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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • sfrank115
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    Sweeeeeet
    Pretty awesome radio show.
  • uv1
    Joined:
    Let there be songs to fill the air!
    Thanks for that link @frankparry. Can't say I'm impressed with the design of the 4-CD box, but I'll bet the 80-disc box will be awesome. And what a monster it'll have to be. Just look at 80 CD's in your collection and see how much space they take up! I'm betting there will be a cardboard slipcase for each show. Or maybe it'll be in the style of a book. It looks like that's what they went for with the 4-disc set. If that's the case, it may be hard for folks to sell off single shows as we've seen on this board and on eBay. Besides which, I think the idea of breaking up the box defeats the vision that Dave had: i.e. taking in the 30-year journey that was the life of the Grateful Dead. So if you're someone who loves the 70's Dead, this may be an opportunity to have some later era music in your collection. And if you're an 80's/90's lover, then this is the chance to go back a bit further. My story is this: I started listening to the Grateful Dead with the album "Without A Net," so Brent has always sounded great to me. I never did get to see Brent, though. I saw the Dead 4 times -- 3 in '91 and once in '93. I was at the 2 MSG shows before the 9/10/91 show in the box. Then I stopped listening for years. It wasn't until my son was born 3-1/2 years ago that I started listening again. Man, I was HOOKED! I tracked down every Road Trips and Bonus Disc over the next year, and then started in on the Dave's Picks and newer box sets as they came out. Despite my expanding collection, I was still pretty stuck in the late 80's and early 90's. But I slowly worked my way backwards. '77 and '74 offered ample rewards for my listening, but earlier than that was a little too much for me. Kinda raw at times. And Pigpen took some getting used to. So it took me a while to get into '72 and all that the European tour has going for it. Now I can dig it. On the other side of the Dead's career, I shied away from post '91 stuff. Without Hornsby, what magic did the band still have up their sleeves? Then I pulled out th '93 Cal Expo Road Trips this year. I've gotta tell you, it's good. Way better than I thought it should be. So when I first saw this box set, I thought, "Way too expensive," and "Too much stuff that I don't want." But the more I thought about it, the more excited I became to hear those shows from years I had shied away from - pre '72 and post '91. I think the box will be an amazing opportunity to experience the full scope of what the Grateful Dead's music was. Thanks for reading. Reach out your hand If your cup is empty If your cup is full May it be again
  • floridabobaloo
    Joined:
    Time being short
    I came up with a rather new twist. Listening to an entire show sometimes just isn't possible, so what I've done is to select one disc from a set and create a mix up. Yesterday I started with some 73 and jumped to 90 then back to 72, etc. kinda works with the 50th concept. I have SO much Dead now, I might be able to only enjoy 1 complete show in a day and that would take a while to go thru all of it. So this approach is in play. I'm also rotating in terms of sets too. First sets and then Second.It gives me a broad palate to draw from and lots of years to combine into one big groove for the day. I've read were some folks wouldn't try this, but it's working in the summer heat so far! Enjoy yourselves!
  • JimInMD
    Joined:
    Change
    There's some good insight into some of the music that influenced Jerry and some of the directions he wanted to explore or did not in the following March '78 JGB interview: https://www.youtube.com/watch?v=ya2Vv1zcGmY It gives some background on the edgier, harder feel the music took on at that time. There's an interesting piece about new wave and punk that starts about 29 min in. Very interesting stuff.. if you had the same conversation say in '72 or '73, Its very likely names like Django Reinhardt, Ornette Coleman, Miles Davis and the like might just pop up. At one point Garcia states, "I like Cheap Trick." A musical Omnivore he was.. 35 min in he speaks highly of the Who and Townsend but says its a drag to do the same show '4 years in a row. Change and reinvention is a part of the golden thread this tapestry is woven from. Anyway, more food for thought. The only thing constant in this world is change.
  • ToddWCorey70
    Joined:
    Keith
    Unfortunately, when I think of Keith's later playing, I invariably think of the Cornell Fire. His blocky repetitive chords are just a sin, and almost ruin this amazing song for me. Give me his early stuff any day, the man was fantastic!
  • frankparry
    Joined:
    Box Design
    I'm not sure if this has been posted before but the British magazine Uncut has a picture of the 4CD version of 30 Trips box and a description and link to Viola Lee Blues: http://www.uncut.co.uk/news/grateful-dead-exclusive-hear-an-unreleased-…
  • MrHeartbreak
    Joined:
    @Thin
    "But I think some of the reason he began to decline is the band's '78 swerve into louder, fuzzier, raunchier tones and electric rock 'n roll (vs the ragtime band). When Keith joined in 1971 it was a 1-drummer band and by '73 they were playing light, loose and ragtime/jazzy. But suddenly in '78 they were in full beast mode and a piano doesn't really fit into a raging 2-drummer band easily - must have been frustrating for him." Excellent post, Thin. I never articulated this correctly, and I think you are right. Since we were talking about the "non-factor" issue (and I'd never actually noticed anything BAD before, like the 12/31/78 bad chord), I decided to check out a couple songs from the famous 5/8/77 gig. After all, we all know that show, right? I dialed up Estimated Prophet in the car, and listened for what Keith was doing. Now, granted, I'm cruising down the road in 93-degree Florida heat, so the AC is cranked to the max, but let me just say: during the first 3 minutes or so that I road-tested that song, I did not hear Keith...at all. I could hear everybody else: Phil, Jerry, Bobby, Mickey & Billy. I skipped ahead to Morning Dew, and I heard a little bit of tinkling piano during the first few minutes...nothing bad, but nothing remarkable. Sounded low in the mix, too...very low. Maybe they really did turn his volume down overall? No idea. For contrast, I listened to a Yes show from the same basic era, '78. Rick Wakeman on keyboards. Now, it's not a fair comparison, I know: different band, different style. But I'll tell you what: those keyboards were prominent, I mean PROMINENT, in the mix. All over the place. So maybe it wasn't just drugs, passivity, or whatnot. Maybe he really was mixed intentionally low by the latter years of the Godchauxs' tenure.
  • estimated-eyes
    Joined:
    12/31/78
    I always liked this show, but Keith is a non-factor and he really blows it toward the end of Good Lovin'-- when the rest of the band stops at one point, Keith hits a big chord. That is one of the worst obvious errors I have heard in all my GD listening, way worse than any vocal flubs they regularly made. Re: Beware Mr. Baker and the Clapton comment, in the movie they talk about Ginger's style a lot and that he was really a jazz drummer thrust into a rock and roll band. Clapton's comment, I think he was more appalled by the comparison to Bonham, you can hear him say, "no, no, Zep..." and then he catches himself before being caught on camera bashing LZ. Ginger could swing, hit 'em hard and provide some world beats, too. I like Keith Moon a lot and find his drumming amazing in his prime. This documentary gave me a better appreciation of Ginger Baker's talents-- in spite of the fact that he is absolutely insane.
  • Thin
    Joined:
    Keith "going through Jerry's briefcase"???
    Rdevil - Can you clarify what is meant by "Keith going through Jerry's briefcase may have been his biggest sin"??? Do you mean he was actually busted rifling through his stuff/stealing Jerry's stash, or was that just a euphemism for "he was doing the same, err…, recreational stuff as Jerry and it had a very negative effect"? I do recall a story from one book where someone had stolen Jerry's stash from his briefcase and he started VERY indiscreetly confronting people "Who took my bindle!" Maybe these stories are related (though probably not - made me think of it though…) I'm mildly uncomfortable that this is getting into unsavory gossip, but I'm hitting "send" anyway...
  • Kayak Guy
    Joined:
    Keith vs Mickey
    What an interesting take that I never thought about before, it's Mickey's fault ;) It does stand the basic logic test of jazz based piano players were considered part of the rhythm section and the addition of a 2nd drummer would leave less space for Keith in the mix, where as syths, cheesey keyboards and organ would occupy a different spot in a 2 drummer line up. things to listen for in the future. Billy's new book has also given me lots to listen for and highly recommended for his point of view from the drummers seat on the mood/drug consumption of the periods. Jerry seems to be one of the few junkies that could still play well far longer than most of the people around him and even though it became a problem, they let it continue as the money became everyone's drug of choice at the end. meanwhile Weather Report suite from 9/12/73 SBD just shuffled on and Keith is sounding great, too bad theres a bunch of horns soloing where Jerry should be playing and it sounds like a flock of waterfowl having an orgy.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Even though it was before my time (like most things I like, apparently), I went on a huge MASH kick last year and have seen them all multiple times. Great reference, love both Potter and Father Mulcahy. Listening to DaP15 for maybe the 3rd or so time now. I think this third disc is really where you get your money's worth, yowzah.
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Hey Snafu - need a hug buddy? Just hoping that they find a way to release some of the shows in sets outside of how they put this in limited edition - they have certainly done this in the past (found a way to justify) and just hoping that it works in my and many others favor who refuse to purchase a $700 box. If not no big deal maybe I will just grab a digital here and there - but definitely willing to spend more in sets and I think thats good for them to know (they sometimes listen to opinions on these threads believe it or not).
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Frank Burns…pinched-lipped weasel (good actor).
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Thanks but a hug just won't cut it. While my post was specific to several people (this time) wanting Rhino and by extension the Dead to disregard their promise to those who did the right thing by buying early it actually is a response to our society in general. Businesses that steal their employees pensions or don't provide the services promised. Politicians of all ilk lying and demagoguing and the population playing right along. I know this is far off base but it is out society now and I responded in kind. On person said let's be fair. To me being fair is sticking to your word. Another went after me suggesting I'm not capable of understanding the nuance aka rationalization involved. I would suggest he talk about things and people he knows of. If I come off too strong I apologize but that is what many people need to hear today Peace
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I could care less about the "limited edition" aspect. I'm just a sucker for all the cool packaging and stuff. I honestly hope everyone's able to get the music somehow, whether it's single show releases or digital downloads. =P
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....one of my dad's favorite shows from back in the day, along with Barney Miller and All In The Family. M*A*S*H* was never the same when Major Burns / Linville left imo, and definitely crashed when Radar bolted. They don't make shows like those anymore....
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I like the whole album. I remember the reviews were mixed, which doesn't say much. The title cut is playing as I type ('Shootout At The Fantasy Factory for those who don't know). Great percussion - go Rebop! I wish I'd been able to see the Dead/Traffic tour. Cued it up after GD. I went in deep this weekend in honor of JG's birthday. Started with 69-70 Fri. night/Sat. morning, 77-78 Sat. afternoon & evening (some Spring '90 was in there as well) and dove off the deep end with '74 all day. I haven't listened to DP7 & DP12 for awhile. Hope the week is painless for everyone.
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That sounds like a great day. Feeling grateful is a wonderful state of mind (with or without pun)! I just had to laugh because Casserole is one of the many nicknames of my oldest daughter Cassidy.
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Ferret Face Today we start a paint job on a 4 million dollar Penthouse in Center City Philadelphia, on my way down I-95 the travelling music will be 3/20/77, yeah I'm on a '77 kick again at least until Wednesday then I listen to....... HAVE A MANIC MONDAY, DEADLAND!!!!!!!!
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I am pretty partial to all of the albums they did after the short split following Last Exit. John Barleycorn, Lowspark of High Heeled Boys, Shootout at the Fantasy Factory and even When The Eagle Flies. But if I had to pick a favorite, I would have to go with Lowspark.. hence the username. I like to use the two live albums (Welcome to the Canteen, On the Road) as pallet cleansers between Dick's Picks sometimes. Winwood plays some insane lead guitar on "Light Up Or Leave Me Alone" from On the Road.
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I am a big sucker for Low Spark. Last year at Lockn Winwood did a great Low Spark with Wide Spread Panic as the band. Does anyone have a copy of that? The WSP alone was available to buy but not the set with Winwood? And that set was followed by Tom Petty, which was pretty bad, I swore it was the same set he did with the dead and Dylan back in what 87?
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You see that guy in a couple of other parts on TV (The Rockford Files, maybe a Quincy), he always plays Frank Burns. Never a guy you'd like!
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Hey man, please no pot smoking in the house - you'll want to go up on the roof for that. Meet you up there at 5pm. And don't forget to throw a drop cloth over my piano!
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Well you don't have to worry about the pot smoking I have 19 years drink/drug free, in fact I checked into rehab the LAST day of 1995, as the "party" was over & my sanity was lost on the Streets of Philadelphia. My 'new" addiction is DEAD!!!! Now about that Grand Piano.... 5/28/77 The wife is in the process of emptying our room as we are going to be adventure sleeping starting tomorrow night while, I remove the wallpaper, repaint the walls & ceiling & add a new light fixture & other assorted decorative amenities. A promise I made 10 years ago is finally getting fulfilled to re do our bedroom it's the LAST room to be touched. The reason I brought this up is while cleaning out from behind & under the bed the wife found, a 100 dollar bill, an un cashed bonus check she lost & the most important thing, a SEALED copy of "To Terrapin", 5/28/77 OMG OMG, where, how & WHY this was the under the bed is beyond me yet the receipt states I purchased this in 2009 along with a copy of Rush, Grace Under Pressure Live, well it's 6:49PM time to take apart the bed, & rip up the carpet & listen to my "NEW" copy of 5/28/77, though for some reason the Misses isn't to thrilled that she found it, while I'm very thrilled she found it she made my Monday, THANKS DARLING, I O U 1!!!!!! One More Monday Night, Deadland!!!!!!
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I enjoy your posts. High on Jack Daniels today. Explains why I am actually participating instead of lurking here. I was at three of these 30 trips shows, '83, '84, and '85, pretty crazy since I only saw something in the low 20s of number of shows, (Spring '83-Spring '87), plus a handful of JGB. I only have one or two memories (but these are strong memories), of each show. Some shows I just know I was there. This is all I have for the '83 Worcester show: Birdsong- standing in front of the soundboard sharing a joint with a stranger, it was his, not mine. For '84 Augusta show: I remember the parking lot preshow, a friend weaving on a motorcycle, the hotel room afterwards, and for the show itself, just this: being with my very longtime friend sitting on the GA floor against the far back wall before the encore, hearing the first notes of Good Loving and rushing forward across an open and empty(?) area to a small crowded area in front of the stage, and being very close to the band. For '85 Riverbend, only this: intermission, somehow three of us were together standing in a triangle sharing a large, large size popcorn container full of beer, unable to speak. Well I love the music, you probably won't hear from me again. Hello to Oxford88 whom I knew way back when walls were supposed to hold you up (but sometimes didn't). Looking forward to getting these CDs.
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Any idea when we'll get an update on this here Boxzilla?Or maybe we'll just have to find out when she arrives on our doorsteps..... o_0
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11 years 3 months
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Then I have no choice but to submit Pat Martino's "Exit" for your consideration. One of the greats.
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11 years 3 months
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has been invoked (ok, yes I invoked it, but never mind), can I also mention Bill Evans? In case you didn't know, "Everyone Digs Bill Evans." Even, to my surprise, Bob Weir in that Netflix documentary.
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I think I'm going to grab it while I can.
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9 years 5 months
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Geez is it just me dreaming of holding the boxilla close no matter what she looks like...peace
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Coffee, very cool to hear your memories of those mid 80s shows. I regret missing those years but geography and other circumstances were working against me. Don't be a stranger around here. Dantian, your mention of Bill Evans inspired me put on Largo-Andante-Maestoso from the Symbiosis album as I head to bed. First heard this in the movie Sideways and was very impressed. I have a million things to listen to (and the box isn't even here yet) but I suppose I need to check out some Pat Martino--maybe a trip to the library tomorrow.
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That's one I'm not familiar with. I'll have to check it out. Most of my Bill Evans comes from his early trio with Scott LaFaro and Paul Motian, with a few notable exceptions, such as the quintet on "Interplay," and some others. I've been meaning to delve more into his (mid-career, I guess you could call it) trio with Eddie Gomez and Marty Morell, but haven't gotten around to it yet. But a Bill Evans trio with an orchestra behind them (Symbiosis) does sound interesting...
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Coffee - I hope you'll continue to post, love the tour stories. Just have to keep drinking Jack Daniels I guess.
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9 years 3 months
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Got my box ordered today!
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13 years
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Congratulations! The Deadprayers worked.
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I have read various comments here that other than a short-term temp hold, charges wouldn't be processed until shipping next month. At least for me, that's not true. I placed an order early last week and the charge hit immediately and remain more than a week later. Is Rhino's policy written down somewhere?
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Hey Found Sailor , what method of payment did you use Credit or Debit ? It should go down like this,, -Order Placed -Exact Funds are accessed and verified. It's basically like a pending charge that should drop off normally in 3-5 business days for Credit and Debit. -Exact charge will reappear when it ships. This time when it ships is when funds will be removed.. Gulp,, So if you are using a debit card. Make sure you are fully stocked when mid September comes around.
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Well, that's a good question. The card can be used either way, and I don't believe I specified credit or debit (assumed the former, but should it make a difference in timing?). When all is said and done, I guess it doesn't matter. I have the dough in the account, but would always prefer to defer payment until the goods are enroute. I'm a late buyer (I vowed to my wife I wouldn't buy the box given the major $$ I ponied up to be in Chicago...including a 18000-mile round-trip flight from Singapore), and frankly, I'm just relieved to be on the receiving end of the offering ("My name is Richard and I'm a not-so-successfully recovering collector of Dead releases"). I keep reminding her that at least I don't frequent casinos or brothels! There are worse addictions.
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I would just like some comparison out of curiosity. Does everyone who ordered this have "backordered" stated under your order statuses for this item? And yes, I understand the box doesn't ship until Sep 18th or whatever.
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My status says "backordered" however I was wondering the same thing.
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I used a debit card and it stayed in my pending transactions for about a week and then disappeared. I thought with a debit card they might just take the money at that time, but I was pleasantly surprised.
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Hi lowspark - I think my previous pre-orders have said "backordered" in the past. Should be no worry..
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Honey, I just bought a $700 box of Grateful Dead recordings. You did whaaattttt!!!!!!!!??????????? Well, at least I didn't kill someone, get hooked on smack, screw your best friend, eat all the Tolenti gelato, etc., etc. Just trying to help out here. Maybe I'm not cut out for the alibi business....
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I am in recovery now, for almost 20 years, clean & sober. I always tell people that the Dead are now my only addiction and that this one will not kill me, but that my wife might if she ever found out just how much I really spend at Dead.net! Lol! Rock on
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It's been sixty five days since the big announcement with only forty three days to go - we're over 60% there!!! Beyond the listening party, can you give us an unveiling party or another video discussing more in depth the criteria you chose? Since it's not from the "Dave's Picks" series, no seaside chat required, what about a talk from the vault? Or in the vault but not the dead cage, so you're almost in the vault??? Or on location at one of the locations of the show, like the Greek!!! I don't want to get a musical preview, want to absorb it one show at a time... That would be awesome!!!
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15 years 10 months
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73+ hours of music in FLAC (96/24) and 320 KBPS MP3s30 unreleased live shows, one for each year from 1966 to 1995 FLAC (96/24) and 320 KBPS MP3s of the 7-inch tracks "Caution (Do Not Stop On Tracks)" 1965/"Box Of Rain" Soldier Field, Chicago, 7/9/95 Digital 288-page book with an extensive, career-spanning essay by Nicholas Meriwether and special remembrances submitted by fans Digital scroll featuring a visual representation of the band's evolution
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12 years 11 months
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1966 11967 1 1968 1 1969 2 1970 2 1971 2 1972 3 1973 3 1974 3 1975 2 1976 3 1976 3 1977 3 1978 3 1979 3 1980 3 1981 3 1982 3 1983 3 1984 3 1985 3 1986 3 1987 3 1988 3 1989 3 1990 3 1991 3 1992 3 1993 3 1994 3 1995 3 80 discs TOTAL
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12 years 11 months
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I received an email from dead.net at 3:06am today regarding a Halloween concert at MSG, it's being billed as Dead & Company why isn't it up here on dead.net? It's not a "Fare Thee Well East" as I don't believe Phil or Trey are involved it appears to be Jon Mayer & Otiel Burbridge & Jeff Chimenti this time. Tickets go on sale to the general public August 14th, American Express Card members can purchase August 10th. Top tier tickets will be LESS than a $100.00!!!!!HAPPY THURSDAY DEADLAND!!!!!
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11 years 3 months
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These babies will sell out, hopefully I can score one,, any AMX cardholders want to buy an extra,, meet ya in NYC :) A friend of mine suggested to me yesterday morning before the news broke of Dead & Company to do a 3 day bang out like they did at Soldier Field once a year.. The date and venue would be subject to change..
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9 years 9 months
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I still don't understand all the negativity going on. If you made it to FTW, you made it. If you were able to get Boxzilla, you got it. If you didn't get anything, just carry on. As for Dead & Co, if you don't like it, don't go. Leave the dancing to everyone else. I probably won't be able to make it to this Halloween show, but I'll catch them next time. Stop complaining already. 2015 had a little something for everyone, whether it was FTW, Boxzilla, this upcoming Dead&Co, the Meet-up at the movies, or even just a copy of DaP.
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17 years 4 months
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Anyone have a copy of the 2011 Road Trips bonus disc containing highlights from 12/6/73 that they are willing to share? I honestly would be happy with a digital rip of the disc as I'm not willing to spend $150 on a single CD on ebay or amazon. I have a boatload of stuff to trade. PM me if you can help me out.
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15 years 2 months
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Topheraw,I think the negativity comes from the following math: 1 ("The 80-disc boxed set is individually numbered and limited to 6,500 copies") plus 2 ("Shows will NOT be sold individually on CD. This Dead.net exclusive is sure to sell out quickly") = 3 (give GDM $700 NOW or you can never have official versions of these 30 shows, a FEW of which you have been hoping to have ever since the archival release programs began back in the 90s.) It all depends on what $700 means to your life...
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9 years 9 months
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I promise you. A lot of people missed out on a lot of great, limited official releases. Sure, you won't get a physical copy, or maybe not even on the 18th. But these shows will be released.
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15 years 2 months
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Topheraw, I THINK you are right. I think GDM is keeping all options except individual cd releases open. But they are refusing to let us KNOW that.Looking at E72 makes you obviously correct. Looking at FW69 is not so reassuring. I feel like they are using fear as a marketing tool. Very uncool, man.
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9 years 9 months
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I don't fully understand why they haven't gone back and released 1969 digitally. Because it's so, so good. However, May 1977, Spring 1990 and TOO, all released. It's the smart thing to do on their part. Like I said before, it may not be available on the 18th, maybe not even until a couple months after that. But there's no way they'd deprive us of ALL of these shows.
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10 years 9 months
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Been incarcerated since Nov 28 2014 and still am, just able to work now at least...I just snagged a copy and don't give a fuck what they do to me from this point on -_- Off paper by NYE. . . !!!!
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