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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • supe80
    Joined:
    Box Art Work
    I hope someone hasn't asked this already. Does anyone know who did the artwork for the outside of the box?
  • johnny361
    Default Avatar
    Joined:
    hi gang
    I spent the day with Cobo 1976. I really like these fall 76 shows with Dicks #20 being a personal favorite since it's release many years ago. This Cobo show is really growing on me with each listen. 30 Trips has been a monster to get through but I love the task! There are still shows I haven't spent time with.. but I will!
  • KYTrips
    Joined:
    1975
    So... this is another show that's a bit tough to grade. It's relatively short for a Dead show (I think it was just one long set), and I'm guessing that they were part of a bill that included other bands at this free show in Golden Gate Park. Also, it's one of only 4 shows that they played in 1975, so I'm guess they were a bit rusty, though you wouldn't think so from the performance itself. It starts off with a really sold Help > Slipknot that sounds a bit strange without the third jewel of Franklin's Tower, but that comes later in the show. Then there's a long break as the band attempt to summons a doctor from the crowd because a woman is apparently having a baby somewhere near/behind the stage. This alone makes the show memorable. They then move into a really, really good Music Never Stopped, followed by They Love Each Other. Beat It On Down the Line is above-average, in my opinion and it's followed by a good Franklin's Tower. Big River is straightforward, and the first disc ends with a routine It Must Have Been the Roses. The second disc starts off with an above-average Truckin' followed by a good jam and Drums. That heads into an excellent Stronger Than Dirt/Milkin' the Turkey which eventually leads into 10+ minute Not Fade Away which is light on lyrics and strong on jamming. The show ends with Going Down the Road Feeling Bad and a very energetic One More Saturday Night. The highlight of this show for me is the Music Never Stopped, but there really are no off numbers in the entire show. It's a consistently good show from start to finish. Overall Grade: B
  • unkle sam
    Joined:
    1990 1994
    Just returned from a long road trip and listened to these two shows in their entirety during this trip. 1994 was the first listen. Show starts off with a nice Help>Slip>Franklins that is nice, Jerry in good form and everyone contributing their parts, not the best, but not bad. Then Walkin blues, not my favorite and Bobby's slide work is ok at best, then Atlhea, a good tune done well by Jer. Me and My Uncle, Big River and Just like Tom Thumb's Blues, no real Jerry in MAMU, BR just ok and JLTTB's has Phil taking lead vocals, enough said. An ok So Many Roads and Jerry sounds tired, voice a bit shaky and "old Jerry" sounding. Promised Land is good, with Bobby in fine voice, which ends the first set. Second set starts off with Scarlet>Fire, scarlet is ok but the Fire is grate, with Jerry getting his voice to perform about as good as it can get for these days. Way to go Home is next and I always liked this song, Vince in fine form throughout with Jerry adding some fine lead lines. Then into Saint of Circumstances, no Lost Sailor which I miss and wish they would not have dropped from the list, it's the better of the two tunes. A nice Terrapin with Jerry hitting all the notes and lyrics into a short but very trippy drums into an excellent space with Jerry showing us all that he can still blow heads away. Everytime there is "The last time" after a drums>space you know it was a great drums>space, like you know this could be the last time you ever hear that wonderful sound again. A good but short Stella with Jerry sounding tired in both voice and playing into a good OMSN. The encore is Liberty, a great tune that Jerry flubs the lyric on, but comes back and repeats it right. Thought the sound was ok, but a little boomy All in all a good show but....C+. 1990, good first set with a great Jack-a roe black throated wind ramble on rose and bird song, Jerry in fine voice and playing with bruce on the piano making it all sound nice. The second set here is very good, Chinacat, rider and saint all done well, very deliberate and a bit on the slower side, which is nice. At Crazy fingers and this is where it starts to get real good, the ending jam in Crazy Fingers has a bit of the x factor and was very nice then into Playing>drums>space>playing reprise, just awesome all of it, I highly recommend it. The stella is very nice into throwing stones into a great NFA with crowd chant into a fine one more Saturday nite. All in all a good show from France. The sound was ok, but had a bit of an echo in spots, not sure if it was the audience singing along or an echo, but was a bit distracting in places, a bit boomy in parts also, but all in all, not bad....a solid B. I haven't had time to get to all of them, but these two I took along just to give them a good listen, was not disappointed. For the 90's, both shows were ok, but not the same band we all fell in love with in the 60's and 70's.
  • KYTrips
    Joined:
    1974
    I will go out on a limb here and officially declare the 1974 show as the first "miss" of this embarrassment of riches known as 30 Trips Around the Sun. First of all, there are a few sound-related issues that I had to overcome. The overall sound "quality" is very good, but I definitely thought that Jerry's guitar was too low in the mix (who does that... puts Jerry's guitar low in the mix?!!!?) and then there is the issue with the vocals for the first 2 songs of the second set ("Loose Lucy" and "Big River") which are missing. I mean... they're there, but they're apparently not being picked up by the mic intended to pick them up or they didn't make it to the recorder... Whatever's going on, they're not to be heard in these recordings, unless you lean into the speaker and hear them buried somewhere off in the distance. In any event, it annoys me, and I think it spoils what would have otherwise been a pretty decent "Loose Lucy" (one of my faves). In addition, this show contains a between sets "Seastones." Not my favorite in any case. So... this show was fighting an uphill battle for me. The show kinda begins with the boys being a bit sloppy. The "Uncle John's Band" opener is nice, but uneven. "Jack Straw", "Friend of the Devil" and "Black-Throated Wind" are all unremarkable. The standalone "Scarlet Begonias" is a notch up from the previous songs, but that tune was still really finding its legs in the Dead's repertoire in '74. The next 5 tunes are again, unremarkable. The first CD ends with a nice "To Lay Me Down." I have to admit, I'm partial to this song. I've always loved it and thought it was underrated as a Dead song. The first set ends with a 23+ minute Playing In the Band which is good, but again, nothing special for this era. Then we are faced with "Seastones" and the aural problems mentioned previously to start the second set. A good "Peggy O" and an unremarkable "Me and My Uncle" round out Disc 2. The meat of this show (and presumably, the reason it was included in 30 TATS) is in Disc 3. Things finally take off with a wonderful "Eyes of the World" and the rest of the show is pretty darn good. Highlights for me included the Truckin' > Drums > Caution Jam sequence, which is pretty hot. The "Drums" is particularly interesting in that in addition to Billy on drums, Phil is also participatory in the part of the show. "Ship of Fools" is really nice and smooth and the "Johnny B. Goode" to close the set is also pretty smokin'. "U.S. Blues" is a good encore and a nice way to round out the evening. I'll be brutally honest... I don't think this show would have ever merited release on it's own, so it was, in my opinion, thrown into this box set. I certainly hope it's not the best there is remaining in the vault from 1974. However, I'd be less than honest if I didn't acknowledge that the third disc of the show is pretty darn good. But it certainly was my least favorite show thus far in the box. Grade: C+
  • KYTrips
    Joined:
    1973
    It took me a little while longer to get to this review than I would have liked... Life's been busy with vacation and then I was in trial for a week (I'm an attorney... don't throw rocks), so my listening has been sporadic for the past few weeks. At any rate, let me start off by saying that this show is a total GEM!! Although I don't think it's the best of the box, so far, I do think it might be my favorite so far. It starts off again with a "Big Railroad Blues" which to me is a sign of good things to come (see my review from 1972). The next few songs (Jack Straw, Sugaree, Mexicali Blues) are all good, but nothing special. After all, it's just the first set. But then, this show morphs into a classic. "Here Comes Sunshine" is one of those songs that I absolutely love, and that I feel the band didn't play often enough. Accordingly, it was, in my opinion, a treat when it did show up in a setlist. Well... this one may be the best HCS EVER! It's so melodic and the playing so smooth, with a killer jam in the middle of it. It ebbs and flows nicely and you know from this point going forward that "tonight" is going to be "one of those nights." The other part about this show that is a bit different is that the first set is EPIC in length. It's actually longer than the second set, and the goodies start showing up much earlier than in a typical Dead show. I'm not going to go song-by-song, but the remaining highlights of the first set for me are: an appearance of "The Race Is On"; a very nice "Brown-Eyed Women"; "Tennessee Jed" and a late-first set China>Rider. The first set closes out (more than mid-way through Disc 2) with a hot "Around and Around."As good as the first set is, the second set is even better (although I still think the overall highlight of the show is still the "Here Comes Sunshine" in the first set). Due to timing issues, the second set actually starts on Disc 3, with the final three (3) songs on the set appearing at the end of Disc 2. I definitely recommend listening in the order in which the show was played. And let me tell you, Disc 3 is awesome!!! It is basically a non-stop, continuous 70+ minute jam which begins with an excellent "Truckin'" which then morphs into an unbelievable, three-part "The Other One" sandwich, which has "Big River" and "Eyes of the World" for the filling. It is hypnotic the way the boys weave in and out of "The Other One" throughout this portion of the show, never losing stride and hitting on all cylinders. Finally... the last portion of "The Other One" leads into a great "Wharf Rat", and they finally silence their instruments for a few fleeting moments. The show closes with three (3) stand-alones... "Me and My Uncle" (which seems strange to hear this late in a show), "Going Down the Road Feeling Bad" and "One More Saturday Night". They're all good, but it's almost impossible to top that which just went down in the first 70+ minutes of this set. I definitely see myself coming back to this show over and over in the future. Show grade: "A- to A", depending upon my mood. Again... I don't think it's the best show, so far, but I do think it's my favorite!
  • KYTrips
    Joined:
    Ahhh.... 1972
    If ever there was a more stellar year in GD history, I'm not sure what it would be (okay, okay... I realize this topic is up for debate, but I cast my lot with 1972). That being said, I had really high expectations for this show, as I do almost all '72 shows. This one didn't disappoint. However, I do think that this show will suffer a fate of being underplayed by many Heads, as it's so close in proximity to the DP 11 show from the Stanley Theater in Jersey City that took place 3 nights after this gem. I do think the Stanley Theater show is better, but this one is pretty great too. My only knock on this show... I think the sound is a bit spotty. There's one period in the show where the tape hiss is very audible and a bit distracting until you realize you're just gonna have to deal with it. The show opens with one of my personal faves... "Big Railroad Blues". You know a show is gonna be good when they open with this one. Everything in this show is filled with energy. Hell... I even liked "Mexicali Blues" which to me is usually a snoozer. "Loser" and "Black-Throated Wind" both deliver, while the band takes a bit of a breather in a subpar "Cumberland Blues" in my opinion. "Sugaree" is great (as per usual), and is followed by a consistent run of "El Paso", "Tennesse Jed" and BIODTL. In my opinion, this show REALLY gets rolling when they break into "Bird Song" later in the 1st Set. I've heard much better versions of "Big River", but the first set closes with an awesome "Brown-Eyed Women" and a MONSTER "Playing In the Band." Not bad... and that was just the 1st Set!!!The 2nd Set kills! The boys keep raising the pot (no pun intended) with each subsequent song, starting with "Greatest Story Ever Told" and continuing through "Bertha", "Promised Land", a beautiful "Fried of the Devil" and "Jack Straw". Things fall off a bit when they play "Tomorrow is Forever", a short-lived song in the Dead repertoire for good reason in my opinion. Then they ease back into things with MAMU before they head into "Dark Star" which is sandwiched around a nice little drum solo by Billy. Out of "Dark Star"?... Why yes, I do believe I will take a China Cat>Rider. And it's a good one. The show closes with the Bobby one-two.... "Sugar Magnolia" and "One More Saturday Night". All in all, a great show. Grade: A-
  • Cousins Of The…
    Joined:
    1971??
    I have not gone through the 2nd set of 1971...and yes, I listed 1985 twice, my mistake.
  • One Man
    Joined:
    1971?
    I don't see 1971 on your list. And is something listed twice?
  • Cousins Of The…
    Joined:
    1984!
    I'm usually partial to the 60's and 70s, however this show is tremendous! short but impeccable first set, from beginning to end; second set is quite adventurous, with a long UJB, a standalone Playin' reprise and a killer Morning Dew. My favorite 80's Trip so far. Revising my rankings... 1970 1967 1973 1975 1974 1972 1976 1968 1984 1969 1977 1983 1991 1979 1980 1981 1982 1978 1990 1993 1992 1966 1985 1986 1994 1985 1995 1987 1989 1988
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Pure Prarie League, but only the first 2 albums, before they split. Try the eponymous first album.They got back together later, but ho hum, the magic was gone as was Craig Fuller.Also a bit partial to Poco, nowadays largely forgotten, the much inferior Eagles got all the attention, but the live album Deliverin, delivers.... And, drum roll, MIKE NESMITH! One of the absolute best gigs of my life was the Zig Zag magazine fifth birthday party, Mike alone with Red Rhodes, it didnt hurt that John Stewart (California Bloodlines) was also on the bill. Zig Zag wandering....
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@ SaintStephen1971 - a "few" more boxes are available. Get it while you can! @ Mule_Skinner - being as you're a Dylan man, I thought you'd rank 'Love And Theft' higher. It's one of my favorite Dylan albums, but then again so is 'Oh Mercy'. But music, like all art forms is subjective so go figure... @ Matchewy - have you heard the collaboration between Melvins and Jello Biafra, 'Never Breathe What You Can't See' (2004)? Not being familiar with Melvins, I loaned it to a co-worker who is, and he gave it a thumbs-up. Great recommendations for country rock music. For latter day, I would add (that I'm familiar with) the debut albums by Deadstring Bros., Punch Bros., and especially Jamestown Revival. Bloodshot Records is a great label/place for country rock music for those interested. For drummers, all mentioned but especially Elvin Jones (for his work with Coltrane alone), Ginger Baker, Keith Moon, Phil Collins and Neal Peart. Having seen Collins and Peart in the 70's (at the Tower Theatre no less) I can attest to both being a "monster" behind a drum kit. I'm one of those holding out for the physical box before listening. I haven't been listening or streaming ANY of it, and I have to wait until Xmas since it's a gift from my sister (and a great sister she is. She and sister #1 should have smothered me in my sleep when they had the chance).
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as if more were needed... Drummer: Rodney Holmes. A true monster. Country rock albums: The Dillards "Wheatstraw Suite" & "Copperfields"
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On Love and Theft, I do love it and would probably consider it the Best of his modern albums but not my Favorite if that makes sense. Like you said, it's such a subjective and personal thing, I got into him around the time of Modern Times in 2006 and somehow it and Together Through Life (2009) are my favorite as far as modern albums go, with modern being Time Out Of Mind and later for me. Now TTL is generally not ranked high at all, so that's just one of those quirks. I just find it a tremendously fun album to throw on, and those shows around at that time were some of my favorite. That said, I think L&T is one of the classics. Actually Time Out Of Mind too, but I listen to Together Through Life more. I think if I was a fan and in tune when Love and Theft came out, I'd probably be listing it in his top 3 period. Those shows around that time were fantastic as well, I'd consider '99-00 to be the best days of the Neverending Tour from what I've heard from bootlegs.

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Usually you find the bassist.Question Should a bassist play with a pick? You have seen picks and you've seen guys who simply use their fingers bare. You have a preference? Like the sound of one better than the other. Some say a pick is cheating? Thoughts?
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Not listening to streams. Did listen to 12/4/73 and 11/14/71 bonus disks. Both awesome. I am somewhat bummed the Boxzilla choice for '71 is not from November or December--lots of great playing there. Drummer: a jazz drummer, but to me the best now around--Eric Harland. Pretty much choose anything he is on live with numerous people and it is awesome. Country rock--early Poco, early Little Feat, Gram, all good
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As usual you are right on the money with the two Dillards albums. I also still listen often to Doug Dillards first album with Gene Clark, Ill call your monster drummer, and raise you: Joey Baron. Hes on loads of down town jazz albums, but try him with John Zorns Masada. Best drum solo, for entertainment, if not for musical quality:Fito from Canned Heat at the Rainbow, supported by Harvey Mandell and band. Twas the time of the streaking craze, and as Fito gets going with his Refried hockey boogie shtick, both bands run accross the stage stark naked, as you can imagine not a pretty sight with Bob Hite and Henry Vestine (Albert Ayler:you look like shit but you can play) Anyways, Fito cracks up, misses his concentration , and plays the band back in, guitars could hide the modesty of most members of the band, but not Bob Hite!

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Dogon, Ed Cassidy, yes! very cool drummer (and a skinhead...in 1968 ~ that must've really freaked people out). Spirit's first album and the Model Shop soundtrack have some great stuff. A couple other noteworthy rock drummers: Pete Thomas (Attractions/Imposters) & Michael Jerome (John Cale, Richard Thompson ~ I know him from RT, really creative & fun to watch). And back to jazz, Herb Alpert's current drummer Mike Shapiro is also really fun to watch. Got to see Elvin back in '98-ish, and wondered how much he'd have slowed down since the Coltrane days. Answer: zero : ) He gave a drum clinic & talk the next day for 10 bucks, too -- in attendance were, like, 25 drummers and me. What a treat. With props to Chick Webb & Philly Joe Jones, he shared that his favorite drummer ever was a guy on the street in South America who played with sticks, stones, and cans and greatly influenced his polyrhythms. But he still stressed the rudiments, too! His best advice came when asked who aspiring drummers should listen to: classical, world music, any genre, any instrument...just expose yourself to as many ideas as you can. Which really resonated, given the giant influence his drums (and Moon's) have had on my rhythm guitar playing over the years. Country rockers, if you've never heard the Nesmith/First National Band albums, check 'em out (if you can find them). Really fun stuff, with searing pedal steel from Red Rhodes. You've never heard "Listen to the Band" till you've heard their cowboy version.
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Does not matter to my ears. Phil does fine with a pick, Jack Casady is great with his fingers.You can also say that playing with an electric bass is cheating, since you have frets; or using a capo with a guitar. But neither is cheating.
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Haven't seen him mentioned yet, but I've always really enjoyed Larry Mullen Jr's work. I don't know that he is a guy who could sit in with other bands or perform outside of the context of U2, but he has added a lot of layers to their music over the years. And it has changed and evolved from his early rudimentary style through the more rhythmic sounds on Unforgettable Fire and Joshua Tree, and then into more electronic and percussive work in the 90s.
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I always preferred Geddy Lee (fingers) to Chris Squire (pick), but that is a marginal difference at best as they are both great. Ask me tomorrow, I am sure it will have changed. Love guys that play electric fretless, awesome tone. With the pick, you always get a more distinct clearer tone. With the fingers, you can get a little faster movement and action. But I don't know, too many good ones that play either style. I am trying to think but it escapes me, there is someone out there that does incredible work either way, and changes on the fly. My personal favorite bass is the Fender Jazz as its tone is clear throughout the neck. This leads to a better sound regardless of neck position, especially when low end can get washed out in large arenas. As far as drummers, again so many greats everywhere. One I like is another foundational drummer, Bernard Purdie. He played with Dizzie and Aretha and King Curtis. He developed the Purdie Half-Time Shuffle. This is the lick you hear on Toto's Rosanna, Led Zepplin's Fool in the Rain, Stealy Dan's Babylon Sister. Always loved that shuffle and use of ghost notes. edit: I am sure y'all have watched Tal Wilkenfeld play with Jeff Beck. So good, so young.
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12 years 2 months
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I've been following along with these recent topics and have been quite influenced. So much so that I just ordered Sweetheart of the Rodeo and the first 2 Flying Burrito Bros. albums. I've always like Gram Parsons quite a bit, but the aforementioned albums always got shuffled to the end of my buying list. No longer! Y'all have sold me and I jumped in headfirst. As for the other topics d'jour... Drummers - I'm not one, nor do I profess to be an expert in the subject either, but I've always been very partial to the following (not in any particular order, though I will say that I think the first one I list is the best of the lot): Stewart Copeland, John Bonham, Keith Moon, Ginger Baker, Richard Ploog (The Church... very underrated), Levon Helm, Phil Collins (gets a bad rap due to his going so mainstream late in his career as a singer/songwriter, but the guy can flat out play the skins), Buddy Miles. As for Dylan... I'm only 45, but I've been on that bus since I was 15. The first time I heard Blonde On Blonde, I was in the club. Under the Red Sky, I believe, is a good album, and didn't deserve the bad reviews it got when it first came out. I think it suffered from being the Dylan album which was released just after Oh Mercy, which everyone seemed to love, myself included. Also, if memory serves me correctly, it came out just after or before the first installment of the Bootleg Series, which was fantastic, and in comparison, Under the Red Sky was a big drop-off. Muleskinner_Blues... what's your fave Dylan album? Mine is hands-down, Blood On The Tracks, but there are so many other fantastic albums that it's difficult for me to choose a #2. There are a few turds in the collection (Saved, Street Legal, Down In The Groove) but a bad Dylan album is still better than lots of stuff IMHO. As for recent Dylan.... Time Out Of Mind is easily my favorite. He deserved every award he got for that masterpiece.
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13 years 4 months
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and Beating on Drummers. Quite the A List of musical side-projects. I guess that shouldn't surprise us. I've finished my first stream. Like many have already stated.. the '95 show exceeded expectations. Garcia sounded great as the aged, wise man on his later day ballads. You could tell he was no spring chicken on a few others. Still, it stood up. My last show was in '94, and to be honest.. it was bittersweet at best. We will see how my willpower holds up. Now back to revisiting and rewriting history. I think I am going to delve into the '74 Missoula show and see where the DS takes me this time.
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9 years 3 months
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will check out Hoop Dreams for sure!
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9 years 3 months
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You can do it. I am not sure about myself, but made it through one more day without streaming or peaking at the book.
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13 years 4 months
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..we will see. I might do '94 over the next couple weeks. Surely a '95 and a '94 show can't do much harm.. right? I can quit anytime I choose. I will say this.. I took good advantage of the down time and revisited a few shows I really like. Guess what.. I still like them. :D I am surprised we aren't getting more takers on the Bolo clues to the next release. At least I think they are clues.. dust off that dusty deadbase just one more time. As soon as I get caught up on work I will give this more attention. I guess we need a third set of clues?
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13 years 5 months
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I succumbed. I only wanted to look at the PDF book, but it was too easy once I got in there to run a few streams. This box will be a wonder. I still plan to wait to receive the CDs before I listen more critically. The streams are a great appetizer.
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12 years 11 months
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Once you go in…rare is the man (or woman) who (willingly) comes back out. I feel your pain but since I have to wait until Xmas I've borrowed a boat load of music from my younger sister (the same Saint who's purchasing Boxzilla for me). I've also purchased the new Richard Thompson 'Still' deluxe as well as the new Rickie Lee Jones 'The Other Side Of Desire', and Todd Rundgren 'Global'.
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13 years 4 months
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The PDF is what got me in too. Its like giving candy coated crack to a baby. You can't help but give it a taste.. I am trying to save that parts I know I will really enjoy.
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10 years 2 months
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Bill Kreutzman 2/19/71 => 10/19/74
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9 years 1 month
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I am still resisting any preview of the streams although I pretty much read the entire book. I want the first listen to be on something other than my computer or phone. But it looks more and more like I might have to get that Spring 1990 TOO box to satisfy my need for more immediate gratification.
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9 years 1 month
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You people do realize that there is no prize for holding out, right? Bring on the streams, once the box arrives I'll start over!
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10 years 3 months
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Not sure if he has been mentioned but love Matt Abts from Govt Mule. I am not a drummer myself but love the way he fits in on all the various Mule styles.It doesn't matter if its rockabilly..reggae..power trio..blues shuffle..or whatever Warren throws at him.....very unheralded
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15 years 9 months
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There's only one directionIn the faces that I see And it's upward to the ceiling Where the chamber's said to be Like the forest fight for sunlight That takes root in every tree They are pulled up by a magnet Believing they're free The carpet crawlers heed their callers You gotta get in to get out
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14 years 11 months
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Anyone selling the steamer box with the 73cds - if so I'm buying.... Offering $700 US to anyone selling and can ship to Aus included within that price - you can buy yourself 30 trips with that!
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14 years 11 months
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I could buy the all music version heaps cheaper but not sure what discs come in - it says a generic box - does anyone know is this box strudy - does it have the europe logo on at least????
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15 years 7 months
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Renaud Garcia Fons. Good start is his album Oriental Bass, but anything from this album onwards. Earlier records are also good, but here is where he hits his stride. No need to thank me for this precious gift...Then there are the game changers( nearly wrote game chambers as in Paul Chambers!), but I will make do with Scott Le Faro. In rock I always felt that Jack and Phil were in a league of their own, but its years since I listened to Jack, pretty much nothing since the Airplane crashed in fact. Good to see the love for Elvin in the drummers roll call, but thats a little obvious, get out of the Dead ghetto and dive into jazz my friends, there is a huge world out there waiting behind that door we are begining to crack open! And so I propose for you.....the pitter pattering of Paul Motion!
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13 years 4 months
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Nice Genesis reference. ..seeing Hackett in a couple months, small venue third row. Thanks for reminding me.
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17 years 4 months
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The box that the music only Europe 72 comes in is just a plain cardboard box. No logo or anything fancy. The CD cases are the thin cardboard ones where you slide the discs in and out of, like the Road Trips cases. Also, having all 30 shows on my phone has made it so I can listen to it anywhere. So I have, and anywhere I drop the needle the shows have all been great!!! I had planned to start at 66 and to go all the way straight through, but best laid plans of mice and men... Anyways, I hope they keep this streaming for as long as possible. This really does show that they were always chasing the sound, even up to the very end with so many new songs. Internet high five to Dave and Co. for excellent show choices once again!!!
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15 years 9 months
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Jim, Giving it some serious consideration too - should be a no brainer, but it's the day after DSO at HOB.
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13 years 4 months
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Easier call to make when we were in our 20's and under employed. I have to check the DSO schedule. NRPS are playing an hour from me tomorrow..(actually tonight). I'd like to go but I do not think work is going to cooperate. Those guys still have it going on.
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15 years 10 months
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STREET LEGAL, a turd?!?? SAVED, a turd?!?! What is it about these albums that you cannot instantly connect with my friend? BOTT is my ultimate favorite as well, but Slow Train through Shot of Love are the true works of genius. Almost anyone can be cool some of the time, but no one can be cool ALL of the time. Bob disproved that right there. And the shows during that era. Best. Just the damn best. Always love to read through the transcripts of Bob's "sermons." Clinton Heylin's Behind the Shade has a good amount of 'em. And Street Legal... WHERE ARE YOU TONIGHT?!?!
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14 years 11 months
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guys im selling individual shows from the 30 trips set for those heads wo cant afford or dont want all shows. all shows available except 66 67 69 70 71 72 and 73. shows 55us dollars each inc shipping from oz... email me at gilmourstephen@hotmail.com with requests...first come first served...also taking offers for book the single and the scroll...
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13 years 5 months
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Right on, those gospel-era Dylan albums have tons of great songs. Even an atheist like me can appreciate the inspiration so plainly heard there. Where are You Tonight, In the Garden, Groom's Still Waiting at the Altar, Every Grain of Sand, New Pony, Pressing On, Lenny Bruce, Señor, Are You Ready, all amaze me. And I would include the album Infidels in this era (although the production is dated by that crazy drum reverb). Slow Train too, although I guess most folks know and like that one.
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13 years 4 months
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I'm partial to the Bart Simpson one myself. The clown is rumored to be a scary, bad trip inducing clown.. so be verwry careful.
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16 years 2 months
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Last night I had a dream that when I checked my inbox the next (this) morning the shipping notice would be there, stating that I would receive the box in 7 to 10 days. I was happy because I wasn't expecting the shipping notice email until later in October. I want off to work, and when I came home and pulled into my driveway, the USPS mail truck followed me in, as soon as I got out of my car, the letter carrier asks me my name & address to confirm it and asks me to help her get 2 parcels out of the back of her truck addressed to me. I look at the senders names & addys and both are from dead.net, both are the same size, but 1 is heavier than the other. Inside I open the lighter one and it's the 30 Trips box. YAHOO! I am elated because I got it early! I open the 2nd one and it's a case of Dogfish's American Beauty longnecks that just seem a bit different than a normal height 12oz longneck bottle. See my previous posts about the size of this box - a case of beer. My clock alarm chimes in and I wake up. The sweet dream is over. I live in Pennsylvania and I can't receive any alcohol thru the mail, except for wine & spirits sold by the PA Liquor Control Board so I know it was a dream, or nightmare, depending on how you want to interpret it. What was the basis for the dream? I was streaming Samson & Delilah from 10/3/76 Cobo Hall and really took notice to Phil's playing. I had streamed a sbd S & D from said show on Archive some time ago, but really didn't take notice of Phil's bass until I listened to this 30 Trips last night.
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13 years 4 months
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uh ohh, cross eyed. I hope your kids didn't bring home any of those kiddie rub-on tattoo's Bach is warning us about... I have banned the scary clown version in my house.
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10 years 1 month
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A lot of those Dylan albums from Street Legal through Infidels are not my favorite necessarily, but they are full of great songs and collectively are not at the bottom for me (that's reserved for Down in the Groove). Slow Train gets the most attention of the three gospel albums and there's some great stuff, but I find the production a little sterile and don't go to it often as a full album. When He Returns is a fantastic song though, as are several others on there. He took a lot of them much further live. Of the three, Shot Of Love is probably my favorite, looser and a little funkier. Though it's not without it's question marks..Lenny Bruce? Haha Street Legal...I love Changing of the Guards, Senor and Where Are You Tonight. Infidels has grown on me, but the production One Man mentioned can be tough to get by at times. Check out a live Jokerman, either the Letterman version or Woodstock '94. KYTrips - Even though I consider his modern stuff to be my favorite era (well...or maybe Rolling Thunder), I have a tough time not ranking Highway 61 Revisited and / or Blood On The Tracks as my favorite. It alternates..frequently. I think they are both examples of perfection. I love his pre-Freewheelin' blues and folk, mostly available on bootlegs but there are a few released example (Starbucks, Bootleg Series 1). The first album is also fun, if not completely indicative of his repertoire at the time. Has anyone heard him on Cynthia Gooding's radio program Folksinger's Choice in 1962? A lot of his blues and folk covers, plus the banter is hilarious.
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9 years 3 months
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Love carpet crawlers...keep wishing some of the rumors of them wanting to revisit that would come true. May be too long in the tooth to do that. I got some incredibly tasty clown action back almost 30 years ago, but it was a big goofy clown face. Gone are the days...wish they could come back. Any folks have a good fungus book to read???
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17 years 5 months
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Not too bad, I just received a 'last chance' address change notice because the box is shipping 'soon'.
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9 years 11 months
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I've also just received the 'last chance' to change info email surrounding Boxzilla shipping. Deadline to reply is Friday 10/2 so I imagine these babies will begin to go out shortly thereafter. Looking forward to seeing who is among the firsties.
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9 years 5 months
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Thank you for ordering the 30 Trips Around The Sun Box! Orders will begin shipping soon. To ensure that orders can be processed and shipped to their proper destination, please review your order details below. If an address change is required, please reply to this email or call 877-DEAD-NET. The final deadline to reply is October 2, 2015 at 11:59pm ET. After that your order will be processed as it was submitted.
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10 years
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Got a last chance Address confirmation from Dead.net this AM! The final deadline to reply is October 2, 2015 at 11:59pm ET
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16 years 2 months
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We've seen this before - then there was this delay (but not former US Congressman Tom DeLay of Texas) and some cancellations, with me included. Then, with financial help from somebody, I was back on the boxzilla bandwagon. I think this time it's for real - everything's perfect, time to ship. But somehow I think some folks will get boxzilla BEFORE the shipping notice email arrives in their inboxes. That has happened to me a couple times. I think shipping will begin the work week of October 5 at the earliest, but that's only my opinion. After all the announcement for Dave's 16 and it's shipping date of Sunday November 1st or Monday 11/2, is just around the corner.
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10 years 6 months
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You must read the brotherhood of the screaming abyss........my Denis McKenna.... Younger brother to the one and only fearless psychonaut Terrence McKenna.....it's about his life with Terence and all their cosmic adventures..... Especially with the cosmic mushroom.... I'm really surprised that Terence's name never comes up on there's boards... Jerry' was really into his work.... Read it,... Blow your mind.... Your welcome.....
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9 years 3 months
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I have it ordered. Thanks. Seems like I remember seeing a documentary on these guys, not sure. Did they have some funky math equations related to space travel or end of times scenarios? Can't wait to read. Also looking for a good cultivation resource... edit: yep I am sure it was a PBS special on these guys and the fractal timewave. Still doing a little side checking. Fractal patterns based on the I Ching. Stuff that is right up my wheelhouse of interest. Radio I Ching anybody?
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15 years 1 month
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It'll all soon be moot if these "last chance" address confirmations are the tea leaves we think they are, Latvala willing. But the one person who could tell us what's been up with this box is a new name on the credits: Kate Dear. Responsible for "Package Supervision." Far as I can tell no online presence. Maybe marye can reach? Kate Dear has helmed "package supervision" on just one other big box set for Rhino before this one, if discogs.com is to be believed: the Yes Progeny 14CD set. Not nearly the beast that Boxthulu here is, but I still wonder, does anybody have that "Seven Shows From Seventy-Two" box to comment on?
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