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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • 4evergr8ful
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    1970 04-15
    Been listening to the winterland 1970 show featured on this box and must say Am Really digging it..having listened to most dead post 77", it's as if I'mHearing the band for The first time again..can anyone else reccomend any really Good early 70s shows, perhaps some that really stand out, say 70 or 71? Would appreciate it thanks
  • Vguy72
    Joined:
    Hey keithfan....
    ....glad I could oblige. BTW, do any of you experience a delay in getting pm's? I usually get mine a week after they were sent to me....
  • LoveJerry
    Joined:
    Complete Recordings - Great Prices
    I got a copy of Dick's Picks 30 at a great price after someone here mentioned seeing them online, so I thought I would return the favor to people who may be in need. Here are three great prices on box sets. Winterland June 1977: Complete Recordings $299. All others are in the $600 range. http://www.ebay.com/itm/Grateful-Dead-Winterland-June-1977-HDCD-Box-Set… Europe 72 with trunk $377 http://www.ebay.com/itm/Grateful-Dead-Europe-72-complete-recordings-non… Winterland 1973 Complete Recordings $120 http://www.ebay.com/itm/Grateful-Dead-Winterland-1973-Complete-Recordin…
  • kilauea
    Joined:
    Stoked about 30 Trips
    I'm stoked to get my ears around 30 Trips Around The Sun. Love the idea of a show per year. I usually reside somewhere between 1968-78 with 72-74 as my favorite period. I love the improvisational monster jams focused around The Other One, Dark Star, Playin', Eyes, Weather Report not to mention the primal Live Dead jams. Love a good Scarlet-Fire and the Blues For Allah material live is always a hoot. That being said my 80's-90's ventures are usually 80-81' and 89'. I have The Warlocks and love it but skipped out on Spring 90' boxes... but figure I'll get to those soon enough. So I'm looking forward to diving into these 80'-90's shows in 30 Trips, and heck, maybe I'll see what I've been missing. I'm particularly pumped about 67' Shrine, 68' Greek, 69' Dream Bowl, 72' Waterbury, and 73' San Diego among others. I mean what other band releases so much great quality sounding live music for there fans? The quality of the Grateful Dead live archival releases over the past 20 years is completely unparalleled. Perhaps only the box sets and live releases of Miles Davis even comes close and that's fairly distant at best. If Pink Floyd released only a smidgeon of quality live shows from the 70's I'd be super stoked but so far just the Wembley 74' stuff. Frank Zappa releases quite a lot of live material when he was alive and the vault releases have been great but no one compares to the Dead releases. And I'm grateful for it. It's like Christmas every few months when a Dave's Picks arrives or Road Trips before that. Europe 72' is my favorite box followed by Winterland 73'. Like I said I'll get to Spring 90' in due time. So keep us guessing and keep em' coming!
  • KeithFan2112
    Joined:
    Vguy72 / Road Trips '73
    Good call, I put this on at your recommendation. Four words - Holy psychedelic pianos Batman. Wow, just dozed off at work and woke up to Wharf Rat. gotta love cubicles.
  • KeithFan2112
    Joined:
    80sFan 11/4/77
    I checked out a couple of tunes from your link. Definitely a respectable version, and I like that you can hear all of the audience enthusiasm at various points (i.e. clapping on Bertha, cheering after the Brown-Eyed Women solo, which incidentally, is one of the best live versions ever in terms of Jerry's guitar solo). The instruments are definitely louder in the official version, particularly Keith's keyboard work and the drums; these two "mix factors" contribute heavily to the aggressive "rock" feel of the 11/4 show, as experienced in the official version. But yeah, it's always a good idea to own another show featuring the late great Keith Godchaux ;-) PM your address if you want and I'll send it to you.
  • JimInMD
    Joined:
    Re: Keithfan and Bliss
    Yes, KF, there are certainly noticeable differences in sound that are more than the mix itself. What a fabulous collection of venues on that tour, that's the difference. When I travel abroad.. Instead of being a typical nerdy tourist and hitting hard rock cafe's or whatever.. I usually try to pick a theme.. like lets hit all the big castles in Germany or hey, lets hit all the churches where they off'd people in the Angels & Demons movie in Italy.. so my big not so eminent Europe trip will hit all the theatre's they played at. Check them out, great history and some terrific venues. That's what's contributing to the rich sound and variations from night to night. Places like the Concertgebouw and the like. There's a wealth of information on the acoustics of these venues. You may have come to the party late, but you did your homework. Bliss.. one of the ways I cycle through a lot music is on road bike rides and kayaking. Lots of fun and you get a workout to boot. I think you get the big picture this way, overall vibe of the show and jams. You also get a nice progression of growth through a tour/year/decade that way. You do miss minute details like best version of a song on a tour which KF seems to specialize in.. anyway, you are not alone in listening habits.
  • 80sfan
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    Joined:
    currently listening to...
    The AUD of 11/4/77 https://archive.org/details/gd77-11-04.moore.jupile-weiner.15208.sbeok… Curious how it stacks up against DP12? I'm really into this version so i'm feeling (slightly) better about having been shut out of the official release!
  • bliss
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    Joined:
    listening to the band
    Keith-Fan, Your post raises the question of how we go about enjoying this abundance of officially released riches. I listen to a show per day, usually in the background while working. A lot just sort of floats over me this way and I'm often unable to get a "best version" sort of feel, but do get to enjoy the overall sonics of a show. i'll be working away with the music drifiting over me and suddenly tune in and think, "whoa - how the hell did they get out here" ... Work-related listening has been random years/tours as the mood strikes. I have no favorite era. Everything offers something different and worthwhile depending on the mood. I listen to a lot of other music (funk, jazz, soul, rock from all eras), so it's not like I can engage in the deadicated listening a lot of these Dead shows deserve. (seeing RUSH twice next week - and am on a huge related listening kick in preparation -- seeing them is very much a cult-band family reunion kind of phenomenon not unlike the vibe at a Dead show - just a lot nerdier and less trippy). With the 30 Trips Box, I'm going to listen to a show per day on headphones while cycling. Chronologically. After, I'm going to listen to everything I have (pretty much all official releases) in chronological order the same way, ideally while riding and skiing. This is a wonderful way to consume release, as the music evolves and changes organically, in terms of both the playing and song choices. I've managed to do this once in the past, and it took the better part of a year. Psyched to do it again. Long live the Dead.
  • KeithFan2112
    Joined:
    From Version to Version
    It's only since I lost myself in the Grateful Dead Narnia that I've started to appreciate listening to the entire show. I came late to the Dead picnic, and while I saw them a couple of times before Jerry died, I didn't get "into" them until years later. With other bands (The Who, Yes, Rush), I would take the best live versions of songs and make a playlist. It seemed the prudent thing to do since there were only a few live versions of any particular song. The Dead is a different beast altogether, so it took some time to appreciate what they're up to from gig to gig, and clearly cherry picking the best versions is an impossible endeavor, as I end up with nothing on the cutting room floor. That being said, old habits die hard, and there's always a mental comparison going on in my head, hence the post about MSHSU Toodeleedoo. There's no doubt 9/3/77 is the best version for the jam, but not necessarily the bridge to Rio Grandio. And so it goes, there are many "best" versions. Muleskinner, check out Sugar Magnolia from 4/24 - this is thee version of thee song that pulled me in, never to return. I was at a home poker game when my buddy put on Rockin' The Rhein, and immediately caught the fever. 5/18 is close, despite a rare vocal flub where Bob Weir seems to forget he's onstage performing with the Grateful Dead. It's not that there's anything wrong with the 20 other versions from E72, it's just the perfect storm of nuances that come together on 4/24 (the guitars are mixed so smoothly for maximum "groove" effect, the piano is present, the solo is smooth and sweet, the drum fill at the....drum fill part is perfect, the blossoms are blooming, etc). Also wondering if anyone has noticed some of the subtle differences in overall sound from show to show on E72? For example, 4/24 seems to have more reverb than other dates (I don't know if reverb is the right word - it's an echo-like quality I catch on this one - a good thing to my ears); Amsterdam 5/10 also seems to have this quality. 4/11 and 4/29 seem to have a tad less fidelity and more tape hiss than other dates - not a big deal, I just turn the treble up a little bit. 4/26 has magnificent sound and low tape hiss, but Pigpen's organ is a bit lower than other dates (not sure how the fact that it was mixed for Hundred Year Hall plays into this). Heck even the comparison between Steppin' Out versions of the same tunes demonstrates significant differences in the mixing (for example crisper snare drum, compare 5/24 Cold Rain & Snow, or higher piano levels on some songs - check out 4/11 Brokedown Palace). Anyway, I spend waaaay too much time listening to this stuff, but I did earn a PhD in Europe '72, so it wasn't without merit.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Again what's this the 7th time in 10 days? I forgot I ordered the "condensed" version of 30 Trips I received it today. At first I thought it was a DVD but alas it's 30 Trips........1965-1995. The packaging is the same May 1977. To listen to CD 2 you have to remove CD 1 & to listen to CD 4 you have to remove CD 4. The booklet has a paragraph describing each song. What a nice surprise to come home to, I ordered it June 2nd when it appeared I wasn't going to be able to preorder the box set, MINIZILLA will tide me over until BOXZILLA arrives. It's 3:17 in Philly the kids should be walking through the door any minute. I'll give it a thorough listen tonight after I put them to bed.
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For those of you who haven't gotten the email yet - be sure to check your junk mail. I've never had an email from Deadnet go to my junk mail folder until today. Anyway, that's where it was. Dantian - I'm trying to wait to listen to Lindley when it comes out, but thank you very much for letting us know the banter is in there. Very good news. EDIT - I did sneak a peak at the book. I didn't realize 6/17/75 is not in the Vault. That's a bummer. Guess their choice for that year truly was made for them ;)
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15 years
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I was gonna tell keith...unfortunately he's not doing much my friend..I fortunately got the chance to meet him before he passed..nice guy...a shame really..what more can one say
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9 years 3 months
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I know man. Tragic about Vince. Really broke my heart. He was a good guy, very under rated and appreciated in my opinion. He was a true believer in the good ole' Grateful Dead and brought a lot of style to the band during their last years.
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> but I'm personally not a fan of the color-swapping album/show > covers. If the covers were all different, I couldn't do this: http://imgur.com/SyLZIe2 (spoiler) Seriously, though, I wish they would have done something with era-appropriate art for each release, but I am still tickled at the notion that this massive box will be in my life (likely) before Halloween.
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I don't want to follow a string of bad vibes around the Box, but a thought just struck me- why has the book always been advertised as being 288 pages long when the pdf is only 169 pages? A book printed with 100+ fewer full-colour pages will make quite a difference in the cost of the book. Did they reduce the size of the book to save costs or because they didn't have enough material? Sampling the shows, there's outstanding music here and it's worth it to own these great concerts. I just don't understand why dead.net made so many promises (long book, sept. 18th release date, reveals throughout the waiting period, best product ever) and they have kept so few of the promises. The only thing we don't know yet is the quality of the finished product, and I want to remain positive, but what has dead.net done to assure us of the quality of the finished product? The 7000+ people who just paid $700-$1000 dollars in 2015 for 20+ year old music deserve the product we were promised. Otherwise, we all should have waited for the inevitable digital downloads.
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> but a thought just struck me- why has the book always been > advertised as being 288 pages long when the pdf is only > 169 pages? Each PDF page = 2 printed pages is my guess. That doesn't work for each of the pages, but most of them look they are just two pages side by side.
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I wonder if each cover shows the planets in their actual positions on those dates, or if it's just random. I love the concept though. Claney, I couldn't resist taking a quick listen just to find that out.
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Yes indeed sad about Vince unfortunately he was inflicted with depression. He has got a pretty hot solo album definitely worth checking. Now I'm on 1995. I'm going from the front to the back and then to the front again and keep progressing/regressing until I get to Neptune. Also listened to the caution/box hope that is a download at some point for the us turntables impaired. Very good day indeed!
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Yes indeed sad about Vince unfortunately he was inflicted with depression. He has got a pretty hot solo album definitely worth checking. Now I'm on 1995. I'm going from the front to the back and then to the front again and keep progressing/regressing until I get to Neptune. Also listened to the caution/box hope that is a download at some point for the us turntables impaired. Very good day indeed!
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Yes indeed sad about Vince unfortunately he was inflicted with depression. He has got a pretty hot solo album definitely worth checking. Now I'm on 1995. I'm going from the front to the back and then to the front again and keep progressing/regressing until I get to Neptune. Also listened to the caution/box hope that is a download at some point for the us turntables impaired. Very good day indeed!
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17 years 3 months
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Beginning from... the beginning and so far so good. The '66 show is hot! Highlights include nice early (obviously) jamming in Dancin, Viola Lee and Midnight Hour. Good harmonies in He Was a Friend of Mine. Great versions of New Minglewood and Cream Puff War. Pig is every bit the frontman. Lots of good banter too and our first appearance of Bill Graham at the end of the show. Up next you ask? Bring on '67.
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Well, winding down with Liberty now. I was really surprised at how good this show was, considering nothing's been released from '95 until now. Foolish Heart is one of the first Dead songs I ever heard, and this is one of the better versions. And the older songs sounded great - Vince fits in the mix a little more smoothly than Brent IMHO, so I wasn't distracted by the keyboards and backing vocals. I just read a couple more articles on Vince - sad story, he may be my new keyboard hero. Looking forward to the rest of the shows he played on.
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13 years 10 months
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Around 3 minutes in during Minglewood, it sounds like they had to patch a cassette(?) flip with an AUD. No mention of it in the book, so maybe info will be found on the individual cd sleeve. I have a road trip next week, and I had planned to really dig into the boxset, so now I have to settle for grabs of the stream (sound quality won't make much difference in the car). Oh well ... I'll survive!
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15 years
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Went first to 10/12/84... this show is stellar! That is all.
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9 years 2 months
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yep vince was in the tubes, dont fall in love, she's a beauty. and the articles implied (from reading years ago, so dont trust my memory)that he got very depressed in 2009 when they did not invite him for that reunion. dont know if that is true or not. the tubes were around in the early 70's if i remember. think they played some of the old dance halls. edit: even though i still have not heard a lot of the 90's stuff, i am looking forward to giving it a twirl. but if it was true that they left Vince's name off the box, that is a little depressing. also, why wouldn't they invite Vince for the 2004(?) and 2009 dead tours?
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9 years 2 months
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Help this old mind out... Was the really really really comment a reference to Parrish in the movie?
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13 years 10 months
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> He was a good guy, very under rated and appreciated in > my opinion. An online friend of mine knew Vince; well enough to hang out on off days, etc., and he has nothing but nice things to say about him. I asked him once if there was much truth about what Vince attempted on Ratdogs's bus (and Weir's reaction), and he told me that while it's grossly simplified, there is some truth there. So sad, even if only some of it is true. Here's the basic gist, but please bear in mind my comments above): https://www.reddit.com/r/gratefuldead/comments/2vlx0n/the_treatment_of_…
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i remember reading you had ordered the 4 disk set...too funny you forgot and it showed up. jokingly-maybe you need to balance your cc statement more often. smile but seriously, great scam today is nickel and diming people's credit card trying to get money out of folks that never check their statement. ok too much seriousness
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Anyone remember the old newsgroup message board in the 90s? I remember that someone posted before the Greensboro show, "There's a grand piano on stage. Looks like Bruce sitting in tonight ". Then someone responded, "You're online at the venue ???" That seemed surprising at the time.

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10 years 4 months
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Yes the Vince story is very heartbreaking.Honestly I will say I am surprised many times how much mystique covers the truth with the Dead. Some of these guys conducted themselves, their interactions with others, and their lives very poorly. And yet, there's this sacredness surrounding them. At the end of the day, they're just men. The hazy hippy bullshit of the Haight was a delusion, fun as it might have been. Those of us old enough to have lived through it know that. The music is one thing. The people making it and the quality of their humanity is a totally different thing. There's an old saying, Nice Guys Finish Last. And another, You Don't Get to the Top by Being a Nice Guy. Sadly, there's a good deal of truth in both. Be careful when you idolize artists, or anyone, you really know nothing about. Your gonna be disappointed all too often.
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thanks for the link man time does fly, days become years become decades. did not realize he has been dead almost ten years, wow... where does the time go indeed. a separate thread... i know it is not true, but years ago there was guy ranting that Brent died the last day of that tour. he went on to say he watched as they bagged him up and put him into the back of the equipment truck. no way that can be true, but people spew crap all day long. i try to at least say i dont know but this is what i heard or remember...
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for saying these streams can travel. I didn't want to open John Doe's box (Seven reference.Happy Anniversary)Did 66 first and now on to my weak points of the 80's patched in from the iPad to stereo. can not wait for physical copies. hope they let us keep the streams so we can save the discs
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I agree I thought it was awesome listening to them learn how to play and find their harmonies together. It made me want to be on the bus
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10 years 1 month
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Thanks for the article, very interesting. wow what a way to go. I wonder why they didn't invite him in 2004 or 2009 or whenever it was. Well, one show makes not a career, but with the exception of Dead Set and Go To Nassau, this '95 show from 30 Trips has been the most enjoyable post-Keith show I've listened to.
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Jesus give us the BOX! MILL'S!(Dave) what's in the BOX!I can wait Dave it's okay. If the streams are any indication (I've listened to 2 shows) This BADMOTHERFUCKER is worth every penny without including that kick ass looking box. GREAT DAY TO BE A HEAD. HAPPY LISTENING
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great post...i tried to engage others weeks ago on this very topic but got no response. their is a definite problem or issue. the debate 3-4 weeks ago was selling the box on ebay. people were pissed at heads, saying that is not how heads should treat each other. not going to rehash all of those long dissertations but i asked the question. what do you think Jerry/Robert meant when they sang... Gone are the broken eyes we saw through in dreams, long gone both DREAM and LIE. Jerry recognized it, Robert knew it, the band understood. Their dream of changing the world with LSD and music was a lie. It quickly got smacked down by the man (sorry could not help myself) and the unstoppable reality of the world. Can we change? Absolutely! Can we work as a community and help each other? Absolutely. But the dream died when the summer of love came crashing down on them as crime (hard drugs and hard life dealers, rapes, lack of food and health care) became something the community was not prepared for. I love what the diggers stood for, and wavy and the hog farm, and the pranksters, it is just sometimes reality (or truth) is hard to deal with. Enjoy the music, love the band...but don't get sucked into the Lie. Absolutey keep your heads in the clouds but feet firmly planted on the ground, in reality. In the words of John Lennon, imagine. (another lie) but imagine Putin trippin the light fantastic! Would it change the world? Aint no way
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I have only listened to the first couple of tracks here. And it is making me think back on something I learned from the Bob Weir movie on Netflix: these guys were playing this stuff in strip clubs! What a thing to have missed. Hey now. The packaging for the condensed set, I feel I must point out to correct an earlier misstatement, is definitely NOT the same as for the May 1977 box. That was CDs slipped into individual slots in stiff card/cardboard pages that folded out. This is CDs in snap-in plastic trays. And it is awful. To hear disc 2 or disc 4, you're forced to remove a disc you don't want just so that you can get access to the disc you do want. Also the disc releases are so very stiff that you almost feel you are going to break the disc pressing the release down. Dear gawds. Please don't have done something this stupid on the big box.
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9 years 1 month
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in the spring of 95 i worked for da gubment. so got the world wide web real early (actually had my first email address in 1989). man what a dumbass i am for not seeing the opportunity...i should be a billionaire. and no i am not here spying on people.
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13 years 10 months
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> I wonder why they didn't invite him in 2004 or 2009 or whenever> it was. My opinion is that Weir was pissed that Vince would try to kill himself, while on tour, on the Ratdog bus, as Weir was struggling to keep music going after losing someone so very close. The last thing Weir may have felt he needed was more drama, and could have felt insulted that Vince would act out in that manner, in a way that would cause great impact to other band-mates, while on tour. I'm not suggesting that Vince was trying to hurt his friends, but I could see how one would feel that. (oh, another AUD patch on 10/27/79 in Other One, around 7 min in).
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9 years 2 months
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thanks great insight...sometimes we all get so selfish we don not realize the impact of our actions on others. group hug edit: never really dawned on me that they were trying to keep the music alive...what a fool i can be. guess i need to go to atlanta and nashville to support the remaining fellas
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10 years 5 months
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I don't know about any of you guys and gals but I've been bouncing up and down the number line from song to show to year to venue. I finally had to stop for some friggin continuity. I'm lucky enough to be on Cape cod for a few days so I took to the obvious..1979 cape cod coliseum and I'm not touching a thing until I hear the whole show. Hope you are all enjoying whatever your favorite eras are. Or as most will say "ALL"
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13 years 10 months
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So how many of us are having this problem? I've seen a couple comments on this problem.(Kate,nm) I'm kinda bummed. My card has been charged, I've received an email conformation, but when I go to order status there is no streaming player or link. I've emailed customer service and will probably give them a ring. Until then guess I'm banished with a few other ones.
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10 years 1 month
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I couldn't help myself and 1975 is now streaming LOUDLY through my surround system and Bose speakers. And it is melting my face. OMG the raunchy tone and volume of Jerry's solo on Franklin's Tower is reminiscent of DaP 11 Me & My Uncle. Fantastic. Oh wow he just said cowboy tune. I can't take it. I didn't even look at the setlist....Truckin'???? 1975 Truckin'????
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9 years 6 months
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Check your pm. Enjoy.
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10 years 4 months
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Do you go to order status and then lookup your order? What browser are you using?
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10 years 5 months
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Now you are making me want to change up the program again LOL. The 79 show has a stand alone franklins I'm slowly getting to. and ? This show also has an easy to love you, I wasn't expecting it, when was the first time played? Not a huge fan of the song but this one is, I guess, primal??
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13 years 10 months
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Thanks for that Dusty. And Fen, I'm just using safari as I always have. Is it a mac issue? I hadn't thought of that, but again have never had any problems in the past.
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15 years 9 months
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Just heard the 10/27/79 patch in The Other One, not a good sounding aud recording. I was a little disappointed with the Dew from Augusta '84 as that has a patch too. Oh well, life goes on. Very thrilled listening to the Golden Gate Park '75. Peaking Grateful Dead.
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10 years 4 months
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Might be a safari thing, I don't know. I wouldn't think so, though. What do you see on your order lookup page after you enter your order # and zipcode and click lookup? TThis is what I see and then below this are the links: Item 1 Description 30 Trips Around The Sun Box Quantity 1 Status Backordered Estimated Ship Date October 31, 2015 Item 2 Description 30 Trips Around The Sun Streaming Access Quantity 1 Status Shipped
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13 years 10 months
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I just see the normal order status page. Item 1 backordered the name and address info etc. It's exactly like when you preordered months ago. I need to ring them. It's all good though it will get fixed. And because Deadheads are so kind I've been given a nice surprise that will keep me happy in the meantime.
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17 years 2 months
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1979-05-09_Broome County Arena Binghamton, NYMy first China-Rider, very good show. 1979-10-28 Cape Cod Coliseum, South Yarmouth MA The transition jam is very nice and the Rider flat out rocks, major Phil Bombs. 1979-12-01_Stanley Theater Pittsburgh, PA A very nice version from a great show, the Rider being better than the China Cat or Jam IMHO. Jerry belts the “Wish I was a Headlight” line and the final jam smokes. 1980-04-01_Capitol Theatre Passaic, NJ This “I know you Rider” has one on the tightest, most energetic closing jams you have ever heard. Not a well know show. The "April Fool's" Promised Land was awsome. 1980-05-10_Hartford Civic Center Hartford, CT Another great 1980 China> Rider, from one of the best Pre-Drum sets ever. Smokin' 1980-05-06_Rec Hall, Penn State U State College, PA The final jam goes at least once more around than usual. Weir is strumming like a mad man and Lesh as many power chords, great version. RT Vol. 3 No. 4. 1980-09-06_State Fairgrounds Lewiston, ME I remember this show well, When they started China> Rider my buddy Toad came over, “Woow, man they’re not going to take a break tonight”, understandable as this was the 11th song of the 1st set and then a Promised Land to boot. Great, Great version and the whole show is one of my favorites
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16 years 1 month
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With these 29 shows contained in this 30 Trips release, about how many shows, both full an partial have been released so far? Estimates? With "partial" I mean full sets, most of a set, but not 3-4 songs from any given set. If the release is missing two or three songs from the said release, that is still OK. For example, Road Trips Volume 2, Number 4 (5/26-27/93 Cal Expo) is pretty much OK because here you're missing most of Rhythm Devils> Space but have most of the 26th show You also have quite a bit from the 27th show, with the bonus disc included. On the other end, Road Trips Volume 1, Numbers 1 & 2 don't really count too much because they just have a few songs for each show that was tapped into and all rearranged to fit a different concept. Footnotes or add-ons, really if one has to include these shows somewhere. Both are good releases in my opinion and should not be overlooked. The same with Live/Dead, Skullfuck, Europe 72 (the original 1972 release), Reckoning, Dead Set, Without A Net, etc. All are compilation albums of sorts. A "ball park figure" I would guess 150 to 160 shows, full and partial have been released so far. Your guess ...
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17 years 3 months
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....the BEST one that has ever landed in my inbox. 1966 sounds fukin grate. Garcia's inner Dick Dale is singing sweet. WOW....just wow. Tastebud....
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17 years 3 months
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The band actually did bring the WoS over to Europe! Somehow, I did not remember that. No wonder they took a break after Winterland in October. I'm really getting into the .pdf and all the tasty factoids. Did any of you freaks have your story or art featured?-edit- I see oroboros's classic in there on p. 137! nice.
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12 years 1 month
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For something obscure that might not be the first thing you listen to on this box. I pick the 92 show to break the ice. The Same Thing is blowin me away right now. So these are the years they were on a decline. Ha don't think so
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