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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • jrf68@hotmail.com
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    Off topic
    Moses GuestLive Stages Get some...it's good. :) ...Over The Car->Under The Stairs...
  • LoveJerry
    Joined:
    dharwin
    Somebody on the other thread, I forget who, brought up a point about the secondary market, which was basically that Rhino depends on it to ensure they sell x number of copies of each release in a very short amount of time. This guy who wrote the article worked for a record company or something, I wish I could find the post. But it totally makes sense. Basically, Rhino needs to sellout each release in 3 or 4 weeks to not only be profitable, but to extend the life of the series. By making it limited edition, they sellout immediately and actually rely on the secondary market to be there and buy out what the individuals don't buy. It amounts to free distribution for Rhino. They sell off their 16,500 Dave's Picks in a week, and never pay a dime in distribution costs. For Rhino this means more dollars per unit and less units sold to make both make a profit and re-invest in the next release (and making the next profit). So I get it. Rhino is a very unique position, in that they have a rare product with seemingly no end, and this thing called the internet. And in fact, these very message boards are a major source of advertisement. I'm just happy I'm ahead of the curve now. I spent a lot on eBay back-filling my Dead collection. What I would be interested in, is the legalities involved in re-issuing a product that they originally sold as a limited quantity item. Even if legal, I doubt they would do it, out of fear of ruining their current, buy it now, while it's hot sales model, which is undoubtedly working. One thing I feel confident in, is that if Rhino felt that re-releasing FW 69 Complete would be profitable in the long run, they would do it (and perhaps they will). But I imagine it's a tricky balance, as Morning Sun said - never underestimate the turmoil of breaking a promise to the original people who bought it (of whom I am not one - fucker cost me 400 bucks). Plus I'm sure they all have a dozen copies of all of them that they're saving for 10 years from now when they're going for a grand on eBay ;-)
  • Cousins Of The…
    Joined:
    FW 69 re-release
    Not sure what the exact wording was when they first released it, but some of the music included in the set has been available on the 3 disc compilation.Rhino could produce a set with all 4 FW 69 shows, add 2-11-69 Fillmore East release, change the name and add a disclaimer that would say something like "portions of this set was previously released as Ltd Edition FW box set, etc." Lots of "limited Edition only", and "promo only" music has been re-released that way.
  • mbarilla
    Joined:
    FW69 Box set
    if they want to re-release they would definetely need a new mix. I dont think packaging much to do with it
  • Roland Bruynesteyn
    Joined:
    re-release FW'69
    FWIW, let me echo SpaceBro's (and others) sentiment: I own FW'69, and enjoy it immensely.By all means, re-release it, so that more people can enjoy it. I do not mind scalping, or a secondary market. In general, I don't mind limited editions, bonus discs with first runs etc; companies can run their business as they see fit. But I'm a capitalist through and through: if more people want it, and Rhino can make more money, by all means let's do it. I know that the secondary market, at least in this particular case, exists bcause Rhino said that FW'69 would never be released (in any form?) again. Some people would feel cheated if, after paying a lot (NOT to Rhino though), it was re-released. But surely most Deadheads would want other Deadheads to be able to acquire this set, and there should be some way around it (cheaper packaging or whatever) to get past this?
  • Born Cross Eye…
    Joined:
    FW 69 box re-issue?
    Yes, reissue it as a limited edition of 16,000.$130 each + shipping and sales taxes where applicable. For that $130 you'll get the four shows - 2/27, 2/28, 3/1 & 3/2/1969 in 4 tye-dyed design artwork, thin cardboard type sleeves with a simple booklet with only the song titles, the track times, the songwriters credits and publishers credits with two or three photos, WITHOUT AN ESSAY, all enclosed in a lightweight cardboard case with artwork similar to the original 2005 issue.
  • Sun King
    Joined:
    shrine vinyl et al...
    glad to hear the 69 shrine vinyl release sounds so good. i plan on picking one up soon. as for the 69 box, and other limited releases, i think rhino needs to view their 'investment' in the grateful dead as being holders of something culturally significant. limited edition stuff should be just the initial physical product, but everything should be available via download. as i've said before, they should act like smithsonian/folkways, where nothing they have ever released goes out of print. you can't go to their site and order an original woody guthrie or leadbelly record, those have been out of print forever, but you can download it or order a custom burned cd. there is nothing you can not order. i believe rhino is just waiting for the last 150 usb's to sell, then they will offer all 30 shows via download. as for the 69box, i don't remember their wording, but a physical product probably can't, or shouldn't, be re-released that way, but all 4 shows should be put out via download, if the suits think they can legally do it. if not, lesson learned....
  • Charlie3
    Joined:
    Ramble On
    Dennis Wilmot, feel free to ramble on, you made some good points in a funny way. it sounds like I may have been one of the same two people seated next to you at shows;)For my two cents, I have the 30 trips box and it wouldn't bother me a bit if they made another production run in the future, with or without all the extras. I didn't buy it as an investment, I purchased it because I wanted to have the music and after missing out on FW69 I knew I would regret not having it more than I would regret spending the money. At some point I would like to pick up FW69, but there is a limit to what I can pay and feel OK about the purchase. I understand that the limited edition model is probably what makes the ongoing releases possible to this extent, so it is what it is, but it seems that they could set it up so that it would be possible to reissue things after some period of time. As far as copying limited edition releases, I guess the band makes their money when the original sale occurs and are unaffected by any subsequent transactions, so there's that.
  • Dennis
    Joined:
    Re-releases, Limited Editions, illegal copies, ebay prices
    I throw my 2 cents into this, I agree with those that say a release of limited edition stuff as maybe a digital download is just fine with me. As always if price is the limiting factor I can not believe you can't find someone to make you a copy. Some say "oh that's illegal", sounds like corporate lawyer talk to me. I agree you shouldn't be knocking out 1,000 copies of something and selling them at the local flea market, but to slip a buddy a copy, fuck no. I remember when people didn't even think twice about making a cassette copy for a friend. Of course the "industry" hated that, they even tried to get a "tax" on blank tapes to cover the "losses" they were suffering. What hogwash! The record companies seem to be doing fine! Ebay prices will disappear or come down if people stop buying them, just like tickets for sporting events (which sports fan seem to believe are way out of whack). Remember when FM first took off and stations would play a perfect album side, even told you when to start your tape. I'm sorry if the record industry makes a product that is easy to copy. Why didn't they just keep producing records? You couldn't copy them as easily as cd. Because they wanted to squeeze out the free music of radio, cd's people would buy more of because you could take them in your car. Did the industry ever return money for those shit 8 tracks that they sold? Or even the shit cassettes they sold? Those store bought tapes NEVER lasted long, but a good maxell made at home lasted forever? I still have cassettes I made from 1980 that play just fine. But the few store bought ones I got the cases always warped in the heat.I think I can most assuredly say that if you could shove a new caddy into a port of the computer and have it shit out a new caddy, everyone would have a new caddy and be saying fuck GM. (probably a lot of people already saying that) You don't see anyone making "illegal" copies of books and you could zerox a whole book. I'm surprise the corporate lawyers haven't tried to shut down public libraries, since they allow people to listen, read and view all copyright material without paying any fee to the owner of the copy right material. There was a point when Mickey Mouse was about to enter the public domain and Disney just couldn't let that happen, so they had congressman Sony Bono push thru a revision of the copyright laws that allowed them to keep the copyright. (see - https://en.wikipedia.org/wiki/Copyright_Term_Extension_Act ) Technically if you owned a bar, you couldn't play cd's you own there without a fee being paid to industry. CD's YOU OWN! Can you imagine if you bought a repair guide for a car you owned and you got a second car of the same make and being told you couldn't use that manual to fix the second car, that the use of the manual was only for the first car. You have that same thing with software you buy, you buy the package but can't use it where ever you want, only once (maybe 3 times for some) Sorry I've rambled a bit, but corporations piss me off. They want risk socialize and profits privatized. They want to be citizens with no one responsible for jail time. Fuck them! Record profits and the world still fights for crumbs. On the illegal front, I get a chuckle out of this. I thought it was illegal to bring "drugs" into shows or buy and sell them. Oh, I forgot nobody who went to dead shows did drugs. Like nobody in England watches Doctor Who. The show has been on for 50 years and nobody admits they watch it! Just like back in the .net days, nobody on net.dead did drugs! I must have always got seated next to the same other 2 people who did :-) Once again sorry for the excessive rambling.
  • dharwin
    Default Avatar
    Joined:
    Just to be clear...
    I am fully supportive of a re-release of the FW69 box. The whole reason I have the info that I have is that (being the anal retentive completist that I am) I emailed David Lemieux to ask why in the hell the box set hadn't been reissued. Any deadhead that has looked at eBay in the last 5 years can see that this box is in absurdly high demand. I hate the idea of limited releases and find it absurd that they would limit anything. The only thing that does is drive up the price on secondary markets (just look at the 30 trips box on eBay).
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Ouch..sorry to hear that. Mine looked like whoever put the box together had no idea what they were doing. Just smashed the whole bottom portion instead of actually trying to fold the edges where the book is placed. Also have 1/2 inch rips in the two lower corners below the bottom of the book. Oh well..haha, everything else was fine.
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If you think Dutch is bad... Ash nazg durbatulûk, ash nazg gimbatul, ash nazg thrakatulûk agh burzum-ishi krimpatul.
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Agree, it's a powerhouse. Go To Nassau and Dead Set are explosive. That jam leading up to the Jack Straw from Wichita is as good as it gets. I actually prefer 80 to 89 version.
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What's up dead land. I always love discussing peoples favorite eras of this great music. Of course I know each year and for that matter each month and each show took on its own personality, but lets say we get 10 slots for the 30 years. I am giving 69 and 72 stand alone slots. What do your 10 look like? Pre 69 69 70-71 72 73-75 76-77 78-79 80-86 87-90 91-95
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Saying Old And In The Way is the second most influential band in bluegrass sort of skips right over Flatt And Scruggs, The Stanley Brothers, Ralph Stanley, Osborne Brothers, Jimmy Martin, etc. etc. etc... Just sayin
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I can't argue with that.

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Morgul, Gimb & durb Baggins & ash nazg, & thrak ul ishi Lugburz...! I envy you guys that saw the Untitled-era Byrds ~ great band. You almost wish they'd had their own name so they could be honored in their own right. Simonrob, I was graced to see John Hartford perform exactly once, too, in the mid-80's at Artscape (Baltimore's arts festival that I assume is still going strong? JiminMD?). I didn't know who he was at the time, merely tagged along with my best friend's family, who were bluegrassers. Shuffling on that little soapbox of his, he charmed all present: young adults, old adults, kids, and skeptical classic-rawk teens like myself. Still can't explain to my conscience how I failed to motivate for the acoustic trio of Hartford, Grisman, and (Mike) Seeger when they came to my favorite small theatre in Portland around '99. (And I'd only recently known of Mike via the Shady Grove liner notes...to wink back on topic.) Speaking further of Mr. Hartford, yes, Jim, the Aereo Plane crew is five-star music. "Steam Powered Aereo-Takes" from those sessions is not to be missed.

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...New Grass Revival. The Bush/Cowan/Flynn/Fleck lineup were so fun live. Their 80's studio albums don't do their performances justice, but there are moments: Can't Stop Now, Metric Lips, smokin' cover of I'm Down.... Flynn must make the ballot for most underrated guitarist alive ~ those choice, impossibly clean, lightning-fast runs he'd casually step forward to play, then step back again. The other guys, thankfully, have pretty much gotten their due. Bela's instrumentals were always the highlight for me. County Claire, Bigfoot, and I'll shout it again...METRIC LIPS!!!
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Strength In Numbers? Other than a few bad haircuts and even worse 80's clothes these guys were fun too.-Bela Fleck -Mark O'Conner -Sam Bush -Jerry Douglas -Edgar Meyer :)
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I stop double posting.Ooops...
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13 years 2 months
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Yes, and yes.. and yes. to the last three posts. Or I could post three separate Yes'. There's a festival in the foothills here called DellFest that's a hoot. On the Potomac river near Cumberland, MD. A very chill festival with a ton of great music. Old Crow Medicine Show is a wild one. ok.. a couple more non GD posts and I think I am going to have to break down and stream one of these shows..
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One of my favorite bumper stickers reads simply "DELL YEAH!"
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Yep, Simonrob, we rubbed shoulders at Bath in 1970 in the rain, best damn lineup of any festival that I know...still remember a very pregnant Grace Slick shambling through the mud on site...I am in Sweden, the missus is Dutch, from Brabant in the south...thanks for correcting my zpelling, not the first time its been required!

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So Dogon, you & Simomrob witnessed THAT performance of Atom Heart Mother? Sigh............. I don't suppose you also caught Fotheringay (and Floyd, and Jefferson Airplane, and the Byrds) at the Rotterdam Pop Festival that year? (of course, if we're talking Dell Fest ~ which must be cool if it's on the Potomac in Cumberland ~ gotta give a shoutout to Del McCoury and his boys....) ((John Cowan's 80's haircut was really....really....awful.))
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I break things up a little differently: '66-late '67 -- blues late '67-mid '69 -- add psychedelic mid '69-mid '71 -- add country late '71-'75 -- add jazz '76-early '78 -- add "disco" spring '78-early '79 -- start of "new sound" spring '79-'82 -- early Brent '83-summer '86 -- mid Brent Dec '86-summer '90 -- late Brent fall '90-'95 -- Vince I love hearing how different 'Heads think of eras!
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ToddW, I like your breakdown--I agree that Keith's arrival in Fall '71 was the beginning of a new era. I would probably consider the time with both Keith and Pigpen as a separate era. I definitely consider the time Bruce spent as a regular member (Fall '90 to Spring Tour '92) as a separate era from those last years with Vince.
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I was also at Bath, and 'twas amazing. My first festival too. Yes, very first performance of Atom Heart Mother with full choir at something like 6am the Sunday morning, my fav bands Hot Tuna, Jefferson Airplane, The Byrds et al. For folks who may be interested, my mate's archive www.ukrockfestivals.com/ has excellent coverage. I also remember Grace Slick, Jack and Jorma et al, early morning slow winding their way through part of the festival crowd, brush passing by me, laying horizontal, looking up. I missed my opportunity to dance naked on stage in the Airplane set, some guy asked me three times. The archive site has my Egypt '78 story too, and much much more!
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True, with/without Pig deserves separation, but I only had 10 eras! I think spring '79-'82 deserves distinction as well, maybe spring '79-'80 and '81-'82? I think '82 is an underrated year, but maybe that's just because I grew up listening to April '82... April 12 is still my favorite Sugaree ever, not to mention the amazing Bird Song and deep Estimated!
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Hi. I am French and I do not understand the English language. I am writing this with Google Translate.Alvarhanso, the 1974 concert comes from the city of Dijon, not Paris. There was a great Playing In The Band that night. I attended the Paris show given three days after the Dijon show. It was a soft and boring concert, unfortunately.
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No, I didn't get to Kralingen, the Rotterdam Pop Festival (a.k.a. The Dutch Woodstock). The main acts were very similar to those that played at the Bath Festival as loads of American bands were in Europe that summer and got booked for both festivals. I did get to see Fotheringay at least once but I can't remember when or where.
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Open RoadIf you like or love bluegrass at all it would be well worth your while to check 'em out.Cold Wind. My favorite by far. :) P.S.-Hot Rize-second favorite.(band..that is) A must listen also. :)
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DiscoCOBO Amazing
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Hi simonrob, no apologies needed. Since 2 months I have an American son-in-law, and he clearly has some trouble learning Dutch. That my daughter's English is very good (after traveling the world with him for 2 years) doesn't help either. Dutch is difficult for non-native speakers. But your Dutch sentence is good, you obviously used the example that you're most familiar with;). Grootjes is actually spelled groetjes (or groeten, if you want to lose the somewhat informal diminutive). However, I remember from highschool that English has it peculiarities too. For example, the sound of 'ea' changes, depending on surrounding letters: - hear - heard - heart - dead The laws of logic hardly apply to the development of languages. But then again, the Dutch usually adapt easily to other languages, if only because of their merchant nature. If you want to buy or sell something, you make sure you understand your trading partner. And after all, like music, trade is a universal language!
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I have been disappointed with the lack of "updates" on the new box set. I definitely thought Dave, or someone from Rhino, would have had much more information than just the opening video on this historic box set. A short discussion about the box, itself, would have been nice. From the first "chat" one would have gotten the impression that some more in-depth information would be coming. I guess I just missed it....or did I?I guess, at my age, I should have known better. Mr. Pete--------> aging hippie
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@Roland Bruynesteyn I used to make my dutch teacher laugh when I ended my emails to her with a new version of mvg (with friendly greetings). I would say met vriendelijke groenten instead (with friendly vegetables) !
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Mr. Pete - right under the purple block that says "The Shows" it states: Oh boy! We intended to add announce all 30 shows throughout the pre-order period, but we got scooped! So now you have it, but you should stay tuned as we will be revealing tons of great music, artwork, and more. At least the book and all the music have been "revealed. But that was only due to the delayed shipment. At the very least it would be nice to get an update on the delay.
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I know I'm mostly preaching to the choir here, but I had the good fortune to finally see Chris Robinson Brotherhood live last night here in Louisville. Wow... those guys bring the goods, don't they? Like the GOGD, they are a MUCH better act live than in studio. I was always a fan of the Black Crowes and I love Chris Robinson's voice, but I wasn't prepared for just how awesome Neal Casal and Adam MacDougall are when left to their own devices. Two thumbs WAY up!
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On the way to work blaring Dark Star > St. Stephen > Mason's Children. Very accessible - good for all, but especially a DS neo, as they don't wander too far from rhythm and melody. Vocals are strong, playing is super tight. Great sound, probably the best they've captured Mason. The only complaint is that they began dropping the William Tell arrangement from St. Stephen at this point. But that's what FW '69 Complete is for;-)
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hey.. I forget who asked the question if this box is going to be HDCD. ..was listening to Lemieux on Today in GD History this morning, they played a segment of the other Waterbury CT '72 show (sounded great). He did specify the shows sound great and were recorded on HDCD's. No surprise there. ..dig KeithFan's review of what appears to be a 1970 show. What is it? 2/2/70 at the Fox? In the immortal words of David Gans, "I never met a Dark Star I did not like."
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If I recall correctly, Pink Floyd's wondrous first performance of Atom Heart Mother was introduced as The Amazing Pudding. Whatever, nobody knew what was about to hit them!
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Atom Heart Mother has always been my favorite Pink Floyd album. I know I am in the minority here and it does not get great reviews.. but that album always spoke to me, especially Fat Old Sun and the title track. I think it was the moment when they finally crawled out of Syd Barrett's song writing shadow and began to shine. Check out the newer versions of Fat Old Sun on Live at the Royal Albert Hall DVD, the acoustic version on the Meltdown Concert DVD and the audio only version on Live in Gdansk. ok.. I'm off my high horse, back to some GOGD. Still finishing the 9/23/72 segment from Waterbury CT. Very nice.. especially That's It for the Other One. The last Cryptical until 1985. Edit: Too bad they did not record the Atom Heart Mother on higher quality film Sherman.. set the wayback to June 27th, 1970 and hand me that bottle of orange tablets on the shelf. There is some grainy black and white footage that survived: https://www.youtube.com/watch?v=yVPwGExeLpI
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Love all the comments overnight and today. Want to know more about Bath...love those comments. Love the ukfestival site, tell your mate he has a great site and the effort of love shows. Ok guys, go back and explain some of that language posts, what were you saying? Europe guys, teach us more! G
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12 years 11 months
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I am listening to the shows backwards 95>66 I have just started the 88 show. The picks from 91,90,89 are fantastic. Very high level concerts. MSG, Paris, Miami big time venues and the music is top notch.
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10 years 1 month
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Was in the car and kind of distracted (all of these other cars on the road, speeding up, slowing down). Jim, that is a great quote ("never met a Dark Star I didn't like").
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9 years 3 months
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An informal way of ending emails/letters is to use the tag line "mvg" e.g. blah blah blah mvg Bill mvg means "with friendly greetings" I used to change that "deliberately" to mean "with friendly vegetables" - just to have a laugh about my lack of fluent Dutch. HaHa - not so much, eh.
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delete
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13 years 3 months
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Wicked cool, a little trippy even.
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13 years 1 month
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Uncle John’s Band (Garcia/Hunter)September 18, 1974, Palais des Expositions, Dijon, France An instant Deadhead favorite and long-term FM radio staple, the band reserved “Uncle John’s Band” for big late-show moments beginning soon after its late 1969 debut. Trekking through Europe with the enormous Wall of Sound speaker array — sent over by ship with a large stash of the band’s pot supplies — the Dead themselves were on the verge of retiring from the road indefinitely (or so they thought). But playing to a few hundred people in the French countryside seemed to give energy to the road-weary ensemble, and, in Dijon, “Uncle John’s Band” made a rare show-opening appearance in front of the tiniest Dead audience in years. The band shifts effortlessly into the jam and the music stretches casually, suggesting a number of spaces and possibilities, as if bookmarking them for the mammoth second set to come, from Garcia’s pointing solos to the coolly locked-in spaciousness discovered by Messrs. Weir, Lesh, Godchaux, and Kreutzmann just before the vocal coda.
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revelations: shrine 67 is worth the 700 bucks, by itself providence 78, a worthy companion to DP25, the band is AGRESSIVE manor downs 82, blew my mind...was not expecting that san diego 73 should have come out a long time ago,...there is a gem every night in 73 so far not a sour note in the bunch i'm very excited
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9 years 1 month
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Agree, Shrine 67 is just amazing! Wow and sound quality is stellar. How this did not get released in the 60s is beyond me. If you are on the fence, just buy the whole thing, you will not be sorry! If you can wait 5 to 10'years though, I'm sure they will stream it like they did for all of Europe 72.
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15 years 9 months
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Just picked up a brand new 4 disc 30 trips box set for less than $32.00. Much cheaper than here.
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15 years 4 months
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Sorry if this topic has been previously run into the ground, but what exactly are the problems causing this delay in shipping? Anyone know? At least we can stream it, and it all sounds awesome. I've just been bouncing around, tripping on different songs from different eras, not yet concerned about the chronologic fortitude, if you will. So, this is going to be a wooden box, no? Putting the names on the side is super cheesy, but oh well. Gimme enough swag on the inside of the box, and I'll get over it.
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13 years 10 months
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Stop the ride... I want to get on!
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15 years 8 months
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This page says mid-October but when you order it, it says October 31. How about some more pictures of the box set so we can see more of what we've been waiting months for? Trying to save some listening for when I get the box, but was hard to stop once I heard Shrine 67. I was originally hoping for an early 72 Pigpen show for 1972, but that doesn't diminish this great box set of shows.
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9 years 11 months
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"the wheel is turning and you can't slow down" (apologies: rather than a clever retort, GD lyrical quotes just seem kind of banal around here). Anyway, I don't regulate ticket sales to this particular attraction; but, as Uncle Pinkus is fond of saying, "If you be payin', then you'll be playin'". Bob, among the great unwashed horde, life is reduced to series of hard fiscal choices. If it's any consolation, last night - over a snifter of Courvoisier L'Esprit and a Montecristo #4 - David told me the 30 Trips book contains a highly detailed glossy centerfold of Jerry, circa 85, sporting black, Lauren, tent-wear whilst affecting a seductively contemplative chin-on-chest pose and dewed in a provocative sheen. Now you say, "Gisele who?"/p,K P.S. Because I know you're asking: 'yes, thank you, I do enjoy the occasional cigar'.
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16 years 10 months
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Picked this up at Barnes and Noble for $30 and some change. You have to be a member ($25 a year) to get it at this price. The sound quality of the discs are MUCH better than the stream. Then again, I'm streaming the music thru A/V cables.
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