30 Trips Around The Sun Box & Digital USB

Post reply Log in to post comments

September 4, 2015 - 10:38am

7,852 replies

admin

Joined:
March 9, 2007

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

Comments

sort by

Recent

Recent Oldest A to Z Z to A

Reset

June 16, 2015 - 2:28pm

#6631

KeithFan2112

Joined:
August 6, 2014

Speaking of Decline

Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
June 16, 2015 - 2:27pm

#6632

JimInMD

Joined:
June 27, 2011

DearJerry

For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
June 16, 2015 - 2:26pm

#6633

Cousins Of The…

Joined:
September 10, 2009

Mo' Keith

Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
June 16, 2015 - 2:25pm

#6634

PalmerEldritch

Joined:
July 25, 2011

I love the keyboard/era debates!

I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
June 16, 2015 - 2:11pm

#6635

KeithFan2112

Joined:
August 6, 2014

hahahaha What?? He stole Jerry's stash??

No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
June 16, 2015 - 1:55pm

#6636

LoveJerry

Joined:
March 19, 2015

Jim In MD

I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
June 16, 2015 - 1:39pm

#6637

KeithFan2112

Joined:
August 6, 2014

You Know a Rumble Ain't a Rumble Without Me

Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
June 16, 2015 - 1:12pm

#6638

JimInMD

Joined:
June 27, 2011

Re: DearJerry/Keith

Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
June 16, 2015 - 1:02pm

#6639

JimInMD

Joined:
June 27, 2011

Re: Brokedown

I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
June 16, 2015 - 12:54pm

#6640

mbarilla

Joined:
August 8, 2013

Check out JGB live shows from 1978

Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

Kris

Speaking of singer-songwriters, deeply penetrating lyrics, oodles of people covering your songs, and country rock ~ check out Kris Kristofferson's debut album if you never have. Desert island disc.

Dylan concerts...

If you get a chance to see him..go for it. I haven't seen him in a couple years, but saw him 12 times from 2007-2013 and all the shows were awesome. He's still got a very good band behind him.

Response to Tony is Dead

Tony - I dont think its foolish to break up the set... My purpose is two-fold...1) to give those heads who cant afford the whole box or dont want all years - to select the shows they want and 2) to probably make about 200 bucks profit all up to cover the poor aussie exchange rate and shipping cost. I bought two sets - so i could be of service.... Also just bought the 18cd dylan box and selling the high-rez download card - so any offers - let me know - im keeping the box but NO need for downloads......

re: Hackett - I'm in!

November's going to be a big music month for me... Full immersion into 30 trips & DaP16. Seeing three live shows: Dead & Co, DSO, Steve Hackett Also got tix to see Disney in Concert in February - time to get my three year old seeing some live music!

white space between streaming tracks - could that be box issue?

I use Chrome on PC and Safari on iphone and hear the white space between songs. Is that the nature of those browser or could that be what the production issue that caused the delay? Maybe when the QC'd the final product they noticed the space between tracks and had to redo them for both versions of the 30 Trips??? I can't imagine they left off Vince from the box, but had Bruce. Since we got the pdf of the book, it's not the book... That would explain why the compilation was not delayed - a different song from each year. Either way getting psyched for the big delivery!!!

@chastason - 30 trips spoiler visual (and Kate too)

How can we get that gif of all of the covers and make an app for a smart phone? Wouldn't it be cool if a text message, phone call or email came in and your phone would start flashing that album cover gif??? Here it is if you missed it: http://imgur.com/SyLZIe2

Kris

the debut kristofferson album is a stonkin' classic. i got turned on to him, tripping, close range at the 1970 IOW festival, him and band performing those now classic tunes, rowdy french freaks to the immediate right of me throwing drink cans at the stage, kristofferson gallantly soldiering on but then beating a retreat - 'the natives are getting restless!' - all captured on audio, probably still available at archive.org (maybe?). the band got invited back two days later and played a peaceful sun drenched afternoon set. first time i ever saw american country music, and one of the best times i ever experienced it.

pre-order

What do you do with high resolution download? I mean do you burn it CDR or do you play it off of your computer or ipad if you have one? the debut kris Kristofferson album is pure classic not a bad song on the whole thing and the album is cohesive...you might want to get either the follow up or the one before title "silver tongued devil" not as good as the other one but decently close to it.

Dylan posts

Just want to say how much I've enjoyed all the posts on Dylan here--some really great stuff, just a ton of outstanding posts. Gary, I hope you'll let us know which Dylan album(s) you end up buying and what you think. Personally, Blood on the Tracks hits me on a level beyond anything else he's done but I can certainly understand why many consider some of his earlier albums as his best, especially Blonde on Blonde and Highway 61. Muleskinner, yes I have Tell Tale Signs, it's absolute gold and I agree that anyone who likes Bob should check it out. It looks like no one has mentioned Biograph so I'll just add that it's a great collection with some very cool alternate versions. I really like the Visions of Johanna on it. And listening to Biograph was the first time I heard Every Grain of Sand, mentioned earlier by One Man. I'm not a religious man but this song is beautiful. One last note: I bought Planet Waves earlier this year and gave it a couple good deep listens on a long drive. I've heard Forever Young hundreds of times but somehow, hearing it in the context of the full album it really moved me (the slow version that is). Maybe it's because my kids are teenagers now but I until recently I'd not fully appreciated what an incredible piece of songwriting that is.

I'm not too late, am I?....

....surprised no one mentioned Jon Fishman or Bugs from Los Lobos (who are playing here in five weeks btw)....maybe not The best, but worth noting.... ....Dylan....hmmmm....Blood On The Tracks is most special....that's all for now.... ....edit. Desire is pretty sweet too....

Alas my friend..

Its never too late.

Individual shows for sale - UPDATE

guys im selling individual shows from the 30 trips set for those heads wo cant afford or dont want all shows. following shows still available (9 gone): 68 74 75 76 77 78 79 80 81 82 83 84 85 86 88 90 91 92 93 94 95 shows 55us dollars each inc shipping from oz... email me at gilmourstephen@hotmail.com with requests...first come first served...also taking offers for book the single and the scroll...

That's a good profit saintstephen71 + super score

When's the Dave's 16 announcement.. Final pick of year and it better be Top Notch !!! Just scored a super stash, so Hopefully it's not one of these.. 8.4.67 3.19.77 12.27.77 6.27.84

Countdown Revisited

Either 14 OR 30 days until BOXZILLA ships.

fungus

pf tek

Rambling about Dylan

Hi all, I got into Dylan via the first three records, so maybe they're the best place to start, depending on where you're coming from. I guess I'll say Blood on the Tracks, Bringin' It all Back Home, and The Freewheelin' BD are the most essential in my eyes (ears?). Of the last 25 years, I'd concur with some others that Time Out of Mind is the best, with special mention of some songs that are for the ages (esp. Mississippi & High Water) on other records. I go through periods where Street Legal gets a LOT of play. John Wesley Harding is also high on my list. And, I dig the two early-90s acoustic/roots records, as well as Blonde on Blonde, if you skip the first track. Of the three 'gospel' LPs, Slow Train Coming stands out, in part because of some tasty guest guitarists, but Shot of Love has some outstanding tracks, too. If you've got the standard records and are eyeing the Bootleg Series releases, I'd most recommend vols 1-3, 8, & 11. What to avoid? At the bottom of my list are probably Brownsville Girl, Dylan, and Saved. Also, I'm also not really fond of listening to Empire Burlesque because I can't stand the production and some of the arrangements. Ultimately, there is no Dylan that doesn't get some ear time with me every so often, and this response could get really long if I head down this road any more. Happy Thursday morning, all--soon we'll be able to have 30 Trips with our coffee--greet the morning air with song!

How could I forget?!

Planet Waves! Definitely a favorite and one that gets heavy rotation in my life. When I had my two kids 8 and 10 years ago, "Forever Young" was enough to bring me to tears. And I love the 1st side ending>2nd side opener back to back versions on Planet Waves. Positively 4th St. was mentioned, and man, what a tune. And, since we are posting on a Dead forum, I must say, Jerry really brought soul to both "Positively..." and "Forever Young". Jaclyn and Gloria backing Jerry on the chorus of :"Forever Young" brings it home. Finally, I am glad someone mentioned Steve Earle's version of "There is a Mountain" at Lockn. That was really great. I have a recording of the set, and I have been looking forward to going back and listening to that one.

steve earle n lockn - matchewy

The neat part about steve and there is a mountain (IMO), was the first verse doesn't always come thru, but he hit the refrain the the crowd jumped on it. Could have just been me :-)I've downloaded virtually everything from lockn, bought the string cheese and my buddy bought WSP, but the rest came from youtube. Also as long as were hitting on the lockn,,,, I really liked the Anders Osborne set, never heard of the guy, but wow. Anyone looking for something do, google search "lockn 2015 Anders Osborne", great set. Would have like to seen Steve Earle do "the devils right hand". String Cheese set was incredible. Liked the WSP with Jimmy Cliff, closest I'm ever getting to hear the soundtrack from the hard they come! The Mad Dog set was great, susan really belted out "the letter"

countdown revisited - 14 or 30 days....

.....the sooner the better,,, AM I RIGHT!

Hackett - I'm in - November big month....

....don't forget 30 days of free dead! I always like that collection.

fourwindsblow

Didn't Anyone GET an e-mail from the dead? Oct 2nd is the last day to call them about your address so i'm leaning towards Oct. 5-15th for the boxes to ship...Dylan's biograph is outdated...there was a release about 2 years ago that came with the complete collection then released on it's own that has all the unique tracks on biograph...except maybe some live but that's been covered on the bootleg series..but that disc was also released on it's own about a year ago I think it's called "tracks".

e-mail from the dead

Yes I got one. Looks like the box will start shipping next week.

Johann

thanks for the tip!

side note!

Somebody turned me on to this awhile back. It'll make your head hurt, but the amount of info on here is astounding. http://deadessays.blogspot.com/

Matchewy

Thanks. That's it!In this case, to TPTB: "I forgot to mention something very important...Don't cross the streams off."

Dylan (Yep, I have to throw in my opinion)

Best (must have) albums: Highway 61 Revisited, Blonde on Blonde, Blood On The Tracks If those turn you on, I would consider supplementing with New Morning, Planet Waves and Street Legal. Want a live one? Bootleg Series Vol. 4: Royal Albert Hall '66 The "gospel" albums? Mostly not good. Each has a good song here or there, mostly rubbish. Street Legal is NOT one of the gospel albums. It MAYBE had hints of him going a spiritual direction, at best. And it's also a fairly good album, unlike the 3 to follow. I don't feel he's had an album worth mention since Love and Theft.

Genesis

A reunion would be awesome, though it probably wouldn't come close to me or be affordable. Phil Collins probably considers his time way more valuable than anyone can pay for. Someone said Hackett hates Gabriel. If that's true, how unfortunate. As far as I understand, there's no animosity with any of the other members.

drshakedown74 - side note

Incredible amount of data, donald trump incredible. Think it's worth printing off/downloading in case site disappears? If site stays up and is updated great, but if you get use to it and it goes.... :-( But thanks for pointing it out.

Guides to Inner Space

The Grateful Dead Guide and The Grateful Dead Listening Guide are indispensable online tools for the burgeoning Deadhead. Go on, ask me how I know! +1 PF Tek

@Tony_is_dead - Re: 10/2 email

If you scroll back a day or so you will see that several folks mentioned that they did in fact get the email. It was basically a rehash of one at the time of the delay, but it did say they were going to start shipping soon so I hope that means next week. In the meantime I am loving the stream! Haven't been able to stop it since I started about a week and a half ago. Not one subpar show yet. The '90's stuff is blowing me away! Really, really good. I guess it surprised me since I did not see the band after '87 and most of the comments here on Vince are negative. Well good old DL found some shows to put those comments to rest once and for all Rock on and long live Dave Lemieux! He is 'da man for sure

email

I would have to agree with fourwindsblow that the box could start shipping as soon as within the next week or so. The nest Dave's Picks should be announced then. Just realized that today marks the 21st anniversary of the '94 Boston show from the box, and a great one at that.

Bring on the Box !!!!

Maybe they are adding extras, lithographs, patches, or tee or something... toss in a couple bonus discs of primo cuts featuring each variation of the band.. good thing I didn't pay for shipping Lol !!! Bring on.. 6.19.76 for Dave's Picks 16 and Bonus disc of 2nd set of 6.27.76 !!! What's the word for RSD ?? Mono ?? List is small now but should have official news mid month

not to be a d*** ass

I am lost, what is RSD?

RSD

Record Store Day

thanks Jim

Always seem to forget record store day as I have never really participated. I guess I will head down to our local freaky record shop on that day just to check in. I am sorry that I might ask this question next year.

JRAD Stream

Joe Russos Almost Dead will be streaming via NugsTV for all three shows this weekend at the Brooklyn Bowl, New York. If you haven't.......you really should. Peace

Dylan

IMO Dylans best work came from 64-67, with Blonde on Blonde being the peak/best. Chimes of Freedom really is a turning point, in my opinion everything after that song was gold. Just as many of the people in the 60s, Dylan went far out and then sorta lost it and had to come back to earth in order to make sense of what just happened. I found that after my own psychedelic experiences I wanted to strap myself to a tree with roots. Its crazy how many people I know personally that went through years of psychedelia only to become farmers haha, its like you either lose it and end up forever in space or you come WAY back down to earth. I never listened to bluegrass until after years of psychedelic music,so happy I now get to enjoy Grisman,Bill Keith,OAITW, Muleskinner etc. I now find psychedelia in almost all music. Dylan being ahead of everyone by atleast a year(64-67) was the first example of this with the great John Wesley Harding and Nashvile Skyline. Love Blood on the Tracks(Especially the NY versions) and Desire; and though I am not Christian I feel very moved by SlowTrain, Bob's vocals and raw emotion really come through atleast for me. I haven't listened to much of his 80s work, though Jokerman is alright by me. For the 90s I really enjoy World Gone Wrong the most, GarciaGrisman also did renditions of a couple of the tunes on there. Tempest and Shadows in the night feel like gifts to the world to me and I really enjoyed both. If I had to choose one album from Dylan to take with me, it would be Blonde on Blonde.

Dylan

Always happy to engage in debate or critical analysis of the man.. On that note, he largely has been playing the same setlist since 2013 with minor tweaks along the way. Admittedly has taken a lot of the fun out of watching the setlists, which was like religion before that. But still great shows. His Fall tour started in Oslo today and benefiting from the time difference, he's already done. That's the only good thing about him touring on a different continent! So he started working some songs into Shadows In The Night first last Fall briefly and then earlier this year a bit more. Tonight's definitely unusual in that it had 13 originals and 7 covers, including several (obscure) Sinatra covers that weren't even on SITN. They were both recorded at the time of those sessions, and there has been rumors of a Shadows vol. 2, but still, pretty random. Haha 1. Things Have Changed 2. She Belongs To Me 3. Beyond Here Lies Nothin' 4. The Night We Called It A Day 5. Duquesne Whistle 6. Why Try To Change Me 7. Pay In Blood 8. I'm A Fool To Want You 9. Tangled Up In Blue (intermission) 10. High Water (For Charley Patton) 11. Full Moon and Empty Arms 12. Early Roman Kings 13. Come Rain or Come Shine 14. Spirit On The Water 15. Scarlet Town 16. All Or Nothing At All 17. Long And Wasted Years 18. Autumn Leaves (encore) 19. Blowin' In The Wind 20. Love Sick

When will the box ship?

Who really knows, I don't have "inside information."My guess is the first week of October, starting on Monday the 5th. My early guess. My guess for the delay is related to the Europe 72 Steamer Trunk box. If you recall, many discs were sent out unpolished and it appeared that there were scratches on the playing surface and that each of the show disc sleeves were made with flimsy cardboard, a thinner grade that the Road Trips series cases. People seemed gypped and there were a lot of complaints, and Rhino had to send out a whole lot of new discs and sleeves. Or something like that. I was one of the lucky ones who had everything just exactly perfect on the Europe 72 box.

Not A D* A Gary

RSD = Record Store Day

rdevil and Dylan

Rdevil: I will update on Dylan and what I think for sure. Been reading and absorbing all that is being written. Love it, especially since this will all be a new experience to me. Been making notes, checking Amazon. Unfortunately, I think I am about to have yet another big music order for 2015. But hey, what else is there do do but music, coffee, Blueberry, and good beer on the weekends! That's the Spirit!

Thanks Dave

I appreciate that very much. Side note: there are a few seats for John Prine and Jason Isbell for tomorrow night. Anybody have any feelings on them. I know Jason pretty well but John Prine is still Virgin territory for me. But wow, some seats are spensive.

Gary...John Prine

Gary,go if you can. John is an icon of American folk music and one of our greatest living songwriters.His voice is kind of rough these days but doesn't take away from the songs. I have seen him several times since 91 or so and it's always been great.

Recent Topics

RE: Bob Dylan 'Rainy Day Women 12 & 35'Since 'Blonde On Blonde' has been cited so much, I have to ask, how long did it take you to realize the refrain "Everybody must get stoned" was meant in Biblical terms not hedonistic ones? Truth be told, it took me some time (admittedly I can be a lunkhead). RE: Country Rock has anyone given Jorma Kaukonen's solo albums a listen? If not, do yourself a favor, there's some great music to be had. Let's face it, he's an extended member of the GD family and he was (supposedly) Bob Weir's guitar teacher when BW first arrived in SF. 'Samson & Delilah' is a Rev. Gary Davis song, JK is a RGD fan, so maybe BW heard it here first? RE: Genesis a friend (a Genesis fanatic) told me when Collins, Banks, and Rutherford were in rehearsals for the last/final Genesis tour, Gabriel and Hackett met up with them in Scotland for discussions for a possible 'Lamb' tour. Nothing was ever decided since Collins was citing a severe, ever worsening back condition and Gabriel had problems with how to portray a 20 year old Rael as a middle aged man. There was even talk of having LucasFilm devise a new slide show to play behind the band while they played the music. To my knowledge it never went beyond the "talk".

John Prine

Yes! Yes! Yes! 'Come Back To Us Barbara Lewis Hare Krishna Beauregard' - play it at your next keg party!

John Prine

The man is incredible. Having first heard his work via Joan Baez on Hello in There from Diamonds and Rust, I was a fan from there. He has an incredible catalog of music. I think of him and Tom Waits together. Writers that most people have heard songs from, done by other artists. Although I love them both as artists. I was playing Clocks and Spoons today on guitar, and it's just a fun song to play. Never get tired of it. I've had the pleasure of listening to a friend who knows John talk about the fun they've had talking until dawn at shows. Would love to be a fly on that wall.

Genesis...

Interesting, yet pleasing that the conversation here took a turn toward Genesis. As a young lad, I succumbed to the Sirens song known now as Progressive Rock and Roll. This before I really "listened" to the Grateful Dead. I have to admit that I still love the genre. Suffice to say that I will be attending the upcoming Steve Hackett show. I write this while listening to Nursery Cryme (Fountain of Salmicis just starting). I've decided not to stream the shows from the looming box, passing the hours instead with many old favorites: John Prine, Duke Ellington, Fairport Convention, Johnny Winter, Hot Tuna, Govt. Mule, Crazy Otto, etc... As has been suggested here earlier, anyone interested in what a Gabriel era Genesis show was like would do well to check out The Musical Box if the opportunity presents itself. Oh, and if anyone is keeping count, I plan on listening to the shows in order '66-'95. Apologies for the long winded comment, I'm at the bottom of a growler of local Oktoberfest and feeling a bit chatty. Rock on! Peace

081227955892