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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • Sixtus_
    Joined:
    ...and I Shall Repent
    ...and thus I shall find salvation. St. Stephen queued up, Estimated Prophets to follow! Thanks for the compassionate understanding of my festering morality question. Man it feels good to come clean after all these years. I suppose if that is indeed my biggest offense things will prolly turn out alright. Sixtus
  • dantian
    Joined:
    Brother Sixtus
    Play 6 St. Stephens and 4 Estimated Prophets, this shall be your penance...
  • JimInMD
    Joined:
    Re: sixtus
    Dammit sixtus - I knew it was you, I knew it was you all along! I want my tape back you rat bastard! I leant a box of tapes to a friend back in high school.. it had several of my choice possessions, one being a crisp '76 Chicago Auditorium tape with a wonderful Mission in the Rain. The bastard never returned the box. (you know who you are, Mark L.). I didn't listen to a Mission in the Rain that good until I discovered LMA a little more than a decade ago. That was in the pre-car, pre-job lawn cutting days, so a box of tapes actually took some scratch to save up for. I knew the guy.. much like a coke-head who owes you money.. he simply started avoiding me. I guess we can laugh at it now.
  • JimInMD
    Joined:
    Tape Karma
    ..at least it was only your pinky finger. Must have been some high gen. aud's.
  • Zuckfun
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    Tapes cont'd
    Yeah, if the worst offense is swiping a bootleg tape from someone, you're probably ahead of most of us. Awhile ago, a friend lent me a dozen or so tapes- He was by far my greatest connection to high quality recordings. On my way to the car with the tapes, while it was raining, I dropped the box in the parking lot. The tapes sprawled out on the ground in the rain. To this day, he keeps my pinky finger in a jar by his bedside table, as a warning and reminder to fellow travelers. I was always like, who needs the pinky finger anyways. Actually, the tapes mostly survived the incident, unfortunate though it was.
  • Sixtus_
    Joined:
    The Cornell Tape...and Does this Make Me a Bad Person?
    So for the longest time I’ve sat on this story, and when I think back on it, I of course realize that it goes against essentially every grain of goodness within the GD’s community, but on the flip side, I was pretty young, uninformed (obviously) and totally naive. But, since this topic has now miraculously surfaced on this awesome board, I will now relay the story of how I acquired the Cornell show on Maxell XLII, many many years ago. I was 14 years old, and hitch hiking, for the first time ever, with my older brother on Martha’s Vineyard during summer time, just looking for someone nice to pick us up and bring us somewhere, anywhere there may be action. We weren’t at all familiar with the island, but for those who may be, there is this little community of homes that look like gingerbread houses – that’s the only way I can describe it – very ornate outsides, with lots of colors, steep roofs, etc. Well, our ride dropped us in the vicinity of this little community so we began wandering around. Wouldn’t you know, one house was having a party, and some guys, older than us, invited us up and handed us beers. And, you guessed it, GD was playing. At the time, I was still totally naive to anything beyond a few albums like Live Dead and Europe 72 as well as of course their studio stuff. But what I heard coming from their boombox was pristine GD, and clearly in a live setting as they were going nutty and just jamming like mad. I recall looking at the small pile of tapes on the floor, and the one that was playing was indeed Cornell ’77. I was awestruck. As the night went on, and I consumed more beers, I feel like I must have gotten a little more confident. Because I clearly recall that on our way out of that house party, I stopped and took the Cornell Tape – the 2nd Set – and secretly reveled in the amazing find I just acquired, albeit via an essentially & completely immoral path. Nonetheless, I came back home and immediately shared it with my couple of buddies who also happened to like the Dead. We were all just blown away by this recording – not only what was being played, but of course the quality was like listening to a CD. From the moment I acquired this tape, despite the questionable method, I have never looked back and have been on the quest to get as much of this stuff as I could. Looking back on it, I am not at all proud of the fact I ‘permanently borrowed’ someone’s killer copy, maybe their only copy back then, of this fabled show. But what I also realize is that it was a personal turning point for me in the history and lore of the wake that this band created, and for that I am incredibly thankful. And, furthermore, now that I am older, I make it a point to share share share and turn people on to this thing I was so lucky to have stumbled upon even when I didn’t understand the significance of the stumble. I hope I can be forgiven by this wonderful community, as this has been something I have always wanted to get off my chest and hope I can now move past it....so I ask, does this make me a bad person? Sixtus, shamefully
  • JimInMD
    Joined:
    Big Box Blues
    Did I mention I hate Apple? I literally just finished ripping all the CD's from Boxzilla. Low and behold.. my last ITunes 'update' changed my settings to lossy from lossless (ALAC). Fortunately.. its just the Box and Dave's 16 that are affected.. Unfortunately.. I had a good bit of time into this. Did I mention I hate Apple? Sorry.. but besides overpriced products they have become sucky the last couple years... Time to reburn and set up some Physical Therapy for the carpal tunnel I will surely develop after importing all this stuff and getting it 'exactly perfect.' Did I mention Apple sucks?
  • Zuckfun
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    Tapes cont'd
    Thanks for the interesting insights into the tape trading community. Perhaps there is still some effort to prevent some music from circulating. It's been years since the Archive allowed soundboards to be downloaded. And there's the recent example of the previously missing soundboard copy to 3/26/72, which then appeared on the Archive just a few days after 3/26/72 was officially released as DP14. Though these days, with torrent sites, and the ease with which digital media is shared and spread, any attempts to prevent the spread of music seems largely symbolic. Then again, I really don't know much about these things.
  • TheDude77
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    Joined:
    About to place an order....
    ...and noticed that there's free shipping on orders over $75 for the month of November.
  • Kayak Guy
    Joined:
    tape trading culture
    The gap method of marking tapes was usually not for GD tapes and started with Mike Millard who would create drop outs during different songs for every copy he made and kept notes of the "flaws" to tell who allowed his tape into circulation. This was so he could blacklist them from the southern California trading circles.https://en.wikipedia.org/wiki/Mike_Millard The Latvala "tags" were usually an additional cassette gen before the DAT, their lineage would be SBD MR>C1>DAT. Eaton would add a 2nd cassette gen to his seeds before allowing them to slip into circulation, these would be SBD MR> C1>DAT> C, he would seed these on a GD trading group called section 9 on Compuserve. None of the reel transfers done by Eaton have ever slipped into circulation and are in the vault. These are the source of the 1972 Academy of Music shows. When Dick died GDM went after the people that had copies of Dick's SBD MR>C1>DATs and threatened legal action if the tapes made it into circulation. I know one person that John Cutler, who he didn't know, called and demanded the return of the DATs he had gotten from Dick, who used to send out copies to friends on future potential Dick's Picks. These recordings are known as the Dick Leaks and considered "hush tapes" not to be traded publicly. The Betty tapes in circulation come from the "Unindicted Conspirators" who shared the PCMs made from the reels on DAT in the late 1980's and became the WBOTB project in the late 1990's. They have a lineage of SDB MR>PCM>DAT Eaton finally started sharing his DATs, not the Betty's reels he transferred though, via Charlie Miller in the last 10 years. In the 1990's there was a more GD related type of hoarding that involved allowing shows circulating in DAT to be shared on cassettes, which was degrading the quality of the recordings in circulation by letting cassette generations into the lineage. These people were the "gene pool" crowd and would only trade with people who had the expensive DAT equipment and shut off people that made cassettes for friends and tainted the gene pool. It was these elitists that also fought against allowing the DATs to be transferred to CDs, using the same excuse of tainting the gene pool.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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9 years 9 months
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Tomorrow will bring us one month away from the big box. They've got to give us something........right?
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12 years 11 months
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Tomorrow is one month until it ships - add one week (or more depending on your location) until we have it in our grubby little hands.
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9 years 7 months
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Does this quote feel a little like an empty promise to any one right now? " So now you have it, but you should stay tuned as we will be revealing tons of great music, artwork, and more." 12 songs hardly count as "tons if music" and I haven't seen any "art work, and more yet".
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11 years 3 months
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They can't show us yet.....too many box-cutter marks.Ooops.Here's to hoping the next 30 days fly by. :)
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12 years 10 months
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To those who possess "The Best of the Grateful Dead Hour" did anyone notice that the rehearsal that took place at Club Front on 9/26/90 is NOT in DB 50, even though the Terrapin>Playing in the Band>Terrapin is less than 3 minutes long it would be interesting to see what other songs the boys were teaching to Bruce as you can clearly hear Jerry explaining the chord progressions during the Playing to Bruce. It is still the most interesting & unusual CD I own of any band. I have notified Stu Nixon from DeadBase & he stated he will definitely look into it, as it's obvious rehearsals did in fact take place on 9/??/90 & 9/28/90, I would presume that the rehearsal on Best of... is the one dated "9/??/90 it also seems as though Goodnight Irene was also performed. A detailed description of the CD is on page 317 of DeadBase 50. I received DeadBase 50 on Saturday & it's already worthy of the $89.99 I paid for it, it's an invaluable tool for ALL Deadheads. And yes it's on the coffee table as it has the Wife's Seal of Approval.
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12 years 10 months
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30 Days until 30 Trips Around The Sun, my goal during the countdown is to call it a different name everyday, so today let's just call it 30 Trips....... And while I'm at it why not an unveiling of what to expect? I would like to know what I'm getting for my $699.98 PLUS TAX. To The Powers That Be let's make it happen. Stay cool Philly as it's going to be HOT HOT HOT in the concrete jungle. HAPPY TUESDAY DEADLAND
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9 years 7 months
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I tell you what powers that be... Don't worry about giving us a preview! Just ship it out 2 weeks early and I promise that I will personally take a box cutter and severely damage my copy. This should save you guys some time in the warehouse!
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13 years 9 months
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Hey Dusty. I'm one of the folks that thinks the box cutter slices are not big deal really. However, I still couldn't help laughing out loud when I read your post. The offer to self-slice in return for earlier shipping sounds fair to me :)
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12 years 2 months
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http://www.amazon.com/Live-Saratoga-1988-Vol-1/dp/B00UYOXW6Q/ref=sr_1_1… So... I just ran across this on Amazon. Says it's available for Pre-Order now, and ships on Sept. 18th (same date as Boxzilla). There's a Vol. 1 and Vol. 2, both of which are only available on vinyl. Anyone know anything about this? If not... there you go. I'm not a vinyl guy (anymore), but I figured that several on here are.
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13 years 2 months
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There is also a CD set for this available and the reviews are not good. Some people on amazon stating there are soundboards out there that sound better. So, is the vinyl gonna better any better? I'll wait...this is a bootleg release, obviously, but I have a bootleg vinyl of 5/8/77 and it sounds great. So, who knows?
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15 years 1 month
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At the Steve Hoffman forums folks are reporting that this label's releases are on quality vinyl, and that while they are technically not legit in the USA, they aren't bootlegs in Europe due to a quirk of EU copyright law: http://forums.stevehoffman.tv/threads/let-them-eat-vinyl-are-these-legi… Essentially, archive.org FM sources pressed to vinyl. Waste your money if you're so inclined, IMO.
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Original boot of 8-13-75(namely the "Make Believe Ballroom"), taken from FM, goes for over $100.It has nothing to do with the material being available other places, and everything to do with collecting. I still buy original vinyl of stuff I have on CD, or even on other vinyl. Some boots have attained legendary status and have even been reissued in legit fashion, for example Dylan's Great White Hope, reissued last April for RSD.
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16 years 7 months
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So where is it? We have had 4 listening parties and that is it. Is that really "tons" of music? Dont say things like this if you have no plans to actually do it.
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12 years
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Got my Deadbase 50 today,,, it's a big book, I'll skim through it, but most data lookups I'll still do online. I got it just to have it. Even better get was Road Trips Volume 1 Number 2,, the man wasn't lying, it came with the bonus disc! I called the help desk to verify if it came that way and they couldn't tell, ordered it on word of someone out there, THANKS. I don't know if they have any more, but if you don't have and would like, maybe you should order one. It temps me to try buying the last few the of the RT they say aren't sold out to see if I can get lucky twice.
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17 years 5 months
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thanks to you from the Rex Foundation, which continues to get a portion of the proceeds from each copy!
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12 years 11 months
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I'm ready for this box-set!........Great way to start the fall....I'm going to listen from start to finish in order and listen to the evolution of the band...Sounds good... I'm ready for this box-set!......
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13 years 5 months
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Oh man, I gotta get busy. I still have the final 2 1/2 Spring 90 TOO shows to get through before 30 Trips arrives. Then I'll get to about a show a week for -- 30 weeks! I'm definitely going to listen chronologically. Finished the S90 Branford show last night. Best thing about it: Branford. Dude has uncanny skills. Then I jump back to finish Show 5 tonight. Shows 7 & 8 are last. I hope they are as good as the best ones on the tour. I find them hit or miss, but the hits are marvelous.
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14 years 11 months
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It's one month to go...... Where's the reveal...really interested in the extras in the box i.e. books, posters etc.... And second or third the comment about more 85-95 dead on commercialy released video - who wants to see FTW - there was so much dead recorded visually in 80s/90s release it commercialy - maybe 10 video trips......
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It's one month to go...... Where's the reveal...really interested in the extras in the box i.e. books, posters etc.... And second or third the comment about more 85-95 dead on commercialy released video - who wants to see FTW - there was so much dead recorded visually in 80s/90s release it commercialy - maybe 10 video trips......
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12 years 10 months
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29 days until TPTB start shipping MEGA BOX.
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13 years 4 months
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I have it from a valid source that they are going to deliver the box sets using same trucks that carried the Wall of Sound. The size and weight were an exact match! I would like a sneak peek, though, if possible. Not to defend them, but I recall a similar intent to show us what's in the box before E72 shipped and they just ran out of time.
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12 years 11 months
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I seem to remember TPTB showing an illustration of the E72 box with compartments etc. which led many people to believe there would be more *swag*. When there wasn't said *swag* TPTB got a lot of grief as I recall. Personally, just gimme the damn MUSIC. I don't need replica backstage passes (I needed them when the show happened!) or floor plans for the hockey arenas they played. Just…the…MUSIC.
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12 years 11 months
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I don't mean to downplay anyone's enjoyment of the extras but I always ask myself… If they give me extras, will I enjoy the music more? It's not possible since I'll be overjoyed with this release. I'll checkout the extras once, maybe twice but that's it. If they don't give me extras will it lessen my enjoyment? It's not possible since I'll be overjoyed with this release. In summation: Extras = Overjoyed No Extras = Overjoyed Looks like the "Overjoyeds" have it!
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13 years 4 months
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The next thing you are going to tell is the big Steelie I got tattooed on my forehead yesterday was a waste of money and makes me no more fun to hang with than the boring terd I was last week. This is going to be a long month.
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12 years 11 months
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It's never a waste of money…tattoo = extra = overjoyed! The month will fly by (I find the older I get, the faster it goes). I plan on listening to 11/2/77 AGAIN today (it's the first and only time I've listened to the same show more than 3 times in 1 week) and for the rest of time I'll be dipping deep into the Dead well.
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9 years 9 months
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But the extras are always a huge plus! I loved the WUTFO artwork from Spring 90 TOO. I got it framed and it looks beautiful. The essays and photos are great at accentuating the music.
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11 years 3 months
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Damn, Jim, that's hardcore! And I thought my tattoo was daring...dancing bears tramp-stamped across the small of my back.
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13 years 4 months
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Good idea, Tramp Stamp.. wish I would have thought of that...
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9 years 3 months
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I am all about the extras. The more liner notes, the better. Cool trinkets? Yes please. That's what makes buying the box more worth the money than just getting a USB in the mail.
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12 years 10 months
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The only "Attics" listed is dated 5-17-76 Aces, Mill Valley, CA it appears to be the only song that was rehearsed. The only item listed for 5-28-76 is; 5-28-76 Orpheum Theater, San Francisco, CA Change venue to Orpheum All of the above information is on page 53 of DeadBase 50.
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17 years 5 months
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If you flip to the DeadBase XI section wissinoming you will see that indeed the fantastic Attics mbarilla is speaking of was indeed played (3X) the sole correction made to that entry in DeadBase50 is to omit 'Theatre' from the original entry. Why they did not use OCR software is beyond me.
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10 years 1 month
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...I sit with DB50 open to pg.314 of XI, on which you'll find the '81 NYE review by our own MaryE; which leads me to my request for help: could anyone seed the Tobin 12/31/81 recording over on LL? If its any incentive, I'm currently seeding Floyd from 9/30/71 (BBC archives) as well as the Miller SBD from one of the GOGD's peak nights during the near-uniformly awesome year of '77 - 10/29/77 (remember our discussion back on The Eleven?!)/thanks for any assistance, K
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17 years 4 months
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....that Hornsby practice is priceless!! Jerry says "cheeseburger for Phil" at one point during the Saint intro. WTF does that mean? Lol. Bruce caught on quick, as did Vince. Six weeks of practice and they churned out the '90 Europe tour?! Incredible. Jerry seems to come across as a kindred soul to have met. Wish I would have been able to.... ....oh. Hi Kate! ....wait. Garcia loved cheeseburgers, as the story goes. Maybe they just had Burger King deliver some Whoppers!...
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....Bobby says "I can't play it if I think too hard about it". Phil responds with "Then stop making it harder than it has to be!" Sorry for the play by play, but this is funny shit. Check it out. The link is like five posts below.... ...Jerry chimes in with "It doesn't matter" a couple of times. Figures....
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12 years 11 months
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The box has (as stated) a 288 page book. I'm for any liner notes or any essays/evaluations of the shows from those in the know. I'm also for any posters, handbills or photos that are relevant to a given show. The Spring '90 box had a book, program, and poster (all welcome) but it also had replica backstage passes, replica concert ticket stubs, and hockey arena floor plans, that not only increased the price of the box but to me, seemed utterly useless. I needed all that when the shows happened not 20+ years after the fact. We are a diverse lot, each of us a world unto ourself. The bottom line is in 5 weeks we'll have the Mother-Of-All-Box Sets in our hands and regardless of the extras ALL WILL BE GOOD…...until the next box set! (HaHa)
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12 years 10 months
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28 days until Tyrannosaurus Box ships.
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9 years 4 months
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I don't suppose a bonus disc will accompany boxzilla or the 4cd? Or could there be?
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9 years 7 months
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I don't think there is any chance of a bonus disc. Otherwise it would have been announced to push presales.
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10 years 9 months
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I don't think a bonus disc is likely, but for $700, we should get a bonus show on DVD or something. Maybe just put the 3/23/75 and 6/17/75 shows as a bonus, that way, all of 1975 will have been released. If they could put bonus discs on Winterland '73 and '77, why haven't they included them on subsequent box sets?
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9 years 2 months
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I am still trying to figure out how these are all "tent pole" shows. If that were the case wouldn't 5-7-77 or 5-8-77 be in this box? 4-25-77 maybe great for all I know but I guess we shall see.
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The blurb states, "We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent."
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13 years 9 months
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Regarding 5/7/77 and 5/8/77, unless things have changed, the master reels for those shows are not in the Vault; this is why they haven't been released yet. This is true for many other shows, including 5/9/77 as well. They know who has the master reels for those three shows. The physical tapes actually belonged to Betty Cantor (formerly Betty Cantor-Jackson), but when payments were not kept up on the storage locker the tapes were stored in, the entire contents of the locker were auctioned off. So, the purchaser legally owns the tapes, but not the actual music - so he cannot commercially release that material either. I believe he wants a substantial amount of money for the return of those tapes. Up until now, GD have been unwilling to pay for what they think should be returned to them. But, you never know.
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wjonjd - never trust a prankster. All good things in all good time. (I know - phraaaaase dropper!)
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...and thank you to my torrent angel!/peace, K
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17 years 3 months
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... if they released Boxzilla with 5/8/77 on it, limiting it to 6500 copies and forcing people to buy a 700 dollar box to get it, well... it would kinda be like releasing 9/28/75 that way, hahahahahhahaHAHAHA aaaaaaaaaaaaagh. I'm okay. "Scarlet>Fire from 11/1/79, take me away."
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27 days until Super Box!! HAPPY FRIDAY, DEADLAND, So glad WE made it!!!!!!!!!
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