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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • KeithFan2112
    Joined:
    Speaking of Decline
    Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
  • JimInMD
    Joined:
    DearJerry
    For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
  • Cousins Of The…
    Joined:
    Mo' Keith
    Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
  • PalmerEldritch
    Joined:
    I love the keyboard/era debates!
    I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
  • KeithFan2112
    Joined:
    hahahaha What?? He stole Jerry's stash??
    No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
  • LoveJerry
    Joined:
    Jim In MD
    I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
  • KeithFan2112
    Joined:
    You Know a Rumble Ain't a Rumble Without Me
    Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
  • JimInMD
    Joined:
    Re: DearJerry/Keith
    Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
  • JimInMD
    Joined:
    Re: Brokedown
    I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
  • mbarilla
    Joined:
    Check out JGB live shows from 1978
    Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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11 years 3 months
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I listened to this earlier this week,, love the Althea and The Same Thing !!
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17 years 4 months
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....got my Bose soundbar plugged into my phone and I'm overwhelmed with the selections. I'm breaking tradition by tasting each show. The Cal Expo Race Is On is being served next. Mmmmm....tasty....
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Vinnie's band after the dead was called the Missing Man Formation and they were pretty damn good. I got to catch a show one time at Nelson Ledges in Ohio which used to be like a local dead sanctuary. It was real laid back and after the show Vince hung out at our campfire and just bulshitted and hung out for like two hours. He even drank some of our beers. He told us a bunch of Jerry stories and it was just great. He was just like us. Just another deadhead and a very kind soul.
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I'm shocked. Its sort of a release day and very few are whining, complaints are at a minimum and trolling almost non-existent. People are even groovin' that 90's jig. I guess that settles it, from now on all releases have to contain at least 15 especially killer shows equally picked from all eras.. so the Pigettes don't pick fights with Keith and Donna who then beat up Brent who in turn trash Vinnie. I hear SpaceBro even asked LoveJerry out for dinner and movie minutes after hitting the streaming link. Finally, some peace in the house. We only have one more Dave's Picks left in this years subscription.. To prolong this feeling of kumbaya, next years Dave's Picks subscription has been expanded to 4 offerings of 15 shows each arriving quarterly. ..but somebody's got to break the news to Jeffrey Norman's wife and its not gonna be me. She's street tough.
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I was not planning on streaming and wanted to wait for the CDs, but couldn't help myself and have been sampling this and that, skipping around as free as can be... So far, listened to: The Lindley Meadows from beginning through Roses (so sweet). The '68 Dark Star The '71 Wharf Rat The '72 Bird Song and Playin' The '73 Sugaree, HCS and Eyes The '74 UJB The '76 The Wheel The '77 Scarlet>Fire and Terrapin The '81 Shakedown Currently checking out the '87 All Along The Watchtower as I type this... Loved everything I've heard so far; it's an all-you-can-eat buffet, and I'm a glutton who has escaped from the fat farm and is running amok.
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13 years 4 months
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..hey Dantian, that whole post space sequence from GDTRFB through La Bamba Good Lovin' is worth checking out uninterrupted. It is that good. Hope I caught you in time...
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9 years 2 months
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Greetings all. I am new here. Inspired by this music. Been listening to this all day am blown away. First show was 79 in Springfield MA. I do hope we all understand an appreciate how lucky we are. This is bliss........
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17 years 4 months
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....is a happy Vguy. Checking out 1990 Zenith now. Second set. Sounded muddy at first, but evened out, or was that just me?....If dead.net could just set up separate forums for each show, it would actually be "just exactly perfect!"....but I may just be jumping the gun. That, hopefully, is in the works. This box deserves it. I am impressed with the streaming format. Grate job!....
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funny you should mention that, as I haven't left the '87 yet, I got sucked in and the thought just didn't occur to me to skip to anywhere else ;) I really should have seen this show actually, as it was only 8 blocks from my house and we (me and my cousin, who was my touring buddy) had tickets. He came over to my place before the show, but he got me so fucked up that I couldn't leave the apartment, hahaha. Oh well, live and learn ;)
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that Knockin' On Heaven's Door is sublime. No, don't think I'll be parting with this show. It may have been the "live" one that got away, but I'll be damned if I give up CDs of it.
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13 years 4 months
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That's a really funny story.. thanks for sharing. In truth.. if any of us ever feel we are too fucked up to go somewhere, 99.9% of the time, we should trust our instincts and not go anywhere. There's a fine line between having the time of our lives and fucking up our life. I bet that was good judgment, my friend. ..and I bet you had a good time regardless. ..and now you have a good story to go with the show. Edit: full disclosure, that could be the first responsible thing I have ever said, I guess I'm old now. Not sure how it feels.. Tomorrow I might just wear wingtips because they are so comfortable (and provide trippy visuals plus go with most of my hot dyes).
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Thanks for the Realgone sale info. Maybe not though, wow I have a lot of Dead coming. DP,s for twenty=yes please.
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I did a quick sampling of bits of almost every show and realize this may be more music than my brain to handle. I don't know where to begin. As a whole, this may be the single best Rhino era release yet in my opinion. Many of these shows are falling on virgin ears and each show will have many discoveries with repeated listens. Without even having the physical product in hand, I stand, bow and clap my hands to applaud Dave and everybody involved in pulling this monstrosity together. A show from each year...a stroke of genius! How long before 30TATS (TOO)? Too soon after just punishing our wallets and bank accounts?
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I take it your date with LoveJerry went well then. (kidding, no offense meant in any way, kumbaya).
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....with beer, smores, kind, and a boombox pumping out that '87 MSG offering. They tease GDTRFB pretty early in space, then it all congeals into a fun post-drumz....I listened, I heard, and I danced....
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No, the date was like being on a really good but mere opening set where ones subjective personal taste can beat up the other persons subjective taste. You should try it sometime because it's better than an opening act, albeit a really good opening act. ;)
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Yeah, it just wasn't going to happen that night. Funny thing is, I spent a few years after that so messed up that it made that night look like amateur hour. Lucky to be alive, really, heh. Anyway, I got to see them 2 more times the following year in Hartford, CT, before I got off the bus. Loving this '87 show, went and restarted it from the beginning, think it is one of my favorites now...
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....kinda forget about that one....Wouldn't mind if they jammed it out a bit. Sounds like Jerry is digging it....
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oh.. jeeze Space. It sounds like you got careless and knocked her up. Good luck with that, but you need to do the right thing. Play the '87 la bamba to the baby. It will make anyone stop crying, even me. (seriously, kidding). Great release.. be happy my friends, or as they say in Vegas, be kind my friends.
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....truer words have never been spoken....until you're knocking on Heaven's door....sounds incredible....
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...from,about maybe '85-'86->'88-maybe '89.I think of Dan Healy & Bob Bralove as DEAD members too. Just a heartfelt thought. :) ...their additions to The Other One could sometimes throw ya into the cosmos...outer-body kinda shit... :) 4-1-88 Other One is a small example.RT Vol.4 No.2
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9 years 2 months
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WOW!
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I agree jrf.. except I wish they kept recording on reels after Healy started taping in (I think) '81. I like the occasional midi freak out too, and I am not ashamed to admit it.
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....between Cumberland and Sugaree on Waterbury '72. You'll thank me later....the songs aren't half bad either. Good night, and stay kind my friends....
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Help->Slip->Franklin's,Boston Garden-'94!Get some! Late-n-tha-game goodness! :)
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...not sold out....again.;) Get some?
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Bela Fleck and Chick Corea http://chickcorea.com/corea-fleck/#dates Think I might have to check them out on 9/27. I followed Bela and the Flecktones many, many years ago when they were first starting out, and Chick Corea, well, he's a legend. Been too long since I've seen live music...
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Congradulations-You have just been voted "Occasional Midi Freak-Out TOO" chairman & president!I yield the floor... ;)
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13 years 9 months
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I paused for a little while to give my ears a rest from the headphones after streaming the new box tracks (everything in order) I'm up through Death Don't on the '69 show. EVERYTHING has been top-drawer, and I do mean very topiest-drawer, stuff. People are gonna cream themselves. EDIT: Now just finished the Cryptical/Other One on '70. I suggest you don't even bother cleaning up from the prior indiscretion. @LoveJerry - about the Scarlet on 5-21-77 on DP29, you have a great memory. Yeah, it's my favorite Scarlet, for sure. When you compare the whole Scarlet-Fire, there are others that leap ahead because of the transition or Fire or both.
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After a few emails to customer service my order status page now has the streams and link. Happy happy, joy joy!!
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I'm enjoying reading about all your discoveries with boxzilla. It's been a long wait and ya'll deserve the joy.heres hoping the enjoyment multiplies once the box is in your hands
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9 years 8 months
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Was fantastic. My date was a complete gentleman, although it was peculier, he wanted to leave the theater after the previews.
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That's odd, LJ, because I heard it was you who wanted to excuse yourself precisely at intermission. I understand the whole movie was pretty damn fine, too!! Very glad you both had a great time.
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My 30 trips to my horror didn't stream but it was my Commodo Dragon browser, a form of Google Chrome browser. After trying some things I found that it plays perfectly well with the Microsoft Explorer browser, a browser I use less, it is now playing great as ever, thanks. Heads up if your browser dosen't stream your box set, try another browser.
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'71 Me and Bobby McGee - is this the most satisfying version of this song you've ever heard? You'll be the judge, but I've rarely heard Bob sing better, Billy's already doing the whole God thing, and the whole vibe of the song is just exactly perfect. Jesus, these show selections so far have been wonderful.
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Was over the top.
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11 years 3 months
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I thought for sure by today. But maybe tomorrow,, after all it would fit in line with the "Glorius Sunday Morning" theme Dave has had going on certain occasions.. Anywho Sirius has had some delightful stuff as of late.. 4.19.78 - which includes one of my favorite "Friend of the Devil" a smokin version of "Deal", Not sure if it eclipses the "Deal" featured on Dave's 15.. But it's tasty. And the "Bertha > Good Lovin" opener is a great way to kick off this show (performed better this night than on 4.22.78).. 2nd set features a nice combo that could have been a setlist from 1973 or 1974,, ending with He's Gone > Drums > Space > The Other One > Wharf Rat > Around and Around Encore ; Werewolves of London (1st time played) Sidenote - Space that leads into "The Other One" has a small Close Encounters tease Sirius also featured this show 3.2.81,, the night before my favorite "China > Rider",, thanks for the suggestion people. Still making my way to some of those.. Anyway back to 3.2.81 ,, a very nice piece, well worth a listen.. Also another classic sequence that was played in previous years.. From 3.2.81 - Playin' in the Band > China Doll > Drums > Space > Playin' > The Wheel - Space > Playin' has some cool stuff.. Check it out people
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12 years
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I've been stuck on this first show of the BOX. So cool to hear the early version of the boyz!
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9 years 2 months
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What a remarkable way to spend a rainy Saturday morning. Listening to 93. Last night sampled several years. Remarkable stuff. I remember the first time I heard the 87 show. Was listening to the Dead Head Hour back in 87 and David Gans played much of the second set. Got chills then and again yesterday. I guess for me the biggest surprise is the stuff from the nineties. Amazing.
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9 years 2 months
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I'm not going to listen until I get the CD's! I'm not going to listen, I'm not going to listen........... Well, I guess one spin of 87 won't kill me
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12 years
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Many great shows in those years
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14 years 5 months
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Yes, for me it is the "wet one". I have been listening to the (4 CD) 30 Trips set-> over-> and over-> and over-> and over again! And I gotta say, there are some "Awesome Gems" on this f#cker! I am hoping to get to some "streaming" in real soon. Hopefully tomorrow. But wait- "I Bleed Green" so I am afraid the Eagles game will get in the way of my Grateful Dead prayer services. Maybe if I get up earlier I can fit a whole gig in! Where to start? Where to start? OH Where To Start??? Any suggestions? HELP ME PLEASE! As you can see I'm having some issues, but I'm sure anyone reading this understands my plight. So I would like to say this to the fine people who are responsible for bringing this BOX to us -> PLEASE. PLEASE!! PLEASE!!! SHIP THIS F#CKER OUT AS SOON AS YOU CAN!!!!! PLEASE. I'm really not doing well because of the delay. Show some mercy to the Flock. And as always, GOD BLESS THE GRATEFUL DEAD! Happy Day Deadland!
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10 years 7 months
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Hi All, I have been a bit overwhelmed with the release of the streaming 30 Trips. I was relatively confident that I would not listen to the streamed shows, but would wait until I received the actual physical box set. I made a minor adjustment to my initial plan yesterday when I received the access to the streamed shows. I figured that I would at least start to listen to the shows outside of my desired GD-era (e.g. basically anything post-hiatus) to tide me over until mid-late October. Plus, I partly figured the streaming capability would "break-down" and/or stop functioning properly after a couple of days, which would force me to wait until the physical box arrived. Of course, my plan didn't last a full day, and the next thing I know I'm digging into the shows from "my personal wheelhouse" of favorite GD (e.g. 1971-1974). By last evening I was streaming the first set of 11/14/73, and I plan to listen to the second set this evening. I'm sure the 9/24/72 show is on deck for tomorrow, followed by 1974 and 1971…followed by the 1970-1966 in an unknown order. Rhino/GD had to deliver something to us yesterday, upon charging our credit cards full sales price of the product. However, the initial built-up excitement and anticipation for receipt of the music included in the box set has been minimized by access to the streamed shows. I wish we could have received everything at once, but I understand this had to be done because of the mysterious delay. Of course, I could have ignored the streamed shows (as initially planned), and waited until mid-late October, but obviously this isn't how I operate. Also, I could have simply listened to my personal "non-wheelhouse" shows until the box set arrived (as planned after my initial plan deteriorated), but this didn't work out either. Although there is hope for me…I don't have to listen to the '73 and '72 shows tonight/tomorrow, but who am I kidding. By the way, the first set of 11/14/73 is very hot…surprisingly excellent considering the usual lack of first set focus by the band typical of this era. I mean, first sets in the early 1970's are usually tight/good, and seen as a warm-up for the second set magic. This show starts out magical from the opening notes of Big RxR Blues. I also jumped around a bit in the '90s, listening to bits/pieces of 3/27/93 (my favorite show attended) and the 1995 show (forgot the date). Both of these shows are very terrific sounding, and the performances are great as well. Enjoy folks! I know I will…sooner rather than later.
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12 years 11 months
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I listened to the condensed version last night which will be good enough for me until I actually have BOXZILLA in my hands. Even though I appreciate the fact that TPTB gave us the ability to stream & read the contents of 30 trips, I still would rather wait for the real deal. That's what I paid $758.87 for, not a download & a stream. I'm tempted by nature however I will resist ALL temptation, I've waited since June 24th for BOXZILLA what's another month or two. If I listen to every show in it's entirety what's am I looking forward to? I'll know EXACTLY what to expect and deny myself the element of surprise & I LOVE surprises. And YES the 4 CD version is AWESOME!!!! If BOXZILLA is just exactly like MINIZILLA, I will say it was well worth every penny. SOLD OUT FOR THE 8TH TIME IN 12 DAYS!!!!! IT'S ONE MORE SATURDAY NIGHT, DEADLAND DID YOU PLAY DEAD TODAY!!!
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15 years 1 month
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If you are holding out, and aren't going to listen to any of the shows via stream, but are waiting until you get the box set... Have you decided what you plan to listen to first? I bet a lot of people plan to go chronologically. I am definitely going to listen to the 1986 Cal Expo show first. I know nothing of 1986 But this just looks like a hidden gem to me.
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17 years 5 months
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Just throwing it out there now, please have artwork for us to use for iTunes when this box is shipped please, just as was done for spring 90 too
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