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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • giantnerd
    Joined:
    Thanks team Rhino!!!
    This box is clearly a labor of love and is spectacular!!! The jump between 66 and 67 is a quantum leap that can only be explained by alien intervention, and I am doing my best to go from start to finish to get the sense of their artistic development. My wife knew there was a contest so she (gasp!!!) opened my box set with the kids while I was at work. When I came home my kids ran to tell me they didn't find a prize in the box, so I asked them if they opened the secret complement. It blew their minds when I flipped open the lower flap and then I told them there was a book of spells and pulled out the "leather" bound book with the skeleton imprints and their jaw dropped. They believed me for a second, but then I told them it really wasn't a book of spells, but there was a secret scroll... Oh to be young and full of wonder. But the real reason I'm posting is that my buddy is a urologist as assures my that Mr. Lesh's diagnosis is very, very favorable and that he would expect him to recover fully from this. Get well soon Mr. Lesh!!!
  • allman
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    Joined:
    7/3/66 Disc One Question
    On 7/3/66 Disc One, in the first few seconds of Dancing In The Streetis there a complete drop out of the right channel only leaving sound on the left channel for a second or two? Just asking to see if I need to ask for a replacement.
  • ryanpm1976
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    Joined:
    Story with 3/18/71?
    3/18/71 is not listed in Taping Compendium and only second set listed in Deadbase. Is this show fairly new to circulation? Anyone know?
  • purpleerik69
    Joined:
    Phil
    be well soon , and thank you Mr Lesh for all the music and the enthusiasm you still invest in keeping the Dead alive.As i`m still waiting on my Boxzilla i roam through my collection of shows , today is Phil time in the Purple Zone......listen to that bass guitar tones an take a ride
  • deadfeat1
    Joined:
    More Zacherlee and Headphones
    Thanks for the trip down memory lane. During high school I can remember tuning in my old Sony radio to late night radio up and down the East Coast. I lived on a peninsula that jutted out in the Chesapeake Bay and I could tune in all sorts of stations late at night. WNEW stands out as does WBZ in Boston. I remember hearing new albums by the Ultimate Spinach and Beacon Street Union while listening to the "Boss sound of Bosstown on WBZ. Both stations turned me on to lots of great music. Washington, DC had a great station in WHFS, Home Grown Radio, broadcasting from high atop the towers in Bethesda, MD. Great radio back in the day! Some high value headphones you might want to consider... Sennheiser Momentum - Closed back phones in on ear or around ear models - Bass forward phones. Music Direct has some incredible sales on both models Sennheiser HD 558 or 598 - Nice spacious sound - very good for listening to live performances or action movies. Grado - Grado SR 125 - Nice open sound stage that lets you hear a lot of detail. Choose any of the Prestige models and I think you would be happy. Alessandro Series by Grado - You are on the stage with the band with incredible focus on guitars. The MS1 comes in two prices $99 and $109. Can't go wrong with either. Google Alessandro High End to purchase. Grado headphones are handmade in Brooklyn HiFi Man RE400 - In ear phones. Nice for travel and noise isolation. Hard to beat for around $79 The Audeze headphone mentioned earlier are exceptional - just a little out of my price range... Thanks for all the good stuff here!
  • Strider 808808
    Joined:
    John Zacherley / Chiller Theater
    I may be cut from the same paisley cloth as Mr. Ziffle. In the early 60s I used to watch Chiller Theater out of N.Y.C. It was hosted by none other than the famous John Zacherley. He would do these great comic interludes during horror movies. Voodoo Island stands out in my mind. Fast forward to WNEW in the late 60s. Cutting edge radio that was thought provoking. I remember a DJ by the name of Roscoe who would read works he had written. Really deep material. As for FM radio in the present day, there are some true free form seat of the pants DJs that can inspire and heal the listeners. The history of Underground Radio really begins with Tom Donahue and KMPX in the Bay Area. Playing complete albums and capturing the spirit of long songs such as Viola Lee Blues or Butterfield Blues Bands song East/West. I believe those pioneers of the mid 60s took great inspiration from classical ragas of India and extended jams of John Coltrane. And going back earlier, dance marathons anyone? But I digress. Certainly Jack Kerouac used spontaneous prose as a form "stretching out". Anyway Ziffle and I must have been at some of the same Dead concerts at the Fillmore East and the Capitol Theater (Port Chester). My fourth row center seat at the Fillmore 9/19/70. Maybe it was Mr. Ziff or one of his buddies who sold it to me on the street before the show for face value. ($5:50) Long live Zacheley! Love and healing to Phil.
  • wjonjd
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    @Alain - 30 Trips Vol2
    Actually, when I first posted I listed 5/11/72, and then immediately said "Oh merde!! I better change that to 5/4 before Alain sees!!!!" and quickly changed it. LOL, that's the truth. :):). "Tragedy narrowly averted!"
  • unkle sam
    Joined:
    gninetsil ot eseht swohs sdrawkcab morf 95 to 85 so far
    started on the 95 show, very nice, if you notice, this show and a few others were recorded by John Cutler vs others by Dan Healy, the Cutler shows are recorded much better. 94 show is very good, there seems to be a drop out or digi skip when help on the way goes into slipknot, from track 1 to 2, anybody else got this? 93, right away you notice the sound quality is not as good as 95 and 94, recorded by Healy, but a fine show non the less. 92 Hell in a Bucket on this show and 93 show, not my favorite opener and why 2 in a row? Healy again and Bucket starts off inferior recording, but gets better as the show progresses. 91 great show, 8 man band with Hornsby and Branford, great sound, better Healy recording. 90, another great show, with Bruce and Vince, Bruce really did fit in great with this band. 89, 24 track, recorded by Cutler, this is the shit here, best show of 89. I have stories about this weekend in Miami, but will save those for another post. 88, inferior sound quality again and there are way better 88 shows to pick from, why this one? must be the Touch of Gray. The fall 88 tour was hands down better than the spring or summer tour. 87 and 86, 2 discs, short shows, no big jams, nothing special here and another hell in a bucket. I will say the Terrapin from 86 is pretty sweet. I did not go to Dead shows in 86 or 87, giving Jerry some breathing room after his near brush with death. 85 is a very nice show, there were a lot of good shows in 85, especially on the fall tour. The Cutler shows are all top notch recordings, the Healy shows, not so much. I will be listening to the rest of these 8o's shows today, so far, no real problems with discs or anything, the sleeves are way better than those ones from E72, which ripped if you tried to get the disc out, these are much better, the box is nice but won't last very long, made of cardboard, but is a bit sturdier than E72's box, which is very fragile. Love the book, the stories in it are awesome and the way that half is one side up and the other half is up side down, is this the way everyone's is or is mine just put together wrong? doesn't matter, still all there and quite cool. All in all, a good 11 shows to start off the listening experience, I would have chosen better shows for 85 86 87 and 88, but I don't have access to the vault and the shows I would have picked may be worse recordings than these, who knows? Just my opinions and are subject to discussion. More later, have a great day, freezing here in the mountains this am, gonna be a long long cold winter, good thing I have this box to keep me warm :)
  • claney
    Joined:
    Contextualizing Dick's Picks 4
    ziffle - Incredible posts on the 2/13-14/70 runs. Thanks for all that info, and I always love those first-hand stories. Jim - After Ziffle's contextualization of the shows, here is my attempt to explain why I think they chopped up that run when they released DP4, by contextualizing the release. First, this was released in early 1996, very early in the Vault release experiment - and it WAS an experiment at the time. Dick's Picks 1 was a chopped up 73 show - two discs, DP2 was one (awesome) disc, DP3 saw them chopping up one of the all-time 77 Dead shows (also two discs). So, DP4 was the first three-disc release. More expensive, more risky. At the time in the music biz, A two disc CD set was a big deal, and a three-disc set was nearly unheard of - a "box set." The BIG expensive box sets released in the early to mid-90s were things like Marley's Songs of Freedom, or the Police Message in a Box (ALL their albums and singles, from their whole career, on four discs!!!). This was part of a gradual evolution to bigger releases... first to complete shows (Dick's Picks 5!), then two shows together (DP29), then full runs (Fillmore West 69), and still later to complete tours (Europe 72). Now, it's easy to wish they had figured out earlier that we are willing to cough up tons of money for complete, but this is forgetting yet another factor: We were all much younger then, with far less disposable income. In Feb 1996 I had just finished grad school; I had begun my first full-time college teaching gig only a few weeks earlier. I was living in a shack, putting all my money into ramen noodles and paying down student loans. I would NOT have been able to buy full runs, etc. So, in short, the evolution of bigger boxes and more complete releases coincided with (but was not caused by) the evolution of many of the Deadheads to old farts with some money to spend. Co-evolution baby! It's 27 degrees here in western MA. My wife is making scones, my daughter is making Play-doh people, and I haven't heard much of 30 Trips yet, just hard to with all this other stuff going on. But I will - and life is GOOD. Time for more coffee. Cheers everyone ...
  • mbarilla
    Joined:
    Fillmore East sound board + Dick's Picks 4
    Top notch for the era from what is stated about the sound board. I think Bears notes mention John Chester unique sound board. Check out Dicks Picks 4 notes for details and also the Allman Brothers Band - Fillmore East February 1970 CD notes that was released on GDRecords. I think I read someplace Dick L or Bear mentioned the tapes were Mono and Stereo, which may have been the challenge of getting them out? Bear mentions the two bands briefly crossed passed in Atlanta 1969, but did not hear the ABB play live at the time. Only hearing their studio album in Autumn later that year, so it was a treat and sort of surprise for Bear to see 2 trap sets, similar to the GD when they were billed together in Feb1970 "Glorious Sunday morning" - love that
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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9 years 8 months
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Tomorrow will bring us one month away from the big box. They've got to give us something........right?
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12 years 10 months
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Tomorrow is one month until it ships - add one week (or more depending on your location) until we have it in our grubby little hands.
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9 years 6 months
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Does this quote feel a little like an empty promise to any one right now? " So now you have it, but you should stay tuned as we will be revealing tons of great music, artwork, and more." 12 songs hardly count as "tons if music" and I haven't seen any "art work, and more yet".
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11 years 1 month
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They can't show us yet.....too many box-cutter marks.Ooops.Here's to hoping the next 30 days fly by. :)
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12 years 9 months
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To those who possess "The Best of the Grateful Dead Hour" did anyone notice that the rehearsal that took place at Club Front on 9/26/90 is NOT in DB 50, even though the Terrapin>Playing in the Band>Terrapin is less than 3 minutes long it would be interesting to see what other songs the boys were teaching to Bruce as you can clearly hear Jerry explaining the chord progressions during the Playing to Bruce. It is still the most interesting & unusual CD I own of any band. I have notified Stu Nixon from DeadBase & he stated he will definitely look into it, as it's obvious rehearsals did in fact take place on 9/??/90 & 9/28/90, I would presume that the rehearsal on Best of... is the one dated "9/??/90 it also seems as though Goodnight Irene was also performed. A detailed description of the CD is on page 317 of DeadBase 50. I received DeadBase 50 on Saturday & it's already worthy of the $89.99 I paid for it, it's an invaluable tool for ALL Deadheads. And yes it's on the coffee table as it has the Wife's Seal of Approval.
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30 Days until 30 Trips Around The Sun, my goal during the countdown is to call it a different name everyday, so today let's just call it 30 Trips....... And while I'm at it why not an unveiling of what to expect? I would like to know what I'm getting for my $699.98 PLUS TAX. To The Powers That Be let's make it happen. Stay cool Philly as it's going to be HOT HOT HOT in the concrete jungle. HAPPY TUESDAY DEADLAND
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9 years 6 months
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I tell you what powers that be... Don't worry about giving us a preview! Just ship it out 2 weeks early and I promise that I will personally take a box cutter and severely damage my copy. This should save you guys some time in the warehouse!
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13 years 8 months
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Hey Dusty. I'm one of the folks that thinks the box cutter slices are not big deal really. However, I still couldn't help laughing out loud when I read your post. The offer to self-slice in return for earlier shipping sounds fair to me :)
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http://www.amazon.com/Live-Saratoga-1988-Vol-1/dp/B00UYOXW6Q/ref=sr_1_1… So... I just ran across this on Amazon. Says it's available for Pre-Order now, and ships on Sept. 18th (same date as Boxzilla). There's a Vol. 1 and Vol. 2, both of which are only available on vinyl. Anyone know anything about this? If not... there you go. I'm not a vinyl guy (anymore), but I figured that several on here are.
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There is also a CD set for this available and the reviews are not good. Some people on amazon stating there are soundboards out there that sound better. So, is the vinyl gonna better any better? I'll wait...this is a bootleg release, obviously, but I have a bootleg vinyl of 5/8/77 and it sounds great. So, who knows?
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14 years 11 months
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At the Steve Hoffman forums folks are reporting that this label's releases are on quality vinyl, and that while they are technically not legit in the USA, they aren't bootlegs in Europe due to a quirk of EU copyright law: http://forums.stevehoffman.tv/threads/let-them-eat-vinyl-are-these-legi… Essentially, archive.org FM sources pressed to vinyl. Waste your money if you're so inclined, IMO.
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15 years
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Original boot of 8-13-75(namely the "Make Believe Ballroom"), taken from FM, goes for over $100.It has nothing to do with the material being available other places, and everything to do with collecting. I still buy original vinyl of stuff I have on CD, or even on other vinyl. Some boots have attained legendary status and have even been reissued in legit fashion, for example Dylan's Great White Hope, reissued last April for RSD.
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16 years 5 months
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So where is it? We have had 4 listening parties and that is it. Is that really "tons" of music? Dont say things like this if you have no plans to actually do it.
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11 years 11 months
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Got my Deadbase 50 today,,, it's a big book, I'll skim through it, but most data lookups I'll still do online. I got it just to have it. Even better get was Road Trips Volume 1 Number 2,, the man wasn't lying, it came with the bonus disc! I called the help desk to verify if it came that way and they couldn't tell, ordered it on word of someone out there, THANKS. I don't know if they have any more, but if you don't have and would like, maybe you should order one. It temps me to try buying the last few the of the RT they say aren't sold out to see if I can get lucky twice.
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17 years 4 months
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thanks to you from the Rex Foundation, which continues to get a portion of the proceeds from each copy!
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12 years 10 months
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I'm ready for this box-set!........Great way to start the fall....I'm going to listen from start to finish in order and listen to the evolution of the band...Sounds good... I'm ready for this box-set!......
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13 years 4 months
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Oh man, I gotta get busy. I still have the final 2 1/2 Spring 90 TOO shows to get through before 30 Trips arrives. Then I'll get to about a show a week for -- 30 weeks! I'm definitely going to listen chronologically. Finished the S90 Branford show last night. Best thing about it: Branford. Dude has uncanny skills. Then I jump back to finish Show 5 tonight. Shows 7 & 8 are last. I hope they are as good as the best ones on the tour. I find them hit or miss, but the hits are marvelous.
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14 years 10 months
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It's one month to go...... Where's the reveal...really interested in the extras in the box i.e. books, posters etc.... And second or third the comment about more 85-95 dead on commercialy released video - who wants to see FTW - there was so much dead recorded visually in 80s/90s release it commercialy - maybe 10 video trips......
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It's one month to go...... Where's the reveal...really interested in the extras in the box i.e. books, posters etc.... And second or third the comment about more 85-95 dead on commercialy released video - who wants to see FTW - there was so much dead recorded visually in 80s/90s release it commercialy - maybe 10 video trips......
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12 years 9 months
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29 days until TPTB start shipping MEGA BOX.
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13 years 3 months
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I have it from a valid source that they are going to deliver the box sets using same trucks that carried the Wall of Sound. The size and weight were an exact match! I would like a sneak peek, though, if possible. Not to defend them, but I recall a similar intent to show us what's in the box before E72 shipped and they just ran out of time.
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I seem to remember TPTB showing an illustration of the E72 box with compartments etc. which led many people to believe there would be more *swag*. When there wasn't said *swag* TPTB got a lot of grief as I recall. Personally, just gimme the damn MUSIC. I don't need replica backstage passes (I needed them when the show happened!) or floor plans for the hockey arenas they played. Just…the…MUSIC.
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I don't mean to downplay anyone's enjoyment of the extras but I always ask myself… If they give me extras, will I enjoy the music more? It's not possible since I'll be overjoyed with this release. I'll checkout the extras once, maybe twice but that's it. If they don't give me extras will it lessen my enjoyment? It's not possible since I'll be overjoyed with this release. In summation: Extras = Overjoyed No Extras = Overjoyed Looks like the "Overjoyeds" have it!
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The next thing you are going to tell is the big Steelie I got tattooed on my forehead yesterday was a waste of money and makes me no more fun to hang with than the boring terd I was last week. This is going to be a long month.
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It's never a waste of money…tattoo = extra = overjoyed! The month will fly by (I find the older I get, the faster it goes). I plan on listening to 11/2/77 AGAIN today (it's the first and only time I've listened to the same show more than 3 times in 1 week) and for the rest of time I'll be dipping deep into the Dead well.
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9 years 8 months
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But the extras are always a huge plus! I loved the WUTFO artwork from Spring 90 TOO. I got it framed and it looks beautiful. The essays and photos are great at accentuating the music.
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11 years 1 month
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Damn, Jim, that's hardcore! And I thought my tattoo was daring...dancing bears tramp-stamped across the small of my back.
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13 years 3 months
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Good idea, Tramp Stamp.. wish I would have thought of that...
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9 years 1 month
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I am all about the extras. The more liner notes, the better. Cool trinkets? Yes please. That's what makes buying the box more worth the money than just getting a USB in the mail.
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The only "Attics" listed is dated 5-17-76 Aces, Mill Valley, CA it appears to be the only song that was rehearsed. The only item listed for 5-28-76 is; 5-28-76 Orpheum Theater, San Francisco, CA Change venue to Orpheum All of the above information is on page 53 of DeadBase 50.
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If you flip to the DeadBase XI section wissinoming you will see that indeed the fantastic Attics mbarilla is speaking of was indeed played (3X) the sole correction made to that entry in DeadBase50 is to omit 'Theatre' from the original entry. Why they did not use OCR software is beyond me.
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...I sit with DB50 open to pg.314 of XI, on which you'll find the '81 NYE review by our own MaryE; which leads me to my request for help: could anyone seed the Tobin 12/31/81 recording over on LL? If its any incentive, I'm currently seeding Floyd from 9/30/71 (BBC archives) as well as the Miller SBD from one of the GOGD's peak nights during the near-uniformly awesome year of '77 - 10/29/77 (remember our discussion back on The Eleven?!)/thanks for any assistance, K
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....that Hornsby practice is priceless!! Jerry says "cheeseburger for Phil" at one point during the Saint intro. WTF does that mean? Lol. Bruce caught on quick, as did Vince. Six weeks of practice and they churned out the '90 Europe tour?! Incredible. Jerry seems to come across as a kindred soul to have met. Wish I would have been able to.... ....oh. Hi Kate! ....wait. Garcia loved cheeseburgers, as the story goes. Maybe they just had Burger King deliver some Whoppers!...
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17 years 3 months
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....Bobby says "I can't play it if I think too hard about it". Phil responds with "Then stop making it harder than it has to be!" Sorry for the play by play, but this is funny shit. Check it out. The link is like five posts below.... ...Jerry chimes in with "It doesn't matter" a couple of times. Figures....
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12 years 10 months
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The box has (as stated) a 288 page book. I'm for any liner notes or any essays/evaluations of the shows from those in the know. I'm also for any posters, handbills or photos that are relevant to a given show. The Spring '90 box had a book, program, and poster (all welcome) but it also had replica backstage passes, replica concert ticket stubs, and hockey arena floor plans, that not only increased the price of the box but to me, seemed utterly useless. I needed all that when the shows happened not 20+ years after the fact. We are a diverse lot, each of us a world unto ourself. The bottom line is in 5 weeks we'll have the Mother-Of-All-Box Sets in our hands and regardless of the extras ALL WILL BE GOOD…...until the next box set! (HaHa)
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12 years 9 months
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28 days until Tyrannosaurus Box ships.
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9 years 3 months
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I don't suppose a bonus disc will accompany boxzilla or the 4cd? Or could there be?
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9 years 6 months
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I don't think there is any chance of a bonus disc. Otherwise it would have been announced to push presales.
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10 years 8 months
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I don't think a bonus disc is likely, but for $700, we should get a bonus show on DVD or something. Maybe just put the 3/23/75 and 6/17/75 shows as a bonus, that way, all of 1975 will have been released. If they could put bonus discs on Winterland '73 and '77, why haven't they included them on subsequent box sets?
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9 years 1 month
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I am still trying to figure out how these are all "tent pole" shows. If that were the case wouldn't 5-7-77 or 5-8-77 be in this box? 4-25-77 maybe great for all I know but I guess we shall see.
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12 years 2 months
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The blurb states, "We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent."
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13 years 8 months
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Regarding 5/7/77 and 5/8/77, unless things have changed, the master reels for those shows are not in the Vault; this is why they haven't been released yet. This is true for many other shows, including 5/9/77 as well. They know who has the master reels for those three shows. The physical tapes actually belonged to Betty Cantor (formerly Betty Cantor-Jackson), but when payments were not kept up on the storage locker the tapes were stored in, the entire contents of the locker were auctioned off. So, the purchaser legally owns the tapes, but not the actual music - so he cannot commercially release that material either. I believe he wants a substantial amount of money for the return of those tapes. Up until now, GD have been unwilling to pay for what they think should be returned to them. But, you never know.
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17 years 3 months
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wjonjd - never trust a prankster. All good things in all good time. (I know - phraaaaase dropper!)
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10 years
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...and thank you to my torrent angel!/peace, K
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17 years 2 months
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... if they released Boxzilla with 5/8/77 on it, limiting it to 6500 copies and forcing people to buy a 700 dollar box to get it, well... it would kinda be like releasing 9/28/75 that way, hahahahahhahaHAHAHA aaaaaaaaaaaaagh. I'm okay. "Scarlet>Fire from 11/1/79, take me away."
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12 years 9 months
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27 days until Super Box!! HAPPY FRIDAY, DEADLAND, So glad WE made it!!!!!!!!!
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