30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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June 16, 2015 - 2:28pm

#6631

KeithFan2112

Joined:
August 6, 2014

Speaking of Decline

Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
June 16, 2015 - 2:27pm

#6632

JimInMD

Joined:
June 27, 2011

DearJerry

For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
June 16, 2015 - 2:26pm

#6633

Cousins Of The…

Joined:
September 10, 2009

Mo' Keith

Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
June 16, 2015 - 2:25pm

#6634

PalmerEldritch

Joined:
July 25, 2011

I love the keyboard/era debates!

I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
June 16, 2015 - 2:11pm

#6635

KeithFan2112

Joined:
August 6, 2014

hahahaha What?? He stole Jerry's stash??

No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
June 16, 2015 - 1:55pm

#6636

LoveJerry

Joined:
March 19, 2015

Jim In MD

I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
June 16, 2015 - 1:39pm

#6637

KeithFan2112

Joined:
August 6, 2014

You Know a Rumble Ain't a Rumble Without Me

Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
June 16, 2015 - 1:12pm

#6638

JimInMD

Joined:
June 27, 2011

Re: DearJerry/Keith

Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
June 16, 2015 - 1:02pm

#6639

JimInMD

Joined:
June 27, 2011

Re: Brokedown

I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
June 16, 2015 - 12:54pm

#6640

mbarilla

Joined:
August 8, 2013

Check out JGB live shows from 1978

Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

Vguy72

Can you send the link to the interior of the set - are these card covers as per daves picks for cds - any word on extras....

Stacked Box

I think its logistically easier to stack the CD cases in columns.. not rows if that makes sense. Much like The Golden Road box set, but with more columns. ..also, it slipped my mind to tell my gf about the box. Bet that's going to cost me some skin. Am I the only one?

The interior link....

....sorry to disappoint, but that link is buried in my gray matter. You need to ask Bolo about any other details. And why all the hate for Don't Ease?....

Easy to slip....

....like Jim and dusty rambler, it "slipped" my mind as well....hope it's not too big....

Dough Knees

Attending too many 80s shows and being disappointed at a Dough Knees virtually every other night....still Dough Knees would have been a joy in the 90s as opposed to Wave to the Wind, Childhoods End, Samba in the Rain, Long way to go (and the list goes on)

Hard to argue that....

....felt the same about Black Muddy River back in the day. I would give my left nut now if they played a show of only BMR now if Jerry was there....

BMR agree

Totally agree with you on that..... I did about 28 shows from 85 to 92 and the late 80s I got sick of certain songs (in heavy rotation) and also Weir's f***** cowboy songs....BMR I had a lot of love for again later but Dough Knees and cowboy songs no...... If only they had pulled off some of the songs they were playing on the 2003/2004 shows or the recent SC/Chi shows with Jerry still on board now that would have been hot...

bathroom break songs....

....Masterpiece was on that short list as well. Looking back, I think I should have held it and waited till setbreak....lol....

names at bottom

I couldn't agree more Zuckfun. I thought the exact same thing. The artwork itself looks lovely- but the big letter names along the bottom- really? No one raised an objection to this? It's really kind of funny. Horrible artistic decision, IMHO.

listing the names....

....agreed. A row of hand painted roses would have been nice. But, if your going to do it, I would think they would have at least put Jerry, Bobby, Bill & Phil all on one of the lengthwise parts. And yes, I would have printed Bobby. I would think one of those sides would be facing forward in anyone's display....am I wrong?....

Names Arranged

It looks like the names are arranged by who joined the band when. Jerry, Bob and Pigpen were first as 'Mother McCree's Uptown Jug Champions' followed by the 'Warlocks' with Bill and Phil and finally as the 'Grateful Dead' with Mickey. Sound reasonable? Be interesting to see how the other sides are arranged.

Masterpiece

To each his own, but Masterpiece is actually one of my all time favorite songs and the GD version is what won me over. Also love JGB, Dylan, of course, and The Band doing that song.

Box Dreams

Funny you should mention your dream, Kate. Last night, actually this morning, I had a very vivid dream that the box arrived early, as in now. In my dream the box was like an extra large rectangular book with four discs, 2x2, on each "page." Maybe describing it as a giant photo album is more accurate. Anyway, my box was missing the second disc from "page" one and there was no gold 7 inch to be found. Thankfully it was just a dream and totally unimportant to anyone reading this. Just shows how much it's on my mind I guess. It's been quite awhile since I had a "Dead dream." I'm not that excited about the visuals of the box posted today. My main concern is that the discs are housed similar to the DaP series.

i like 'em...!

as for me - i like the band member names at the base, just as they are. i think they look folksy, quaint, family, homespun, fun, and fit the overall design, pattern, colors, and pics just exactly perfect!

Inside the box

"What's in the box??" Brad Pitt - "Seven" Actually, the box doesn't open. There are jacks on the back side (USB, HDMI, RCA, etc.) to allow connecting to your computer, stereo, home theater system and so on. It is kinda like a Bluetooth-enabled jukebox. For example, you can simply say, "play 1969" and it will do just that. Very user-friendly with flexible commands like "random play" or "skip Samba." Also, the stealie on top of the box conceals a lens for a built-in projector. You can project lyrics, concert videos (if available) or custom light shows by Candace Brightman on your wall or ceiling while you enjoy the tunes. A bonus compilation DVD is included, featuring all your favorite moments of Bill Graham yelling at people. Really endearing! The celestial symbols in the corners of the boxtop can emit smokeless incense of your choice (included scents: patchouli, citrus, lavender and veggie burrito). More fragrances will be available via future downloads, including licorice, stale beer, and "Keith." Random boxes (1 in 100) will also include either a "holographic Jerry" feature or a rainbow generator. And one lucky Deadhead will receive the actual bandana worn by Pigpen at the Shrine Auditorium show, complete with original DNA-authenticated sweat stains! There's more, but Dave and crew would be pissed if I revealed everything. They do like their surprises! Cheers!

Puzzling isn't it

Thanks for that, Bolo. I'm still laughing my ass off. See the way I hear it.... Another random 20% are Himitsu-Bako puzzle boxes hand crafted by Mr. Yoshio Okiyama. It will take 111 steps to open and once you do inside is an extra 10 show bonus box. And that box is another puzzle box taking 66 steps to open. And of course 1 lucky person will get just a box with a rock in it. "I got a rock"

Countdown

I try to keep my countdown banter down the barest minimum however just for today, it's going to be a bit longer so here goes; 22 days until the "MOST BEAUTIFUL BOX IN THE WORLD" ships.

First and last

Just wondering if, for those of us without turntables, they'll slip hidden tracks at the beginning of show 1 and end of show 30 (Caution and Box of Rain)?

Fifteen men...

Couldn't help thinking of the old song "Fifteen men on a dead man's chest" when I saw the picture of the box. Perhaps we could amend the lyrics? "30 Trips in a Dead man's chest, Yo ho ho and a Box of Fun"?

The box

I just measured my 15 Dave's picks and they are 12" long, so a single layer of 2 rows in digipacks would would fit in a box with a 12"x10" interior compartment. This would allow you to choose single shows and not have to unload all the CDs, much like the E 72 box and unlike the Rhino Studio boxes. I worry about sleeves because of the Warlox box and while it looks great on my DVD shelf, the 1977 box is my least favorite option for CD sets. The box pictured in the Relix photo looks like it could have a 12"x10" space with room for a book and goodies on top of the CDs. The artwork reminds me of a magicians chest in a Terry Gilliam movie.

Very nice looking box from the outside!

As stated above in the "shows" listing: "Oh boy! We intended to add announce all 30 shows throughout the pre-order period, but we got scooped!", did they get scooped once again? Maybe that will accelerate the official unveiling here. I am hoping.

Listening Party: 30 Trips Around The Sun, Part 6

I just finished the Listening Party: 30 Trips Around The Sun, Part 6. Does Comes A Time from the 86 show sound like it has some low level static noise throughout? It's a Man's World sounds far superior.

The Panels on the Box...

...depict Ingmar Bergman's "The Seventh Seal".

Listening Party: Part 6

Don't know about he '86 show, but the Passenger from 1980 sounds muddier than the version on the archive.

Passenger

Hey Cousins - I hear what you mean. It's subjective of course, but I prefer the Box version. Listening to them side-by-side, and the Archive version sounds great, until I go back to the Box version, which sounds warmer and less trebly to me. (One man's "less trebly" is another mans's "muddier" :)

Bolo, this sounds like Rhino

Bolo, this sounds like Rhino took a page out of Neil Young's playbook! ;-)

caution on vinyl?

Has the caution on the vinyl already been officially released on 'Birth of the Dead'?

MOST BEAUTIFUL BOX IN THE WORLD

Wasn't that a Charlie Rich song? Hey, did you happen to see the most beautiful box in the world? And if you did, was it open and playing? Or was that my wedding song?

Re: Beautiful Box

..or perhaps the John Lennon song Beautiful Box would work. I will take Bolo at his word.. which can only mean Rhino hired Special Agent Q to design the bells and whistles. Where did he say the small, leftover Owsley crystal was again? WhWhat! The Caution was already released? Cancel! (kidding).

Box reveal

That's an awesome looking box! That Relix debuted the images is odd, but maybe later today they'll unveil it officially here. I keep coming here to see if the images have found their way here yet, since they had to be the ones to preview it to Relix and to give them Cream Puff War to preview... I'm incredibly stoked for this box seeing those two pics!

Box Reveal

True Relix got the pics but Bolo unveiled the special features. I am still waiting for the drop-o-liquid feature.

Names on the box?

Two sides we've seen name 6 members, we've still got Tom, Robert, Keith, Donna, Brent, Vince, & Bruce... Think they'll fit or will someone be left out? Can't explain how excited I am now that I've seen it!

re: Passenger

Claney says:"One man's "less trebly" is another mans's "muddier" Yeah, so true! I feel the same way about guitar pickups: I think of humbuckers as muddy, and P-90s as more defined and crisper, and yes more trebly. :-)

Why Relix?

Relix probably paid for the exclusive reveal. And Relix is owned by Peter Shapiro.

Make room for the box! Get rid of your old tapes

Most of us probably got rid of all old tapes by now as we switched to digital. However, if you're still hanging on to those old analog gems and need space for the master of all boxes, here's a potential solution: http://www.jambase.com/Articles/126264/Numero-Group-Wants-Your-Grateful… You know you don't listen to the tapes anymore and just hang on to them because we are collectors, and that's what we do.

Road Trip V1 N1

Can't find where this was discussed,,, but RT 1-1 just came WITH Bonus disc. So this month I've gotten v1 and n 1&2 with bonus. If you don't have, might be worth the chance.

Hip Ripple video

Hip new Ripple video compliments of Jerry Garcia Foundation. http://www.jerrygarciafoundation.org/?eml=dn/PlayingForChang-CheckItOut… I'm sure you folks all get the same mass emails I do, but in case your not on the list.. its a nice, happy-feel good effort with lots of cameos.

What is the deal?

Ever buy anything practically sight-unseen? I rarely do, but in the case of this collection I ponied up a substantial sum two months ago, with the expectation that I'd be learning more about my purchase over time.... But all we've gotten so far is some snippets of music, some press about the book ( great, but honestly, is anyone paying $700+ because of the book?) and now Relix releases a couple of pictures. If they started working on this in 2012, why am I getting the feeling that they're still gluing these boxes together. Normally if this was something like the numerous other boxed sets it'd be no big deal. But we paid a LOT of money, and we are trying to figure out how big the box is? Where am I putting it? How would I know? And where are Dave's funny but focus-challenged videos? Always makes me wish I could read lips... "Oh look, a seagull!" GIVE ME SOME INFORMATION!!!

Individual shows

I just hope the individual shows are packaged well inside the box. Please nothing like Europe 77 or The Warlocks box. Please.

30 Trips box looks like ...

These first pictures of the "30 Trips Around The Sun" box look like a case of beer. It's very colorful and I like it, so far. I wonder how it opens? We will find out soon.Thank you Relix & Peter Shapiro for the glimpse.

Names On The Box

They appear to be in the order that the band was formed/grown: Jerry, Bob and Pigpen were originally 'Mother McCree's Uptown Jug Champions' then the 'Warlocks' with Billy and finally Phil. They were already the Grateful Dead by the time Mickey and Robert came aboard. Then the order would be Tom (T.C.), followed by Keith, Donna, Brent, Bruce and finally Vince. I believe the order's correct, let's see if it runs that way on the box.

DaveStrang

Hate to burst your bubble but that won't be the correct order. If Robert's included - and hell, I'd love to see Hunter on there - then we'd also need JP Barlow of course - and with that many names we would run out of space - I'm thinking your list ex. Hunter would be right.... Now for an image of the inside please Rhino (or Relix)

Seeking a Swap

Looking for a swap. I have the 2013 Allman Brothers Band complete box set (close to 80cds) in a numbered deluxe box with 2 programs....only played once...will cover shipping my end Australia to anywhere worldwide Looking to swap for: Europe 72 box set (un-numbered and un-named is fine) PM me

@saintstephen1971

I remembered Barlow after I posted; he'd come in around the same place as Keith & Donna - but let's face it Hunter wrote far more songs than Barlow - Hunter was the band's lyricist not just JG's,having co-written 'Sugar Magnolia' 'Greatest Story Ever Told' 'Playing In The Band' and 'One More Saturday Night' with BW, as well as 'Mr. Charlie' with Pigpen and the sole writer on Pigpen's 'Easy Wind'. But you're right, Barlow should be included also. Maybe the former members and lyricists are listed vertically so everyone fits?

Countdown

3 WEEKS or 21 days (whichever LOOKS better) until the box of BROBDINGNAGIAN proportion ships. Today is August 27th do you know where your copy of SSDD is?

LAWDY!

Hola - Not sure about everyone else, but a little disappointed that all that was shown is the box! Was hoping for a little more reveal . . . but, then again, it will make the arrival a much more exciting experience I suspect. I've bought every single thing issued since OFV series initiated the plundering (of course, like most, already had all the official album releases on vinyl, a few CDs and casettes (before CDs). Just lucky I've been in workforce since it all started. Anyway, the box is quite hip on the outside and the notion of a "crate" should fit in well with the other "cases" that the E72 and Spring 90 came in. Main reason came on was to comment on DSO. They usually hit Lexington, KY about once a year or so. I went once, enjoyed it, but it is a really good cover band that has found a perfect niche in the Dead scene. They clearly love the music, are performing a wonderful service, and I didn't detect a whiff of opportunism. All that said, and its probably because I'm now north of 55, but I just couldn't get into it. The musicianship is certainly competent as most professional musicians are, but there is really no depth or surprise or flexibility that were integral to the Dead; or, for that matter, any band that has the talent and tenacity to create an original sound. But, I know lots of folks who love them, and I definitely agree they have the vibe . . . which is why I belive they are a valid piece of the GD kaleidoscope.

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