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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • Dusty.rambler@…
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    Tomorrow
    Does this quote feel a little like an empty promise to any one right now? " So now you have it, but you should stay tuned as we will be revealing tons of great music, artwork, and more." 12 songs hardly count as "tons if music" and I haven't seen any "art work, and more yet".
  • DaveStrang
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    Tomorrow
    Tomorrow is one month until it ships - add one week (or more depending on your location) until we have it in our grubby little hands.
  • Topheraw
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    Tomorrow
    Tomorrow will bring us one month away from the big box. They've got to give us something........right?
  • wissinomingdeadhead
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    30 Trips Around the Sun & other musings
    On August 5th I put a list of the amount of discs that I think each show will have in 30 Trips here on dead.net using the following format.... 1966 1 1967 1 1968 1 and so on & so on well it appears my calculations are ALL wrong, as DB 50 in the updates section has confirmed that the Dead played 2 sets on 3/18/71 so my 2 CD count is wrong so the only way I can figure it out to be 80 discs is to add 1 disc to 3/18/71 & and take one from 2/21/95, I'm going to refigure my figures & put an updated list here on dead.net soon, ISN'T THIS FUN!!!!!! Also regarding 30 Trips I think the "sleeper" show is going to be 5/14/78. 2/6/79, Why is it that I want to hear this show so bad, is it because I can't as DB 50 states no tape exists of this show, even though it's a well known fact that early 1979 recordings are spotty at best as no complete show SBD's exist. Only the "stronger" shows i.e., 1/10 2nd set, 1/15 2nd set & 1/20, partial 2nd set are SBD's & even those recordings are fair to middling at best. Also with all of the in fighting going on between Donna & Keith the band's playing suffered. Don't ask me why but I hope a SBD of 1/21 surfaces someday just because of the odd venue & from what I can hear from the single AUD recording on the Archive the Terrapin>Playin sounds real good. Is Jon Mayer that good? Did anyone notice that 10/31 & 11/1 have indeed SOLD OUT? And WITHOUT Phil. In closing I notice that the Taper's Section features 5/26/77? As usual a very good choice, as you can NEVER go wrong with anything from May 1977 this as well as 5/18/77 are both release worthy perhaps for a 2 show mini box set. Wouldn't that make a delightful Christmas gift? HAPPY MONDAY, DEADLAND!!!!!!!
  • DaveStrang
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    30 Trips Arrival
    Sept. 18 - '30 Trips Around The Sun' ships Sept. 24-26 - The Pope visits Philadelphia The Pope's visit is touted as "The World Meeting Of Families" I'm touting 'Boxzilla' as "Meeting Up With The World's Dead Shows" So the question is: Will the Pope's visit delay 'Boxzilla' arriving at the Jersey Shore? I'm in the Wildwood/Cape May area or as I think of it "Hurricane Country". Inquiring Deadminds want to know (or are Deadprayers in order?).
  • Kayak Guy
    Joined:
    Tapers Addendum
    I like the Addendium better than the 1st 3 Compendiums, it has more early shows and better source recordings to review. Yes there are really 4 Compendiums and the 4th one is the best of the series. Both series are very dated and have been replaced by the internet for real usefulness. The Compendiums have been replaced by LMA and you can stream the show while reading the reviews of it and add your own review at the end. Really, how cool is that? Deadbase has been replaced by etree with the MD5 checksum verification tool to match the recording to the setlist and info for the exact version you have, again pretty cool stuff. Set lists are everywhere now, even right here on dead.net with the my shows tab if you are logged in. Both book series are anachronisms that are speculative in price for original copies in the used marketplace or ebay for people that want the books. Each series does have some original content and essays that are unique to the books, but the set list info and reviews are out of date or incomplete, and they are the bulk of both series. The Compendiums and the new Deadbase 50 have publishers, so there are chances of reprints, the original annual Deadbases were self published by the authors and very limited printings until DB XI because they didn't want leftover when the new edition was ready. DBXI being the "final" deadbase probably had a larger run and maybe even a reprinting back in the late 1990's, but for the last 15 years it has been easier to get a copy of DBX than the DBXI. In the 1980's Deadbase was advertised in Relix and by the time my order for Deadbase was placed they were already on Deadbase II, so that was what i got in the mail. The question is do you really want a $90 book full of information from the late 1990's, when you can find all the updated and corrected info online for free? For me the answer is easy, yes i want the book, i want to highlight my collection in as many of the different lists as possible, so i can figure out what i'm still missing.
  • Kayak Guy
    Joined:
    Old Deadbases
    The reason 2 of the 3 authors reprinted the DBXI for the 50th anniversary was because of the speculative prices of the old Deadbases in the used marketplace. They could have done a better job of advertising the reprint aspect of this edition. [update the amazon description has been recently changed and the DBXI reprint aspect has been moved to the top of the description from lower in the text that you could only see if you clicked "read more", but who pays $90 for a book without reading the whole description?] Maybe calling it Deadbase XI Classic would have been a better name for it. Old Deadbases will continue to remain high in price as they were very limited printings. They are a fetish item and most have been personalized with highlighting and notes by the original owners. John Scott, who was not involved in Deadbase 50, sometimes has new copies of older versions that he sells through his Dharmarose website. Which also has the official online version of Deadbase (last updated in 2002) Try there if you are looking for a copy that doesn't have all the years from 1965-95, remember only Deadbase X and Deadbase XI have all 30 years.
  • wissinomingdeadhead
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    My white whale & update
    The Deadhead's Taping Addendum, basically "Volume 4" of the Deadhead's Taping Compendium a very limited press run. I check frequently in the secondary market to see if one is available for sale, patience I must have patience as one will come my way.....someday To:TPTB Don't you think it's about time we get a video of what Boxzilla (30 Trips) contains? We all would like to know how is show each going to be packaged & perhaps a glimpse of the 288 page book. I think we out here in Deadland just want a little "taste" of what's to come. Let's make it happen. Yes it's Sunday night & Monday morning rolls around real fast let me just wish everyone an EZ MONDAY MORNING, Peace, Deadland!!!!!!!
  • Kate_C.
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    nitecat
    I imagine your's is a common inquiry among readers, whether posted or not. I own the 3 TC volumes and DBIX and consider them indispensable companions. However, this rather useless subjective summary aside, perhaps I can provide enough information for you to make an informed independent decision (remember, my observations regarding DB are limited by the fact that I'm only familiar with vol.9). First, TC does one thing better than DB and that's sheer number of recorded shows reviewed. For example, I'll reference 1978, which has understandably garnered a lot of attention lately: DB provides reviews for only about 22 shows over 4-5 pages, whereas TC addresses about 84 shows across 90-odd pages - including 5+ pages devoted to 12/31 (Closing of Winterland) and 25 pages to the Egypt shows. Otherwise, DB is populated with the following wealth of unique information: 1. Comprehensive set lists regardless of whether the show is reviewed, to include venue, show date & day of week with encores marked, guests listed, and historical vagaries noted (i.e., 6/28/91: "Santana opened - 'Dark Star' tease just before last verse of 'Wharf Rat'") 2. Songs played, to include (1) total number of times historically; (2) total number of times played per year; (3) first and last date played; (4) song author and other recording artists by identity/release title/date; and, most impressively, (5) every time played by date, set, number of shows since last iteration, and identification of the preceding and subsequent songs (i.e., "Ain't No Lie": Acoustic set; 1231 shows preceded its debut in 9/80, and it was played between JackaRoe and Ripple). 3. Places played, listed alphabetically by State, City, and Venues with dates cited (i.e., Lake Tahoe (8 shows), broken down by King's Beach Bowl (7 shows (with dates)) and the American Legion Hall (8/19/67)). 4. Venue Seating Charts and Capacities 5. Polls: both personal (age/state of residency/all time favourite venues, years, individual performances/"tape preferences" (i.e., Maxell, TDK, Sony !!!)) and per year (i.e., in vol. 9, polling of money spent touring/favourite shows, venues, new songs/ and a lot of other Qs specifically addressing '94). 6. Garcia Base, 40 pages, to include dates, venues, and setlists for all 24 permutations of his performing side projects (even those he didn't "lead", such as OITW and the Keith & Donna Band). 7. "Odds & Ends" - Miscellany from a short band chronology; to members' birthdays; number of shows performed on each day of the week, month, and season; most played and single stand venues; maximum lapses between song performances (by number of interim shows); and much more. 8. Comprehensive guest list organized chronologically 9. Dark Star Map (longitudinal sampling of 50+ DS versions from each year played broken down on a bar graph by component parts, such as "verse", "jam", and "space") 10. Anagrams (strangely compelling: i.e., Bruce Hornsby = Byron's cherub (?!)) 11. Set and Song Timings (i.e., a complete listing for 1994 only in vol.9) 12. Show lengths by total time, first & second set, and pre & post drumz (1994 only) 13. Ticket sales and gross revenue per venue (1994) 14. Physical tour maps (1994), designated by vectors across a map of the states for each season, in addition to the same map indicating number of shows played by state. 15. Band/Crowd/Venue/Show pictures (1994/20 pages (glossy)) 16. Ticket pictures for each show (1994 (glossy)) I'd like to think that each of the features unique to 1994 for vol.9 will be duplicated for other years in DB50. At the least, I would imagine significant commonalities in format regardless as to how the old database and new information is divided - but those who've already received their copy can be more helpful here. peace, K
  • nitecat
    Joined:
    DH Taping Compendium and Deadbase
    Hi forgive me for my dead ignorance. I have Deadhead Taping Compendium 1, 2 and 3. I have no Deadbase. Can someone tell me the difference, and whether it is worth it for me to get this new Deadbase? I am aware of the other bases, Jerrybase, Bobbase, and I believe these arent in Compendiums. Any advice, clarifications? Thanks nitecat
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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10 years 10 months
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Ouch..sorry to hear that. Mine looked like whoever put the box together had no idea what they were doing. Just smashed the whole bottom portion instead of actually trying to fold the edges where the book is placed. Also have 1/2 inch rips in the two lower corners below the bottom of the book. Oh well..haha, everything else was fine.
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If you think Dutch is bad... Ash nazg durbatulûk, ash nazg gimbatul, ash nazg thrakatulûk agh burzum-ishi krimpatul.
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Agree, it's a powerhouse. Go To Nassau and Dead Set are explosive. That jam leading up to the Jack Straw from Wichita is as good as it gets. I actually prefer 80 to 89 version.
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What's up dead land. I always love discussing peoples favorite eras of this great music. Of course I know each year and for that matter each month and each show took on its own personality, but lets say we get 10 slots for the 30 years. I am giving 69 and 72 stand alone slots. What do your 10 look like? Pre 69 69 70-71 72 73-75 76-77 78-79 80-86 87-90 91-95
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Saying Old And In The Way is the second most influential band in bluegrass sort of skips right over Flatt And Scruggs, The Stanley Brothers, Ralph Stanley, Osborne Brothers, Jimmy Martin, etc. etc. etc... Just sayin
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I can't argue with that.

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17 years 3 months
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Morgul, Gimb & durb Baggins & ash nazg, & thrak ul ishi Lugburz...! I envy you guys that saw the Untitled-era Byrds ~ great band. You almost wish they'd had their own name so they could be honored in their own right. Simonrob, I was graced to see John Hartford perform exactly once, too, in the mid-80's at Artscape (Baltimore's arts festival that I assume is still going strong? JiminMD?). I didn't know who he was at the time, merely tagged along with my best friend's family, who were bluegrassers. Shuffling on that little soapbox of his, he charmed all present: young adults, old adults, kids, and skeptical classic-rawk teens like myself. Still can't explain to my conscience how I failed to motivate for the acoustic trio of Hartford, Grisman, and (Mike) Seeger when they came to my favorite small theatre in Portland around '99. (And I'd only recently known of Mike via the Shady Grove liner notes...to wink back on topic.) Speaking further of Mr. Hartford, yes, Jim, the Aereo Plane crew is five-star music. "Steam Powered Aereo-Takes" from those sessions is not to be missed.

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17 years 3 months
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...New Grass Revival. The Bush/Cowan/Flynn/Fleck lineup were so fun live. Their 80's studio albums don't do their performances justice, but there are moments: Can't Stop Now, Metric Lips, smokin' cover of I'm Down.... Flynn must make the ballot for most underrated guitarist alive ~ those choice, impossibly clean, lightning-fast runs he'd casually step forward to play, then step back again. The other guys, thankfully, have pretty much gotten their due. Bela's instrumentals were always the highlight for me. County Claire, Bigfoot, and I'll shout it again...METRIC LIPS!!!
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Strength In Numbers? Other than a few bad haircuts and even worse 80's clothes these guys were fun too.-Bela Fleck -Mark O'Conner -Sam Bush -Jerry Douglas -Edgar Meyer :)
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11 years 1 month
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I stop double posting.Ooops...
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13 years 3 months
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Yes, and yes.. and yes. to the last three posts. Or I could post three separate Yes'. There's a festival in the foothills here called DellFest that's a hoot. On the Potomac river near Cumberland, MD. A very chill festival with a ton of great music. Old Crow Medicine Show is a wild one. ok.. a couple more non GD posts and I think I am going to have to break down and stream one of these shows..
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One of my favorite bumper stickers reads simply "DELL YEAH!"
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Yep, Simonrob, we rubbed shoulders at Bath in 1970 in the rain, best damn lineup of any festival that I know...still remember a very pregnant Grace Slick shambling through the mud on site...I am in Sweden, the missus is Dutch, from Brabant in the south...thanks for correcting my zpelling, not the first time its been required!

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So Dogon, you & Simomrob witnessed THAT performance of Atom Heart Mother? Sigh............. I don't suppose you also caught Fotheringay (and Floyd, and Jefferson Airplane, and the Byrds) at the Rotterdam Pop Festival that year? (of course, if we're talking Dell Fest ~ which must be cool if it's on the Potomac in Cumberland ~ gotta give a shoutout to Del McCoury and his boys....) ((John Cowan's 80's haircut was really....really....awful.))
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I break things up a little differently: '66-late '67 -- blues late '67-mid '69 -- add psychedelic mid '69-mid '71 -- add country late '71-'75 -- add jazz '76-early '78 -- add "disco" spring '78-early '79 -- start of "new sound" spring '79-'82 -- early Brent '83-summer '86 -- mid Brent Dec '86-summer '90 -- late Brent fall '90-'95 -- Vince I love hearing how different 'Heads think of eras!
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16 years 10 months
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ToddW, I like your breakdown--I agree that Keith's arrival in Fall '71 was the beginning of a new era. I would probably consider the time with both Keith and Pigpen as a separate era. I definitely consider the time Bruce spent as a regular member (Fall '90 to Spring Tour '92) as a separate era from those last years with Vince.
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I was also at Bath, and 'twas amazing. My first festival too. Yes, very first performance of Atom Heart Mother with full choir at something like 6am the Sunday morning, my fav bands Hot Tuna, Jefferson Airplane, The Byrds et al. For folks who may be interested, my mate's archive www.ukrockfestivals.com/ has excellent coverage. I also remember Grace Slick, Jack and Jorma et al, early morning slow winding their way through part of the festival crowd, brush passing by me, laying horizontal, looking up. I missed my opportunity to dance naked on stage in the Airplane set, some guy asked me three times. The archive site has my Egypt '78 story too, and much much more!
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12 years 2 months
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True, with/without Pig deserves separation, but I only had 10 eras! I think spring '79-'82 deserves distinction as well, maybe spring '79-'80 and '81-'82? I think '82 is an underrated year, but maybe that's just because I grew up listening to April '82... April 12 is still my favorite Sugaree ever, not to mention the amazing Bird Song and deep Estimated!
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17 years 3 months
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Hi. I am French and I do not understand the English language. I am writing this with Google Translate.Alvarhanso, the 1974 concert comes from the city of Dijon, not Paris. There was a great Playing In The Band that night. I attended the Paris show given three days after the Dijon show. It was a soft and boring concert, unfortunately.
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No, I didn't get to Kralingen, the Rotterdam Pop Festival (a.k.a. The Dutch Woodstock). The main acts were very similar to those that played at the Bath Festival as loads of American bands were in Europe that summer and got booked for both festivals. I did get to see Fotheringay at least once but I can't remember when or where.
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Open RoadIf you like or love bluegrass at all it would be well worth your while to check 'em out.Cold Wind. My favorite by far. :) P.S.-Hot Rize-second favorite.(band..that is) A must listen also. :)
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10 years 5 months
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DiscoCOBO Amazing
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16 years 1 month
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Hi simonrob, no apologies needed. Since 2 months I have an American son-in-law, and he clearly has some trouble learning Dutch. That my daughter's English is very good (after traveling the world with him for 2 years) doesn't help either. Dutch is difficult for non-native speakers. But your Dutch sentence is good, you obviously used the example that you're most familiar with;). Grootjes is actually spelled groetjes (or groeten, if you want to lose the somewhat informal diminutive). However, I remember from highschool that English has it peculiarities too. For example, the sound of 'ea' changes, depending on surrounding letters: - hear - heard - heart - dead The laws of logic hardly apply to the development of languages. But then again, the Dutch usually adapt easily to other languages, if only because of their merchant nature. If you want to buy or sell something, you make sure you understand your trading partner. And after all, like music, trade is a universal language!
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13 years 11 months
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I have been disappointed with the lack of "updates" on the new box set. I definitely thought Dave, or someone from Rhino, would have had much more information than just the opening video on this historic box set. A short discussion about the box, itself, would have been nice. From the first "chat" one would have gotten the impression that some more in-depth information would be coming. I guess I just missed it....or did I?I guess, at my age, I should have known better. Mr. Pete--------> aging hippie
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9 years 3 months
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@Roland Bruynesteyn I used to make my dutch teacher laugh when I ended my emails to her with a new version of mvg (with friendly greetings). I would say met vriendelijke groenten instead (with friendly vegetables) !
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17 years 2 months
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Mr. Pete - right under the purple block that says "The Shows" it states: Oh boy! We intended to add announce all 30 shows throughout the pre-order period, but we got scooped! So now you have it, but you should stay tuned as we will be revealing tons of great music, artwork, and more. At least the book and all the music have been "revealed. But that was only due to the delayed shipment. At the very least it would be nice to get an update on the delay.
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I know I'm mostly preaching to the choir here, but I had the good fortune to finally see Chris Robinson Brotherhood live last night here in Louisville. Wow... those guys bring the goods, don't they? Like the GOGD, they are a MUCH better act live than in studio. I was always a fan of the Black Crowes and I love Chris Robinson's voice, but I wasn't prepared for just how awesome Neal Casal and Adam MacDougall are when left to their own devices. Two thumbs WAY up!
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10 years 1 month
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On the way to work blaring Dark Star > St. Stephen > Mason's Children. Very accessible - good for all, but especially a DS neo, as they don't wander too far from rhythm and melody. Vocals are strong, playing is super tight. Great sound, probably the best they've captured Mason. The only complaint is that they began dropping the William Tell arrangement from St. Stephen at this point. But that's what FW '69 Complete is for;-)
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13 years 3 months
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hey.. I forget who asked the question if this box is going to be HDCD. ..was listening to Lemieux on Today in GD History this morning, they played a segment of the other Waterbury CT '72 show (sounded great). He did specify the shows sound great and were recorded on HDCD's. No surprise there. ..dig KeithFan's review of what appears to be a 1970 show. What is it? 2/2/70 at the Fox? In the immortal words of David Gans, "I never met a Dark Star I did not like."
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17 years 3 months
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If I recall correctly, Pink Floyd's wondrous first performance of Atom Heart Mother was introduced as The Amazing Pudding. Whatever, nobody knew what was about to hit them!
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13 years 3 months
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Atom Heart Mother has always been my favorite Pink Floyd album. I know I am in the minority here and it does not get great reviews.. but that album always spoke to me, especially Fat Old Sun and the title track. I think it was the moment when they finally crawled out of Syd Barrett's song writing shadow and began to shine. Check out the newer versions of Fat Old Sun on Live at the Royal Albert Hall DVD, the acoustic version on the Meltdown Concert DVD and the audio only version on Live in Gdansk. ok.. I'm off my high horse, back to some GOGD. Still finishing the 9/23/72 segment from Waterbury CT. Very nice.. especially That's It for the Other One. The last Cryptical until 1985. Edit: Too bad they did not record the Atom Heart Mother on higher quality film Sherman.. set the wayback to June 27th, 1970 and hand me that bottle of orange tablets on the shelf. There is some grainy black and white footage that survived: https://www.youtube.com/watch?v=yVPwGExeLpI
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9 years 1 month
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Love all the comments overnight and today. Want to know more about Bath...love those comments. Love the ukfestival site, tell your mate he has a great site and the effort of love shows. Ok guys, go back and explain some of that language posts, what were you saying? Europe guys, teach us more! G
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12 years 11 months
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I am listening to the shows backwards 95>66 I have just started the 88 show. The picks from 91,90,89 are fantastic. Very high level concerts. MSG, Paris, Miami big time venues and the music is top notch.
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10 years 1 month
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Was in the car and kind of distracted (all of these other cars on the road, speeding up, slowing down). Jim, that is a great quote ("never met a Dark Star I didn't like").
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9 years 3 months
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An informal way of ending emails/letters is to use the tag line "mvg" e.g. blah blah blah mvg Bill mvg means "with friendly greetings" I used to change that "deliberately" to mean "with friendly vegetables" - just to have a laugh about my lack of fluent Dutch. HaHa - not so much, eh.
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10 years
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delete
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13 years 3 months
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Wicked cool, a little trippy even.
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13 years 1 month
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Uncle John’s Band (Garcia/Hunter)September 18, 1974, Palais des Expositions, Dijon, France An instant Deadhead favorite and long-term FM radio staple, the band reserved “Uncle John’s Band” for big late-show moments beginning soon after its late 1969 debut. Trekking through Europe with the enormous Wall of Sound speaker array — sent over by ship with a large stash of the band’s pot supplies — the Dead themselves were on the verge of retiring from the road indefinitely (or so they thought). But playing to a few hundred people in the French countryside seemed to give energy to the road-weary ensemble, and, in Dijon, “Uncle John’s Band” made a rare show-opening appearance in front of the tiniest Dead audience in years. The band shifts effortlessly into the jam and the music stretches casually, suggesting a number of spaces and possibilities, as if bookmarking them for the mammoth second set to come, from Garcia’s pointing solos to the coolly locked-in spaciousness discovered by Messrs. Weir, Lesh, Godchaux, and Kreutzmann just before the vocal coda.
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12 years 1 month
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revelations: shrine 67 is worth the 700 bucks, by itself providence 78, a worthy companion to DP25, the band is AGRESSIVE manor downs 82, blew my mind...was not expecting that san diego 73 should have come out a long time ago,...there is a gem every night in 73 so far not a sour note in the bunch i'm very excited
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9 years 2 months
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Agree, Shrine 67 is just amazing! Wow and sound quality is stellar. How this did not get released in the 60s is beyond me. If you are on the fence, just buy the whole thing, you will not be sorry! If you can wait 5 to 10'years though, I'm sure they will stream it like they did for all of Europe 72.
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15 years 9 months
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Just picked up a brand new 4 disc 30 trips box set for less than $32.00. Much cheaper than here.
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15 years 4 months
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Sorry if this topic has been previously run into the ground, but what exactly are the problems causing this delay in shipping? Anyone know? At least we can stream it, and it all sounds awesome. I've just been bouncing around, tripping on different songs from different eras, not yet concerned about the chronologic fortitude, if you will. So, this is going to be a wooden box, no? Putting the names on the side is super cheesy, but oh well. Gimme enough swag on the inside of the box, and I'll get over it.
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13 years 11 months
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Stop the ride... I want to get on!
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15 years 8 months
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This page says mid-October but when you order it, it says October 31. How about some more pictures of the box set so we can see more of what we've been waiting months for? Trying to save some listening for when I get the box, but was hard to stop once I heard Shrine 67. I was originally hoping for an early 72 Pigpen show for 1972, but that doesn't diminish this great box set of shows.
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10 years
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"the wheel is turning and you can't slow down" (apologies: rather than a clever retort, GD lyrical quotes just seem kind of banal around here). Anyway, I don't regulate ticket sales to this particular attraction; but, as Uncle Pinkus is fond of saying, "If you be payin', then you'll be playin'". Bob, among the great unwashed horde, life is reduced to series of hard fiscal choices. If it's any consolation, last night - over a snifter of Courvoisier L'Esprit and a Montecristo #4 - David told me the 30 Trips book contains a highly detailed glossy centerfold of Jerry, circa 85, sporting black, Lauren, tent-wear whilst affecting a seductively contemplative chin-on-chest pose and dewed in a provocative sheen. Now you say, "Gisele who?"/p,K P.S. Because I know you're asking: 'yes, thank you, I do enjoy the occasional cigar'.
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16 years 10 months
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Picked this up at Barnes and Noble for $30 and some change. You have to be a member ($25 a year) to get it at this price. The sound quality of the discs are MUCH better than the stream. Then again, I'm streaming the music thru A/V cables.
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