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    jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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  • mustin321
    Joined:
    Hey Star Dark
    I got really bored so I just decided to rip up a 20 dollar bill.Thank you for the inspiration. Not one, but two posts about destroying something of value. Yeah, we get it, you're a troller...congratulations.
  • bolo24
    Joined:
    Pelke - clue recap
    Out of town for a wedding. I'll do a recap when I get back for those who care. I don't remember everything I said, so I'll have to go back and look at my posts. By the way, kudos to Zuckfun - he's the first one to go on record with the correct guess.
  • Mr. Jack Straw
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    re: discontent
    DL2 has been very transparent about the entire process. The stated mission is to release shows thata. are well-played b. sound great c. are complete d. not from 1994 and 1995, as the band has squashed those. He has never stated that the archival series was meant to be representative of their career. It's to bring us the best shows that sound the best. With those stated criteria, there should be no surprise that the majority of releases are from 1968-1978 (as they have always been; more than 70% of Dick's Picks and Road Trips are also from this time period). DL2 has been very clear that the sound quality of tapes drops off precipitously once you get in to the early 80s. This is also reflected by the shows that have been released. DP13, DP32, DP6, and DP21, while good shows, are amongst the worst-sounding releases in the catalog (The 82 RT is a bit better). Sometimes the quality of the performance can overcome the poor recording quality, sometimes it cannot. I think the fact that 1979, 1980, 1989, and 1990 are well-represented shows that DL2 doesn't have an anti-Brent bias. Rather, there happen to be well-recorded shows from these years, and they've been released. 1990 in particular, is more represented than any other GD year excepting 1972. Prior to 1980, there just happen to be a higher proportion of well-played shows and a higher proportion of well-recorded shows. That's all.
  • marye
    Joined:
    12-26-81
    Agree with the comment above that this was a great show. I was there, I loved it.
  • dcmarkway
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    72
    Aside from the special releases (SSDD and E72 - and can you really complain about those releases?) no show from 72 has seen the light of day since Dicks Picks 36 back in 2005. It was not represented in the Road Trips Series nor in Dave's so far. In terms of subscriptions and regular programming, we haven't seen 72 for nine years. Considering the level of play and the quality of these recordings, where's the beef? Since RT started, we've seen as much 93 as 72. And at the risk of poking a bear with a stick, we've been over saturated with the 80s in the last ten years. That and all that terrible 69 and 74. It's so frustrating as a fan that they were so well recorded, so creative and consistently on fire during those years. So please no more 80s and 90s unless it is a great show with great playing and recorded well. And I hope I don't have to wait another 9 years for another 72 show in the series (please sometime before DaP 47!)
  • FennarioXRDS
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    Interesting interview of Hunter in the WSJ blog
    HUNTER: I wrote the words for “Touch of Grey” for a planned solo album that was dragging along. My version was much slower and Jerry asked if I minded him recasting it for the Grateful Dead. I And all of a sudden we had a hit single and I had enough money to buy a house. Interviewer: That song changed everything for the band. HUNTER: We were just about done. The Grateful Dead was virtually broke and there wasn’t enough money coming into the enterprise to cover expenses. I’m actually glad the success didn’t happen earlier because to my way of thinking everything went wonky after that. The old days were gone. There was suddenly huge money, which simply attracts huge problems. http://blogs.wsj.com/speakeasy/2014/07/18/lyricist-robert-hunter-on-fin…
  • Diggey
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    Stoked
    so, it's a rainy Saturday and I have some time to reflect and I want to sum it up into one word....... First, the Meet Up at the Movies was awesome. The sound quality and video was amazing. You got a really good example of that magic "chugging" rhythm that makes the Dead unique. Only loud clean tight playing makes that chug. Mr Charlie being the standout for this. I could barely keep still wanting to move the music. I loved the bands gear shots as well. I really hope this comes out on DVD, cause I think a lot of people once they bought it would be really stoked. Secondly, though my favorite era and years of the Dead are 1972 to 1979, specifically, 74 and 76, the awesome quality of the Spring 90 set soon to be released has me super stoked, that I will be able to complete my Spring 90 tour and hear the band at one of their many zeniths. Last, the announcement of Wichita from fall 1972 has me super super stoked. It's an amazing time for the band and it will be an amazing release with amazing chugging tone and playing. I'm stoked because we are being treated with so much and in my opinion, a good mix. This entire year has had some great, different, and really cool releases so far. Just imagine if NONE of it was happening? I shudder to think....... So to end how I began, I'm stoked
  • FennarioXRDS
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    80's and 90's releases
    More will be revealed.
  • hbob1995
    Joined:
    DaP Subscription
    I myself cannot really understand anyone saying that the subscription is too expensive. You get four, 3-disc complete shows plus 1 bonus disc. That is 13 discs for less then $100. That is $7.62 per disc. AND free shipping. Plus what you are receiving is available nowhere else. To me, this is a TREMENDOUS value. If you get a release that you do not want, do not open it and re-sell it. I GUARANTEE you will not lose any money on that sale and then you can sit back and wait for the next release, and it has cost you nothing. This way you will not be 'forced' to have something that you feel is not worthy of your consideration. Am I missing something here? This is a NO BRAINER!I myself would also like to see a little more variety in the eras released, but I am happy to see what DL releases. The shows always sound great, which to my uneducated mind, is amazing. How they can take tapes that are over 40 years old and restore them to such sonic quality is beyond my comprehension. Plus I love the great artwork and the liner notes. Maybe you are not happy with a particular release, but I really find it hard to believe that you would not subscribe next year. It is a no lose deal that offers the possibility to everyone that they will get "that" show, or "that" era, that they long for. Rock on.
  • uv1
    Joined:
    Just a few other thoughts...
    Just a few other thoughts... 1) I'd love it if we could all say what we mean and not say it mean. Alas, I can only control myself, so that is what I will do. 2) The lack of Brent/80's releases -- or releases outside of a few choice years -- is a valid complaint. If I went to a buffet that advertised "something for everyone," and they served way more of two or three dishes and barely any of the dishes I loved -- say 6 different types of pizza, but only 1 chicken dish -- I'd be annoyed and might not go back there again. 3) The release of Spring 1990 (TOO) is not, I believe, a valid response to the Dave's Picks needs more of a variety argument. First of all, it's not a Dave's Picks release. I subscribed to Dave's Picks the last two years, and I've gotta say that I've been a little disappointed with the breadth of the release years as well. Second of all, it's expensive. I don't have enough income/savings to buy everything, so I couldn't "spring" (pun intended) for the new box set, and opted for the stand-alone Branford show. But you know what, I was hoping they would've released that show as a Dave's Picks at some point. That would've saved me a some money. 4) I love me some Brent. The most played Dead music for me has Brent playing. Took me a while to hunt down all the View From The Vault Soundtracks, but I did. And I love them. It's not asking too much to throw a little more love for those eras of shows into the mix. Peace.
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jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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10 years 7 months
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Since there isn't a page for this particular box set anymore, anyone around here have an idea when "Winterland June 1977" box set will be back in the store? Thanks!!
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10 years 10 months
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I doubt that's coming back. It's been sold out for many months. It sold out around the time Winterland 73 sold out and that one is probably not coming back either.
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16 years 1 month
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I'm afraid I don't have time to read 34 pages' worth of comments right about now, so I'm hoping that someone can answer this for me (with apologies if it has already been asked and answered somewhere in this thread): are the Hi-Def files seamless, or are there fade-outs (and fade-ins) between drums and space like there would be on the Apple files? I instinctively want to believe that they would be seamless, as they can't be burned to discs but I would appreciate it if someone could confirm this for me. Thanks in advance!
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10 years
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I finally talked myself into picking this up the other day. Came today, I am just starting disc 2 of 3-14 and I am already so glad I picked this up. The sound is incredible and the band was killing it. The box is on another level. I am now thinking I wished I had bought the first box when I had the chance. I won't pay $900 and up for it, i guess i will just keep my eyes peeled for a deal. Thanks for the push fellow heads.
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13 years 7 months
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Johndrano, You can now get the first box set as a lossless download. You don't get the book and other bits and pieces and you will have to burn your own cds if you want to listen on a cd player but the cost of the ALAC version from dead.net is way cheaper than $900! Here's the link http://www.dead.net/store/1990s/spring-1990-volume-one-box?intcmp=store…
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9 years 5 months
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That was very funny. I just don't have that kind of it. Says a lot in a few short words.
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9 years 11 months
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Was listening to the Nassau 3/28/90 show earlier and when thinking about the cover artwork-- the wolf, raven and gold crown piece-- couldn't help but think Jessica Dessner had Game of Thrones on her mind. Or... maybe I just do!
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11 years 9 months
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I really wish these downloads were available piecemeal, show by show. I would definitely pick up each show individually over time, but dropping $200 all at once can be difficult for some people. Love that the FLACs are in HD though...
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9 years 5 months
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I am not sure if i get this,people are saying that the recordings are not that great for one reason or another but what it comes down to is these shows will put you to sleep. The overall energy is almost invisible 7 minute Halfstep,8 minute playin's, 17 minutes for a Help On The Way>Slipknot>Franklins Tower TOTAL. A 8 or 9 minute China-Cat>Rider has no time to even find a groove or a 19 minute Scarlet-fire it's over before it starts. How is this for an idea lets forget the '90's forever plus there was a million tapers if you want that MIDI bullshit. Why not jump to some shows worth listening to like march of '73,fall of '73 with horns,6/22,6/23,6/27/74,10/15,11/1,11/6/77 or 4/12,5/7/78 or 2/17/79,1/5/79 i could keep going but one thing is for damn sure NO MORE'90's please. Am i the only person that despise's that freaking midi-sound?
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13 years 4 months
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Ya know, I'm not the biggest 80s or 90s fan either. But I gotta say the 3/21/90 show kinda blows me away. There is a ton of energy here and little MIDI. I saw 30 or so shows in the 80s and none of them were as good as this one. Maybe it's an acquired taste. Give it a few spins and see if you don't warm up to it.
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13 years 2 months
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A reply to the poster from 4/30. Besides being a very poorly written post and wandering to the point where I don't know exactly what they were trying to say other than they don't like GD after 1979.. I simply disagree. I love '67 - 74 too, but if you don't like later day sound, no one is holding a gun to your head to get this, please have some manners and show some respect. There's plenty of energy in the shows in this box. I am half-way through a second listen of this whole tour and added in Formerly the Warlocks and Nightfall of Diamonds for good measure. The song selections, recordings, performances and mix are peak, later year GD. I especially like the song selections and performances contained in this box. I am happy to disagree with the rant two posts prior to this and dig the mix on Spring '90 TOO. My experience is more in line with One-Man's. Enjoy.
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9 years 3 months
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Just received my box... its awesome. Used my cancelled FTW monies..looks like some cold rain and snow will start here soon ..peace
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11 years 1 month
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Have fun on tour! Good choice,enjoy!:)
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15 years 8 months
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I've been a loyal fan since '76. Had tons of tapes, now CDs, bought all the Dicks, Daves, and box releases. This box, in my opinion, has the finest quality live Dead recordings I have ever heard. You really feel like you're on stage with them. Well done guys!
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14 years 11 months
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Piggybacking on @rdrewr's comment, this box set will in the end prove to be money far, far better spent than getting the Fare Thee Well set. The sound quality/mix is magnificent. And as much as I enjoyed watching & listening to the Chicago shows they do not in any way have the repeat listening value that this does. Also, I love me some Trey Anastasio -- I do -- but Jerry is here and he plays pretty damn well on these dates, with a band that is tight with him and vice-versa. It's really no comparison.
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9 years 3 months
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Such good $$ spent here. Mix clear and in my face (yep, very loud, haha) Blessed that one left for me. rrot.. your right. Peace to all. Jerry, happy Bday my friend, miss you tons :((
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13 years 10 months
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I'm listening to a few of these gems for the last week, 3/14, 3/21, 4/1, WOW these have awesome sound. And the band is ON every night, almost, on this tour. I can't believe this isn't sold out. Jeez, this is some of the hottest later dead around! Thanks to those who made these great recordings, and mixes. I am truly grateful! nitecat
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17 years 3 months
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I'm also surprised this hasn't sold out yet. The quality of the recordings and performances are top notch. I revisit this release more than any other. The unconditional generosity by many people here to gift me this treasure trove makes it all that much more special for me. THANK YOU!!!
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9 years 2 months
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Maybe not sold out because they have made an awesome hi-res download version available ... it is what I bought.

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10 years 4 months
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It's really a great sounding box and the shows are very good. Very glad I bought it after all
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10 years 10 months
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I bought it unopened on ebay, and the tray that holds the book was damaged (smashed in and torn where it says Spring 1990) when Rhino put the set together. Not the end of the world, the music still sounds great, but I'm now looking for a replacement of that piece. If anybody wants to sell just the box, please PM me. I don't even need the extras or the book..really just need the tray. Thanks.
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13 years 2 months
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If you haven't got this by now and want it.. There's less than 100 left, bet it disappears just about the time the first tax refunds start to appear.
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9 years 2 months
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Incredible performances. Something about these 1990 shows really let your mind melt into the music. They're so polished and smooth sounding. There's so many aspects to attribute to the sound here and it's absolutely mind blowing. Just to name one minor piece, I know some people dislike the use of Jerry's MIDI equipped guitar, but I personally think it adds something truly unique to the performances. Maybe even a touch of surprise at times. The goodies that come in the boxed set are great as well. Definitely a must for Dead enthusiasts.
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8 years 9 months
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I just ordered this box set. I have volume 1. Love it. I guess I didn't realize that there was a volume 2 until a few days ago. I don't come here a lot. Looking forward to Xmas. For that price, it's an Xmas present to me.
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9 years
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I'm down to only two 30 trips to listen with virgin ears (72 & 74) and saw this box was 15% off yesterday. As my wife likes to tell me, "It was on sale, I just saved you money!" We'll see if this man smarter.
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8 years 11 months
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This man smarter! The music is great! You will be so happy!
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8 years 9 months
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Quality is first rate. Sound and workmanship of the cases, printing on the CD's All First rate. I wish though that iTunes didn't make it so hard to gulp these down onto the computer. Inconsistent album titles. Inconsistent dics numbers. Of all the CD's it took longer to sort them out in iTunes than it too to rip them. Grrr. I understand that this is Apple/iTunes fault and not the CDs.
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9 years
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I find it incredible that this box is not sold out. The sound is first rate and Jerry's playing and vocals are strong. While some have complained about the MIDI, there were only two or three times it didn't work for me. In fact, I found it a nice change in LLR which is always a buzz kill for me. Touch is bouncy, Man Smart very good (although the attempt for audience interaction doesn't cut it) and Althea one for the ages. Have fun!
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15 years 8 months
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Just wanted to throw this out there, I too was frustrated with iTunes metadata, however I believe this is from lazy and inaccurate individuals who load their poorly labeled discs to Gracenote or whatever, and then the options are usually wrong for the rest of us. This all started for me when I decided to import the E72 box. Nightmare!! My advice is, pick the option that "looks" the most accurate, but DO NOT import it as such. Instead, choose NOT to import, fix the mistakes first, then import away. Sorry for a three moth old reply, but we are all in this together. (~}:-
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9 years
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Been waiting for what seems like forever for this thing to sell out.
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8 years 6 months
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Yeeeeeeeeeeeeeeeeeeeeeeeeeeeeees! On yesterday I have got my Spring Box (The Other One). Thanks a lot guys that you have bring to us this exciting and beautiful box!
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17 years 3 months
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Finally gone. That will make the folks at Rhino happy. Took a long time for one reason or another. Too soon after the first one? Simultaneous downloads available? 9000 was too many?
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9 years 11 months
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Pulled the trigger just in time this afternoon... Mickey's damn Beam told me, turns out it was the right call. Feels all the more special that it came so close. I'll be returning home to this precious package after nearly 4 months across the pond in a week plus. Perhaps my first post on deadland? I've been reading each and every release comment that you crazies have drummed up for years now. Maybe I'll be back! Nice place to be. Dave, dead.net, all involved in this community, thanks a ton!
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17 years 3 months
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The problem with posting when a release finally sells out is that it inevitably becomes available again a day or two later. Won't make that mistake again. Stranger than fiction.

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17 years 3 months
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purplekush, I know this is a year after your post, but just for the record, gotta call b/s on your song-length observations: "7 minute Halfstep" ~ yeah, that's short, but so is 12/19/73 (7:29) "8 minute playin's" ~ 8:56 (7/1/78), meanwhile 10:27 (3/14/90), 11:40 (4/3/90) "17 minutes for a Help On The Way>Slipknot>Franklins Tower TOTAL" ~ 14:50 (8/13/75) "8 or 9 minute China-Cat>Rider has no time to even find a groove" ~ 13:17 (3/15/90), 11:09 (3/26/90), 10:24 (4/01/90), 11:05 (9/19/90) No 8 or 9-minute versions I could find on any of my '90 releases. "a 19 minute Scarlet-fire it's over before it starts" ~ really? I guess these are, too? : 19:33 (10/16/77), 18:01 (11/2/77), 18:16 (5/11/78), 19:55 (7/3/78), 18:28 (7/7/78) 3/16/90's Scarlet > Estimated is 22:25. Incidentally, 11/4/77's Other One = 4:25, and 7/5/78's Truckin' = 7:29. They're both pretty hot, though. Morals of the story ~ some older years boast just as short or shorter lengths as '90; not all '90 lengths are as short as you claimed; and most importantly, song lengths alone do not tell the tale on performance heat. I do share your wish for one of the Fall '73 shows with horns!
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I'd check for you but I didn't order this box. Hopefully someone who did will be kind enough to take 5 mins to get you some confirmation so you don't think you're going nuts! beet juice
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Does anyone have any definitive information on what exactly this is? Heres a link to the ebay item, it has sold, so if you click on this link and you are on a computer or phone, you will need to click on the item to see the original listing. Then you can see the photos, and the numbered coin, which instead of havings its own number, it says, "miracle"? Im thinking this might be what they decided to do with promo copies, instead of leaving it blank, or stamping it "promo" like the FW69 boxset. The Dave's Picks series, all have blank promo copies. (Would be very interesting to know how many promos they make for each of these limited edition items!!) Ok, heres the link:http://m.ebay.com/itm/Grateful-Dead-Spring-1990-The-Other-One-Box-Set-M… If you have the ebay app, you can also just enter this number in the search box, and it will bring you to the same item. Again, it has already sold, so you will need to click on it, to open the original listing. That item number is: 162549487635 Id really like to know what the miracle means on the numbered coins...it makes sense that it would be a promo, that they sent out to reviewers and whomever else is lucky enough to get all this stuff, we all do everything we can to afford, for free! And instead of stamping promo, or leaving blank, they stamped miracle, as in here is your miracle (free) 1990 spring TOO boxset!!! Must be nice!!! Still, though, would like to know for sure! Thanks.
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To Fully reconstruct the show from 3/24/1990 at the Knick, you would need to buy " Without A Net " for the One More Saturday Night that closed the 1st Set, Postcards of the Hanging to get the Desolation Row that followed Loser in the 1st set, Dozin' at the Knick for Walking Blues in the 1st set and all of the 2nd set, and Spring 1990 (The Other One) to get the other songs from the 1st set. That show got hacked to pieces.
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