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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • Kate_C.
    Joined:
    You've come a long way, baby...
    From Relix during the internet's Triassic era: "Thanks to the computer age, there's now a way to bring [the Dead's 'traveling carnival'] right into your home. In growing numbers, Deadheads are finding that it's easy to stay in touch by calling one of the several Grateful Dead computer 'bulletin boards' that have sprouted in various parts of the country. A computer bulletin board is a place that people can 'visit' electronically to talk or get information fast. With the help of a 'modem', a computer can connect with the telephone line and dial into any other modem-equipped computer." The article further recognizes DeadHead dauntlessness even in the face of such fearsome Jetson-like technological revolution: "Computers are still freaky to many people, and one might think they'd be especially freaky to Deadheads", yet, "said Dead Board user Mark Israel, 'I don't think it's strange at all...we may enjoy some of the simple pleasures in life, but we are not simple people." Amen/K
  • rrot
    Joined:
    Of course you can!
    Of course you can be a head and believe those things. They just don't make any economic sense, that's all.
  • JimInMD
    Joined:
    Thanks RDevel
    That's about what I was thinking.
  • Thin
    Joined:
    Keith
    Keith's playing very obviously declined after Fall '77 into '78. The tapes on this are pretty glaring. Listen to 11/24/78 or 12/31/78. In '72 he had a bouncy, ragtime, full, precise sound in '72. By '78 he's sloppier and doing a lot more banging chords than the intricate finesse-y type stuff. Some of the reason for this was his well documented drug habit (Keith and Donna gigged a bunch in 'JGB in '78 and I suspect Keith was falling in with Jerry's habits, and Jerry was a dangerous guy to try to keep up with. It's widely known that Keith was a mess in '78 and it created a lot of friction with Donna and the band). But I think some of the reason he began to decline is the band's '78 swerve into louder, fuzzier, raunchier tones and electric rock 'n roll (vs the ragtime band). When Keith joined in 1971 it was a 1-drummer band and by '73 they were playing light, loose and ragtime/jazzy. But suddenly in '78 they were in full beast mode and a piano doesn't really fit into a raging 2-drummer band easily - must have been frustrating for him. The band was pressing him to play more organ, but he didn't wanna. In the 12/31/78 video you can see Jerry at one point and push the mic into Keith face as if to say "C'mon, sing your part", and Keith just pushed it away without a glance. Friction. But yeah, Keith's playing spiraled out in '78, and the band was turning the corner into arena rock, and Keith must have felt a little left behind…. He really didn't fit in as much as in the early 70's, and he knew it.
  • dantian
    Joined:
    Keithfan
    Right on, man. 5/25 disc 3 is one of my favorites, think I've mentioned it here once or twice before. Nice to know you hear the greatness in it too.
  • rdevil
    Joined:
    I just happen to have...
    Hey, Novembereleven, I just happen to have a copy of Blair's Goin' Down the Road right next to the computer. Here's the exact quote:"Keith was sufficiently out of it much of the time that he was practically a nonpresence at some shows..." Then Blair goes on to say that "the strain in their relationship to each other and to the other members of the band isn't particularly evident on tapes." I also remember a review in DeadBase where the reviewer's date says that the piano player looks like he's asleep (probably a Dolgushkin review). Personally, I can find something to like about all the Dead's keyboard players but Keith is far and away my favorite. So I'm not providing any evidence to prove or disprove his late era competence, just providing more examples of opinion. My take is that while there are many great shows from '78 that year is much more inconsistent than previous years and, for my tastes, the Dead would never be as great as they were before Persian became such a factor. But there is still a ton of great music after '78, and this new box features many examples of that. As for Keith and Donna's departure from the band, I have a couple opinions based mainly from reading between the lines in the many books and interviews I've seen. (I don't claim to "know" anything) but the feeling I get is that Keith going through Jerry's briefcase was probably his biggest sin, far worse than anything he did on stage. Some of what the band said might very well have been an excuse rather than explaining that sordid mess. Also, based on the interview with Donna, I can't help but feel that this idea that the parting was mutual is really just a way for the Godchaux's to save face. They were going to be fired whether they agreed to leave or not. Again, just an opinion; and I'm not bashing Keith and Donna at all, the Godchaux years are my favorite.
  • Vguy72
    Joined:
    The 94/95 Althea....
    ....it's a sunset version and it's good. Does that make it wrong?....
  • boblopes
    Joined:
    E72
    Had the record, had the cd of the 1st record. Got Hundred Years Hall, someone liked my copy more than they thought I did. Passed on the E72 box, could not afford it at the time, was facing fertility challenges not covered by insurance. I was bummed when it sold out, but family first - I made the right decision. In the past few years when they announced the shows individually -always on the list but the next limited edition box got in the way. Didn't want to miss out again... This year would be the year to continue my journey... Gave a rough guess what it would cost to buy each show individually and then a couple of shows at a pop and a bunch of shows at a pop. The bunch of shows made sense, then it was figuring out the first bunch, cause you don't know if there are limited quantities... And during that time of calculation, recalculation, indecision, but dying to pull the trigger on the first bunch... Out of the Event Horizon beckoning me to the dark star, like Charlie discovering the magic gold ticket, a coupon rose of out ashes of that 50th ticket fiasco, which made my decision easy - go for the whole enchilada with the free shipping at 10% off... I was rewarded for making the right call (tough call). I'll take my baby girl who requests "Will you marry me sweet Peggy-O" every night over the trunk, the book and the trinkets, if any, from Europe 72. Things find a way to work themselves out.
  • jpreston
    Default Avatar
    Joined:
    1994
    Oops sorry guys it's the Althea from 94 not 95 so can anyone please tell me what's wrong with it
  • jrf68@hotmail.com
    Joined:
    CHEESE & RICE!!!!!!!
    Adios indeed!Laters....... :(
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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9 years 3 months
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thanks jim, it is methadone monday. got it playing now. in my town a full month of methadone treatments are $390 and they accept medicaid! is that whoohoo or ouch?
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Ah ok, that explains things lol. I was like wait... week before? Christmas Eve = 12/24 = sleigh + chimney 12/25 morning - where's he coming up with 7 days prior. It was like 2 + 2 was equaling 5....
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11 years 4 months
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I couldn't wait to hear some of the music, so I purchased the 4 disc set from Pono at 24bit/192khz, and it sounds great! I am so pumped for this set. I admit, I did listen to the stream all Saturday, but that was it. BUT - listening to the Dancing in the Streets from 1970 (on the 4 disc set), I keep hearing the same riff that Jerry played during the 10-31-71 (Dick's Pick Vol.2) Dark Star. This is my favorite Dark Star because of the direction it goes, and now that same kind of sequence in on Dancing in the Streets!!!! I am pumped for the rest of this set. Bring it on!!! Also, JimInMD - thanks for the JGB link. Who is the drummer? That's not Ronnie Tutt, is it?
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13 years 4 months
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Yea.. that's Ron Tutt. Keith is groovin' nice in that show too. Happy days. Speaking of Holy Crap Batman, a couple years ago in the middle of no-where Appalachia.. In a town of probably 100 or less, I passed the original 1960's bat mobile. Turns out there's a guy around here that owned (owns) the bat mobile + the General Lee. I pulled over and asked him a bunch of questions. He even fired up the flames out the back. ..unless of course I hallucinated the whole thing.
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15 years 7 months
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So, I am alone in a hotel room, and I thought time to put a toe in the water. Last time I saw the band was Ally Pally,1974, wall of sound, so I thought Dijon, where to start? Seastones...nice, then jump to Big River, great to hear Keith, but , wait, w.t.f, where the hell are the vocals? And Dave says the tapes of this show are so good...Somebody tell me whats going on...pretty please.
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9 years 3 months
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do you know simon rob? he was at ally pally also and was his last show also, if memory serves...
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9 years 7 months
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Maybe this is the text of the scroll, but visual representation means pictures or images to me. Could this be why the credits are only for the "text?" I expect the scroll will be more than a list of songs...
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10 years 3 months
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I would have been disappointed if there were no early 70s Cold Rain & Snows on here. I'm pleased with this one from 1970. It's just such a great song, and one of my favorite openers, alongside Bertha and Promised Land. I kind of lump New Minglewood Blues in there too, though I only have two from the early 70s; the one on Ladies & Gentlemen is so good, I wonder why they didn't play it more. Whenever I go into '71 / '72 mix mode, I'll usually go: Promised Land - Sunshine Daydream or E72 5/23/72 Cold Rain & Snow - 5/24/72 or 4/17/72 or Ladies & Gentlemen (with awesome intro segue from GDTRFB) New Minglewood Blues - Ladies & Gentlemen Bertha - Sunshine Daydream or several E72 versions Sometimes I'll mix up the order too, but keep to the alternating of Bobby / Jerry songs. I usually
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9 years 5 months
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The Phil and Ned was quad through the Wall of Sound and 2 of the channels went through the vocal mics inputs in the recording mix.They fixed this about 4 minutes into Peggy-O, It happened a lot on the post Phil & Ned set SBDs this is why SBD recordings of Phil & Ned are only 2 of the 4 channels and why AUD versions sound so much different.
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Final Europe show till 1981 and the Wall of Sound is rocking.. Seastones > Playing in the Band Seastones features Jerry in addition to Ned Lagin and Phil. Not the best by any means but fun to hear. Dave's Picks, so far has released 3 Wall of Sound shows !!! Here's to a 4th for 2016 Bring on 5.12.74 6.30.74 and 7.19.74 -- any one of those will do for a Dave's Picks in 2016 right ?
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Dear Gary, no, I dont know Simon.I went with my old pal Keith, (hi Keith!) And Paul, a mean blue grass picker -he played a bit with Grisman-who recently died in Jerusalem. The first show, I went to all of them, was mainly notable because I managed to score the first Mad River album!And I had to be very careful that its pristine sleeve didnt get beer stains all over it! Kayak, many thanks for the information, much appreciated!
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Currently living in leeds, UK. Have every release on CD/DVD + download series etc. All loaded up in Lossless, so decided to go for this (looks like a neat pack). Can't wait to get it
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Nice Dogon. I have heard of Mad River but never heard any of their music. I guess I should try to track it down?Did not realize there was a bluegrass following overseas...thought it was just us hillbillies...yeehaw
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I'd take 7/19/74 in a heartbeat. Next would be 5/17/74, then 2/23/74. 6/30/74 would be my 4th pick. Such a great year.
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Now that 30 trips is "out", I did a bit of tallying. There have been 251 Grateful Dead shows with more than 50 minutes released officially (or are otherwise more or less complete, like 3/23/75). Don't ask me why I decided on 50 minutes as a cut-off, it just seemed like the right amount to capture most of the jamming in a particular show. The breakdown is as follows: 1960s: 26 shows 1966: 2 1967: 1 1968: 7 1969: 16 1970s: 150 shows 1970: 9 1971: 17 1972: 35 1973: 15 1974: 19 1975: 3 1976: 9 1977: 23 1978: 12 1979: 8 1980s: 39 shows 1980: 10 1981: 2 1982: 4 1983: 2 1984: 1 1985: 2 1986: 1 1987: 4 1988: 4 1989: 9 1990s: 36 shows 1990: 24 1991: 5 1992: 2 1993: 3 1994: 1 1995: 1 1972, 1990, and 1977 are the big winners, but we already knew that.
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Add 1 more to the 1967 tally = 10.22.67 And now for the Drum Roll.... 1981 and 1987 !!! These 2 years will see a few official releases soon and maybe even the box set treatment.. Side note : Just scored "Dicks Picks 30" brand new for $40 and used "FW69 bonus disc" for $25 !!! Still looking for Dave's Picks 1 !!!!
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14 years
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> Add 1 more to the 1967 tally = 10.22.67 This has been officially released? Or is it just hopeful wishing?
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A fine bay area band. They made two albums (and one EP). If you're gonna check out their music, check out both albums because they are very different from each other. Also, the British label Shagrat released a 12" vinyl EP in 2011. Also worth checking out is Lawrence Hammond's solo stuff. Bluegrass in Europe? You would be surprised how big it is, particularly here in Holland, but also in the UK. Good music can find a home anywhere. I got loads of bluegrass in my music collection and I can assure you I ain't no hairy-ass hillbilly!
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I thought I would peruse the show from 4/25/77, not really expecting to hear anything unique or fresh, considering the number of shows that have been released from the Spring '77 tour. I went immediately to Scarlet / Fire, and wow - I can hear Bob Weir so much better than any of the other '77 shows I have - very nice to hear his rocked out rhythm playing while Jerry solos away on Scarlet. Also some great stuff from Keith and Jerry in the last 2-3 minutes of Scarlet that Donna and Bobby pick up on, just a little melody before the transition, but definitely caught my attention. I hope the whole show's like this.
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It's going to happen though. Sources have almost all but confirmed this.. And for those who like the 1966 stuff from 30'Trips ,, look out for 7.29.66 !! If this one has not been released already. The dates for 1966 material is sometimes a little scattered.. Still waiting for 30 Trips Box set to arrive and not streaming.. Downloads seem to be inevitable,, based on previous release trends. One Kind Favor - bring on the Release of 4.24.66 !!!
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9 years 2 months
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Does the entire '82 show have a noticeable hiss throughout? The single track on the 4CD release has it. I am going to guess this is something that cannot be cleaned up? thanks for any help.
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> It's going to happen though. Sources have almost all but > confirmed this.. Oh man, oh man. That would be stellar. Even though we don't really know the date of 5/5/67's material, I'd hope they'd tack it on somewhere. There cannot be too much '67 / early '68 released, according to me. I'd also like to see a 3/17-18/67 set come out. We know there is at least some of those shows sitting in the vault. Speaking of those spring 67 shows ... did Bear tape them? And if so, does that mean that he maybe taped the Chuck Berry set, too? It would be awesome to have Garcia's "post Chuck Berry set" comment heard in the proper context.
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12 years 11 months
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Just sitting here on a Monday eve having one and digging on the 87 & 88 shows. Good stuff! Thats the thing, these streams sound great! Havent listened to a full show yet, enjoying trolling around. 88 show is good! Love Queen Jane. Some great versions on Spring 90. Once we get this it will be awesome! Going to be a great end of the year for us. This box, Daves 16, Daves sub renewal, 30 days of Dead, RSD release? I think FTW should have been put on hold for next year. Too much at once. O well, Happy 50th!!!
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17 years 5 months
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Couldn't resist the streams and started here. Heard '74 PITB on Sirius this morning and didn't realize it was from Boxzilla. When I figured out the stream/iPad/Apple TV/Home Theater config, this is what I went to. Phil loud and clear. Absolutely beautiful.
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11 years 4 months
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Mr. Jack Straw - that is so cool that you put this list in order, but I was wondering - when was the 3/23/75 show released? I would love to hear that. I have the first 'One from the vault' and now the new one from 30 trips.
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this was on the Beyond Description Bonus CD
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Figured I would start my listening with some of the shows from lesser years, like 1986. Test the statement that each show would be enjoyable and not necessarily just enjoyable "in the context of that year". And as the I listen to a nice punchy Scarlet to open set 2, I have to agree that this 1986 show has been a good one so far.
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Nice plan, Streicher. I thought the following review from setlsets.net dovetails nicely with your post. I just pulled it from the web, and did not write it nor attend the show. but it fits here: __________ Reviewer: wildcataggie - ★★★★ - February 9, 2010 Subject: Sweet Sounding Jerry Vocals!!! I am apprehensive (God, that sounds wimpy) about listening to shows from '83 through '86 because of the detrimental effect that Jerry's health had on his performance. I went to between 10 and 15 shows a year myself during this period, plus about a dozen JGB. We would never stop going and never stop loving being there, but it was obvious that Jerry was really struggling physically. It can be pretty painful listening to the raspy and thin vocals and though he never lost the ability to sparkle on the strings, the grace and eloquence were definitely at an ebb. Have no apprehensions about this beautiful recording of an excellent show!!! Right from the Cold Rain and Snow Jerry's vocals are clear, crisp and vibrant. I cannot think of another show from anywhere near this time on which he sounds so good vocally. Comes A Time is another highlight and just about everything else sounds sweet. With a board like this, I really focus on just how much these guys loved playing together and how well they listened to each other. This is a really collaborative performance, not off the charts but everybody gets a piece of the mix. The Scarlet/Fire is tight rather than epic but it has plenty of energy and creativity. Oh yeah - I'm listening to the whole thing over again - check out Jerry's backing vocals on The Race Is On - unbelievable!!!! Love the good ol' Grateful Dead - the sweet part of the dream is that we learned to sing "We will survive, we will survive" during those days and it came true for a lot of us. I'll have to check out the other shows on this run - any other suggestions? Jerry had lots of bright and happy days ahead of him. This show fills a tremendous personal niche for me, just like finding a Fall '94 show were he sparkles with all the joy and imagination we loved him for. Still haven't found that show for '95 but I'm always looking!! Thanks Charlie Miller - Time Magazine Man of the Year, long overdue!!! Never forget - Love will see you through
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Mad River were a great band and the Hammond solo material is also very strong. Havnt heard the Shagrat stuff since I dont own a turntable.I dont have any bluegrass since I flogged all my vinyl, but back in the day I was plenty fond of it, Country Gazette, Clarence White and the Kentucky Colonels were my initiation at the LSE...in fact my pal Paul ended up being a leading light in the Israeli (!) Bluegrass scene, seems that not all broadbrimmed hats are at the wailing wall! But these days I am a jazz buff, with significant forays into Turkish Baglama, Fado and Flamenco. Grootjes
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Thanks for that heads up. I actually have a list of places where that jam occurs that I got years ago in a forum. So glad one of them mad it to the box. If I can find the list maybe I will post. awesome jam and I remember that it occurs in some 70's Dancin' in the Streets. Awesome!
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....Salt Lake City '95....Jerry was sober this night, and brought it home!.... ....pushing 1995. Take a picture. It will last longer. I wish this show was....
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Thanks for that, that list is bigger than mine. I played that jam to many in my age group and just over because I felt I knew it, even the first time I heard it on Dicks picks but no one could identify the tune as a stand alone. Just love it! I will make my way through the list for sure.
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I am pretty sure that the jam after Darkstar on Dicks Picks 2 is actually "Soulful Strut", a song performed by Young-Overholt Unlimited from 1968, written by Eugene Record and William Sanders. Sweet jam.
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Listening freely to the streams now, even though I said I wouldn't. Still, not listening yet to very favorite years but enjoying all I'm hearing. Listening to '82 now after TotD's post tonight and it's damn good.I love the group effort in the later Maggie's Farms and noticed in the '92 show (listened last night) it sounds like Bruce sings, "His bedroom window is made out of sticks." Yeah, lyric flubs are common in GD history but this stands out a bit, especially since Bruce seemed to be one of the more sober band members (correct me if I'm wrong). Maybe he'd recently read the Three Little Pigs to his kids.
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10-19-74 WinterlandAbsolutely superb. :) UJB too
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15 years 1 month
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Just ordered the box(showed sold out yesterday, but it seems they found some copies this morning...) How do I access the streams? Thanks
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11 years 2 months
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check order status....you may have to wait for them to charge your card though.
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9 years 7 months
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Just curious... Did you still get free shipping when you ordered today? I'm just wondering if that was cut off at the original pre-order date.
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15 years 1 month
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Yes, I did get free shipping. Most likely free until ship date.
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10 years 6 months
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I got this response from CS in response to my question about the scroll: "Thank you for choosing our store! The scroll will be separate from the book itself, the scroll will not be electronically delivered, only the booklet PDF and streaming."
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9 years 3 months
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hey dogon what is or was the LSE?
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15 years 7 months
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Hi Gary,London School of Economics, Saw quite a few smaller scale intimate gigs there over a period of a few years, during the early 70s. A long while ago, dont ask me who else I saw there though!
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9 years 3 months
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hey dogon: so they had shows at the LSE? Do they have a small auditorium right at the school. I was encouraged to go to LSE back in 1992, sometimes I wish I had taken the wisdom of the counselor.
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15 years 7 months
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Oh yeah, one more, Country Joe all star band with Peter Albin, Dorothy M from United States of America fame (I wouldnt leave my wooden wife for you, sugar) and female drummer, essentially the Paris sessions band. Good show as I recall...
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11 years
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I bought it unopened on ebay, and the tray that holds the book was damaged (smashed in and torn where it says Spring 1990) when Rhino put the set together. Not the end of the world, the music still sounds great, but I'm now looking for a replacement of that piece. If anybody wants to sell just the box, please PM me. I don't even need the extras or the book..really just need the tray. Thanks.
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15 years 4 months
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Definitely the "worst" sound quality of the entire box set IMO. The hiss is there for sure (forget who asked about that). It is a superb show and the diminished quality does not take away from my enjoyment, but like 4-6-82, there is a real noticeable dropoff in the quality of the mix. Having said that I am blown away by the treatment given to 10-12-84, which I was admittedly salivating over. But it exceeded all expectations.
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