30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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admin

Joined:
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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June 16, 2015 - 2:28pm

#6631

KeithFan2112

Joined:
August 6, 2014

Speaking of Decline

Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
June 16, 2015 - 2:27pm

#6632

JimInMD

Joined:
June 27, 2011

DearJerry

For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
June 16, 2015 - 2:26pm

#6633

Cousins Of The…

Joined:
September 10, 2009

Mo' Keith

Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
June 16, 2015 - 2:25pm

#6634

PalmerEldritch

Joined:
July 25, 2011

I love the keyboard/era debates!

I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
June 16, 2015 - 2:11pm

#6635

KeithFan2112

Joined:
August 6, 2014

hahahaha What?? He stole Jerry's stash??

No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
June 16, 2015 - 1:55pm

#6636

LoveJerry

Joined:
March 19, 2015

Jim In MD

I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
June 16, 2015 - 1:39pm

#6637

KeithFan2112

Joined:
August 6, 2014

You Know a Rumble Ain't a Rumble Without Me

Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
June 16, 2015 - 1:12pm

#6638

JimInMD

Joined:
June 27, 2011

Re: DearJerry/Keith

Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
June 16, 2015 - 1:02pm

#6639

JimInMD

Joined:
June 27, 2011

Re: Brokedown

I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
June 16, 2015 - 12:54pm

#6640

mbarilla

Joined:
August 8, 2013

Check out JGB live shows from 1978

Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

30 Trips USB Owners "So Far"

Galvinized / Florida dallanW / ToddWCorey70/ What shall we call ourselves now that Michael Bolten fans are the bolt heads?

When I Was A Young Man I Needed Good Luck....

Come on Honey Let Me Sing Your Blues Away

I too have streamed the 72 show.

As wjonjd said, the Dark Star is something else. It is just so interstellar, and out of this world, and will sound immaculate when the CD comes in as it flawlessly transitions into Chinacat. In the months leading up to this release, I have really resisted looking back at any setlists, trying to forget any knowledge i had of shows so i could experience as much surprise as possible. SEPTEMBER 72 IS SUCH A STRONG MONTH. What i find so great is that there are now so many officially released Dark Stars within such a short amount of time, but they are all so unique that listening to one could not prepare you for the next. DP 11, DP 36, are nothing like this. Nor is Veneta, the BCT Stars, Boston Music Hall, Palladium... It is a wonderful time to be a head. I really would like to hold of most listening for when The Box comes, but i have been jumping around lots, and did end up listening to the 83 show in full. VERY satisfied with this pick. I may just stream it yet again. I thought i was going to do things in chronological order like most, but i feel instinct has kicked in and has picked out what i wanted to hear most.

The Deadbolts...

..."we've got to be USB!"/k

11/14/73 from boxzilla; also Kate's bolt head solution

Yes, obviously Here Comes Sunshine. But, listen to this Cumberland Blues. Go listen. Yes, of course right now. ...... You couldn't turn it off without hearing the Row Jimmy also, right? Edit: Can there possibly be a more perfect answer to the usb group name than Kate's answer: the Deadbolts?? No, there isn't

Dead.net/Rhino fullfilment center?

https://youtu.be/uVD3KPUnKHk Thanks KiethFan ;)

We are Deadbolts

Come and join the party 1K hey, Yay!

Deadbolts

Deadbolts works for me, and I'm definitely one. I don't even miss the goodies, the PDF book is fine. I just hope that we get a little box that will fit on a book shelf or CD raack, otherwise I will surely misplace it. Curious if anyone else plans to restore back to WAV for listening (I will copy all as WAV to another stick for playback).

Hey there, Galvinized

more facetious than sarcastic I hope. Just as long as you understand that you're comparing apples and lemons there with the MP3 comment. Though admittedly I'd be hard pressed to discern between a 320Kbps MP3 and a lossless, and much less likely to detect anything between lossless files of varying bit rates amongst each other. But the important thing is that we've got this amazing music headed our way. Cheers, brother, enjoy!

Redundancy

Ziffle, having lost $100s of dollars in lost files due to whatever (crashed c drive)I I will copy to several hard drives, several disks and duplicate 128 usb, this Deadbolt may fail someday, and I' not gonna kick myself for not being prepared."Never could reach it, it just slips away"

Right On Dantian

You are correct sir!

Good plan, Galvinized

Even with the CD version, I copy to 2 internal HDDs (2 separate computers), as well as an external HDD. You just never know. And as they say...better to have it and not need it, than to need it and not have it.

How I'll listen

First of all, I was sure I wouldn't sample the streams but after reading Keithfan's posts the other day I went ahead and listened to some of the '95 show. I thought I might never get around to this one (probably haven't listened to a '95 show since '96 or '97) but it's actually pretty enjoyable. Maybe I'm one of the few, but I always liked Broken Arrow. And I honestly don't remember Vince sounding this good--funny how the memory works. Originally, I planned to listen in chronological order but now plan to jump right into 11-14-73 when the discs arrive. This is the one I'm most looking forward to (with 75, 72, 74 and 76 close behind) and was VERY disappointed when someone pointed out that the show is broken up and not in order. A short fourth disc like some of the Europe '72 releases would have been nice but I'll make the best of it and plan to rip '73 immediately and listen to my copies right away (in proper order on four discs, of course). After that I'll attempt to listen chronologically but am making no promises. There's so much to love in this box! The 79 and 87 shows are probably my two favorite unreleased Brent shows. So actually, a chronological listen seems less likely with every passing minute.

Dammit, Wjonjd

I previewed some of the shows, skipping around a lot, but didn't listen to the '72 Dark Star...now I feel compelled to after reading your post ;) Edit: OK, this is a great DS indeed...I liked how at ~13.4 mins in they were poised to do the Dew, but quickly changed course, "Abort! Abort!" and found some other interesting mellow grooves...still listening, thanks! Edit2: Goddamn, bro, the post-meltdown/post-drums section was unexpected...and fantastic. And then the China Cat, wow!

Redundancy

Galvanized, I store everything in my iTunes library as ALAC, it's automatically backed up to a second drive, and I replace the drives every two years or so. I don't listen to higher resolution recordings in a compressed format. I store them and back up that way. I meant, put the lightening bolt on a second stick as uncompressed WAV for listening. I use an OPPO 105D for digital music. Just plug the stick into one of the USB inputs ...

All kidding aside...

Ok all you Deadbolts, we each are one of One Thousand! This will be passed down as the family Hierloom. Not only are are you brilliant enough to recognize, and enjoy some of the greatest classic music to date, you have invested in an item of some monetary value, that will be an investment not of monetary value, but that of historical value that will never fade away.When I check out this music will be listened to to, danced to, and just enjoyed by, my decendance for perhaps, an "Eternity"

Ziffle

Saving up for that Oppo 105 Darby Edition I started with the first show reminded me of the vintage Dead album with the ripple bottle on the cover, only cleaner, no pops, or crackles. A few songs in, and I finally know all the fine lyrics to "He Was A Friend Of Mine" Sweet!

80's/90's from this box

If you could keep just 3 of the 80's/90's shows from 30 Trips, which 3 would they be? Make your choices as if your life depended on it, and that if you tried to keep more than 3 you would end up buried in a hole in your back yard that you yourself dug...hypothetically speaking, of course.

eeney meeney miney moe

Bolten heads

Laughing at the Michael Bolton comment...A couple years ago my sister was making fun of him and I said it's too bad, remember when he was cool? She was shocked but her husband agreed with me. "I had his first album on vinyl, don't you remember?" Upon further review, though, it was mostly formulaic crap but the sentimental portion of my brain still likes it a little. It's worth a laugh if nothing else.

Bolton

I just saw Michael Bolton the other day! He was down at the Plasma Center with Kenny G.

Can only keep 3 80's/90's shows

Well. I haven't heard them all yet, and those that I have heard, I haven't heard in a long time and not in officially remastered form. That being said, as of now I would go with: 5/16/81 - my high school best friend's first show. Plus, it's Cornell in May!! 7/31/82 - the only show in the box I was at. Plus, it's a damn fine show!! 10/26/89 - the only 80's/90's show in the box from multi-track. Plus, you can use it to scare the shit out of people!! I may revisit this question Furthur down the trip.

plasma center

Ha, Fla-Bob, maybe they were trying to earn money for the USB before it sells out.

Plasma

RDevil I wouldn't doubt it. I tried to sell a kidney to buy the box, but the nurse said it wasn't worth a Donny Osmond record! My kidney that is.........

11/14/1973

I'm continuing to violate my initial plan of not streaming 30 Trips... 11/14/73 is the first and only show I've listened to completely. The 11/14/1973 show is a damn monster! Of course, I expected it to be a monster, but apparently I was not prepared for the actual "monster level" of this killer show! The second set is classic jazzy space typical of '73, and the Other One may be a top five version (in my opinion, of course). This entire show ranks among one of the best of the spectacular year. We now have the consecutive shows of 11/11 - 11/14 - 11/17. In fact, I'd rank 11/14 as high as 11/11, and 11/11 is perhaps my favorite show of 1973 (or is it 12/2 or 10/19, I can't remember). Anyway, those of you not streaming are in for a tasty treat. I can't wait to hear the high-quality version of this show coming in the box...among all the shows). Thanks to those folks commenting on 9/24/1972. I will be streaming this show tomorrow. I have no idea why I selected to stream 11/14/73 before 9/24/72. Prior to receiving the 30 Trips shows, I knew these two shows would be the first two I listened to, but I didn't know the order I would choose. Anyway, I'm very anxious to experience this Dark Star (among other tunes), as I've heard that it's another spectacular version in a month (and year) full of masterpieces. I mean, is there anything better than Fall 1972? Now that I think about it, why didn't I listen to this show first? I also listened to parts of 10/12/1984. This is a fine show...lots of energy throughout, and the band (especially Garcia) are totally on. This will be the show I grab when I want to listen to classic mid-80s GD. Nighty night.

Might As Well listen

Checked out 1967 then 1966 at work Friday.Amazing! Now just exploring: Estimated from 1st set 1977 Dew from 1987 Dark Star 1972 Johanna 1995 That's the beauty of this stream, Listen to a show or poke around. Comments about each show remind me of the Dicks picks booklet. Booklet came near the end of the series and had notes on every release. Just dip a toe in and Listen

huh!?...

so, the big box book pdf file is now in free circulation via email land - all you gotta do is smile, smile, smile!

huh

I can't for the life of me figure out how to look at the book without signing up for something. But that's fine, I'll get the actual book in a few weeks. I'm glad to hear it's being shared, though. The Box is sold out so I hope everyone who is interested is able to get access. Listening to Maggie's Farm from '92 right now--love this version. "I do my very best to be just like I am but everyone wants me to be just like them,"

if i had to keep 3 80s/90s shows

no-brainers: 9/18/87, 9/10/91, and 10/26/89. Although I'd want to keep the '84 show too. My top 10 so far (I've listened in snippets) 1. 11/10/67 (EASY) 2. 9/24/72 3. 4/15/70 4. 11/14/73 5. 9/18/74 6. 9/18/87 7. 9/28/75 8. 2/22/69 9. 10/27/79 10. 7/3/66 (just so novel!

Dark Star

9/21/72

Planets are in alignment!

Nice the way the disc art reflects each show's date in the positions of the planets. The box lid is of course 12/4/65.

The book

I just finished the pdf, it's really well done and the fan art is great. The main essay by Nick Meriwether is a fanatstic overview of the period and the only error I caught was they played California Earthquake twice, not just once as he mentions. Dave's notes on the shows are nice and really got me psyched for when the CDs arrive. The scroll is at the end of the pdf. WOOHOO.

The scroll?

"a visual representation of the band's evolution" -- I didn't see that in the PDF. Not talking about the song chronology are we? Hoping the actual scroll is something a bit... more.

Wow... so much candy!

It was really great to open this box of chocolate and taste 1 from the top level, then skip down to the next row and taste the dark chocolate with Carmel, then take the corner piece with solid milk chocolate... you get the idea!I jumped all over the place and there is not one piece where I stuck my finger in and didn't like what I saw and left it there... I ate every piece I touched and loved every bite! CANT WAIT FOR THIS BOX!! Yahooo!

A CHRONOLOGY OF GRATEFUL DEAD COMPOSITIONS & SELECTED COVER SONG

I would have to say the scroll is the last couple pages of the pdf. While not what I imagined, it is a chronological list of when GD songs came and went in the setlists, though the cover tunes are not covered extensively.

The Scroll

The notice doesn't say anything about the scroll being pre-released. Just the streaming links, the book and a "few digital extras" which I imagine are the 2 songs from the vinyl single.

@KayakGuy

I do not think the Scroll is what you're referring to. The PDF is clearly the Book only, and the song list is part of the Book's Table of Contents, and the Scroll was always presented as a separate thing.

The scroll

I respectfully disagree and guess we'll have to wait to see, but the pdf is for the USB version, so I think it's the scroll mentioned above. "Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years." I think a chronological list of when songs came and went in the rotation would qualify as a visual representation ;)

Unfortunately you may be

Unfortunately you may be right ("unfortunately" because I think this "Scroll" is quite lame given the description, not because I'm afraid of being wrong). The Credits within the PDF list "Scroll Text" so, somewhere in this thing, there's a Scroll, and in all likelihood it's the Song Chronology section. Oh well. Music is great.

Grateful Dead app

My friend just told me about this, and I downloaded it on my iPhone and iPad. Pretty cool. Anyone else use it?

Scroll Text

Hmmm...it does say "Scroll Text: Jesse Jarnow" in the credits. The "song chronology" section starting on page 161 is written by Jarnow so that must be what it's referring to. But it would seem that's just the text of the scroll, not the scroll itself?

1968 at the Greek

wjonjd, your comment on the '72 Dark Star has me so psyched. I think I'll wait for the CDs to put that one on. I'm in tune with your sentiments on Dark Star - how the heck did they come up with something new and awesome on so many nights? I mean, it's incredible how unique they all are. Aside from the main Dark Star them, Tighten Up, and Feelin' Groovy melodies, I can't think of any theme they've played in multiple performances. The Greek show is one that I was really looking forward to. Just re-listened to Dark Star => St. Steven => The Eleven, which is probably my favorite piece of primal Dead music, and it does not disappoint (well, Dark Star and The Eleven could have been longer:-) Jerry has some great chops in Dark Star; the William Tell section of St. Steven is super good here - there's just an intensity and cohesion within the instrumentation and vocals that rocks face-melting intensive; Pigpen has nice chops in the Eleven jam (as does Jerry). I can't wait to get the CD and listen on the headphones and in the car at full blast (and to hear Bob Weir - hard to pick him out of the mix here at my desk at work at low volume).

Listening party

Have we ever been hit with such a treasure trove all at once like this? I think not! As others have said, I was going to hold off until Boxzilla made touch down, but what the heck? I will certainly listen to the cds when they arrive, so why deprive myself the enjoyment this stream affords me? After all, I am not getting any younger and who knows when someone may crash into me head on and ruin my ears? Lol. I have only listened to the first show, 1966, and it is awesome. The sound is really good and Pig is shining through. The one thing I have been REALLY, REALLY happy to read here, is that several people, who don't usually listen to the late era, have commented very favorably on the '95 show, and Vince is particular. I was hoping that Boxzilla might open up some minds & ears and that is exactly what appears to be happening already. That is great news for all of us. Maybe some of the crazy arguments here about whose opinion is correct and whose is not, might finally be laid to rest. ALL Dead is GOOD Dead! Peace out & rock on Dead Land. We are living the good life for sure.

Alligator at The Shrine

That's all

Re: Listening Party etc.

Agree hbob.. ..but being a licensed PHD Psychologist (scratch that) being an expert in deductive reasoning (scratch that) being a whimsical observer that hopefully no one takes to seriously.. I can image all of you as kids.. its the week before the holidays (Christmas or equiv.) and you discover where your parents are hiding the presents and booty. Now fast forward to Christmas day, I can tell you who peeked and played with their presents for the last week and who was truly surprised... (I bet half of you are looking down at the ground right now, hands in your pockets with a feeling of guilty pleasure - you know who you are). I am no forensic doc, but here's a JGB gem from '77. Jerry looks every bit as happy as those of you who opened your presents the night before Christmas. The video is black and white and a bit dark and grainy, but the sound is excellent. Worth the price of admission. JGB 07/09/77 Late - Convention Hall, Ashbury Park NJ. https://www.youtube.com/watch?v=Glq7yzbfy-o

Jim

I'm not following you on the week before Christmas thing. How would our parents get the presents a week ahead of time when Santa doesn't come until Christmas Eve?

listening/struggling

Jim and others: I am struggling. I was always a kid that did not open presents at Christmas even when I found them. I am now struggling; do I put my toe in to hear some of the streaming? Reading all the comments from the last few days, it is killing me. What if this is the year I get my drum set (or even earlier a telephone for my room or even roller skates), I do not want to ruin the surprise!

Re: Keithfan

Santa's elves sometimes make special trips with small presents the week leading up to Christmas, but only for good boys and girls. After adolescence, you might recognize these same elves gathered around in a circle in the hallway at dead shows playing drums. Good people, the elves. Never met one I did not like. ..and Gary. I am struggling too. I am not so sure I will make it. That's why I posted the 77 JGB link. Its like a dose of sonic methadone to us junkies that are trying to abstain. ..but like a piece of Nicorette gum. sometimes it simply does not work.

All Wrapped Up

I remember finding the Christmas presents one year, and I spliced open the wrapping paper to find out what's inside. Then I re-wrapped the presents in an attempt to conceal my crimes. This unfortunately did not work, though my exquisite splicing techniques did land me a job at Rhino's warehouse. Every silver lining...

Re: Wrapped up.

..that creates quite the visual, cracked me up. I expect Dr. Rhino is sending three of his finest goons your way. Good time to take a little road trip, Zuck.

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