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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • Sixtus_
    Joined:
    ...and I Shall Repent
    ...and thus I shall find salvation. St. Stephen queued up, Estimated Prophets to follow! Thanks for the compassionate understanding of my festering morality question. Man it feels good to come clean after all these years. I suppose if that is indeed my biggest offense things will prolly turn out alright. Sixtus
  • dantian
    Joined:
    Brother Sixtus
    Play 6 St. Stephens and 4 Estimated Prophets, this shall be your penance...
  • JimInMD
    Joined:
    Re: sixtus
    Dammit sixtus - I knew it was you, I knew it was you all along! I want my tape back you rat bastard! I leant a box of tapes to a friend back in high school.. it had several of my choice possessions, one being a crisp '76 Chicago Auditorium tape with a wonderful Mission in the Rain. The bastard never returned the box. (you know who you are, Mark L.). I didn't listen to a Mission in the Rain that good until I discovered LMA a little more than a decade ago. That was in the pre-car, pre-job lawn cutting days, so a box of tapes actually took some scratch to save up for. I knew the guy.. much like a coke-head who owes you money.. he simply started avoiding me. I guess we can laugh at it now.
  • JimInMD
    Joined:
    Tape Karma
    ..at least it was only your pinky finger. Must have been some high gen. aud's.
  • Zuckfun
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    Tapes cont'd
    Yeah, if the worst offense is swiping a bootleg tape from someone, you're probably ahead of most of us. Awhile ago, a friend lent me a dozen or so tapes- He was by far my greatest connection to high quality recordings. On my way to the car with the tapes, while it was raining, I dropped the box in the parking lot. The tapes sprawled out on the ground in the rain. To this day, he keeps my pinky finger in a jar by his bedside table, as a warning and reminder to fellow travelers. I was always like, who needs the pinky finger anyways. Actually, the tapes mostly survived the incident, unfortunate though it was.
  • Sixtus_
    Joined:
    The Cornell Tape...and Does this Make Me a Bad Person?
    So for the longest time I’ve sat on this story, and when I think back on it, I of course realize that it goes against essentially every grain of goodness within the GD’s community, but on the flip side, I was pretty young, uninformed (obviously) and totally naive. But, since this topic has now miraculously surfaced on this awesome board, I will now relay the story of how I acquired the Cornell show on Maxell XLII, many many years ago. I was 14 years old, and hitch hiking, for the first time ever, with my older brother on Martha’s Vineyard during summer time, just looking for someone nice to pick us up and bring us somewhere, anywhere there may be action. We weren’t at all familiar with the island, but for those who may be, there is this little community of homes that look like gingerbread houses – that’s the only way I can describe it – very ornate outsides, with lots of colors, steep roofs, etc. Well, our ride dropped us in the vicinity of this little community so we began wandering around. Wouldn’t you know, one house was having a party, and some guys, older than us, invited us up and handed us beers. And, you guessed it, GD was playing. At the time, I was still totally naive to anything beyond a few albums like Live Dead and Europe 72 as well as of course their studio stuff. But what I heard coming from their boombox was pristine GD, and clearly in a live setting as they were going nutty and just jamming like mad. I recall looking at the small pile of tapes on the floor, and the one that was playing was indeed Cornell ’77. I was awestruck. As the night went on, and I consumed more beers, I feel like I must have gotten a little more confident. Because I clearly recall that on our way out of that house party, I stopped and took the Cornell Tape – the 2nd Set – and secretly reveled in the amazing find I just acquired, albeit via an essentially & completely immoral path. Nonetheless, I came back home and immediately shared it with my couple of buddies who also happened to like the Dead. We were all just blown away by this recording – not only what was being played, but of course the quality was like listening to a CD. From the moment I acquired this tape, despite the questionable method, I have never looked back and have been on the quest to get as much of this stuff as I could. Looking back on it, I am not at all proud of the fact I ‘permanently borrowed’ someone’s killer copy, maybe their only copy back then, of this fabled show. But what I also realize is that it was a personal turning point for me in the history and lore of the wake that this band created, and for that I am incredibly thankful. And, furthermore, now that I am older, I make it a point to share share share and turn people on to this thing I was so lucky to have stumbled upon even when I didn’t understand the significance of the stumble. I hope I can be forgiven by this wonderful community, as this has been something I have always wanted to get off my chest and hope I can now move past it....so I ask, does this make me a bad person? Sixtus, shamefully
  • JimInMD
    Joined:
    Big Box Blues
    Did I mention I hate Apple? I literally just finished ripping all the CD's from Boxzilla. Low and behold.. my last ITunes 'update' changed my settings to lossy from lossless (ALAC). Fortunately.. its just the Box and Dave's 16 that are affected.. Unfortunately.. I had a good bit of time into this. Did I mention I hate Apple? Sorry.. but besides overpriced products they have become sucky the last couple years... Time to reburn and set up some Physical Therapy for the carpal tunnel I will surely develop after importing all this stuff and getting it 'exactly perfect.' Did I mention Apple sucks?
  • Zuckfun
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    Tapes cont'd
    Thanks for the interesting insights into the tape trading community. Perhaps there is still some effort to prevent some music from circulating. It's been years since the Archive allowed soundboards to be downloaded. And there's the recent example of the previously missing soundboard copy to 3/26/72, which then appeared on the Archive just a few days after 3/26/72 was officially released as DP14. Though these days, with torrent sites, and the ease with which digital media is shared and spread, any attempts to prevent the spread of music seems largely symbolic. Then again, I really don't know much about these things.
  • TheDude77
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    Joined:
    About to place an order....
    ...and noticed that there's free shipping on orders over $75 for the month of November.
  • Kayak Guy
    Joined:
    tape trading culture
    The gap method of marking tapes was usually not for GD tapes and started with Mike Millard who would create drop outs during different songs for every copy he made and kept notes of the "flaws" to tell who allowed his tape into circulation. This was so he could blacklist them from the southern California trading circles.https://en.wikipedia.org/wiki/Mike_Millard The Latvala "tags" were usually an additional cassette gen before the DAT, their lineage would be SBD MR>C1>DAT. Eaton would add a 2nd cassette gen to his seeds before allowing them to slip into circulation, these would be SBD MR> C1>DAT> C, he would seed these on a GD trading group called section 9 on Compuserve. None of the reel transfers done by Eaton have ever slipped into circulation and are in the vault. These are the source of the 1972 Academy of Music shows. When Dick died GDM went after the people that had copies of Dick's SBD MR>C1>DATs and threatened legal action if the tapes made it into circulation. I know one person that John Cutler, who he didn't know, called and demanded the return of the DATs he had gotten from Dick, who used to send out copies to friends on future potential Dick's Picks. These recordings are known as the Dick Leaks and considered "hush tapes" not to be traded publicly. The Betty tapes in circulation come from the "Unindicted Conspirators" who shared the PCMs made from the reels on DAT in the late 1980's and became the WBOTB project in the late 1990's. They have a lineage of SDB MR>PCM>DAT Eaton finally started sharing his DATs, not the Betty's reels he transferred though, via Charlie Miller in the last 10 years. In the 1990's there was a more GD related type of hoarding that involved allowing shows circulating in DAT to be shared on cassettes, which was degrading the quality of the recordings in circulation by letting cassette generations into the lineage. These people were the "gene pool" crowd and would only trade with people who had the expensive DAT equipment and shut off people that made cassettes for friends and tainted the gene pool. It was these elitists that also fought against allowing the DATs to be transferred to CDs, using the same excuse of tainting the gene pool.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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10 years 10 months
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Ouch..sorry to hear that. Mine looked like whoever put the box together had no idea what they were doing. Just smashed the whole bottom portion instead of actually trying to fold the edges where the book is placed. Also have 1/2 inch rips in the two lower corners below the bottom of the book. Oh well..haha, everything else was fine.
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If you think Dutch is bad... Ash nazg durbatulûk, ash nazg gimbatul, ash nazg thrakatulûk agh burzum-ishi krimpatul.
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Agree, it's a powerhouse. Go To Nassau and Dead Set are explosive. That jam leading up to the Jack Straw from Wichita is as good as it gets. I actually prefer 80 to 89 version.
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What's up dead land. I always love discussing peoples favorite eras of this great music. Of course I know each year and for that matter each month and each show took on its own personality, but lets say we get 10 slots for the 30 years. I am giving 69 and 72 stand alone slots. What do your 10 look like? Pre 69 69 70-71 72 73-75 76-77 78-79 80-86 87-90 91-95
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Saying Old And In The Way is the second most influential band in bluegrass sort of skips right over Flatt And Scruggs, The Stanley Brothers, Ralph Stanley, Osborne Brothers, Jimmy Martin, etc. etc. etc... Just sayin
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I can't argue with that.

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17 years 3 months
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Morgul, Gimb & durb Baggins & ash nazg, & thrak ul ishi Lugburz...! I envy you guys that saw the Untitled-era Byrds ~ great band. You almost wish they'd had their own name so they could be honored in their own right. Simonrob, I was graced to see John Hartford perform exactly once, too, in the mid-80's at Artscape (Baltimore's arts festival that I assume is still going strong? JiminMD?). I didn't know who he was at the time, merely tagged along with my best friend's family, who were bluegrassers. Shuffling on that little soapbox of his, he charmed all present: young adults, old adults, kids, and skeptical classic-rawk teens like myself. Still can't explain to my conscience how I failed to motivate for the acoustic trio of Hartford, Grisman, and (Mike) Seeger when they came to my favorite small theatre in Portland around '99. (And I'd only recently known of Mike via the Shady Grove liner notes...to wink back on topic.) Speaking further of Mr. Hartford, yes, Jim, the Aereo Plane crew is five-star music. "Steam Powered Aereo-Takes" from those sessions is not to be missed.

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17 years 3 months
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...New Grass Revival. The Bush/Cowan/Flynn/Fleck lineup were so fun live. Their 80's studio albums don't do their performances justice, but there are moments: Can't Stop Now, Metric Lips, smokin' cover of I'm Down.... Flynn must make the ballot for most underrated guitarist alive ~ those choice, impossibly clean, lightning-fast runs he'd casually step forward to play, then step back again. The other guys, thankfully, have pretty much gotten their due. Bela's instrumentals were always the highlight for me. County Claire, Bigfoot, and I'll shout it again...METRIC LIPS!!!
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Strength In Numbers? Other than a few bad haircuts and even worse 80's clothes these guys were fun too.-Bela Fleck -Mark O'Conner -Sam Bush -Jerry Douglas -Edgar Meyer :)
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I stop double posting.Ooops...
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Yes, and yes.. and yes. to the last three posts. Or I could post three separate Yes'. There's a festival in the foothills here called DellFest that's a hoot. On the Potomac river near Cumberland, MD. A very chill festival with a ton of great music. Old Crow Medicine Show is a wild one. ok.. a couple more non GD posts and I think I am going to have to break down and stream one of these shows..
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One of my favorite bumper stickers reads simply "DELL YEAH!"
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Yep, Simonrob, we rubbed shoulders at Bath in 1970 in the rain, best damn lineup of any festival that I know...still remember a very pregnant Grace Slick shambling through the mud on site...I am in Sweden, the missus is Dutch, from Brabant in the south...thanks for correcting my zpelling, not the first time its been required!

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So Dogon, you & Simomrob witnessed THAT performance of Atom Heart Mother? Sigh............. I don't suppose you also caught Fotheringay (and Floyd, and Jefferson Airplane, and the Byrds) at the Rotterdam Pop Festival that year? (of course, if we're talking Dell Fest ~ which must be cool if it's on the Potomac in Cumberland ~ gotta give a shoutout to Del McCoury and his boys....) ((John Cowan's 80's haircut was really....really....awful.))
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I break things up a little differently: '66-late '67 -- blues late '67-mid '69 -- add psychedelic mid '69-mid '71 -- add country late '71-'75 -- add jazz '76-early '78 -- add "disco" spring '78-early '79 -- start of "new sound" spring '79-'82 -- early Brent '83-summer '86 -- mid Brent Dec '86-summer '90 -- late Brent fall '90-'95 -- Vince I love hearing how different 'Heads think of eras!
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ToddW, I like your breakdown--I agree that Keith's arrival in Fall '71 was the beginning of a new era. I would probably consider the time with both Keith and Pigpen as a separate era. I definitely consider the time Bruce spent as a regular member (Fall '90 to Spring Tour '92) as a separate era from those last years with Vince.
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I was also at Bath, and 'twas amazing. My first festival too. Yes, very first performance of Atom Heart Mother with full choir at something like 6am the Sunday morning, my fav bands Hot Tuna, Jefferson Airplane, The Byrds et al. For folks who may be interested, my mate's archive www.ukrockfestivals.com/ has excellent coverage. I also remember Grace Slick, Jack and Jorma et al, early morning slow winding their way through part of the festival crowd, brush passing by me, laying horizontal, looking up. I missed my opportunity to dance naked on stage in the Airplane set, some guy asked me three times. The archive site has my Egypt '78 story too, and much much more!
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True, with/without Pig deserves separation, but I only had 10 eras! I think spring '79-'82 deserves distinction as well, maybe spring '79-'80 and '81-'82? I think '82 is an underrated year, but maybe that's just because I grew up listening to April '82... April 12 is still my favorite Sugaree ever, not to mention the amazing Bird Song and deep Estimated!
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Hi. I am French and I do not understand the English language. I am writing this with Google Translate.Alvarhanso, the 1974 concert comes from the city of Dijon, not Paris. There was a great Playing In The Band that night. I attended the Paris show given three days after the Dijon show. It was a soft and boring concert, unfortunately.
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No, I didn't get to Kralingen, the Rotterdam Pop Festival (a.k.a. The Dutch Woodstock). The main acts were very similar to those that played at the Bath Festival as loads of American bands were in Europe that summer and got booked for both festivals. I did get to see Fotheringay at least once but I can't remember when or where.
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Open RoadIf you like or love bluegrass at all it would be well worth your while to check 'em out.Cold Wind. My favorite by far. :) P.S.-Hot Rize-second favorite.(band..that is) A must listen also. :)
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10 years 5 months
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DiscoCOBO Amazing
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Hi simonrob, no apologies needed. Since 2 months I have an American son-in-law, and he clearly has some trouble learning Dutch. That my daughter's English is very good (after traveling the world with him for 2 years) doesn't help either. Dutch is difficult for non-native speakers. But your Dutch sentence is good, you obviously used the example that you're most familiar with;). Grootjes is actually spelled groetjes (or groeten, if you want to lose the somewhat informal diminutive). However, I remember from highschool that English has it peculiarities too. For example, the sound of 'ea' changes, depending on surrounding letters: - hear - heard - heart - dead The laws of logic hardly apply to the development of languages. But then again, the Dutch usually adapt easily to other languages, if only because of their merchant nature. If you want to buy or sell something, you make sure you understand your trading partner. And after all, like music, trade is a universal language!
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I have been disappointed with the lack of "updates" on the new box set. I definitely thought Dave, or someone from Rhino, would have had much more information than just the opening video on this historic box set. A short discussion about the box, itself, would have been nice. From the first "chat" one would have gotten the impression that some more in-depth information would be coming. I guess I just missed it....or did I?I guess, at my age, I should have known better. Mr. Pete--------> aging hippie
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@Roland Bruynesteyn I used to make my dutch teacher laugh when I ended my emails to her with a new version of mvg (with friendly greetings). I would say met vriendelijke groenten instead (with friendly vegetables) !
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Mr. Pete - right under the purple block that says "The Shows" it states: Oh boy! We intended to add announce all 30 shows throughout the pre-order period, but we got scooped! So now you have it, but you should stay tuned as we will be revealing tons of great music, artwork, and more. At least the book and all the music have been "revealed. But that was only due to the delayed shipment. At the very least it would be nice to get an update on the delay.
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I know I'm mostly preaching to the choir here, but I had the good fortune to finally see Chris Robinson Brotherhood live last night here in Louisville. Wow... those guys bring the goods, don't they? Like the GOGD, they are a MUCH better act live than in studio. I was always a fan of the Black Crowes and I love Chris Robinson's voice, but I wasn't prepared for just how awesome Neal Casal and Adam MacDougall are when left to their own devices. Two thumbs WAY up!
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10 years 1 month
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On the way to work blaring Dark Star > St. Stephen > Mason's Children. Very accessible - good for all, but especially a DS neo, as they don't wander too far from rhythm and melody. Vocals are strong, playing is super tight. Great sound, probably the best they've captured Mason. The only complaint is that they began dropping the William Tell arrangement from St. Stephen at this point. But that's what FW '69 Complete is for;-)
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hey.. I forget who asked the question if this box is going to be HDCD. ..was listening to Lemieux on Today in GD History this morning, they played a segment of the other Waterbury CT '72 show (sounded great). He did specify the shows sound great and were recorded on HDCD's. No surprise there. ..dig KeithFan's review of what appears to be a 1970 show. What is it? 2/2/70 at the Fox? In the immortal words of David Gans, "I never met a Dark Star I did not like."
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If I recall correctly, Pink Floyd's wondrous first performance of Atom Heart Mother was introduced as The Amazing Pudding. Whatever, nobody knew what was about to hit them!
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Atom Heart Mother has always been my favorite Pink Floyd album. I know I am in the minority here and it does not get great reviews.. but that album always spoke to me, especially Fat Old Sun and the title track. I think it was the moment when they finally crawled out of Syd Barrett's song writing shadow and began to shine. Check out the newer versions of Fat Old Sun on Live at the Royal Albert Hall DVD, the acoustic version on the Meltdown Concert DVD and the audio only version on Live in Gdansk. ok.. I'm off my high horse, back to some GOGD. Still finishing the 9/23/72 segment from Waterbury CT. Very nice.. especially That's It for the Other One. The last Cryptical until 1985. Edit: Too bad they did not record the Atom Heart Mother on higher quality film Sherman.. set the wayback to June 27th, 1970 and hand me that bottle of orange tablets on the shelf. There is some grainy black and white footage that survived: https://www.youtube.com/watch?v=yVPwGExeLpI
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Love all the comments overnight and today. Want to know more about Bath...love those comments. Love the ukfestival site, tell your mate he has a great site and the effort of love shows. Ok guys, go back and explain some of that language posts, what were you saying? Europe guys, teach us more! G
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I am listening to the shows backwards 95>66 I have just started the 88 show. The picks from 91,90,89 are fantastic. Very high level concerts. MSG, Paris, Miami big time venues and the music is top notch.
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Was in the car and kind of distracted (all of these other cars on the road, speeding up, slowing down). Jim, that is a great quote ("never met a Dark Star I didn't like").
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An informal way of ending emails/letters is to use the tag line "mvg" e.g. blah blah blah mvg Bill mvg means "with friendly greetings" I used to change that "deliberately" to mean "with friendly vegetables" - just to have a laugh about my lack of fluent Dutch. HaHa - not so much, eh.
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delete
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13 years 3 months
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Wicked cool, a little trippy even.
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13 years 1 month
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Uncle John’s Band (Garcia/Hunter)September 18, 1974, Palais des Expositions, Dijon, France An instant Deadhead favorite and long-term FM radio staple, the band reserved “Uncle John’s Band” for big late-show moments beginning soon after its late 1969 debut. Trekking through Europe with the enormous Wall of Sound speaker array — sent over by ship with a large stash of the band’s pot supplies — the Dead themselves were on the verge of retiring from the road indefinitely (or so they thought). But playing to a few hundred people in the French countryside seemed to give energy to the road-weary ensemble, and, in Dijon, “Uncle John’s Band” made a rare show-opening appearance in front of the tiniest Dead audience in years. The band shifts effortlessly into the jam and the music stretches casually, suggesting a number of spaces and possibilities, as if bookmarking them for the mammoth second set to come, from Garcia’s pointing solos to the coolly locked-in spaciousness discovered by Messrs. Weir, Lesh, Godchaux, and Kreutzmann just before the vocal coda.
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12 years 1 month
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revelations: shrine 67 is worth the 700 bucks, by itself providence 78, a worthy companion to DP25, the band is AGRESSIVE manor downs 82, blew my mind...was not expecting that san diego 73 should have come out a long time ago,...there is a gem every night in 73 so far not a sour note in the bunch i'm very excited
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9 years 2 months
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Agree, Shrine 67 is just amazing! Wow and sound quality is stellar. How this did not get released in the 60s is beyond me. If you are on the fence, just buy the whole thing, you will not be sorry! If you can wait 5 to 10'years though, I'm sure they will stream it like they did for all of Europe 72.
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15 years 9 months
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Just picked up a brand new 4 disc 30 trips box set for less than $32.00. Much cheaper than here.
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15 years 4 months
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Sorry if this topic has been previously run into the ground, but what exactly are the problems causing this delay in shipping? Anyone know? At least we can stream it, and it all sounds awesome. I've just been bouncing around, tripping on different songs from different eras, not yet concerned about the chronologic fortitude, if you will. So, this is going to be a wooden box, no? Putting the names on the side is super cheesy, but oh well. Gimme enough swag on the inside of the box, and I'll get over it.
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13 years 11 months
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Stop the ride... I want to get on!
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15 years 8 months
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This page says mid-October but when you order it, it says October 31. How about some more pictures of the box set so we can see more of what we've been waiting months for? Trying to save some listening for when I get the box, but was hard to stop once I heard Shrine 67. I was originally hoping for an early 72 Pigpen show for 1972, but that doesn't diminish this great box set of shows.
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10 years
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"the wheel is turning and you can't slow down" (apologies: rather than a clever retort, GD lyrical quotes just seem kind of banal around here). Anyway, I don't regulate ticket sales to this particular attraction; but, as Uncle Pinkus is fond of saying, "If you be payin', then you'll be playin'". Bob, among the great unwashed horde, life is reduced to series of hard fiscal choices. If it's any consolation, last night - over a snifter of Courvoisier L'Esprit and a Montecristo #4 - David told me the 30 Trips book contains a highly detailed glossy centerfold of Jerry, circa 85, sporting black, Lauren, tent-wear whilst affecting a seductively contemplative chin-on-chest pose and dewed in a provocative sheen. Now you say, "Gisele who?"/p,K P.S. Because I know you're asking: 'yes, thank you, I do enjoy the occasional cigar'.
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16 years 10 months
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Picked this up at Barnes and Noble for $30 and some change. You have to be a member ($25 a year) to get it at this price. The sound quality of the discs are MUCH better than the stream. Then again, I'm streaming the music thru A/V cables.
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