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    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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  • WharfratWhitey
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    Takimoto
    Good deal takimoto. I was at Mansfield. Forgot to anticipate the additional holiday week traffic to the Cape. Listened to the match on the way down. Hot as hell. Ive been back on Phish for a couple years now after basically not listening at all since 96. I'm inspired by what I hear. I think the days of comparing them to the Dead should have passed awhile back. They are well into their own now and have been going strong at what they do for years. It would be like still comparing the Rolling Stones to Howlin Wolf or Muddy Waters. They (Phish) Jam and people still follow them around the country. I think the overall comparisons end there. If that was your Phirst show you caught a good one. I thought it was a very tight show and a beautiful night in Mansfield! Peace.
  • TN Dead
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    re 2 track vs 24 track
    An a-b comparison between Without a Net HDCD and Spring 1990 box should answer any SQ. questions. The 24 track mixes are full, transparent, with a wide open soundstage.The drums and bass have separation and depth. The Spring 1990 vol.1 material has a bright,digital, sound.Its all there but, it lacks balance and warmth compared to the Without a Net mixes. If Spring 1990 TOO is mixed down well, there will be no comparison.
  • takimoto
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    @wharfratwhitey
    looks like you were at phish in Mansfield a few weeks back. I was there too. Had never seen phish before and didn't know any of there songs. Still thought it was a great show. Was going to golf with some buddies and then we were going to go to the show. It was like a thousand degrees and humid that day. Ended up sitting in a buddies house (who happens to live in Mansfield) watching world cup and drinking beers. Concert was great. Only bummer was it took 2 hours to get out of parking lot in Mansfield when show ended ... that was rough. I listened to phish in early/mid 90's briefly and at the time, thought they were sort of a cheap imitation of the Dead so figured i'd stick with the Dead. I just recently borrowed some CD's from a friend and going to give phish a bigger listen.
  • takimoto
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    @mpace
    thanks for the feedback. I'll pull the trigger on CWI first chance I get.
  • antonjo
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    Ed, Terrapin, tickets
    Ed,Actually, the entire Terrapin was only first performed live by Further a few summers ago (and it was pretty thrilling, I must say). The closest the GD came was 3-18-77, where they attempted the Alhambra (Jerry & drummers duel) piece...and not very tightly, though it's still really cool. The Terrapin Ltd show, 3/15, was actually the "weak" night of the three Landovers to many of us. But it cleans up nicely! one of the best sounding releases I know of, hard to believe it's not multi-track. I think we just had poor seats for sound on the night; for first half of first set, at least. Hardly heard a note of Jerry's leads on Sugaree, but the tapes don't lie (still can't compete with Landover '87's or Hampton '88's, though ; ) Terrapin thru to closer is just excellent stuff, and wonderful Althea, Cassidy & Jed in the 1st. Easy to Love You is near impossibly tight, and Walkin' Blues (always preferred Minglewood) is quite good, too. But I still think 3/14 & 3/16 are beefier. Fennario, reprinted vintage tickets may not sell a box. But that stuff really does add love to a package. When I opened the Spring '90 box and saw the Camper's Info guides, it nearly brought a tear to my eye--they were the EXACT ones that circulated for those shows. That's just a nice touch, and I can't imagine it's adding much to the cost. What it adds is richness to re-immersing in a time & place along with the music. To me, it brought a big smile.
  • EdTheHead
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    Just bought Terrapin Limited
    RE: HarveyDental "Sold Out.." I just bought Terrapin Limited last week of May. I must have got one of the last ones, 44,000-something serial number. But I am still somewhat dismayed that it does not have a COMPLETE "Terrapin Station" with all the parts!
  • hseamons
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    Two whole months??
    We gotta wait two months for this sonic glory? Hopefully we'll get a couple "Yoda Preview Tracks" to tide us over.
  • stoltzfus
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    listened to 8/24/85 over the past few days
    not the horrific train wreck it is rumored to be, but you can hear Jerry's anger/irritation/po'dness in the A&A>LL, Daytripper. speeding things up, cutting off Bobby. I really enjoyed Black Peter. if any of y'all were there, what was it really like? back in the day, my friend had a roommate who went; he reported that the roommate's first comment upon returning was "you didn't miss anything." not really related to spring 90, but anyway...
  • Underthevolcano
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    sound
    I don't have a problem with either the 2 track or the 24 track. The 2 track are pretty much direct on the fly as I understand-more of the you are there in real time sound. They sound great to me. The Terrapin Limited was 2 track as well-cranked that up again over the week-end-it is terrific. Joe Gastwirt did the honors on that one. The Without a Net is 24 track and sounds terrific-may be a little less sparkly high end and more "analog" like to my ears-ie-smoother, more of a finished product type of thing. They both have their place. Just like the matrix stuff has its place. Lucky for us-the Dead were fastidious with sound technology over the years which created high quality source material. Some other archival releases from jazz, classical and rock ensembles are not nearly as pleasing upon release many years later because, at least partially, they didn't obsess over sound, technology and in-house control.
  • WharfratWhitey
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    Spring 90
    Without sounding to gooey and sentimental...Spring 90 is how I'd like to remember 90's Dead. The performances were great, the sound was great, the scene hadn't taken the full turn that it did circa 93-95. This is truly beautiful Dead and I can't wait to hear the shows.
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jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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10 years 9 months
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Since there isn't a page for this particular box set anymore, anyone around here have an idea when "Winterland June 1977" box set will be back in the store? Thanks!!
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11 years
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I doubt that's coming back. It's been sold out for many months. It sold out around the time Winterland 73 sold out and that one is probably not coming back either.
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16 years 2 months
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I'm afraid I don't have time to read 34 pages' worth of comments right about now, so I'm hoping that someone can answer this for me (with apologies if it has already been asked and answered somewhere in this thread): are the Hi-Def files seamless, or are there fade-outs (and fade-ins) between drums and space like there would be on the Apple files? I instinctively want to believe that they would be seamless, as they can't be burned to discs but I would appreciate it if someone could confirm this for me. Thanks in advance!
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I finally talked myself into picking this up the other day. Came today, I am just starting disc 2 of 3-14 and I am already so glad I picked this up. The sound is incredible and the band was killing it. The box is on another level. I am now thinking I wished I had bought the first box when I had the chance. I won't pay $900 and up for it, i guess i will just keep my eyes peeled for a deal. Thanks for the push fellow heads.
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13 years 8 months
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Johndrano, You can now get the first box set as a lossless download. You don't get the book and other bits and pieces and you will have to burn your own cds if you want to listen on a cd player but the cost of the ALAC version from dead.net is way cheaper than $900! Here's the link http://www.dead.net/store/1990s/spring-1990-volume-one-box?intcmp=store…
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9 years 7 months
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That was very funny. I just don't have that kind of it. Says a lot in a few short words.
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10 years 1 month
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Was listening to the Nassau 3/28/90 show earlier and when thinking about the cover artwork-- the wolf, raven and gold crown piece-- couldn't help but think Jessica Dessner had Game of Thrones on her mind. Or... maybe I just do!
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11 years 11 months
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I really wish these downloads were available piecemeal, show by show. I would definitely pick up each show individually over time, but dropping $200 all at once can be difficult for some people. Love that the FLACs are in HD though...
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9 years 6 months
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I am not sure if i get this,people are saying that the recordings are not that great for one reason or another but what it comes down to is these shows will put you to sleep. The overall energy is almost invisible 7 minute Halfstep,8 minute playin's, 17 minutes for a Help On The Way>Slipknot>Franklins Tower TOTAL. A 8 or 9 minute China-Cat>Rider has no time to even find a groove or a 19 minute Scarlet-fire it's over before it starts. How is this for an idea lets forget the '90's forever plus there was a million tapers if you want that MIDI bullshit. Why not jump to some shows worth listening to like march of '73,fall of '73 with horns,6/22,6/23,6/27/74,10/15,11/1,11/6/77 or 4/12,5/7/78 or 2/17/79,1/5/79 i could keep going but one thing is for damn sure NO MORE'90's please. Am i the only person that despise's that freaking midi-sound?
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Ya know, I'm not the biggest 80s or 90s fan either. But I gotta say the 3/21/90 show kinda blows me away. There is a ton of energy here and little MIDI. I saw 30 or so shows in the 80s and none of them were as good as this one. Maybe it's an acquired taste. Give it a few spins and see if you don't warm up to it.
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A reply to the poster from 4/30. Besides being a very poorly written post and wandering to the point where I don't know exactly what they were trying to say other than they don't like GD after 1979.. I simply disagree. I love '67 - 74 too, but if you don't like later day sound, no one is holding a gun to your head to get this, please have some manners and show some respect. There's plenty of energy in the shows in this box. I am half-way through a second listen of this whole tour and added in Formerly the Warlocks and Nightfall of Diamonds for good measure. The song selections, recordings, performances and mix are peak, later year GD. I especially like the song selections and performances contained in this box. I am happy to disagree with the rant two posts prior to this and dig the mix on Spring '90 TOO. My experience is more in line with One-Man's. Enjoy.
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9 years 5 months
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Just received my box... its awesome. Used my cancelled FTW monies..looks like some cold rain and snow will start here soon ..peace
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11 years 3 months
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Have fun on tour! Good choice,enjoy!:)
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15 years 10 months
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I've been a loyal fan since '76. Had tons of tapes, now CDs, bought all the Dicks, Daves, and box releases. This box, in my opinion, has the finest quality live Dead recordings I have ever heard. You really feel like you're on stage with them. Well done guys!
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Piggybacking on @rdrewr's comment, this box set will in the end prove to be money far, far better spent than getting the Fare Thee Well set. The sound quality/mix is magnificent. And as much as I enjoyed watching & listening to the Chicago shows they do not in any way have the repeat listening value that this does. Also, I love me some Trey Anastasio -- I do -- but Jerry is here and he plays pretty damn well on these dates, with a band that is tight with him and vice-versa. It's really no comparison.
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9 years 5 months
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Such good $$ spent here. Mix clear and in my face (yep, very loud, haha) Blessed that one left for me. rrot.. your right. Peace to all. Jerry, happy Bday my friend, miss you tons :((
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I'm listening to a few of these gems for the last week, 3/14, 3/21, 4/1, WOW these have awesome sound. And the band is ON every night, almost, on this tour. I can't believe this isn't sold out. Jeez, this is some of the hottest later dead around! Thanks to those who made these great recordings, and mixes. I am truly grateful! nitecat
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17 years 5 months
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I'm also surprised this hasn't sold out yet. The quality of the recordings and performances are top notch. I revisit this release more than any other. The unconditional generosity by many people here to gift me this treasure trove makes it all that much more special for me. THANK YOU!!!
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9 years 3 months
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Maybe not sold out because they have made an awesome hi-res download version available ... it is what I bought.

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10 years 6 months
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It's really a great sounding box and the shows are very good. Very glad I bought it after all
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11 years
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I bought it unopened on ebay, and the tray that holds the book was damaged (smashed in and torn where it says Spring 1990) when Rhino put the set together. Not the end of the world, the music still sounds great, but I'm now looking for a replacement of that piece. If anybody wants to sell just the box, please PM me. I don't even need the extras or the book..really just need the tray. Thanks.
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13 years 4 months
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If you haven't got this by now and want it.. There's less than 100 left, bet it disappears just about the time the first tax refunds start to appear.
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Incredible performances. Something about these 1990 shows really let your mind melt into the music. They're so polished and smooth sounding. There's so many aspects to attribute to the sound here and it's absolutely mind blowing. Just to name one minor piece, I know some people dislike the use of Jerry's MIDI equipped guitar, but I personally think it adds something truly unique to the performances. Maybe even a touch of surprise at times. The goodies that come in the boxed set are great as well. Definitely a must for Dead enthusiasts.
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8 years 11 months
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I just ordered this box set. I have volume 1. Love it. I guess I didn't realize that there was a volume 2 until a few days ago. I don't come here a lot. Looking forward to Xmas. For that price, it's an Xmas present to me.
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9 years 1 month
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I'm down to only two 30 trips to listen with virgin ears (72 & 74) and saw this box was 15% off yesterday. As my wife likes to tell me, "It was on sale, I just saved you money!" We'll see if this man smarter.
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Quality is first rate. Sound and workmanship of the cases, printing on the CD's All First rate. I wish though that iTunes didn't make it so hard to gulp these down onto the computer. Inconsistent album titles. Inconsistent dics numbers. Of all the CD's it took longer to sort them out in iTunes than it too to rip them. Grrr. I understand that this is Apple/iTunes fault and not the CDs.
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I find it incredible that this box is not sold out. The sound is first rate and Jerry's playing and vocals are strong. While some have complained about the MIDI, there were only two or three times it didn't work for me. In fact, I found it a nice change in LLR which is always a buzz kill for me. Touch is bouncy, Man Smart very good (although the attempt for audience interaction doesn't cut it) and Althea one for the ages. Have fun!
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Just wanted to throw this out there, I too was frustrated with iTunes metadata, however I believe this is from lazy and inaccurate individuals who load their poorly labeled discs to Gracenote or whatever, and then the options are usually wrong for the rest of us. This all started for me when I decided to import the E72 box. Nightmare!! My advice is, pick the option that "looks" the most accurate, but DO NOT import it as such. Instead, choose NOT to import, fix the mistakes first, then import away. Sorry for a three moth old reply, but we are all in this together. (~}:-
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9 years 2 months
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Been waiting for what seems like forever for this thing to sell out.
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8 years 7 months
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Yeeeeeeeeeeeeeeeeeeeeeeeeeeeeees! On yesterday I have got my Spring Box (The Other One). Thanks a lot guys that you have bring to us this exciting and beautiful box!
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17 years 4 months
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Finally gone. That will make the folks at Rhino happy. Took a long time for one reason or another. Too soon after the first one? Simultaneous downloads available? 9000 was too many?
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10 years
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Pulled the trigger just in time this afternoon... Mickey's damn Beam told me, turns out it was the right call. Feels all the more special that it came so close. I'll be returning home to this precious package after nearly 4 months across the pond in a week plus. Perhaps my first post on deadland? I've been reading each and every release comment that you crazies have drummed up for years now. Maybe I'll be back! Nice place to be. Dave, dead.net, all involved in this community, thanks a ton!
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The problem with posting when a release finally sells out is that it inevitably becomes available again a day or two later. Won't make that mistake again. Stranger than fiction.

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purplekush, I know this is a year after your post, but just for the record, gotta call b/s on your song-length observations: "7 minute Halfstep" ~ yeah, that's short, but so is 12/19/73 (7:29) "8 minute playin's" ~ 8:56 (7/1/78), meanwhile 10:27 (3/14/90), 11:40 (4/3/90) "17 minutes for a Help On The Way>Slipknot>Franklins Tower TOTAL" ~ 14:50 (8/13/75) "8 or 9 minute China-Cat>Rider has no time to even find a groove" ~ 13:17 (3/15/90), 11:09 (3/26/90), 10:24 (4/01/90), 11:05 (9/19/90) No 8 or 9-minute versions I could find on any of my '90 releases. "a 19 minute Scarlet-fire it's over before it starts" ~ really? I guess these are, too? : 19:33 (10/16/77), 18:01 (11/2/77), 18:16 (5/11/78), 19:55 (7/3/78), 18:28 (7/7/78) 3/16/90's Scarlet > Estimated is 22:25. Incidentally, 11/4/77's Other One = 4:25, and 7/5/78's Truckin' = 7:29. They're both pretty hot, though. Morals of the story ~ some older years boast just as short or shorter lengths as '90; not all '90 lengths are as short as you claimed; and most importantly, song lengths alone do not tell the tale on performance heat. I do share your wish for one of the Fall '73 shows with horns!
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I'd check for you but I didn't order this box. Hopefully someone who did will be kind enough to take 5 mins to get you some confirmation so you don't think you're going nuts! beet juice
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Does anyone have any definitive information on what exactly this is? Heres a link to the ebay item, it has sold, so if you click on this link and you are on a computer or phone, you will need to click on the item to see the original listing. Then you can see the photos, and the numbered coin, which instead of havings its own number, it says, "miracle"? Im thinking this might be what they decided to do with promo copies, instead of leaving it blank, or stamping it "promo" like the FW69 boxset. The Dave's Picks series, all have blank promo copies. (Would be very interesting to know how many promos they make for each of these limited edition items!!) Ok, heres the link:http://m.ebay.com/itm/Grateful-Dead-Spring-1990-The-Other-One-Box-Set-M… If you have the ebay app, you can also just enter this number in the search box, and it will bring you to the same item. Again, it has already sold, so you will need to click on it, to open the original listing. That item number is: 162549487635 Id really like to know what the miracle means on the numbered coins...it makes sense that it would be a promo, that they sent out to reviewers and whomever else is lucky enough to get all this stuff, we all do everything we can to afford, for free! And instead of stamping promo, or leaving blank, they stamped miracle, as in here is your miracle (free) 1990 spring TOO boxset!!! Must be nice!!! Still, though, would like to know for sure! Thanks.
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To Fully reconstruct the show from 3/24/1990 at the Knick, you would need to buy " Without A Net " for the One More Saturday Night that closed the 1st Set, Postcards of the Hanging to get the Desolation Row that followed Loser in the 1st set, Dozin' at the Knick for Walking Blues in the 1st set and all of the 2nd set, and Spring 1990 (The Other One) to get the other songs from the 1st set. That show got hacked to pieces.
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