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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • JimInMD
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    Re: Keithfan
    Try 3 or 4 drops from bolo's magic Visine bottle, give it an hour and crank it up. Then report back and tell us what you think. Disc 3 is what got me.
  • rbmunkin
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    @KeithFan2112; DP 8
    Seriously, not impressed? OMG. You must like '80's stuff; LOL! Kidding, kidding! "Should I be getting my rocks off with the above set list?" So you focus on what song is played? I don't really care about set lists, if they play great. Anyway, OMG, The Other One > Cryptical, are the greatest Jerry I have ever heard. It gives me goose bumps. ESPECIALLY HERE: Starts at The Other One at 11:30 to 13:00. This of course is just the absolute highlight. And check out Other One from 4:22 to 5:24. OUCH! His fingers must have caught fire! There is NO Jerry, NONE, like this from 1971 to 1995. Nowhere. I've been listening to Jerry for over 40 years, have collected tapes galore in the '70's before it was a popular hobby, have listened to countless shows, and I haven't heard anything this amazing. I would sell my soul to you know who to be transported back to this show. But I will check 4/15/70 now that you bring it up :)
  • marye
    Joined:
    folks, the spam filter seems to be a bit overzealous presently
    for whatever reason. If it sends one of your posts off to moderation for what seems like no good reason, send me a PM and I'll deal with it. Sorry for the trouble.
  • Sydney Prentice
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    bolo24
    I enjoyed that, It has given me a boost, I was getting a bit stressed over the no show of my Dick's Picks volume 6 vinyl
  • KeithFan2112
    Joined:
    DP 8
    I wasn't impressed by it, what am I missing? Is it still the best thing ever if I just listen to the electric set? I bought this one after reading on Heady Versions how great The Other One is. I thought The Other One we just got with 30 Trips from 4/15/70 was better. I'm looking for a thrill though, so I'm going to blast this on the way home in about 15 minutes: Cryptical 1 The Other One Cryptical 2 Cosmic Charlie Casey Jones It's a Man's World Morning Dew Viola Lee Blues Should I be getting my rocks off with the above set list?
  • One Man
    Joined:
    My Two Ears
    A well-mixed stereo recording can sound three-dimensional, if each signal reaches both ears in just the right way. Owsley often strove to create this image in his "sonic journal" recordings. Personally, I'd rather hear most of his stuff in mono because he would assign each close-mic'ed signal 100% to one side or the other, including vocals, with a little bleed going to the other side. That might evoke 3-D, but it does not sound natural to me to have vocals (or bass guitar) leaning that far to one side. I remember Owsley saying he tried and failed to convince Phil (I think) to release some tape in his original stereo mix, but it got collapsed to mono over his objections. To each his or her own. I like a sensible, balanced stereo mix best, but mono is fine in a pinch and usually preferable to highly unbalanced stereo mixes. One exception might be the stereo mixes Mickey did of American Beauty and Workingman's Dead for the DVD-Audio release. That sounds fantastic if played loud enough, and it is radically panned L-R, with carefully placed bleed opposite the main signal.
  • antonjo
    Joined:
    here here
    I raise my glass to performance over perfect sound quality. Harpur College is the banner for both halves of that equation ~ its majesty can't and shouldn't be denied, even if its sound is noticeably less than standard release quality. The mono vs. stereo preference is really a big deal to some. Not so much to me...I can think of examples I prefer on each side. And if there's no choice but mono, then your choice is made, release away! If you're all about separation, hearing everything each instrument or voice is doing, then you love stereo. But sometimes, the magic of an old record is the gestalt of all the sounds mixed close to the middle together. Piper At the Gates of Dawn is an album worthy of both stereo & mono listens. While I think it's hyperbole to exclaim, as some do, that it's "a different album" in mono, you really do hear some different sounds, which nerds like myself appreciate ~ Pow R Toc H & Flaming come to mind. And that annoying panning on the Interstellar Overdrive finale is mercifully absent in the mono mix. I'd never noticed 2nd set Harpur College was mono, though. Good excuse to dig that one out. Wjonjd, thanks for the Dick interview!
  • Ridin that Train
    Joined:
    Capitol Theater 1970
    The 11/8 show is one of the best I have ever heard with a rare set list with songs like New Orleans and Searchin' as well as an incredible Morning Dew and Dark Star. This is one of the best sounding Audience recordings ever made to me. I would love to have an official release of that one. Not sure if it's in the vault or what the status is but it's a great show!
  • JimInMD
    Joined:
    re: rbmunkin
    I agree.. Harpur College is sacred ground. Its a real shame more of 1970 did not survive. I bet there were other shows that dare I say might have been just as good where it either wasn't recorded or the tape did not survive.
  • wjonjd
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    @rbmunkin - DP#8
    You asked "Can you elaborate? What was the difficulty? This is the greatest Dead show EVER." Like most of us, including evidently yourself, Dick placed much more importance on the greatness of the performance than the greatness of the tape quality. He tried to get Harpur released for a long time, and it was rejected MANY times because others (including I think John Cutler and Jeffrey Norman) thought it was ridiculous that fans would be happy to spend money on a mono release regardless of the performance. Obviously they were wrong, but they were not, at that time, really in tune with actual Deadhead culture from this side of things. Here are some quotes from Dick Latvala interviews: "AP: So you have had tapes where you really liked the performances, but the tapes were just not usable? LATVALA: Oh yeah. Hundreds. I’ve been beat up and died over things. Harpur College was rejected every time I brought it up for years. From the first time I got involved, I was trying to bring Harpur College to people’s attention and it got beat down every time. It was like a nightmare to me." And "Once I was hired, it became more in the capacity of helping to make decisions of what’s good and what isn’t or what should be listened to and decided upon. I had to start paying attention to a lot more than I ever thought I’d pay attention to before—like is it stereo or mono. (laughs) Who cares, actually? Harpur College, for example, it’s disgusting, but one of the reasons I’ve been pushing for this one as long as I have for 2/13-14/70, and being rejected for a long, long time is because of the fact that the electric sets are in mono. There is a big problem with that. (laughs)" ------------ Dick considered it a great personal victory to FINALLY convince those with veto-power to release that show. Thanks Dick, wherever you are!!!! Edit: I will note for whatever it is worth, that to this day whenever a new release comes out, any sonic anomalies are sometimes heavily criticized, not just pointed out as a factual matter, but complained about. I will never understand that. There were complaints recently about the missing vocals in the mix on two short tracks. Not pointing it out, but complaining about them. It's not the norm in deadhead culture, but obviously it exists to some extent. The tapes are what they are. I believe most of us, wherever there is a great show, want to have the show released and damn the sound quality issues, unless it is truly unreleasable as a commercial release, like it has a loud buzz throughout the whole show from some piece of electronics that got onto the entire tape.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Can you send the link to the interior of the set - are these card covers as per daves picks for cds - any word on extras....
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I think its logistically easier to stack the CD cases in columns.. not rows if that makes sense. Much like The Golden Road box set, but with more columns. ..also, it slipped my mind to tell my gf about the box. Bet that's going to cost me some skin. Am I the only one?
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....sorry to disappoint, but that link is buried in my gray matter. You need to ask Bolo about any other details. And why all the hate for Don't Ease?....
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....like Jim and dusty rambler, it "slipped" my mind as well....hope it's not too big....
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Attending too many 80s shows and being disappointed at a Dough Knees virtually every other night....still Dough Knees would have been a joy in the 90s as opposed to Wave to the Wind, Childhoods End, Samba in the Rain, Long way to go (and the list goes on)
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....felt the same about Black Muddy River back in the day. I would give my left nut now if they played a show of only BMR now if Jerry was there....
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Totally agree with you on that..... I did about 28 shows from 85 to 92 and the late 80s I got sick of certain songs (in heavy rotation) and also Weir's f***** cowboy songs....BMR I had a lot of love for again later but Dough Knees and cowboy songs no...... If only they had pulled off some of the songs they were playing on the 2003/2004 shows or the recent SC/Chi shows with Jerry still on board now that would have been hot...
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....Masterpiece was on that short list as well. Looking back, I think I should have held it and waited till setbreak....lol....
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I couldn't agree more Zuckfun. I thought the exact same thing. The artwork itself looks lovely- but the big letter names along the bottom- really? No one raised an objection to this? It's really kind of funny. Horrible artistic decision, IMHO.
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....agreed. A row of hand painted roses would have been nice. But, if your going to do it, I would think they would have at least put Jerry, Bobby, Bill & Phil all on one of the lengthwise parts. And yes, I would have printed Bobby. I would think one of those sides would be facing forward in anyone's display....am I wrong?....
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It looks like the names are arranged by who joined the band when. Jerry, Bob and Pigpen were first as 'Mother McCree's Uptown Jug Champions' followed by the 'Warlocks' with Bill and Phil and finally as the 'Grateful Dead' with Mickey. Sound reasonable? Be interesting to see how the other sides are arranged.
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To each his own, but Masterpiece is actually one of my all time favorite songs and the GD version is what won me over. Also love JGB, Dylan, of course, and The Band doing that song.
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Funny you should mention your dream, Kate. Last night, actually this morning, I had a very vivid dream that the box arrived early, as in now. In my dream the box was like an extra large rectangular book with four discs, 2x2, on each "page." Maybe describing it as a giant photo album is more accurate. Anyway, my box was missing the second disc from "page" one and there was no gold 7 inch to be found. Thankfully it was just a dream and totally unimportant to anyone reading this. Just shows how much it's on my mind I guess. It's been quite awhile since I had a "Dead dream." I'm not that excited about the visuals of the box posted today. My main concern is that the discs are housed similar to the DaP series.
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as for me - i like the band member names at the base, just as they are. i think they look folksy, quaint, family, homespun, fun, and fit the overall design, pattern, colors, and pics just exactly perfect!
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"What's in the box??" Brad Pitt - "Seven" Actually, the box doesn't open. There are jacks on the back side (USB, HDMI, RCA, etc.) to allow connecting to your computer, stereo, home theater system and so on. It is kinda like a Bluetooth-enabled jukebox. For example, you can simply say, "play 1969" and it will do just that. Very user-friendly with flexible commands like "random play" or "skip Samba." Also, the stealie on top of the box conceals a lens for a built-in projector. You can project lyrics, concert videos (if available) or custom light shows by Candace Brightman on your wall or ceiling while you enjoy the tunes. A bonus compilation DVD is included, featuring all your favorite moments of Bill Graham yelling at people. Really endearing! The celestial symbols in the corners of the boxtop can emit smokeless incense of your choice (included scents: patchouli, citrus, lavender and veggie burrito). More fragrances will be available via future downloads, including licorice, stale beer, and "Keith." Random boxes (1 in 100) will also include either a "holographic Jerry" feature or a rainbow generator. And one lucky Deadhead will receive the actual bandana worn by Pigpen at the Shrine Auditorium show, complete with original DNA-authenticated sweat stains! There's more, but Dave and crew would be pissed if I revealed everything. They do like their surprises! Cheers!
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Thanks for that, Bolo. I'm still laughing my ass off. See the way I hear it.... Another random 20% are Himitsu-Bako puzzle boxes hand crafted by Mr. Yoshio Okiyama. It will take 111 steps to open and once you do inside is an extra 10 show bonus box. And that box is another puzzle box taking 66 steps to open. And of course 1 lucky person will get just a box with a rock in it. "I got a rock"
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I try to keep my countdown banter down the barest minimum however just for today, it's going to be a bit longer so here goes; 22 days until the "MOST BEAUTIFUL BOX IN THE WORLD" ships.
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Just wondering if, for those of us without turntables, they'll slip hidden tracks at the beginning of show 1 and end of show 30 (Caution and Box of Rain)?
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Couldn't help thinking of the old song "Fifteen men on a dead man's chest" when I saw the picture of the box. Perhaps we could amend the lyrics? "30 Trips in a Dead man's chest, Yo ho ho and a Box of Fun"?
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I just measured my 15 Dave's picks and they are 12" long, so a single layer of 2 rows in digipacks would would fit in a box with a 12"x10" interior compartment. This would allow you to choose single shows and not have to unload all the CDs, much like the E 72 box and unlike the Rhino Studio boxes. I worry about sleeves because of the Warlox box and while it looks great on my DVD shelf, the 1977 box is my least favorite option for CD sets. The box pictured in the Relix photo looks like it could have a 12"x10" space with room for a book and goodies on top of the CDs. The artwork reminds me of a magicians chest in a Terry Gilliam movie.
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As stated above in the "shows" listing: "Oh boy! We intended to add announce all 30 shows throughout the pre-order period, but we got scooped!", did they get scooped once again? Maybe that will accelerate the official unveiling here. I am hoping.
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I just finished the Listening Party: 30 Trips Around The Sun, Part 6. Does Comes A Time from the 86 show sound like it has some low level static noise throughout? It's a Man's World sounds far superior.
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Don't know about he '86 show, but the Passenger from 1980 sounds muddier than the version on the archive.
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Hey Cousins - I hear what you mean. It's subjective of course, but I prefer the Box version. Listening to them side-by-side, and the Archive version sounds great, until I go back to the Box version, which sounds warmer and less trebly to me. (One man's "less trebly" is another mans's "muddier" :)
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Has the caution on the vinyl already been officially released on 'Birth of the Dead'?
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Wasn't that a Charlie Rich song? Hey, did you happen to see the most beautiful box in the world? And if you did, was it open and playing? Or was that my wedding song?
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..or perhaps the John Lennon song Beautiful Box would work. I will take Bolo at his word.. which can only mean Rhino hired Special Agent Q to design the bells and whistles. Where did he say the small, leftover Owsley crystal was again? WhWhat! The Caution was already released? Cancel! (kidding).
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That's an awesome looking box! That Relix debuted the images is odd, but maybe later today they'll unveil it officially here. I keep coming here to see if the images have found their way here yet, since they had to be the ones to preview it to Relix and to give them Cream Puff War to preview... I'm incredibly stoked for this box seeing those two pics!
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True Relix got the pics but Bolo unveiled the special features. I am still waiting for the drop-o-liquid feature.
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9 years 9 months
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Two sides we've seen name 6 members, we've still got Tom, Robert, Keith, Donna, Brent, Vince, & Bruce... Think they'll fit or will someone be left out? Can't explain how excited I am now that I've seen it!
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Claney says:"One man's "less trebly" is another mans's "muddier" Yeah, so true! I feel the same way about guitar pickups: I think of humbuckers as muddy, and P-90s as more defined and crisper, and yes more trebly. :-)
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Relix probably paid for the exclusive reveal. And Relix is owned by Peter Shapiro.
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Most of us probably got rid of all old tapes by now as we switched to digital. However, if you're still hanging on to those old analog gems and need space for the master of all boxes, here's a potential solution: http://www.jambase.com/Articles/126264/Numero-Group-Wants-Your-Grateful… You know you don't listen to the tapes anymore and just hang on to them because we are collectors, and that's what we do.
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Can't find where this was discussed,,, but RT 1-1 just came WITH Bonus disc. So this month I've gotten v1 and n 1&2 with bonus. If you don't have, might be worth the chance.
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Ever buy anything practically sight-unseen? I rarely do, but in the case of this collection I ponied up a substantial sum two months ago, with the expectation that I'd be learning more about my purchase over time.... But all we've gotten so far is some snippets of music, some press about the book ( great, but honestly, is anyone paying $700+ because of the book?) and now Relix releases a couple of pictures. If they started working on this in 2012, why am I getting the feeling that they're still gluing these boxes together. Normally if this was something like the numerous other boxed sets it'd be no big deal. But we paid a LOT of money, and we are trying to figure out how big the box is? Where am I putting it? How would I know? And where are Dave's funny but focus-challenged videos? Always makes me wish I could read lips... "Oh look, a seagull!" GIVE ME SOME INFORMATION!!!
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I just hope the individual shows are packaged well inside the box. Please nothing like Europe 77 or The Warlocks box. Please.
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These first pictures of the "30 Trips Around The Sun" box look like a case of beer. It's very colorful and I like it, so far. I wonder how it opens? We will find out soon.Thank you Relix & Peter Shapiro for the glimpse.
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They appear to be in the order that the band was formed/grown: Jerry, Bob and Pigpen were originally 'Mother McCree's Uptown Jug Champions' then the 'Warlocks' with Billy and finally Phil. They were already the Grateful Dead by the time Mickey and Robert came aboard. Then the order would be Tom (T.C.), followed by Keith, Donna, Brent, Bruce and finally Vince. I believe the order's correct, let's see if it runs that way on the box.
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Hate to burst your bubble but that won't be the correct order. If Robert's included - and hell, I'd love to see Hunter on there - then we'd also need JP Barlow of course - and with that many names we would run out of space - I'm thinking your list ex. Hunter would be right.... Now for an image of the inside please Rhino (or Relix)
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Looking for a swap. I have the 2013 Allman Brothers Band complete box set (close to 80cds) in a numbered deluxe box with 2 programs....only played once...will cover shipping my end Australia to anywhere worldwide Looking to swap for: Europe 72 box set (un-numbered and un-named is fine) PM me
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I remembered Barlow after I posted; he'd come in around the same place as Keith & Donna - but let's face it Hunter wrote far more songs than Barlow - Hunter was the band's lyricist not just JG's,having co-written 'Sugar Magnolia' 'Greatest Story Ever Told' 'Playing In The Band' and 'One More Saturday Night' with BW, as well as 'Mr. Charlie' with Pigpen and the sole writer on Pigpen's 'Easy Wind'. But you're right, Barlow should be included also. Maybe the former members and lyricists are listed vertically so everyone fits?
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3 WEEKS or 21 days (whichever LOOKS better) until the box of BROBDINGNAGIAN proportion ships. Today is August 27th do you know where your copy of SSDD is?
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17 years 3 months
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Hola - Not sure about everyone else, but a little disappointed that all that was shown is the box! Was hoping for a little more reveal . . . but, then again, it will make the arrival a much more exciting experience I suspect. I've bought every single thing issued since OFV series initiated the plundering (of course, like most, already had all the official album releases on vinyl, a few CDs and casettes (before CDs). Just lucky I've been in workforce since it all started. Anyway, the box is quite hip on the outside and the notion of a "crate" should fit in well with the other "cases" that the E72 and Spring 90 came in. Main reason came on was to comment on DSO. They usually hit Lexington, KY about once a year or so. I went once, enjoyed it, but it is a really good cover band that has found a perfect niche in the Dead scene. They clearly love the music, are performing a wonderful service, and I didn't detect a whiff of opportunism. All that said, and its probably because I'm now north of 55, but I just couldn't get into it. The musicianship is certainly competent as most professional musicians are, but there is really no depth or surprise or flexibility that were integral to the Dead; or, for that matter, any band that has the talent and tenacity to create an original sound. But, I know lots of folks who love them, and I definitely agree they have the vibe . . . which is why I belive they are a valid piece of the GD kaleidoscope.
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13 years 3 months
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I sent you a PM JRAD is where we need to be, trust me. Absolute fire.
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14 years 7 months
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I sure hope that the PTB will be providing some cool, high-res artwork (individual show album covers, etc)
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16 years 2 months
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If it was about 78 to 80 hours spread over 80 discs at $700, it would be a real bargain. As is, Rhino is being generous. Then add in the book and other goodies and artwork, it is still generous.
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13 years
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This has been one of the bright spots in a-not-so-good year for me. Bring it on!!
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