months
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Jocularity! Jocularity!
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13 years 8 months
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Thanks, I thought it fit the moment.
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17 years 2 months
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ah, but do you get MY (admittedly non-Dead) pop-cultural reference?
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13 years 8 months
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I knew it sounded really really familiar, but couldn't place it. So, I googled it. Col. Potter's imitation of Father Mulcahy on M.A.S.H., right? Also, very apropos.
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17 years 2 months
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wjon, yes indeed. Loves me some Google. And some M*A*S*H. On another note: Made a casserole tonight, just finished dinner with the family. Almost every ingredient was from my wife's farm (the zucchini, the kale, the eggs, the goat-yogurt, the thyme, the oregano, the garlic, the piracicaba) - everything but the cheddar cheese and the ritz crackers. Now drinking another gin and tonic. I told my wife to put the following on my tombstone: "He liked the Grateful Dead, and casseroles." Maybe it's the gin and tonics, but damn, I am SO grateful for this life. Family, farms, food, love... music, and when I die, I will be among the GRATEFUL dead. Tonight after I put my daughter to bed, headphones and more DaP 15, which is GREAT. Wishing you all the best. #FeelingSappy
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13 years 8 months
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God, that could be right out of a Norman Rockwell. You sound totally happy and grateful, and I hope you find yourself there countless times again before that tombstone needs to be used. Nothing wrong with sappy. Salud!
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9 years 1 month
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Yes, besides loving the Grateful Dead, I also am a huge fan of Traffic... and really anything Winwood was ever involved with.
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12 years 10 months
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It's hard to believe he was only 16 when he started with Spencer Davis Group. I've always liked 'Shootout At The Fantasy Factory'. I think it's highly underrated.
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