30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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July 10, 2015 - 3:47pm

#6011

4evergr8ful

Joined:
September 17, 2009

1970 04-15

Been listening to the winterland 1970 show featured on this box and must say Am Really digging it..having listened to most dead post 77", it's as if I'mHearing the band for The first time again..can anyone else reccomend any really Good early 70s shows, perhaps some that really stand out, say 70 or 71? Would appreciate it thanks
July 10, 2015 - 1:13pm

#6012

Vguy72

Joined:
June 29, 2007

Hey keithfan....

....glad I could oblige. BTW, do any of you experience a delay in getting pm's? I usually get mine a week after they were sent to me....
July 10, 2015 - 12:46pm

#6013

LoveJerry

Joined:
March 19, 2015

Complete Recordings - Great Prices

I got a copy of Dick's Picks 30 at a great price after someone here mentioned seeing them online, so I thought I would return the favor to people who may be in need. Here are three great prices on box sets. Winterland June 1977: Complete Recordings $299. All others are in the $600 range. http://www.ebay.com/itm/Grateful-Dead-Winterland-June-1977-HDCD-Box-Set… Europe 72 with trunk $377 http://www.ebay.com/itm/Grateful-Dead-Europe-72-complete-recordings-non… Winterland 1973 Complete Recordings $120 http://www.ebay.com/itm/Grateful-Dead-Winterland-1973-Complete-Recordin…
July 10, 2015 - 12:33pm

#6014

kilauea

Joined:
October 5, 2010

Stoked about 30 Trips

I'm stoked to get my ears around 30 Trips Around The Sun. Love the idea of a show per year. I usually reside somewhere between 1968-78 with 72-74 as my favorite period. I love the improvisational monster jams focused around The Other One, Dark Star, Playin', Eyes, Weather Report not to mention the primal Live Dead jams. Love a good Scarlet-Fire and the Blues For Allah material live is always a hoot. That being said my 80's-90's ventures are usually 80-81' and 89'. I have The Warlocks and love it but skipped out on Spring 90' boxes... but figure I'll get to those soon enough. So I'm looking forward to diving into these 80'-90's shows in 30 Trips, and heck, maybe I'll see what I've been missing. I'm particularly pumped about 67' Shrine, 68' Greek, 69' Dream Bowl, 72' Waterbury, and 73' San Diego among others. I mean what other band releases so much great quality sounding live music for there fans? The quality of the Grateful Dead live archival releases over the past 20 years is completely unparalleled. Perhaps only the box sets and live releases of Miles Davis even comes close and that's fairly distant at best. If Pink Floyd released only a smidgeon of quality live shows from the 70's I'd be super stoked but so far just the Wembley 74' stuff. Frank Zappa releases quite a lot of live material when he was alive and the vault releases have been great but no one compares to the Dead releases. And I'm grateful for it. It's like Christmas every few months when a Dave's Picks arrives or Road Trips before that. Europe 72' is my favorite box followed by Winterland 73'. Like I said I'll get to Spring 90' in due time. So keep us guessing and keep em' coming!
July 10, 2015 - 10:48am

#6015

KeithFan2112

Joined:
August 6, 2014

Vguy72 / Road Trips '73

Good call, I put this on at your recommendation. Four words - Holy psychedelic pianos Batman. Wow, just dozed off at work and woke up to Wharf Rat. gotta love cubicles.
July 10, 2015 - 10:05am

#6016

KeithFan2112

Joined:
August 6, 2014

80sFan 11/4/77

I checked out a couple of tunes from your link. Definitely a respectable version, and I like that you can hear all of the audience enthusiasm at various points (i.e. clapping on Bertha, cheering after the Brown-Eyed Women solo, which incidentally, is one of the best live versions ever in terms of Jerry's guitar solo). The instruments are definitely louder in the official version, particularly Keith's keyboard work and the drums; these two "mix factors" contribute heavily to the aggressive "rock" feel of the 11/4 show, as experienced in the official version. But yeah, it's always a good idea to own another show featuring the late great Keith Godchaux ;-) PM your address if you want and I'll send it to you.
July 10, 2015 - 9:35am

#6017

JimInMD

Joined:
June 27, 2011

Re: Keithfan and Bliss

Yes, KF, there are certainly noticeable differences in sound that are more than the mix itself. What a fabulous collection of venues on that tour, that's the difference. When I travel abroad.. Instead of being a typical nerdy tourist and hitting hard rock cafe's or whatever.. I usually try to pick a theme.. like lets hit all the big castles in Germany or hey, lets hit all the churches where they off'd people in the Angels & Demons movie in Italy.. so my big not so eminent Europe trip will hit all the theatre's they played at. Check them out, great history and some terrific venues. That's what's contributing to the rich sound and variations from night to night. Places like the Concertgebouw and the like. There's a wealth of information on the acoustics of these venues. You may have come to the party late, but you did your homework. Bliss.. one of the ways I cycle through a lot music is on road bike rides and kayaking. Lots of fun and you get a workout to boot. I think you get the big picture this way, overall vibe of the show and jams. You also get a nice progression of growth through a tour/year/decade that way. You do miss minute details like best version of a song on a tour which KF seems to specialize in.. anyway, you are not alone in listening habits.
July 10, 2015 - 9:11am

#6018

80sfan

Joined:
April 17, 2015

currently listening to...

The AUD of 11/4/77 https://archive.org/details/gd77-11-04.moore.jupile-weiner.15208.sbeok… Curious how it stacks up against DP12? I'm really into this version so i'm feeling (slightly) better about having been shut out of the official release!
July 10, 2015 - 8:54am

#6019

bliss

Joined:
June 7, 2007

listening to the band

Keith-Fan, Your post raises the question of how we go about enjoying this abundance of officially released riches. I listen to a show per day, usually in the background while working. A lot just sort of floats over me this way and I'm often unable to get a "best version" sort of feel, but do get to enjoy the overall sonics of a show. i'll be working away with the music drifiting over me and suddenly tune in and think, "whoa - how the hell did they get out here" ... Work-related listening has been random years/tours as the mood strikes. I have no favorite era. Everything offers something different and worthwhile depending on the mood. I listen to a lot of other music (funk, jazz, soul, rock from all eras), so it's not like I can engage in the deadicated listening a lot of these Dead shows deserve. (seeing RUSH twice next week - and am on a huge related listening kick in preparation -- seeing them is very much a cult-band family reunion kind of phenomenon not unlike the vibe at a Dead show - just a lot nerdier and less trippy). With the 30 Trips Box, I'm going to listen to a show per day on headphones while cycling. Chronologically. After, I'm going to listen to everything I have (pretty much all official releases) in chronological order the same way, ideally while riding and skiing. This is a wonderful way to consume release, as the music evolves and changes organically, in terms of both the playing and song choices. I've managed to do this once in the past, and it took the better part of a year. Psyched to do it again. Long live the Dead.
July 10, 2015 - 8:43am

#6020

KeithFan2112

Joined:
August 6, 2014

From Version to Version

It's only since I lost myself in the Grateful Dead Narnia that I've started to appreciate listening to the entire show. I came late to the Dead picnic, and while I saw them a couple of times before Jerry died, I didn't get "into" them until years later. With other bands (The Who, Yes, Rush), I would take the best live versions of songs and make a playlist. It seemed the prudent thing to do since there were only a few live versions of any particular song. The Dead is a different beast altogether, so it took some time to appreciate what they're up to from gig to gig, and clearly cherry picking the best versions is an impossible endeavor, as I end up with nothing on the cutting room floor. That being said, old habits die hard, and there's always a mental comparison going on in my head, hence the post about MSHSU Toodeleedoo. There's no doubt 9/3/77 is the best version for the jam, but not necessarily the bridge to Rio Grandio. And so it goes, there are many "best" versions. Muleskinner, check out Sugar Magnolia from 4/24 - this is thee version of thee song that pulled me in, never to return. I was at a home poker game when my buddy put on Rockin' The Rhein, and immediately caught the fever. 5/18 is close, despite a rare vocal flub where Bob Weir seems to forget he's onstage performing with the Grateful Dead. It's not that there's anything wrong with the 20 other versions from E72, it's just the perfect storm of nuances that come together on 4/24 (the guitars are mixed so smoothly for maximum "groove" effect, the piano is present, the solo is smooth and sweet, the drum fill at the....drum fill part is perfect, the blossoms are blooming, etc). Also wondering if anyone has noticed some of the subtle differences in overall sound from show to show on E72? For example, 4/24 seems to have more reverb than other dates (I don't know if reverb is the right word - it's an echo-like quality I catch on this one - a good thing to my ears); Amsterdam 5/10 also seems to have this quality. 4/11 and 4/29 seem to have a tad less fidelity and more tape hiss than other dates - not a big deal, I just turn the treble up a little bit. 4/26 has magnificent sound and low tape hiss, but Pigpen's organ is a bit lower than other dates (not sure how the fact that it was mixed for Hundred Year Hall plays into this). Heck even the comparison between Steppin' Out versions of the same tunes demonstrates significant differences in the mixing (for example crisper snare drum, compare 5/24 Cold Rain & Snow, or higher piano levels on some songs - check out 4/11 Brokedown Palace). Anyway, I spend waaaay too much time listening to this stuff, but I did earn a PhD in Europe '72, so it wasn't without merit.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

mmmmethadone

thanks jim, it is methadone monday. got it playing now. in my town a full month of methadone treatments are $390 and they accept medicaid! is that whoohoo or ouch?

Jim

Ah ok, that explains things lol. I was like wait... week before? Christmas Eve = 12/24 = sleigh + chimney 12/25 morning - where's he coming up with 7 days prior. It was like 2 + 2 was equaling 5....

Holy crap!

I couldn't wait to hear some of the music, so I purchased the 4 disc set from Pono at 24bit/192khz, and it sounds great! I am so pumped for this set. I admit, I did listen to the stream all Saturday, but that was it. BUT - listening to the Dancing in the Streets from 1970 (on the 4 disc set), I keep hearing the same riff that Jerry played during the 10-31-71 (Dick's Pick Vol.2) Dark Star. This is my favorite Dark Star because of the direction it goes, and now that same kind of sequence in on Dancing in the Streets!!!! I am pumped for the rest of this set. Bring it on!!! Also, JimInMD - thanks for the JGB link. Who is the drummer? That's not Ronnie Tutt, is it?

Re: Holy Crap Batman

Yea.. that's Ron Tutt. Keith is groovin' nice in that show too. Happy days. Speaking of Holy Crap Batman, a couple years ago in the middle of no-where Appalachia.. In a town of probably 100 or less, I passed the original 1960's bat mobile. Turns out there's a guy around here that owned (owns) the bat mobile + the General Lee. I pulled over and asked him a bunch of questions. He even fired up the flames out the back. ..unless of course I hallucinated the whole thing.

Dijon 74

So, I am alone in a hotel room, and I thought time to put a toe in the water. Last time I saw the band was Ally Pally,1974, wall of sound, so I thought Dijon, where to start? Seastones...nice, then jump to Big River, great to hear Keith, but , wait, w.t.f, where the hell are the vocals? And Dave says the tapes of this show are so good...Somebody tell me whats going on...pretty please.

dogon

do you know simon rob? he was at ally pally also and was his last show also, if memory serves...

Scroll / visual representation

Maybe this is the text of the scroll, but visual representation means pictures or images to me. Could this be why the credits are only for the "text?" I expect the scroll will be more than a list of songs...

BTW, This Winterland Show From 1970....

I would have been disappointed if there were no early 70s Cold Rain & Snows on here. I'm pleased with this one from 1970. It's just such a great song, and one of my favorite openers, alongside Bertha and Promised Land. I kind of lump New Minglewood Blues in there too, though I only have two from the early 70s; the one on Ladies & Gentlemen is so good, I wonder why they didn't play it more. Whenever I go into '71 / '72 mix mode, I'll usually go: Promised Land - Sunshine Daydream or E72 5/23/72 Cold Rain & Snow - 5/24/72 or 4/17/72 or Ladies & Gentlemen (with awesome intro segue from GDTRFB) New Minglewood Blues - Ladies & Gentlemen Bertha - Sunshine Daydream or several E72 versions Sometimes I'll mix up the order too, but keep to the alternating of Bobby / Jerry songs. I usually

Dijon 74

The Phil and Ned was quad through the Wall of Sound and 2 of the channels went through the vocal mics inputs in the recording mix.They fixed this about 4 minutes into Peggy-O, It happened a lot on the post Phil & Ned set SBDs this is why SBD recordings of Phil & Ned are only 2 of the 4 channels and why AUD versions sound so much different.

Today in GD History Dijon 74 - 9.21.74

Final Europe show till 1981 and the Wall of Sound is rocking.. Seastones > Playing in the Band Seastones features Jerry in addition to Ned Lagin and Phil. Not the best by any means but fun to hear. Dave's Picks, so far has released 3 Wall of Sound shows !!! Here's to a 4th for 2016 Bring on 5.12.74 6.30.74 and 7.19.74 -- any one of those will do for a Dave's Picks in 2016 right ?

Ally Pally

Dear Gary, no, I dont know Simon.I went with my old pal Keith, (hi Keith!) And Paul, a mean blue grass picker -he played a bit with Grisman-who recently died in Jerusalem. The first show, I went to all of them, was mainly notable because I managed to score the first Mad River album!And I had to be very careful that its pristine sleeve didnt get beer stains all over it! Kayak, many thanks for the information, much appreciated!

Outpost - Bolt Head from the UK

Currently living in leeds, UK. Have every release on CD/DVD + download series etc. All loaded up in Lossless, so decided to go for this (looks like a neat pack). Can't wait to get it

Ally Pally

Nice Dogon. I have heard of Mad River but never heard any of their music. I guess I should try to track it down?Did not realize there was a bluegrass following overseas...thought it was just us hillbillies...yeehaw

mbarilla

I'd take 7/19/74 in a heartbeat. Next would be 5/17/74, then 2/23/74. 6/30/74 would be my 4th pick. Such a great year.

Individual downloadable inevitables?

Anyone know if they plan on releasing each show as a digital download? Any opinions?

interesting stat

Now that 30 trips is "out", I did a bit of tallying. There have been 251 Grateful Dead shows with more than 50 minutes released officially (or are otherwise more or less complete, like 3/23/75). Don't ask me why I decided on 50 minutes as a cut-off, it just seemed like the right amount to capture most of the jamming in a particular show. The breakdown is as follows: 1960s: 26 shows 1966: 2 1967: 1 1968: 7 1969: 16 1970s: 150 shows 1970: 9 1971: 17 1972: 35 1973: 15 1974: 19 1975: 3 1976: 9 1977: 23 1978: 12 1979: 8 1980s: 39 shows 1980: 10 1981: 2 1982: 4 1983: 2 1984: 1 1985: 2 1986: 1 1987: 4 1988: 4 1989: 9 1990s: 36 shows 1990: 24 1991: 5 1992: 2 1993: 3 1994: 1 1995: 1 1972, 1990, and 1977 are the big winners, but we already knew that.

Soon to be Big Winners !!

Add 1 more to the 1967 tally = 10.22.67 And now for the Drum Roll.... 1981 and 1987 !!! These 2 years will see a few official releases soon and maybe even the box set treatment.. Side note : Just scored "Dicks Picks 30" brand new for $40 and used "FW69 bonus disc" for $25 !!! Still looking for Dave's Picks 1 !!!!

RE: Soon to be Big Winners !!

> Add 1 more to the 1967 tally = 10.22.67 This has been officially released? Or is it just hopeful wishing?

Mad River

A fine bay area band. They made two albums (and one EP). If you're gonna check out their music, check out both albums because they are very different from each other. Also, the British label Shagrat released a 12" vinyl EP in 2011. Also worth checking out is Lawrence Hammond's solo stuff. Bluegrass in Europe? You would be surprised how big it is, particularly here in Holland, but also in the UK. Good music can find a home anywhere. I got loads of bluegrass in my music collection and I can assure you I ain't no hairy-ass hillbilly!

30 Trips 1977 A Pleasant Surprise

I thought I would peruse the show from 4/25/77, not really expecting to hear anything unique or fresh, considering the number of shows that have been released from the Spring '77 tour. I went immediately to Scarlet / Fire, and wow - I can hear Bob Weir so much better than any of the other '77 shows I have - very nice to hear his rocked out rhythm playing while Jerry solos away on Scarlet. Also some great stuff from Keith and Jerry in the last 2-3 minutes of Scarlet that Donna and Bobby pick up on, just a little melody before the transition, but definitely caught my attention. I hope the whole show's like this.

chastason,, wishful thinking for now

It's going to happen though. Sources have almost all but confirmed this.. And for those who like the 1966 stuff from 30'Trips ,, look out for 7.29.66 !! If this one has not been released already. The dates for 1966 material is sometimes a little scattered.. Still waiting for 30 Trips Box set to arrive and not streaming.. Downloads seem to be inevitable,, based on previous release trends. One Kind Favor - bring on the Release of 4.24.66 !!!

hiss?

Does the entire '82 show have a noticeable hiss throughout? The single track on the 4CD release has it. I am going to guess this is something that cannot be cleaned up? thanks for any help.

RE: chastason,, wishful thinking for now

> It's going to happen though. Sources have almost all but > confirmed this.. Oh man, oh man. That would be stellar. Even though we don't really know the date of 5/5/67's material, I'd hope they'd tack it on somewhere. There cannot be too much '67 / early '68 released, according to me. I'd also like to see a 3/17-18/67 set come out. We know there is at least some of those shows sitting in the vault. Speaking of those spring 67 shows ... did Bear tape them? And if so, does that mean that he maybe taped the Chuck Berry set, too? It would be awesome to have Garcia's "post Chuck Berry set" comment heard in the proper context.

O.K....

Just sitting here on a Monday eve having one and digging on the 87 & 88 shows. Good stuff! Thats the thing, these streams sound great! Havent listened to a full show yet, enjoying trolling around. 88 show is good! Love Queen Jane. Some great versions on Spring 90. Once we get this it will be awesome! Going to be a great end of the year for us. This box, Daves 16, Daves sub renewal, 30 days of Dead, RSD release? I think FTW should have been put on hold for next year. Too much at once. O well, Happy 50th!!!

1974 - 9/18, Parc des Expositions, Dijon, France

Couldn't resist the streams and started here. Heard '74 PITB on Sirius this morning and didn't realize it was from Boxzilla. When I figured out the stream/iPad/Apple TV/Home Theater config, this is what I went to. Phil loud and clear. Absolutely beautiful.

interesting stat

Mr. Jack Straw - that is so cool that you put this list in order, but I was wondering - when was the 3/23/75 show released? I would love to hear that. I have the first 'One from the vault' and now the new one from 30 trips.

3/23/75

this was on the Beyond Description Bonus CD

30 Trips - Box - 1986

Figured I would start my listening with some of the shows from lesser years, like 1986. Test the statement that each show would be enjoyable and not necessarily just enjoyable "in the context of that year". And as the I listen to a nice punchy Scarlet to open set 2, I have to agree that this 1986 show has been a good one so far.

Re: StreicherJ

Nice plan, Streicher. I thought the following review from setlsets.net dovetails nicely with your post. I just pulled it from the web, and did not write it nor attend the show. but it fits here: __________ Reviewer: wildcataggie - ★★★★ - February 9, 2010 Subject: Sweet Sounding Jerry Vocals!!! I am apprehensive (God, that sounds wimpy) about listening to shows from '83 through '86 because of the detrimental effect that Jerry's health had on his performance. I went to between 10 and 15 shows a year myself during this period, plus about a dozen JGB. We would never stop going and never stop loving being there, but it was obvious that Jerry was really struggling physically. It can be pretty painful listening to the raspy and thin vocals and though he never lost the ability to sparkle on the strings, the grace and eloquence were definitely at an ebb. Have no apprehensions about this beautiful recording of an excellent show!!! Right from the Cold Rain and Snow Jerry's vocals are clear, crisp and vibrant. I cannot think of another show from anywhere near this time on which he sounds so good vocally. Comes A Time is another highlight and just about everything else sounds sweet. With a board like this, I really focus on just how much these guys loved playing together and how well they listened to each other. This is a really collaborative performance, not off the charts but everybody gets a piece of the mix. The Scarlet/Fire is tight rather than epic but it has plenty of energy and creativity. Oh yeah - I'm listening to the whole thing over again - check out Jerry's backing vocals on The Race Is On - unbelievable!!!! Love the good ol' Grateful Dead - the sweet part of the dream is that we learned to sing "We will survive, we will survive" during those days and it came true for a lot of us. I'll have to check out the other shows on this run - any other suggestions? Jerry had lots of bright and happy days ahead of him. This show fills a tremendous personal niche for me, just like finding a Fall '94 show were he sparkles with all the joy and imagination we loved him for. Still haven't found that show for '95 but I'm always looking!! Thanks Charlie Miller - Time Magazine Man of the Year, long overdue!!! Never forget - Love will see you through

Simonrob

Mad River were a great band and the Hammond solo material is also very strong. Havnt heard the Shagrat stuff since I dont own a turntable.I dont have any bluegrass since I flogged all my vinyl, but back in the day I was plenty fond of it, Country Gazette, Clarence White and the Kentucky Colonels were my initiation at the LSE...in fact my pal Paul ended up being a leading light in the Israeli (!) Bluegrass scene, seems that not all broadbrimmed hats are at the wailing wall! But these days I am a jazz buff, with significant forays into Turkish Baglama, Fado and Flamenco. Grootjes

holy Crap

Thanks for that heads up. I actually have a list of places where that jam occurs that I got years ago in a forum. So glad one of them mad it to the box. If I can find the list maybe I will post. awesome jam and I remember that it occurs in some 70's Dancin' in the Streets. Awesome!

Re: Holy Crap

dallanW/sfrank, Is this helpful? https://archive.org/post/280194/the-deads-early-thematic-jams I believe its mentioned in Tighten Up Jam sequence.

Holy Crap III....

....Salt Lake City '95....Jerry was sober this night, and brought it home!.... ....pushing 1995. Take a picture. It will last longer. I wish this show was....

Holy crap

Thanks for that, that list is bigger than mine. I played that jam to many in my age group and just over because I felt I knew it, even the first time I heard it on Dicks picks but no one could identify the tune as a stand alone. Just love it! I will make my way through the list for sure.

RE: 10/31/71 Darkstar Jam

I am pretty sure that the jam after Darkstar on Dicks Picks 2 is actually "Soulful Strut", a song performed by Young-Overholt Unlimited from 1968, written by Eugene Record and William Sanders. Sweet jam.

soulful Strut

Sounds similar........

made out of sticks?

Listening freely to the streams now, even though I said I wouldn't. Still, not listening yet to very favorite years but enjoying all I'm hearing. Listening to '82 now after TotD's post tonight and it's damn good.I love the group effort in the later Maggie's Farms and noticed in the '92 show (listened last night) it sounds like Bruce sings, "His bedroom window is made out of sticks." Yeah, lyric flubs are common in GD history but this stands out a bit, especially since Bruce seemed to be one of the more sober band members (correct me if I'm wrong). Maybe he'd recently read the Three Little Pigs to his kids.

Scarlet

10-19-74 WinterlandAbsolutely superb. :) UJB too

Box stream

Just ordered the box(showed sold out yesterday, but it seems they found some copies this morning...) How do I access the streams? Thanks

streams

check order status....you may have to wait for them to charge your card though.

@ cousin

Just curious... Did you still get free shipping when you ordered today? I'm just wondering if that was cut off at the original pre-order date.

@ Dusty rambler

Yes, I did get free shipping. Most likely free until ship date.

Scroll Question

I got this response from CS in response to my question about the scroll: "Thank you for choosing our store! The scroll will be separate from the book itself, the scroll will not be electronically delivered, only the booklet PDF and streaming."

hariy-ass hillbilly

come on simon, don't give away my secret sauce!

dogon

hey dogon what is or was the LSE?

LSE

Hi Gary,London School of Economics, Saw quite a few smaller scale intimate gigs there over a period of a few years, during the early 70s. A long while ago, dont ask me who else I saw there though!

LSE

hey dogon: so they had shows at the LSE? Do they have a small auditorium right at the school. I was encouraged to go to LSE back in 1992, sometimes I wish I had taken the wisdom of the counselor.

LSE

Oh yeah, one more, Country Joe all star band with Peter Albin, Dorothy M from United States of America fame (I wouldnt leave my wooden wife for you, sugar) and female drummer, essentially the Paris sessions band. Good show as I recall...

I purchased the Spring 1990 (TOO) box..but..

I bought it unopened on ebay, and the tray that holds the book was damaged (smashed in and torn where it says Spring 1990) when Rhino put the set together. Not the end of the world, the music still sounds great, but I'm now looking for a replacement of that piece. If anybody wants to sell just the box, please PM me. I don't even need the extras or the book..really just need the tray. Thanks.

Manor Downs 1982

Definitely the "worst" sound quality of the entire box set IMO. The hiss is there for sure (forget who asked about that). It is a superb show and the diminished quality does not take away from my enjoyment, but like 4-6-82, there is a real noticeable dropoff in the quality of the mix. Having said that I am blown away by the treatment given to 10-12-84, which I was admittedly salivating over. But it exceeded all expectations.

product sku

081227955892