30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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admin

Joined:
March 9, 2007

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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September 12, 2015 - 11:38am

#4651

wurm79

Joined:
June 24, 2012

RE Watchya gonna listen to first?

Dig the post born cross-eyed. Here's the shows I'm probably going to dive into first. 1) 10/21/83 Worcester, MA - This show is appealing to me since it's a Brent Bday show, and I've never heard this show yet as well. It sounds like it could be a hot one, since it follows the Fall 83' Hartford run. 2) 6/24/85 Cincinnati, OH - Another mid-80's show that I haven't touched base with yet. Should be good since it's June 85' show. 3) 9/18/74 Dijon, France - Wall Of Sound.. I'm ready for some Phil bombs!! 4) 11/28/80 Lakeland, FL - Big fan of anything Fall 80'. This is the only November 80 show that I haven't heard yet.. Looks really good. 5) 3/18/71 St. Louis, MO - Really hot 71 show. It'll be nice to hear a official remastered version of this..
September 12, 2015 - 11:18am

#4652

bohlint

Joined:
September 9, 2015

Re: Sound quality

Alvarhanso, thank you for your response. Would you or anyone out there mind explaining what determines if a show is mixed from a 2 track, 16 track, 24 track, ect. If 16 track was available for shows as far back as 69 shouldn't it be available for at least some of the other releases of lesser sound quality? For example, why was a 2 track mixed used for Spring 90 1, and a 24 track mix used for Spring 90 2 (The Other One Too) when all the shows were from the same tour. It seems like the 24 track mix should have been available for both boxes. And for the DaP's and RT's were 16 track mixes not available for some reason or did they opt not to use that method? Thanks again just trying to get a good grasp of this process!
September 12, 2015 - 11:11am

#4653

SPACEBROTHER

Joined:
June 4, 2007

Resale

Wishing for others misfortune? No. Expressing something about how it would make perfect sense to wait to have product in hand before committing to a resale by a specific date, only to have delays and before a proper inspection of the product to assure quality is the point I made. If I were a buyer who already paid money for a product in a second hand market, expecting it to arrive by a certain time, and expecting it to be exactly as described is what I would hope a seller would take into consideration. I would find late shipping and potential inferior product far more disturbing as a buyer than some friendly advice to potential sellers. Oh well. Some lessons are learned through trials and tribulations, and some salivate at creating imaginary conflict.
September 12, 2015 - 10:33am

#4654

unkle sam

Joined:
October 3, 2008

The Wait

Some great comments on this board about the postponement of shipping. Could be somebody dropped the ball, created a logjam, slacked off or procrastinated, and now we have this holding pattern of doubt and anger. It's a bit funny, the veracity of this setback creates a lot of downtime for some who were anticipating spending some quality time with the sounds. It could have been worse, could have been discontinued, or a filibuster could have been used to stop the release, or put into a permanent suspension, stalled in a endless holding pattern or lost in a long cooling off period. The setback has put to test the resolve of deadheads and this cunctation will pass. The sales pitch was "don't delay" order yours now, get it before it's too late, due to ship...the lag is hard to handle, but we will survive this jam. Others commented that they would cancel their order, or that the ship date is after the date that you can dispute a charge on your credit card. Others are afraid that the sound will suck, that it will be sloppy productions and bad or less than stellar mastering. Relax, why worry, it will all be ok, I worried once so much I was worrying why I wasn't worrying anymore. Anyone out there remember the Europe '72 box? I had 10 bad discs in that one, with several ripped cd cases made of cardboard, it took over a year, but it was all settled and all was replaced or refunded. I don't think dead-net or rhino is out to rip us off and the delay is better than the alternative - a sub par product that we all will complain about, or worse yet, return for a full refund. Could you imagine all these boxes coming back to rhino for a refund, that could be funny, as long as you didn't work there and have to deal with it. By and By, we will survive.
September 12, 2015 - 10:18am

#4655

alvarhanso

Joined:
January 16, 2014

sound quality

Spring '90 TOO and Europe '72 have the best sound quality, because they are from multitrack masters. The first Spring '90 set was mixed from a 2 track mix, the second was culled from a new mix of the 24 track masters. Europe '72 was remixed from the 16 track masters (as was Fillmore West '69), so Spring '90 TOO, Europe '72, and FW '69 ought to sound the best. Dave's Picks and Road Trips as well as Dick's Picks are from 2 track masters, so there are definite limitations in how much Jeffrey Norman can change the mix, such as to lower Donna, or bring up Bob. By using individual tracks, he can give you the feeling of being onstage as with Spring '90 TOO, or inside the Fillmore. 10/26/89 is one of the shows in 30 Trips that comes from a multitrack master, I think it was on a 16 track. Some people complain about the sound on the Formerly the Warlocks box, which also came from a 16 track source. I think it sounds good, but not great. I think the 30 Trips set will have a range of sound quality, and would expect 10/26/89 to be the best sounding. Hopefully they used multitrack masters on other later shows as well. As to rushing, I think they gave Mr. Norman a breather with the last Dave's Picks and chose one that had already been readied for release as Dave said the May '77 box was almost an April '78 mini-box of 4/21-24/78. I would think, they put the time and effort into getting the sound quality to be as high as they could. And I'll be listening in order from '66 to '95, so I can hear the evolution of the band's sound in an easy to discern and digest manner.
September 12, 2015 - 9:53am

#4656

Born Cross Eye…

Joined:
August 25, 2008

Watchya gonna listen to first?

When reviewing the list of shows that are included in this release as they were revealed in June, a few shows came to mind that I wanted to hear first.1. 11/10/67 I had a bootleg CD sometime ago and it seemed to have a muddy sound, but great performance. I hope the official release cleans up the sound. 2. 10/27/79 I still have a sbd cd-rs of this show, I hope this official release improves the sound, also it's my birthday. 3. 10/27/90 I only streamed this show via Sennheiser HD480 headphones. again it's a b'day show! 4. 10/01/94 Sometimes ya just gotta get into 1994. 5. 02/21/95 sure beats those Chicago shows in July (of '95), in my opinion. 6. the 1968 thru 1977 shows - my favorites. Later on, I decided to play everything in order of year, similar to I have done with Europe 72 for the last five years.
September 12, 2015 - 9:01am

#4657

lgreen

Joined:
December 20, 2007

Sound Quality

I hope I am wrong but I fear the mastering has been very rushed indeed... if you go back and play the 'listening parties' on this site [as well as other sites like uncut] you will hear tracks - especially the 80s which are significantly below what we have grown used to with DPicks - obviously most of this is because the 80s soundboards are either cassette masters or very early digital tapes but the work done on DaveP 8 and DickP 32 show with time and care in the mixing you can overcome a lot of the drawbacks. None of the samples offered so far for 79 to 88 suggest this work has been done... even the 89 sample [from a multi-track] sounds 'unmixed' in that Brent's voice and keyboard dominate in a way that they addressed in Spring 90 1&2 I really do hope that I am wrong but I fear this will be a very expensive lost opportunity and I say this having ordered my set on the first date and acknowledging I am still very excited in anticipation... Perhaps we should have all gone for the USB as the high-res files for Spring 90 1 sound stunning through even a mid level portable player
September 12, 2015 - 8:52am

#4658

Ziffle

Joined:
July 21, 2015

RE: Packaging is a big part

If you copy the USB to a hard drive, transcoding to Apple Lossless at 44.1/16 bits, put the whole lot in iTunes. You can burn the CD's from iTunes easily. But they will NOT be HDCD encoded! Just ordinary CD quality if you want something better than the 320 mp3's included for listening in the car. On a Mac this can be accomplished easily as a batch operation using freeware XLD by setting the following preferences in XLD: In the "General" preference, set output format to Apple Lossless, click the option button, and set "Sample Rate" to 44.1, and "Bit Depth" to 16. Below that is "Output Directory" click the "Specify" button, and then click "Set" to tell the app where to put the files. In the "Batch" preference, make sure that "Preserve directory structures" IS selected, and make sure that "Delete original files" is NOT selected. Then close the preference, and use the usual File menu "Open" and select all of the folders (or however they deliver the USB version) of FLAC files, and go have a cup of coffee and cut the lawn (if you have one) or whatever. It will take as long as an hour, depending on how fast your processor is. This is very easy and XLD is a great reliable application. Then, burn away at will. I'm sure that there is equivalent and easy to use Windows software that will accomplish the task, but I don't know anything about that. Maybe someone else can provide a Windows explanation.
September 12, 2015 - 8:49am

#4659

bohlint

Joined:
September 9, 2015

Sound Quality?

Happy Saturday Deadland. I have a question regarding the sound quality of this release. Please keep in mind that I am not very well versed in the technology of recording. In my opinion from listening to the releases over the years The Other One is easily the best dead mix I have heard. I revisit those CD’s often and love them. The Europe 72 releases also sound great to my ear as well. I believe I can hear a big difference between these and the Dave’s Picks and Road Trip series. Is there any way of knowing what to expect with the CD’s in this release. Mixing is one of the most time consuming and costly parts of a release, right? Is there concern that they may have rushed this or was it done right? Thanks in advance!
September 12, 2015 - 7:39am

#4660

JimInMD

Joined:
June 27, 2011

Re: Credit Card Dispute

I think it depends on the card.. but I had an issue a few years back that went back much more than 30 days and AmEx investigated the matter and refunded me 100%. ..but I'm still holding out hope that this will be a decent release. There are several shows in this offering that have my attention, some old, plus Cape Code, Augusta and MSG. I think I am somewhere in the middle of BrianHahne and OneMan in listening habits. For E72, Brian (must have) started with a few dozen pots of coffee and didn't sleep until he listened to the whole box. One Man must be close to finishing his first listen now, but needs to review and re-write some of his notes as the Staples near his home has run out of paper (again). (kidding folks). I expect it to take me on the heavy side of six months to get through this monstrosity. ..and I doubt if I really hit too much other stuff so I am getting in my diversity now. Doc Watson yesterday, Summertime, when the livin's easy. Man that guy can pick.. super clean. Good Luck FH2 and everyone else.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

@Dusty.rambler

Ouch..sorry to hear that. Mine looked like whoever put the box together had no idea what they were doing. Just smashed the whole bottom portion instead of actually trying to fold the edges where the book is placed. Also have 1/2 inch rips in the two lower corners below the bottom of the book. Oh well..haha, everything else was fine.

Excuse Me Stewardess - I Speak Jive

If you think Dutch is bad... Ash nazg durbatulûk, ash nazg gimbatul, ash nazg thrakatulûk agh burzum-ishi krimpatul.

Jack Straw 80

Agree, it's a powerhouse. Go To Nassau and Dead Set are explosive. That jam leading up to the Jack Straw from Wichita is as good as it gets. I actually prefer 80 to 89 version.

Different Eras

What's up dead land. I always love discussing peoples favorite eras of this great music. Of course I know each year and for that matter each month and each show took on its own personality, but lets say we get 10 slots for the 30 years. I am giving 69 and 72 stand alone slots. What do your 10 look like? Pre 69 69 70-71 72 73-75 76-77 78-79 80-86 87-90 91-95

Bluegrass

Saying Old And In The Way is the second most influential band in bluegrass sort of skips right over Flatt And Scruggs, The Stanley Brothers, Ralph Stanley, Osborne Brothers, Jimmy Martin, etc. etc. etc... Just sayin

άλλη μια μπύρα, παρακαλώ

...in Greek.

re: mhammond

I can't argue with that.

Morgul, Simon, John, & Jim

Morgul, Gimb & durb Baggins & ash nazg, & thrak ul ishi Lugburz...! I envy you guys that saw the Untitled-era Byrds ~ great band. You almost wish they'd had their own name so they could be honored in their own right. Simonrob, I was graced to see John Hartford perform exactly once, too, in the mid-80's at Artscape (Baltimore's arts festival that I assume is still going strong? JiminMD?). I didn't know who he was at the time, merely tagged along with my best friend's family, who were bluegrassers. Shuffling on that little soapbox of his, he charmed all present: young adults, old adults, kids, and skeptical classic-rawk teens like myself. Still can't explain to my conscience how I failed to motivate for the acoustic trio of Hartford, Grisman, and (Mike) Seeger when they came to my favorite small theatre in Portland around '99. (And I'd only recently known of Mike via the Shady Grove liner notes...to wink back on topic.) Speaking further of Mr. Hartford, yes, Jim, the Aereo Plane crew is five-star music. "Steam Powered Aereo-Takes" from those sessions is not to be missed.

No one's mentioned...

...New Grass Revival. The Bush/Cowan/Flynn/Fleck lineup were so fun live. Their 80's studio albums don't do their performances justice, but there are moments: Can't Stop Now, Metric Lips, smokin' cover of I'm Down.... Flynn must make the ballot for most underrated guitarist alive ~ those choice, impossibly clean, lightning-fast runs he'd casually step forward to play, then step back again. The other guys, thankfully, have pretty much gotten their due. Bela's instrumentals were always the highlight for me. County Claire, Bigfoot, and I'll shout it again...METRIC LIPS!!!

How 'bout....

Strength In Numbers? Other than a few bad haircuts and even worse 80's clothes these guys were fun too.-Bela Fleck -Mark O'Conner -Sam Bush -Jerry Douglas -Edgar Meyer :)

How 'bout....

I stop double posting.Ooops...

Re:

Yes, and yes.. and yes. to the last three posts. Or I could post three separate Yes'. There's a festival in the foothills here called DellFest that's a hoot. On the Potomac river near Cumberland, MD. A very chill festival with a ton of great music. Old Crow Medicine Show is a wild one. ok.. a couple more non GD posts and I think I am going to have to break down and stream one of these shows..

Hey Jim

One of my favorite bumper stickers reads simply "DELL YEAH!"

Byrds1970

Yep, Simonrob, we rubbed shoulders at Bath in 1970 in the rain, best damn lineup of any festival that I know...still remember a very pregnant Grace Slick shambling through the mud on site...I am in Sweden, the missus is Dutch, from Brabant in the south...thanks for correcting my zpelling, not the first time its been required!

Bath Festival

So Dogon, you & Simomrob witnessed THAT performance of Atom Heart Mother? Sigh............. I don't suppose you also caught Fotheringay (and Floyd, and Jefferson Airplane, and the Byrds) at the Rotterdam Pop Festival that year? (of course, if we're talking Dell Fest ~ which must be cool if it's on the Potomac in Cumberland ~ gotta give a shoutout to Del McCoury and his boys....) ((John Cowan's 80's haircut was really....really....awful.))

bohlint

I break things up a little differently: '66-late '67 -- blues late '67-mid '69 -- add psychedelic mid '69-mid '71 -- add country late '71-'75 -- add jazz '76-early '78 -- add "disco" spring '78-early '79 -- start of "new sound" spring '79-'82 -- early Brent '83-summer '86 -- mid Brent Dec '86-summer '90 -- late Brent fall '90-'95 -- Vince I love hearing how different 'Heads think of eras!

eras

ToddW, I like your breakdown--I agree that Keith's arrival in Fall '71 was the beginning of a new era. I would probably consider the time with both Keith and Pigpen as a separate era. I definitely consider the time Bruce spent as a regular member (Fall '90 to Spring Tour '92) as a separate era from those last years with Vince.

Bath 1970

I was also at Bath, and 'twas amazing. My first festival too. Yes, very first performance of Atom Heart Mother with full choir at something like 6am the Sunday morning, my fav bands Hot Tuna, Jefferson Airplane, The Byrds et al. For folks who may be interested, my mate's archive www.ukrockfestivals.com/ has excellent coverage. I also remember Grace Slick, Jack and Jorma et al, early morning slow winding their way through part of the festival crowd, brush passing by me, laying horizontal, looking up. I missed my opportunity to dance naked on stage in the Airplane set, some guy asked me three times. The archive site has my Egypt '78 story too, and much much more!

True

True, with/without Pig deserves separation, but I only had 10 eras! I think spring '79-'82 deserves distinction as well, maybe spring '79-'80 and '81-'82? I think '82 is an underrated year, but maybe that's just because I grew up listening to April '82... April 12 is still my favorite Sugaree ever, not to mention the amazing Bird Song and deep Estimated!

@ Alvarhanso

Hi. I am French and I do not understand the English language. I am writing this with Google Translate.Alvarhanso, the 1974 concert comes from the city of Dijon, not Paris. There was a great Playing In The Band that night. I attended the Paris show given three days after the Dijon show. It was a soft and boring concert, unfortunately.

@ Antonjo

No, I didn't get to Kralingen, the Rotterdam Pop Festival (a.k.a. The Dutch Woodstock). The main acts were very similar to those that played at the Bath Festival as loads of American bands were in Europe that summer and got booked for both festivals. I did get to see Fotheringay at least once but I can't remember when or where.

more bluegrass

Open RoadIf you like or love bluegrass at all it would be well worth your while to check 'em out.Cold Wind. My favorite by far. :) P.S.-Hot Rize-second favorite.(band..that is) A must listen also. :)

Bolo?

DiscoCOBO Amazing

simonrob, Dutch etc.

Hi simonrob, no apologies needed. Since 2 months I have an American son-in-law, and he clearly has some trouble learning Dutch. That my daughter's English is very good (after traveling the world with him for 2 years) doesn't help either. Dutch is difficult for non-native speakers. But your Dutch sentence is good, you obviously used the example that you're most familiar with;). Grootjes is actually spelled groetjes (or groeten, if you want to lose the somewhat informal diminutive). However, I remember from highschool that English has it peculiarities too. For example, the sound of 'ea' changes, depending on surrounding letters: - hear - heard - heart - dead The laws of logic hardly apply to the development of languages. But then again, the Dutch usually adapt easily to other languages, if only because of their merchant nature. If you want to buy or sell something, you make sure you understand your trading partner. And after all, like music, trade is a universal language!

I'm disappointed...

I have been disappointed with the lack of "updates" on the new box set. I definitely thought Dave, or someone from Rhino, would have had much more information than just the opening video on this historic box set. A short discussion about the box, itself, would have been nice. From the first "chat" one would have gotten the impression that some more in-depth information would be coming. I guess I just missed it....or did I?I guess, at my age, I should have known better. Mr. Pete--------> aging hippie

You say groetjes - I say groenten

@Roland Bruynesteyn I used to make my dutch teacher laugh when I ended my emails to her with a new version of mvg (with friendly greetings). I would say met vriendelijke groenten instead (with friendly vegetables) !

response to Mr. Pete

Mr. Pete - right under the purple block that says "The Shows" it states: Oh boy! We intended to add announce all 30 shows throughout the pre-order period, but we got scooped! So now you have it, but you should stay tuned as we will be revealing tons of great music, artwork, and more. At least the book and all the music have been "revealed. But that was only due to the delayed shipment. At the very least it would be nice to get an update on the delay.

CRB

I know I'm mostly preaching to the choir here, but I had the good fortune to finally see Chris Robinson Brotherhood live last night here in Louisville. Wow... those guys bring the goods, don't they? Like the GOGD, they are a MUCH better act live than in studio. I was always a fan of the Black Crowes and I love Chris Robinson's voice, but I wasn't prepared for just how awesome Neal Casal and Adam MacDougall are when left to their own devices. Two thumbs WAY up!

Another Great Dark Star

On the way to work blaring Dark Star > St. Stephen > Mason's Children. Very accessible - good for all, but especially a DS neo, as they don't wander too far from rhythm and melody. Vocals are strong, playing is super tight. Great sound, probably the best they've captured Mason. The only complaint is that they began dropping the William Tell arrangement from St. Stephen at this point. But that's what FW '69 Complete is for;-)

Boxzilla - HDCD

hey.. I forget who asked the question if this box is going to be HDCD. ..was listening to Lemieux on Today in GD History this morning, they played a segment of the other Waterbury CT '72 show (sounded great). He did specify the shows sound great and were recorded on HDCD's. No surprise there. ..dig KeithFan's review of what appears to be a 1970 show. What is it? 2/2/70 at the Fox? In the immortal words of David Gans, "I never met a Dark Star I did not like."

Bath '70

If I recall correctly, Pink Floyd's wondrous first performance of Atom Heart Mother was introduced as The Amazing Pudding. Whatever, nobody knew what was about to hit them!

For what its worth..

Atom Heart Mother has always been my favorite Pink Floyd album. I know I am in the minority here and it does not get great reviews.. but that album always spoke to me, especially Fat Old Sun and the title track. I think it was the moment when they finally crawled out of Syd Barrett's song writing shadow and began to shine. Check out the newer versions of Fat Old Sun on Live at the Royal Albert Hall DVD, the acoustic version on the Meltdown Concert DVD and the audio only version on Live in Gdansk. ok.. I'm off my high horse, back to some GOGD. Still finishing the 9/23/72 segment from Waterbury CT. Very nice.. especially That's It for the Other One. The last Cryptical until 1985. Edit: Too bad they did not record the Atom Heart Mother on higher quality film Sherman.. set the wayback to June 27th, 1970 and hand me that bottle of orange tablets on the shelf. There is some grainy black and white footage that survived: https://www.youtube.com/watch?v=yVPwGExeLpI

joy joy

Love all the comments overnight and today. Want to know more about Bath...love those comments. Love the ukfestival site, tell your mate he has a great site and the effort of love shows. Ok guys, go back and explain some of that language posts, what were you saying? Europe guys, teach us more! G

Heads Up

I am listening to the shows backwards 95>66 I have just started the 88 show. The picks from 91,90,89 are fantastic. Very high level concerts. MSG, Paris, Miami big time venues and the music is top notch.

oh...yeah, that Dark Star was 2/2/70

Was in the car and kind of distracted (all of these other cars on the road, speeding up, slowing down). Jim, that is a great quote ("never met a Dark Star I didn't like").

Double Dutch

An informal way of ending emails/letters is to use the tag line "mvg" e.g. blah blah blah mvg Bill mvg means "with friendly greetings" I used to change that "deliberately" to mean "with friendly vegetables" - just to have a laugh about my lack of fluent Dutch. HaHa - not so much, eh.

edit

delete

As The World Turns...

http://i.imgur.com/SyLZIe2.gif

Thanks Kate

Wicked cool, a little trippy even.

looking around this site.....just found this:

Uncle John’s Band (Garcia/Hunter)September 18, 1974, Palais des Expositions, Dijon, France An instant Deadhead favorite and long-term FM radio staple, the band reserved “Uncle John’s Band” for big late-show moments beginning soon after its late 1969 debut. Trekking through Europe with the enormous Wall of Sound speaker array — sent over by ship with a large stash of the band’s pot supplies — the Dead themselves were on the verge of retiring from the road indefinitely (or so they thought). But playing to a few hundred people in the French countryside seemed to give energy to the road-weary ensemble, and, in Dijon, “Uncle John’s Band” made a rare show-opening appearance in front of the tiniest Dead audience in years. The band shifts effortlessly into the jam and the music stretches casually, suggesting a number of spaces and possibilities, as if bookmarking them for the mammoth second set to come, from Garcia’s pointing solos to the coolly locked-in spaciousness discovered by Messrs. Weir, Lesh, Godchaux, and Kreutzmann just before the vocal coda.

thru 82 so far

revelations: shrine 67 is worth the 700 bucks, by itself providence 78, a worthy companion to DP25, the band is AGRESSIVE manor downs 82, blew my mind...was not expecting that san diego 73 should have come out a long time ago,...there is a gem every night in 73 so far not a sour note in the bunch i'm very excited

Agree, this is just amazing!

Agree, Shrine 67 is just amazing! Wow and sound quality is stellar. How this did not get released in the 60s is beyond me. If you are on the fence, just buy the whole thing, you will not be sorry! If you can wait 5 to 10'years though, I'm sure they will stream it like they did for all of Europe 72.

Amazon!

Just picked up a brand new 4 disc 30 trips box set for less than $32.00. Much cheaper than here.

Production Delays?

Sorry if this topic has been previously run into the ground, but what exactly are the problems causing this delay in shipping? Anyone know? At least we can stream it, and it all sounds awesome. I've just been bouncing around, tripping on different songs from different eras, not yet concerned about the chronologic fortitude, if you will. So, this is going to be a wooden box, no? Putting the names on the side is super cheesy, but oh well. Gimme enough swag on the inside of the box, and I'll get over it.

Kate

Stop the ride... I want to get on!

Mid October or October 31st ship date?

This page says mid-October but when you order it, it says October 31. How about some more pictures of the box set so we can see more of what we've been waiting months for? Trying to save some listening for when I get the box, but was hard to stop once I heard Shrine 67. I was originally hoping for an early 72 Pigpen show for 1972, but that doesn't diminish this great box set of shows.

$700 - 30 Trips around the sun OR Gisele table book

I'm going for the 30 trips... Wonder which will ship first?

sorry, tpsg,

"the wheel is turning and you can't slow down" (apologies: rather than a clever retort, GD lyrical quotes just seem kind of banal around here). Anyway, I don't regulate ticket sales to this particular attraction; but, as Uncle Pinkus is fond of saying, "If you be payin', then you'll be playin'". Bob, among the great unwashed horde, life is reduced to series of hard fiscal choices. If it's any consolation, last night - over a snifter of Courvoisier L'Esprit and a Montecristo #4 - David told me the 30 Trips book contains a highly detailed glossy centerfold of Jerry, circa 85, sporting black, Lauren, tent-wear whilst affecting a seductively contemplative chin-on-chest pose and dewed in a provocative sheen. Now you say, "Gisele who?"/p,K P.S. Because I know you're asking: 'yes, thank you, I do enjoy the occasional cigar'.

30 Trips 4 CD Set

Picked this up at Barnes and Noble for $30 and some change. You have to be a member ($25 a year) to get it at this price. The sound quality of the discs are MUCH better than the stream. Then again, I'm streaming the music thru A/V cables.

30 Trips // 4 CD Set - cheap cheap cheap!!!

$25 + change, free shipping, on ebay http://www.ebay.com/itm/Grateful-Dead-30-Trips-Around-The-Sun-The-Defin…

product sku

081227955892