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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • 4evergr8ful
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    1970 04-15
    Been listening to the winterland 1970 show featured on this box and must say Am Really digging it..having listened to most dead post 77", it's as if I'mHearing the band for The first time again..can anyone else reccomend any really Good early 70s shows, perhaps some that really stand out, say 70 or 71? Would appreciate it thanks
  • Vguy72
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    Hey keithfan....
    ....glad I could oblige. BTW, do any of you experience a delay in getting pm's? I usually get mine a week after they were sent to me....
  • LoveJerry
    Joined:
    Complete Recordings - Great Prices
    I got a copy of Dick's Picks 30 at a great price after someone here mentioned seeing them online, so I thought I would return the favor to people who may be in need. Here are three great prices on box sets. Winterland June 1977: Complete Recordings $299. All others are in the $600 range. http://www.ebay.com/itm/Grateful-Dead-Winterland-June-1977-HDCD-Box-Set… Europe 72 with trunk $377 http://www.ebay.com/itm/Grateful-Dead-Europe-72-complete-recordings-non… Winterland 1973 Complete Recordings $120 http://www.ebay.com/itm/Grateful-Dead-Winterland-1973-Complete-Recordin…
  • kilauea
    Joined:
    Stoked about 30 Trips
    I'm stoked to get my ears around 30 Trips Around The Sun. Love the idea of a show per year. I usually reside somewhere between 1968-78 with 72-74 as my favorite period. I love the improvisational monster jams focused around The Other One, Dark Star, Playin', Eyes, Weather Report not to mention the primal Live Dead jams. Love a good Scarlet-Fire and the Blues For Allah material live is always a hoot. That being said my 80's-90's ventures are usually 80-81' and 89'. I have The Warlocks and love it but skipped out on Spring 90' boxes... but figure I'll get to those soon enough. So I'm looking forward to diving into these 80'-90's shows in 30 Trips, and heck, maybe I'll see what I've been missing. I'm particularly pumped about 67' Shrine, 68' Greek, 69' Dream Bowl, 72' Waterbury, and 73' San Diego among others. I mean what other band releases so much great quality sounding live music for there fans? The quality of the Grateful Dead live archival releases over the past 20 years is completely unparalleled. Perhaps only the box sets and live releases of Miles Davis even comes close and that's fairly distant at best. If Pink Floyd released only a smidgeon of quality live shows from the 70's I'd be super stoked but so far just the Wembley 74' stuff. Frank Zappa releases quite a lot of live material when he was alive and the vault releases have been great but no one compares to the Dead releases. And I'm grateful for it. It's like Christmas every few months when a Dave's Picks arrives or Road Trips before that. Europe 72' is my favorite box followed by Winterland 73'. Like I said I'll get to Spring 90' in due time. So keep us guessing and keep em' coming!
  • KeithFan2112
    Joined:
    Vguy72 / Road Trips '73
    Good call, I put this on at your recommendation. Four words - Holy psychedelic pianos Batman. Wow, just dozed off at work and woke up to Wharf Rat. gotta love cubicles.
  • KeithFan2112
    Joined:
    80sFan 11/4/77
    I checked out a couple of tunes from your link. Definitely a respectable version, and I like that you can hear all of the audience enthusiasm at various points (i.e. clapping on Bertha, cheering after the Brown-Eyed Women solo, which incidentally, is one of the best live versions ever in terms of Jerry's guitar solo). The instruments are definitely louder in the official version, particularly Keith's keyboard work and the drums; these two "mix factors" contribute heavily to the aggressive "rock" feel of the 11/4 show, as experienced in the official version. But yeah, it's always a good idea to own another show featuring the late great Keith Godchaux ;-) PM your address if you want and I'll send it to you.
  • JimInMD
    Joined:
    Re: Keithfan and Bliss
    Yes, KF, there are certainly noticeable differences in sound that are more than the mix itself. What a fabulous collection of venues on that tour, that's the difference. When I travel abroad.. Instead of being a typical nerdy tourist and hitting hard rock cafe's or whatever.. I usually try to pick a theme.. like lets hit all the big castles in Germany or hey, lets hit all the churches where they off'd people in the Angels & Demons movie in Italy.. so my big not so eminent Europe trip will hit all the theatre's they played at. Check them out, great history and some terrific venues. That's what's contributing to the rich sound and variations from night to night. Places like the Concertgebouw and the like. There's a wealth of information on the acoustics of these venues. You may have come to the party late, but you did your homework. Bliss.. one of the ways I cycle through a lot music is on road bike rides and kayaking. Lots of fun and you get a workout to boot. I think you get the big picture this way, overall vibe of the show and jams. You also get a nice progression of growth through a tour/year/decade that way. You do miss minute details like best version of a song on a tour which KF seems to specialize in.. anyway, you are not alone in listening habits.
  • 80sfan
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    currently listening to...
    The AUD of 11/4/77 https://archive.org/details/gd77-11-04.moore.jupile-weiner.15208.sbeok… Curious how it stacks up against DP12? I'm really into this version so i'm feeling (slightly) better about having been shut out of the official release!
  • bliss
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    Joined:
    listening to the band
    Keith-Fan, Your post raises the question of how we go about enjoying this abundance of officially released riches. I listen to a show per day, usually in the background while working. A lot just sort of floats over me this way and I'm often unable to get a "best version" sort of feel, but do get to enjoy the overall sonics of a show. i'll be working away with the music drifiting over me and suddenly tune in and think, "whoa - how the hell did they get out here" ... Work-related listening has been random years/tours as the mood strikes. I have no favorite era. Everything offers something different and worthwhile depending on the mood. I listen to a lot of other music (funk, jazz, soul, rock from all eras), so it's not like I can engage in the deadicated listening a lot of these Dead shows deserve. (seeing RUSH twice next week - and am on a huge related listening kick in preparation -- seeing them is very much a cult-band family reunion kind of phenomenon not unlike the vibe at a Dead show - just a lot nerdier and less trippy). With the 30 Trips Box, I'm going to listen to a show per day on headphones while cycling. Chronologically. After, I'm going to listen to everything I have (pretty much all official releases) in chronological order the same way, ideally while riding and skiing. This is a wonderful way to consume release, as the music evolves and changes organically, in terms of both the playing and song choices. I've managed to do this once in the past, and it took the better part of a year. Psyched to do it again. Long live the Dead.
  • KeithFan2112
    Joined:
    From Version to Version
    It's only since I lost myself in the Grateful Dead Narnia that I've started to appreciate listening to the entire show. I came late to the Dead picnic, and while I saw them a couple of times before Jerry died, I didn't get "into" them until years later. With other bands (The Who, Yes, Rush), I would take the best live versions of songs and make a playlist. It seemed the prudent thing to do since there were only a few live versions of any particular song. The Dead is a different beast altogether, so it took some time to appreciate what they're up to from gig to gig, and clearly cherry picking the best versions is an impossible endeavor, as I end up with nothing on the cutting room floor. That being said, old habits die hard, and there's always a mental comparison going on in my head, hence the post about MSHSU Toodeleedoo. There's no doubt 9/3/77 is the best version for the jam, but not necessarily the bridge to Rio Grandio. And so it goes, there are many "best" versions. Muleskinner, check out Sugar Magnolia from 4/24 - this is thee version of thee song that pulled me in, never to return. I was at a home poker game when my buddy put on Rockin' The Rhein, and immediately caught the fever. 5/18 is close, despite a rare vocal flub where Bob Weir seems to forget he's onstage performing with the Grateful Dead. It's not that there's anything wrong with the 20 other versions from E72, it's just the perfect storm of nuances that come together on 4/24 (the guitars are mixed so smoothly for maximum "groove" effect, the piano is present, the solo is smooth and sweet, the drum fill at the....drum fill part is perfect, the blossoms are blooming, etc). Also wondering if anyone has noticed some of the subtle differences in overall sound from show to show on E72? For example, 4/24 seems to have more reverb than other dates (I don't know if reverb is the right word - it's an echo-like quality I catch on this one - a good thing to my ears); Amsterdam 5/10 also seems to have this quality. 4/11 and 4/29 seem to have a tad less fidelity and more tape hiss than other dates - not a big deal, I just turn the treble up a little bit. 4/26 has magnificent sound and low tape hiss, but Pigpen's organ is a bit lower than other dates (not sure how the fact that it was mixed for Hundred Year Hall plays into this). Heck even the comparison between Steppin' Out versions of the same tunes demonstrates significant differences in the mixing (for example crisper snare drum, compare 5/24 Cold Rain & Snow, or higher piano levels on some songs - check out 4/11 Brokedown Palace). Anyway, I spend waaaay too much time listening to this stuff, but I did earn a PhD in Europe '72, so it wasn't without merit.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Pure Prarie League, but only the first 2 albums, before they split. Try the eponymous first album.They got back together later, but ho hum, the magic was gone as was Craig Fuller.Also a bit partial to Poco, nowadays largely forgotten, the much inferior Eagles got all the attention, but the live album Deliverin, delivers.... And, drum roll, MIKE NESMITH! One of the absolute best gigs of my life was the Zig Zag magazine fifth birthday party, Mike alone with Red Rhodes, it didnt hurt that John Stewart (California Bloodlines) was also on the bill. Zig Zag wandering....
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@ SaintStephen1971 - a "few" more boxes are available. Get it while you can! @ Mule_Skinner - being as you're a Dylan man, I thought you'd rank 'Love And Theft' higher. It's one of my favorite Dylan albums, but then again so is 'Oh Mercy'. But music, like all art forms is subjective so go figure... @ Matchewy - have you heard the collaboration between Melvins and Jello Biafra, 'Never Breathe What You Can't See' (2004)? Not being familiar with Melvins, I loaned it to a co-worker who is, and he gave it a thumbs-up. Great recommendations for country rock music. For latter day, I would add (that I'm familiar with) the debut albums by Deadstring Bros., Punch Bros., and especially Jamestown Revival. Bloodshot Records is a great label/place for country rock music for those interested. For drummers, all mentioned but especially Elvin Jones (for his work with Coltrane alone), Ginger Baker, Keith Moon, Phil Collins and Neal Peart. Having seen Collins and Peart in the 70's (at the Tower Theatre no less) I can attest to both being a "monster" behind a drum kit. I'm one of those holding out for the physical box before listening. I haven't been listening or streaming ANY of it, and I have to wait until Xmas since it's a gift from my sister (and a great sister she is. She and sister #1 should have smothered me in my sleep when they had the chance).
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as if more were needed... Drummer: Rodney Holmes. A true monster. Country rock albums: The Dillards "Wheatstraw Suite" & "Copperfields"
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On Love and Theft, I do love it and would probably consider it the Best of his modern albums but not my Favorite if that makes sense. Like you said, it's such a subjective and personal thing, I got into him around the time of Modern Times in 2006 and somehow it and Together Through Life (2009) are my favorite as far as modern albums go, with modern being Time Out Of Mind and later for me. Now TTL is generally not ranked high at all, so that's just one of those quirks. I just find it a tremendously fun album to throw on, and those shows around at that time were some of my favorite. That said, I think L&T is one of the classics. Actually Time Out Of Mind too, but I listen to Together Through Life more. I think if I was a fan and in tune when Love and Theft came out, I'd probably be listing it in his top 3 period. Those shows around that time were fantastic as well, I'd consider '99-00 to be the best days of the Neverending Tour from what I've heard from bootlegs.

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Usually you find the bassist.Question Should a bassist play with a pick? You have seen picks and you've seen guys who simply use their fingers bare. You have a preference? Like the sound of one better than the other. Some say a pick is cheating? Thoughts?
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Not listening to streams. Did listen to 12/4/73 and 11/14/71 bonus disks. Both awesome. I am somewhat bummed the Boxzilla choice for '71 is not from November or December--lots of great playing there. Drummer: a jazz drummer, but to me the best now around--Eric Harland. Pretty much choose anything he is on live with numerous people and it is awesome. Country rock--early Poco, early Little Feat, Gram, all good
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As usual you are right on the money with the two Dillards albums. I also still listen often to Doug Dillards first album with Gene Clark, Ill call your monster drummer, and raise you: Joey Baron. Hes on loads of down town jazz albums, but try him with John Zorns Masada. Best drum solo, for entertainment, if not for musical quality:Fito from Canned Heat at the Rainbow, supported by Harvey Mandell and band. Twas the time of the streaking craze, and as Fito gets going with his Refried hockey boogie shtick, both bands run accross the stage stark naked, as you can imagine not a pretty sight with Bob Hite and Henry Vestine (Albert Ayler:you look like shit but you can play) Anyways, Fito cracks up, misses his concentration , and plays the band back in, guitars could hide the modesty of most members of the band, but not Bob Hite!

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Dogon, Ed Cassidy, yes! very cool drummer (and a skinhead...in 1968 ~ that must've really freaked people out). Spirit's first album and the Model Shop soundtrack have some great stuff. A couple other noteworthy rock drummers: Pete Thomas (Attractions/Imposters) & Michael Jerome (John Cale, Richard Thompson ~ I know him from RT, really creative & fun to watch). And back to jazz, Herb Alpert's current drummer Mike Shapiro is also really fun to watch. Got to see Elvin back in '98-ish, and wondered how much he'd have slowed down since the Coltrane days. Answer: zero : ) He gave a drum clinic & talk the next day for 10 bucks, too -- in attendance were, like, 25 drummers and me. What a treat. With props to Chick Webb & Philly Joe Jones, he shared that his favorite drummer ever was a guy on the street in South America who played with sticks, stones, and cans and greatly influenced his polyrhythms. But he still stressed the rudiments, too! His best advice came when asked who aspiring drummers should listen to: classical, world music, any genre, any instrument...just expose yourself to as many ideas as you can. Which really resonated, given the giant influence his drums (and Moon's) have had on my rhythm guitar playing over the years. Country rockers, if you've never heard the Nesmith/First National Band albums, check 'em out (if you can find them). Really fun stuff, with searing pedal steel from Red Rhodes. You've never heard "Listen to the Band" till you've heard their cowboy version.
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Does not matter to my ears. Phil does fine with a pick, Jack Casady is great with his fingers.You can also say that playing with an electric bass is cheating, since you have frets; or using a capo with a guitar. But neither is cheating.
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Haven't seen him mentioned yet, but I've always really enjoyed Larry Mullen Jr's work. I don't know that he is a guy who could sit in with other bands or perform outside of the context of U2, but he has added a lot of layers to their music over the years. And it has changed and evolved from his early rudimentary style through the more rhythmic sounds on Unforgettable Fire and Joshua Tree, and then into more electronic and percussive work in the 90s.
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I always preferred Geddy Lee (fingers) to Chris Squire (pick), but that is a marginal difference at best as they are both great. Ask me tomorrow, I am sure it will have changed. Love guys that play electric fretless, awesome tone. With the pick, you always get a more distinct clearer tone. With the fingers, you can get a little faster movement and action. But I don't know, too many good ones that play either style. I am trying to think but it escapes me, there is someone out there that does incredible work either way, and changes on the fly. My personal favorite bass is the Fender Jazz as its tone is clear throughout the neck. This leads to a better sound regardless of neck position, especially when low end can get washed out in large arenas. As far as drummers, again so many greats everywhere. One I like is another foundational drummer, Bernard Purdie. He played with Dizzie and Aretha and King Curtis. He developed the Purdie Half-Time Shuffle. This is the lick you hear on Toto's Rosanna, Led Zepplin's Fool in the Rain, Stealy Dan's Babylon Sister. Always loved that shuffle and use of ghost notes. edit: I am sure y'all have watched Tal Wilkenfeld play with Jeff Beck. So good, so young.
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I've been following along with these recent topics and have been quite influenced. So much so that I just ordered Sweetheart of the Rodeo and the first 2 Flying Burrito Bros. albums. I've always like Gram Parsons quite a bit, but the aforementioned albums always got shuffled to the end of my buying list. No longer! Y'all have sold me and I jumped in headfirst. As for the other topics d'jour... Drummers - I'm not one, nor do I profess to be an expert in the subject either, but I've always been very partial to the following (not in any particular order, though I will say that I think the first one I list is the best of the lot): Stewart Copeland, John Bonham, Keith Moon, Ginger Baker, Richard Ploog (The Church... very underrated), Levon Helm, Phil Collins (gets a bad rap due to his going so mainstream late in his career as a singer/songwriter, but the guy can flat out play the skins), Buddy Miles. As for Dylan... I'm only 45, but I've been on that bus since I was 15. The first time I heard Blonde On Blonde, I was in the club. Under the Red Sky, I believe, is a good album, and didn't deserve the bad reviews it got when it first came out. I think it suffered from being the Dylan album which was released just after Oh Mercy, which everyone seemed to love, myself included. Also, if memory serves me correctly, it came out just after or before the first installment of the Bootleg Series, which was fantastic, and in comparison, Under the Red Sky was a big drop-off. Muleskinner_Blues... what's your fave Dylan album? Mine is hands-down, Blood On The Tracks, but there are so many other fantastic albums that it's difficult for me to choose a #2. There are a few turds in the collection (Saved, Street Legal, Down In The Groove) but a bad Dylan album is still better than lots of stuff IMHO. As for recent Dylan.... Time Out Of Mind is easily my favorite. He deserved every award he got for that masterpiece.
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and Beating on Drummers. Quite the A List of musical side-projects. I guess that shouldn't surprise us. I've finished my first stream. Like many have already stated.. the '95 show exceeded expectations. Garcia sounded great as the aged, wise man on his later day ballads. You could tell he was no spring chicken on a few others. Still, it stood up. My last show was in '94, and to be honest.. it was bittersweet at best. We will see how my willpower holds up. Now back to revisiting and rewriting history. I think I am going to delve into the '74 Missoula show and see where the DS takes me this time.
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will check out Hoop Dreams for sure!
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You can do it. I am not sure about myself, but made it through one more day without streaming or peaking at the book.
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..we will see. I might do '94 over the next couple weeks. Surely a '95 and a '94 show can't do much harm.. right? I can quit anytime I choose. I will say this.. I took good advantage of the down time and revisited a few shows I really like. Guess what.. I still like them. :D I am surprised we aren't getting more takers on the Bolo clues to the next release. At least I think they are clues.. dust off that dusty deadbase just one more time. As soon as I get caught up on work I will give this more attention. I guess we need a third set of clues?
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I succumbed. I only wanted to look at the PDF book, but it was too easy once I got in there to run a few streams. This box will be a wonder. I still plan to wait to receive the CDs before I listen more critically. The streams are a great appetizer.
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Once you go in…rare is the man (or woman) who (willingly) comes back out. I feel your pain but since I have to wait until Xmas I've borrowed a boat load of music from my younger sister (the same Saint who's purchasing Boxzilla for me). I've also purchased the new Richard Thompson 'Still' deluxe as well as the new Rickie Lee Jones 'The Other Side Of Desire', and Todd Rundgren 'Global'.
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The PDF is what got me in too. Its like giving candy coated crack to a baby. You can't help but give it a taste.. I am trying to save that parts I know I will really enjoy.
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10 years 1 month
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Bill Kreutzman 2/19/71 => 10/19/74
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9 years
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I am still resisting any preview of the streams although I pretty much read the entire book. I want the first listen to be on something other than my computer or phone. But it looks more and more like I might have to get that Spring 1990 TOO box to satisfy my need for more immediate gratification.
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You people do realize that there is no prize for holding out, right? Bring on the streams, once the box arrives I'll start over!
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Not sure if he has been mentioned but love Matt Abts from Govt Mule. I am not a drummer myself but love the way he fits in on all the various Mule styles.It doesn't matter if its rockabilly..reggae..power trio..blues shuffle..or whatever Warren throws at him.....very unheralded
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15 years 8 months
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There's only one directionIn the faces that I see And it's upward to the ceiling Where the chamber's said to be Like the forest fight for sunlight That takes root in every tree They are pulled up by a magnet Believing they're free The carpet crawlers heed their callers You gotta get in to get out
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14 years 10 months
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Anyone selling the steamer box with the 73cds - if so I'm buying.... Offering $700 US to anyone selling and can ship to Aus included within that price - you can buy yourself 30 trips with that!
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14 years 10 months
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I could buy the all music version heaps cheaper but not sure what discs come in - it says a generic box - does anyone know is this box strudy - does it have the europe logo on at least????
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15 years 6 months
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Renaud Garcia Fons. Good start is his album Oriental Bass, but anything from this album onwards. Earlier records are also good, but here is where he hits his stride. No need to thank me for this precious gift...Then there are the game changers( nearly wrote game chambers as in Paul Chambers!), but I will make do with Scott Le Faro. In rock I always felt that Jack and Phil were in a league of their own, but its years since I listened to Jack, pretty much nothing since the Airplane crashed in fact. Good to see the love for Elvin in the drummers roll call, but thats a little obvious, get out of the Dead ghetto and dive into jazz my friends, there is a huge world out there waiting behind that door we are begining to crack open! And so I propose for you.....the pitter pattering of Paul Motion!
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13 years 3 months
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Nice Genesis reference. ..seeing Hackett in a couple months, small venue third row. Thanks for reminding me.
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17 years 3 months
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The box that the music only Europe 72 comes in is just a plain cardboard box. No logo or anything fancy. The CD cases are the thin cardboard ones where you slide the discs in and out of, like the Road Trips cases. Also, having all 30 shows on my phone has made it so I can listen to it anywhere. So I have, and anywhere I drop the needle the shows have all been great!!! I had planned to start at 66 and to go all the way straight through, but best laid plans of mice and men... Anyways, I hope they keep this streaming for as long as possible. This really does show that they were always chasing the sound, even up to the very end with so many new songs. Internet high five to Dave and Co. for excellent show choices once again!!!
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15 years 8 months
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Jim, Giving it some serious consideration too - should be a no brainer, but it's the day after DSO at HOB.
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13 years 3 months
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Easier call to make when we were in our 20's and under employed. I have to check the DSO schedule. NRPS are playing an hour from me tomorrow..(actually tonight). I'd like to go but I do not think work is going to cooperate. Those guys still have it going on.
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15 years 8 months
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STREET LEGAL, a turd?!?? SAVED, a turd?!?! What is it about these albums that you cannot instantly connect with my friend? BOTT is my ultimate favorite as well, but Slow Train through Shot of Love are the true works of genius. Almost anyone can be cool some of the time, but no one can be cool ALL of the time. Bob disproved that right there. And the shows during that era. Best. Just the damn best. Always love to read through the transcripts of Bob's "sermons." Clinton Heylin's Behind the Shade has a good amount of 'em. And Street Legal... WHERE ARE YOU TONIGHT?!?!
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14 years 10 months
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guys im selling individual shows from the 30 trips set for those heads wo cant afford or dont want all shows. all shows available except 66 67 69 70 71 72 and 73. shows 55us dollars each inc shipping from oz... email me at gilmourstephen@hotmail.com with requests...first come first served...also taking offers for book the single and the scroll...
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13 years 4 months
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Right on, those gospel-era Dylan albums have tons of great songs. Even an atheist like me can appreciate the inspiration so plainly heard there. Where are You Tonight, In the Garden, Groom's Still Waiting at the Altar, Every Grain of Sand, New Pony, Pressing On, Lenny Bruce, Señor, Are You Ready, all amaze me. And I would include the album Infidels in this era (although the production is dated by that crazy drum reverb). Slow Train too, although I guess most folks know and like that one.
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13 years 3 months
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I'm partial to the Bart Simpson one myself. The clown is rumored to be a scary, bad trip inducing clown.. so be verwry careful.
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16 years 1 month
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Last night I had a dream that when I checked my inbox the next (this) morning the shipping notice would be there, stating that I would receive the box in 7 to 10 days. I was happy because I wasn't expecting the shipping notice email until later in October. I want off to work, and when I came home and pulled into my driveway, the USPS mail truck followed me in, as soon as I got out of my car, the letter carrier asks me my name & address to confirm it and asks me to help her get 2 parcels out of the back of her truck addressed to me. I look at the senders names & addys and both are from dead.net, both are the same size, but 1 is heavier than the other. Inside I open the lighter one and it's the 30 Trips box. YAHOO! I am elated because I got it early! I open the 2nd one and it's a case of Dogfish's American Beauty longnecks that just seem a bit different than a normal height 12oz longneck bottle. See my previous posts about the size of this box - a case of beer. My clock alarm chimes in and I wake up. The sweet dream is over. I live in Pennsylvania and I can't receive any alcohol thru the mail, except for wine & spirits sold by the PA Liquor Control Board so I know it was a dream, or nightmare, depending on how you want to interpret it. What was the basis for the dream? I was streaming Samson & Delilah from 10/3/76 Cobo Hall and really took notice to Phil's playing. I had streamed a sbd S & D from said show on Archive some time ago, but really didn't take notice of Phil's bass until I listened to this 30 Trips last night.
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13 years 3 months
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uh ohh, cross eyed. I hope your kids didn't bring home any of those kiddie rub-on tattoo's Bach is warning us about... I have banned the scary clown version in my house.
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10 years
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A lot of those Dylan albums from Street Legal through Infidels are not my favorite necessarily, but they are full of great songs and collectively are not at the bottom for me (that's reserved for Down in the Groove). Slow Train gets the most attention of the three gospel albums and there's some great stuff, but I find the production a little sterile and don't go to it often as a full album. When He Returns is a fantastic song though, as are several others on there. He took a lot of them much further live. Of the three, Shot Of Love is probably my favorite, looser and a little funkier. Though it's not without it's question marks..Lenny Bruce? Haha Street Legal...I love Changing of the Guards, Senor and Where Are You Tonight. Infidels has grown on me, but the production One Man mentioned can be tough to get by at times. Check out a live Jokerman, either the Letterman version or Woodstock '94. KYTrips - Even though I consider his modern stuff to be my favorite era (well...or maybe Rolling Thunder), I have a tough time not ranking Highway 61 Revisited and / or Blood On The Tracks as my favorite. It alternates..frequently. I think they are both examples of perfection. I love his pre-Freewheelin' blues and folk, mostly available on bootlegs but there are a few released example (Starbucks, Bootleg Series 1). The first album is also fun, if not completely indicative of his repertoire at the time. Has anyone heard him on Cynthia Gooding's radio program Folksinger's Choice in 1962? A lot of his blues and folk covers, plus the banter is hilarious.
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9 years 1 month
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Love carpet crawlers...keep wishing some of the rumors of them wanting to revisit that would come true. May be too long in the tooth to do that. I got some incredibly tasty clown action back almost 30 years ago, but it was a big goofy clown face. Gone are the days...wish they could come back. Any folks have a good fungus book to read???
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17 years 3 months
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Not too bad, I just received a 'last chance' address change notice because the box is shipping 'soon'.
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9 years 10 months
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I've also just received the 'last chance' to change info email surrounding Boxzilla shipping. Deadline to reply is Friday 10/2 so I imagine these babies will begin to go out shortly thereafter. Looking forward to seeing who is among the firsties.
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9 years 3 months
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Thank you for ordering the 30 Trips Around The Sun Box! Orders will begin shipping soon. To ensure that orders can be processed and shipped to their proper destination, please review your order details below. If an address change is required, please reply to this email or call 877-DEAD-NET. The final deadline to reply is October 2, 2015 at 11:59pm ET. After that your order will be processed as it was submitted.
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9 years 10 months
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Got a last chance Address confirmation from Dead.net this AM! The final deadline to reply is October 2, 2015 at 11:59pm ET
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16 years 1 month
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We've seen this before - then there was this delay (but not former US Congressman Tom DeLay of Texas) and some cancellations, with me included. Then, with financial help from somebody, I was back on the boxzilla bandwagon. I think this time it's for real - everything's perfect, time to ship. But somehow I think some folks will get boxzilla BEFORE the shipping notice email arrives in their inboxes. That has happened to me a couple times. I think shipping will begin the work week of October 5 at the earliest, but that's only my opinion. After all the announcement for Dave's 16 and it's shipping date of Sunday November 1st or Monday 11/2, is just around the corner.
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10 years 5 months
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You must read the brotherhood of the screaming abyss........my Denis McKenna.... Younger brother to the one and only fearless psychonaut Terrence McKenna.....it's about his life with Terence and all their cosmic adventures..... Especially with the cosmic mushroom.... I'm really surprised that Terence's name never comes up on there's boards... Jerry' was really into his work.... Read it,... Blow your mind.... Your welcome.....
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9 years 1 month
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I have it ordered. Thanks. Seems like I remember seeing a documentary on these guys, not sure. Did they have some funky math equations related to space travel or end of times scenarios? Can't wait to read. Also looking for a good cultivation resource... edit: yep I am sure it was a PBS special on these guys and the fractal timewave. Still doing a little side checking. Fractal patterns based on the I Ching. Stuff that is right up my wheelhouse of interest. Radio I Ching anybody?
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14 years 11 months
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It'll all soon be moot if these "last chance" address confirmations are the tea leaves we think they are, Latvala willing. But the one person who could tell us what's been up with this box is a new name on the credits: Kate Dear. Responsible for "Package Supervision." Far as I can tell no online presence. Maybe marye can reach? Kate Dear has helmed "package supervision" on just one other big box set for Rhino before this one, if discogs.com is to be believed: the Yes Progeny 14CD set. Not nearly the beast that Boxthulu here is, but I still wonder, does anybody have that "Seven Shows From Seventy-Two" box to comment on?
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