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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • Chitown rider
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    Cover Art
    Not sure if these are high enough resolution or not but I use them. https://plus.google.com/photos/106465427611350658328/albums/59784616720…
  • Zuckfun
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    Cover Art
    Not sure if these can be copied or downloaded, but here's a very complete selection: https://picasaweb.google.com/m/viewer#albumlist/titanarch
  • yetibike
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    comdata55 / album art
    I usually just run a search in Google Chrome under pics...moe often than not I find something in good resolution that I can use. Sometimes I will open them in Paint to resize or change the pixel resolution. I have found some good images on Wikipedia as well as the GD archive here too. Good luck :)
  • comdata55
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    A little off-topic
    All this talk about the box vs the USB and sounds quality has motivated me to revisit my digitized versions of the GD albums I own. I'm now trying to re-rip all my GD albums to FLAC to archive them. Does anyone know of a site/repository that has hi-res versions of all of the album covers, even box set album covers?
  • floridabobaloo
    Joined:
    Recording. Just a couple points
    Multitrack tape in that period was usually a 2 inch wide reel. The cost was quite expensive. It would run typically at a high speed for the quality of the sound. A reel would go say 10-15 minutes.When we refer to a 8/16/24/32 or how many tracks, the concept is simple. The end result will be a stereo recording. That is L/R OR 2 track. The process begins with the multiple track recording. Yes every voice or instrument is given its own track which can be EQed, given any efx, or processing. Back then16-24 track was the norm. In today's digital world there's really no limit. Then it was limited by the size of the tape. Once a performance was tracked, you would make adjustments to each track, which usually was adjusting the equalization and position in the stereo field. If you want keyboards on the left and guitars more on the right, you dialed that in via the mixing console. The goal of this step was to mix down to a stereo 2 track tape machine. So in essence if you had 24 separate tracks, in the recording phase, you now had the tune mixed to stereo. this is the mixing phase. Finally that stereo tape would be run thru a console once again and those 2 tracks, would be equalized and in some cases, run thru noise reduction, or compression or other sound processing. This is called Mastering. So you have 3 steps in the process from the initial recording of the performance to the final product we buy as a stereo recording. Today the main difference is we use computers and a format of digitally recording as opposed to analog magnetic recorders back in the day. You still have to capture the best performance as cleanly as you can. And you still have to have very good ears! A live 2 track, as said, was simply a stereo copy of the mixing board at a live show to capture the sound of the performance. Most times that tape was used to listen to a performance to evaluate the quality of the performance. 2 track tape is 1/4 inch wide and runs from 7.5-15 inches per second. Called ips. So you will see notes of two track tape at 7.5 ips. Later in the career of the Dead they utilized cassette tapes or DAT ( digital audio tape ) to record the shows. And as stated these weren't recorded to be commercially released. Many bands recorded their shows simply to listen to afterward to see what they sounded like.
  • KeithFan2112
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    bohlint / Sound Quality
    Expense was a big reason they didn't do more recording with the multi-track in the 70s. I've read that it cost a lot more than two-track, because you have not only the mobile truck business as an added expense, but you also have more expensive tape feeding the multi-track recorders (and a lot more of it - keep in mind, it's like making 8x as many recordings of the same show if you're doing 16 tracks, compared to 2, AND they record faster, which means you go through much more tape per track in a minute than with a two-track machine). As far as comparing the two (two-track vs. multi-track) - There are some really good two-track recordings in the vaults. Everything they've released from 1977 is two-track, and it sounds really good; in fact, I would say most of the '77 stuff sounds better than at least one of the Dead's multi-track releases: Live at the Cow Palace New Year's Eve 1976. Cow Palace doesn't sound horrible, but the tape hiss level is extraordinarily higher than usual, and the fidelity extraordinarily lower (not necessarily due to the multi-track process itself, but probably for other reasons - in general, if done properly, you're going to get a better mix out of multi-track masters). Who knows, maybe they ran out of Maxell XLIIS tapes and put low bias tape in the machine that night ;-). Compared to the Winterland June 1977 box set, for example, Cow Palace does not sound as good, (subjectively speaking of course, but trust me on this one:)
  • alvarhanso
    Joined:
    Sound quality redux
    One Man pretty well summed it up. The vast majority of tapes were made on from a 2 track mix at the soundboard, and multitrack was used for tours or shows where they were looking to make a live album. Back in the 60s or 70s multitrack recording usually meant using a mobile recording truck outside the venue to record the show and mix it. By the 80s & 90s, multi track recording was easier to accomplish without a mobile unit. Betty Cantor-Jackson is probably the most famous recording engineer the Dead had, she simply had excellent ears & did her mixing live with headphones. Bear was recording while also running sound, so his recordings can suffer from his primary job coming first and taping coming second, though he still made outstanding tapes. The Dead were the first or at least among the very first bands to use a 16 track recorder in the studio, much less for a live recording, so Fillmore West 69 is an aberration for the time, and we have what we have of that run because they specifically set out to record Live Dead and wanted to do it with the best possible fidelity, hence the 16 track. The use of multitrack allows for each member to have their own channel essentially, so that in mixing, if Bob is playing quietly on St Stephen, it can be boosted a bit, or if Pig's organ is a bit loud, it can be attenuated, and the instruments can be panned so that they don't occupy the same space and muddy the mix. The 2 tracks were made for listening the next day, with no real thought that one day 43 years later it might be released
  • drshakedown74
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    Listening party 74
    Not sure why not here, but there is the UJB from Dijon 74 on Jambase Why is this website so "old" when the Dead family is based in Silicon Valley , home of a million tech savvy deadheads that would build a killer site for fun and free? Weird
  • boblopes
    Joined:
    Wall of Sound in Europe in 1974???
    Wow - I can't imagine taking WOS there and needing all the different power converters for just 7 shows. That would've cost big bucks... Couldn't find anything in deadbase or archive, but found this from archive: "Featuring what has to be considered among the very best first sets ever performed by the band, Dijon is clearly THE show of the tour. It's a brilliant performance, among the very best shows of 1974. Several songs are candidates for best ever renditions; most notably the extraordinarily jammed out show opener of Uncle Johns Band and the terrific stand-alone Scarlet Begonias. Playin' in the Band is also exceptionally well played. The solid second set includes a dynamite performance of Eyes of the World and a unique jam suite featuring the first Caution Jam performed since early 1969. This performance is the creme de la creme of the tour! (99 pts) " That sounds awesome...
  • One Man
    Joined:
    Spring 1990
    They could have used the multi-tracks for the first Spring '90 box but shamefully cheaped out on us and did not. They went the extra mile on Spring '90 TOO, probably thinking it would help sales. That didn't work out, as the first box sold out quickly and the second hasn't yet. There is a big difference in sound quality between the two. I sold the bad one after spinning it once. The 30 Trips box is mostly 2-track, because shows were usually taped in multi-track only if they were being considered for release. So the vast majority of the vault is 2-track tapes. Some of them sound surprisingly good, but I can't think of one that holds a candle to the best of the multi-track mixes.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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13 years 1 month
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If so, I would love to read a post after. Better yet stream the show on Ustream
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Looks like it is possible after all. Just had the email about shipment. It says : " If you need to adjust your payment method, please call 877-DEAD-NET. The deadline to reply is September 8, 2015 at 11:59pm ET. " and " If your payment method fails, your order will not be processed for fulfillment. At that point a Dead.net customer service representative will reach out to you. This may result in shipping delays. "
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sound quality is good. Our futures are assured. Our civilization will survive another 1000 years. Rejoice!
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17 years 3 months
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Just received this fro GD Shop .......'Lazy lightning, I'd like to find the proper potion That's gonna capture your emotion... We ran into a few production snags with our 30 Trips custom lightning-bolt USB and in order to bring you the highest quality product, we're going to need a little more time to whip this lazy lightning in to shape! We'll be shipping out in October, specific date - and first look - forthcoming. That said, we want you to have every opportunity to enjoy 30 Trips Around The Sun on the original street date of September 18th. We'll be sending you an exclusive link to listen to each show as well as a pdf of the 288-page book that features an essay written by Nick Meriwether as well as special remembrances of the band submitted by fans and a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years. We hope you'll accept our sincerest apologies.' Bit of a bummer hearing now ..... as it's too late to get a box, but hopefully they mean early October !
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12 years 9 months
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15 days until JUMBO box ships. IMHO Blow Away from 10/26/89 is the BEST version EVER, Brent is so ANGRY. In fact the whole band seems to be unhinged on this particular night.
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Me thinks USB Delay was announced after the physical product (box) was sold out to keep USB orders from being canceled and boxes ordered in its place. Pure speculation on my part, but...
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I will have to thank this thread's moderator, marye (Mary E.) for providing the picture of the exterior of the 30 Trips Around The Sun box. This picture debuted not too long ago on relix.com site and to me it looks like a case of beer.Hmmm, beer ... I like beer, Grateful Dead Beer - now that's for me! I still want to see more pictures of the contents of the box, please.
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13 years 11 months
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I was kind of hoping that this show would get it's own release with the title "Miami Meltdown". This is probably that last good Dark Star...
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9 years 2 months
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Yeah I can't wait to hear the star if full blown stereo power in hdcd.
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9 years 4 months
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10/26/89 is the last good Brent era Dark Star, but many of the Europe 90 Dark Stars are very good and both 4/1/91 and 9/26/91 are excellent with Bruce's contributions taking them to places deeper than the Branford Dark Stars, which are also quite listenable.
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Yes, KY Trips am very aware of Dogfish's American Beauty Imperial Pale Ale.
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There are also non-sanctioned (or semi-sanctioned) beers like Dead Ringer by Ballast Point and Grateful Red by Capital Brewing. Are there others?P.S. last good (Brent) Dark Star? Nothing wrong with RFK 7-12-90 either imo...
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Great label.. ...I can tell without asking she is into the blues... If I see, I will have to down a pint in your honor. I guess we are everywhere.
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17 years 4 months
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The picture of the USB looks pretty darn cool. Anybody order both, the box and USB? Expensive for the hardcore completionist who has to have it all.
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Tighthead makes, or made a seasonal called Bear's Choice. It may have been retired. Thighthead is in Chicagoland, so it also makes sense to the fans of the NFL's Bears. I have not seen the label to verify.If it were up to me, the label would be similar to the 1973 album art. http://www.tightheadbrewing.com/beer-bears-choice
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Lazy lightning, I'd like to find the proper potionThat's gonna capture your emotion... We ran into a few production snags with our 30 Trips custom lightning-bolt USB and in order to bring you the highest quality product, we're going to need a little more time to whip this lazy lightning in to shape! We'll be shipping out in October, specific date - and first look - forthcoming. That said, we want you to have every opportunity to enjoy 30 Trips Around The Sun on the original street date of September 18th. We'll be sending you an exclusive link to listen to each show as well as a pdf of the 288-page book that features an essay written by Nick Meriwether as well as special remembrances of the band submitted by fans and a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years. We hope you'll accept our sincerest apologies. Stay tuned, The Dead.net Team I spoke to Dead.net and they won't allow us to even download the mp3s on the release date, just stream song by song. I'll probably cancel my order now...
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Items OrderedItem 1 Description 30 Trips Around The Sun Digital Box (USB) Quantity 1 Status Backordered Estimated Ship Date October 31, 2015
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There are a few others that I'm aware of... Here in Louisville, Bluegrass Brewing Company (BBC) makes a Dark Star Porter. And Starr Hill, a brewery in VA must be run by a Deadhead. Here are some of their choices... http://starrhill.com/brews/grateful/ http://starrhill.com/brews/dark-starr-stout/ http://starrhill.com/brews/little-red-roostarr/ http://starrhill.com/brews/shakedown/ We ARE everywhere! Thank goodness for that!
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else care for Guinness's seasonal - Stout Your Face? Instead of a harp on the can, they've got a Nash Strat. Each one is numbered, of course, so remember to leave the Dead soldier in tact before you put it on the shelf next to Europe '72.
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Speaking of beers and music: just sitting here in my new apartment grooving to 12/6/73. Im drinking a DogfishHead Punkin Ale. Great stuff. I have a bottle of "vintage" American Beauty" from the first release Im saving for "Boxzilla". Im listening in chronological order the first time. The show Im looking forward to the most is 9/24/72. Love that 72! Actually looking forward to all the shows! Cant Wait!!! Later Folks!!! Crackin anotta! ;) P.S. GO GIANTS!!!( I know preseason, whoopee shit!)
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Not to be forgotten is Terrapin. I don't think they have overt GD references in any of their beer names, but the company name itself is an homage on every can...
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If I remember correctly the 1972 box set arrived before I thought it would...infact I remember it just showing up and totally not knowing what the grateful dead people could've sent that was so big then when I opened it, it came back to me...when I ordered the 1972 set I think it was in April and kind of put it on the back burner and didn't think about it again...so i'm not exactly sure if it came early...but I called the grateful dead 800 number today and they're sticking to about the 18th they'll ship...obvioiusly could be the 16th or the 19th but in that pocket...not next week which would be nice...we will be charged next week though that's a fact on the 9th we will be charged.
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We visited the brewery on Tuesday, and officials there seemed pretty certain American Beauty will NOT be brewed again (at least with the GD co-branding). As it was related to us, the brewery had a license to do two runs (Nov 2013 blue bear label was first, 2014 red bear was second) of the beer. They apparently received permission to do a third run in May 2015 (Skeleton label), but will likely not re-up with the band's licensing arm. I got the impression the band's licensing fees are steep, or at least not financially worth it for the brewery. They told me the music series brews usually don't last. Two exceptions are the Robert Johnson Hellhound Ale and the Miles Davis Bitches Brew. Let's hope this proves wrong. American Beauty is delicious!
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....I've got a couple of Red's and Blue's and an American Beauty Imperial IPA on my kitchen shelf....wish I had more but they're not cheap....what is anymore? ....yeah, they're empty. I love my IPA's....what can I say....prost!!
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How are y'all going to listen to this much music? I am compelled to process every release by writing impressions of each song in real time as I listen carefully on a first pass. It really gets me to pay attention to the details and note the big moments I want to return to. Then and only then can I relax and listen more casually. Clearly, this fatty will take a long time to process - probably more than a year. I did the E72 box over about 8 months and I often refer to those write-ups. I doubt if many (or any) of you share this compulsion, but I'd love to see your writing if you're willing to let it out of the house.
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12 years 9 months
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14 days YES JUST a mere 336 hours until the MONSTER box ships.
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16 years 6 months
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But I get it. Dick latvala did the same thing. Much like in school, I'm a terrible note taker but I'd like to see yours if you get a chance to share them!
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s anyone else a little concerned about the potential sound quality? I am sure the 70s shows will sound pretty much as Dave's/Dick's/RT do - at least that is how the listening party examples come over - somewhat short of the care taken with the Winterland 73 and 77 boxes. The Blow Away above is from a multi-track but is a long way short of the first Spring 90 box never mind the Spring 90 TOO - it suffers from the usual Brent keyboard and vocal louder than the rest of the band together which I am sure could have been addressed with a little time. The Cumberland Blues is presumably from a cassette soundboard and I know they limits things but they have made more effort in the past - it also sounds like the end of it is patched which makes it an odd selection for a listening party. I have an awful feeling that this project has been too big for the timeframe of a summer launch and the mastering will have been rushed (perhaps this also explains the complete absence of Dave giving updates and the lack of any pictures of a finished set - the picture of the box could very well reside only in someone's copy of photoshop). I am not knocking this - I am as excited as anyone to get hold of this but I would prefer to have it done well in November than to have the sound compromised in September.
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If u missed this box, and u want a home run. "The other one" which is the 2nd 1990 box is fucking dirty dirty good. Sound quality is unparalleled. Im not a salesman, ive just got it in.....again. My average Monitor Audio floor speakers absolutely sing with these discs. Normans best work imho, the first 90 box mix and quality is inferior. The Other One is special. Winterland 73 is my favorite, but the sonic sound on this is epic, and the boys are ON every night.
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They started tossing around ideas for this project in 2012. So, not terribly rushed imo. I'm sure they will have done what they could with the source tapes they have. Also, my understanding is they went digital in '83 - someone chime in if they have some more information. I know I posted a link up here a while back inquiring what Norman, et al. will have done with 6-24-85 Iko Iko which Dave said in one of his Taper's Section posts has PCM dropouts aplenty. I bet they have cassette backups for the PCM/DAT recorded shows as well. That may be the splice you're hearing in Cumberland Blues. I'm tempted to listen, but I'm waiting on the box for my first listen.
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The quality has a lot to do with the venue...some of the 1968s never sound better than when they played the circus?? or some place as a residency...in later years when they got really big they played stadiums and stadiums tend to be echo-ey...so if you really want good quality listen to 1968-1978...1980 had a lot good quality shows...but I did find the larger venues not as good when they played smaller places auditoriums, theatres...not sure if that can be fixed so easily...1990 box set I got that too a little echo-ey a little big...overall not dis-satisfied with the box sets just an observation...still say 1972 is the pennacle of the grateful dead.
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Allow me to change the subject. Dancin' In The Street - according to Wikipedia, that song on the bonus portion of the studio album Terrapin Station is from 5/8/77. My question is - if they can put one song from the show on an album, why can't they put out the whole concert? Waitin' for for the box. Is that like Waiting for Dave? And who gets the reference?
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I think they're waiting to have the master tapes back, but I'm not sure. I didn't think they had the tapes from Academy of Music '72 either and that didn't stop them from releasing shows from that run. This is of course speculation on my part. I try to follow the scuttlebutt on the tapes, but I truly have nothing definitive to work with. It would be cool if there was a clearinghouse for such information.
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So... I finally broke the news about Boxzilla to my wife last night. I had been dreading it for months, and when I saw the pic of the product a couple of weeks ago, I knew it was going to be too big to "hide." She took it remarkably well... as in, she didn't give me any grief whatsoever. So... there's hope out there for the rest of you!
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I could not agree more! The 2nd 1990 box are the finest quality Dead recordings I have ever heard. You feel like you're on stage with them. Ofcourse the Fillmore '69 box gives me goosebumps too. :)
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16 years 6 months
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Email I got two days ago. They also took down the comments on the USB...and it still shows a Sept 18 ship date. Lazy lightning, I'd like to find the proper potion That's gonna capture your emotion... We ran into a few production snags with our 30 Trips custom lightning-bolt USB and in order to bring you the highest quality product, we're going to need a little more time to whip this lazy lightning in to shape! We'll be shipping out in October, specific date - and first look - forthcoming. That said, we want you to have every opportunity to enjoy 30 Trips Around The Sun on the original street date of September 18th. We'll be sending you an exclusive link to listen to each show as well as a pdf of the 288-page book that features an essay written by Nick Meriwether as well as special remembrances of the band submitted by fans and a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years. We hope you'll accept our sincerest apologies. Stay tuned, The Dead.net Team BTW my order says it will be shipped October 31
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12 years 9 months
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It's NOT SOLD OUT, here we go again!!!!!
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17 years 3 months
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Perhaps these were found when they fired Box Cutter Boy? Rock on
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9 years 2 months
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I am sure as the email went out, there have been some back out. Personal finances can change. edit: or maybe the "talk" did not go as well for some.
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9 years 1 month
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Are we thinking that the tracks that are on the gold single will be included on the discs somewhere? Also, I picked up the 2nd spring 1990 box earlier this year and just downloaded the 1st spring 1990.... It's ridiculously good. The music itself as we all know was incredibly inspired. But, the quality of the purchased product is outstanding. Hoping for more if the same but confident that they'll deliver on this epic release. Congrats to all who get to experience it.
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17 years 4 months
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The first night of 3 from Richfield Fall '91 and of the last great Grateful Dead tour. Every song from this three stand in Ohio are played beautifully. The Scarlet>Fire will melt your mind. The third night will make you want it released. https://archive.org/details/gd1991-09-04.sbd.miller.95313.sbeok.flac16 This run of three shows screams for official release. 9/10/91 is a nice box choice, but 9/4-6/91, 9/26/91, 10/27/91 and 10/31/91 are equally as essential as far as I'm concerned.
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10 years 2 months
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...scrambling to ensure there's $751.43 in their bank accounts or available credit on their credit cards. Can't hold off on that mortgage payment...the electric bill can wait...cable bill should be paid, don't want that getting turned off...car payment can wait...
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