30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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admin

Joined:
March 9, 2007

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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June 16, 2015 - 2:28pm

#6631

KeithFan2112

Joined:
August 6, 2014

Speaking of Decline

Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
June 16, 2015 - 2:27pm

#6632

JimInMD

Joined:
June 27, 2011

DearJerry

For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
June 16, 2015 - 2:26pm

#6633

Cousins Of The…

Joined:
September 10, 2009

Mo' Keith

Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
June 16, 2015 - 2:25pm

#6634

PalmerEldritch

Joined:
July 25, 2011

I love the keyboard/era debates!

I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
June 16, 2015 - 2:11pm

#6635

KeithFan2112

Joined:
August 6, 2014

hahahaha What?? He stole Jerry's stash??

No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
June 16, 2015 - 1:55pm

#6636

LoveJerry

Joined:
March 19, 2015

Jim In MD

I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
June 16, 2015 - 1:39pm

#6637

KeithFan2112

Joined:
August 6, 2014

You Know a Rumble Ain't a Rumble Without Me

Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
June 16, 2015 - 1:12pm

#6638

JimInMD

Joined:
June 27, 2011

Re: DearJerry/Keith

Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
June 16, 2015 - 1:02pm

#6639

JimInMD

Joined:
June 27, 2011

Re: Brokedown

I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
June 16, 2015 - 12:54pm

#6640

mbarilla

Joined:
August 8, 2013

Check out JGB live shows from 1978

Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

any landings in...

CT yet?

Lost In Space

Well, I sit about 100 miles east of Taylor PA patiently awaiting UPS's arrival at my office, while I read about deliveries elsewhere in my general vicinity and farther afield (MD, IL). I got the shipping update email but my order status still says its backordered with estimated shipping date of 10/31. It does seem that there is no rhyme or reason to the sequence in which they are shipping based on the fact that a couple of the recipients posting here ordered the box after I did. But that's OK, I'm just glad they started shipping finally and it's fun reading all the giddy posts...like kids in a candy store. And I have plenty of good tunes to listen to until the box lands here. I'm a patient man.

Nothing in ma

No email about shipment, no shipping info., no emailed links for unveiling yikes !! Only gotten multiple emails about delays and shipping address confirmations. Item still says backorder and I placed it on day 1, hour two so now I'm getting worried. No news is still good news right?

USB has not gone out, according to someone at Dead.net

I just got off the phone with Dead.net, and they said that the USB chips are actually scheduled to go out at the end of the month while the box set is shipping now. Wonder why the USB chip is taking so long.

I should be...

...sleeping right now. I work third shift. I guess I'll go downstairs and sleep on the couch in case UPS knocks on the door.

Sixtus and LowSpark

Sixtus has it right. Congrats to those who have the box in hand!!! LowSpark: as far as taking the box off my front step, I know it will be the 90 year old woman next door. She is always peeking in my window wonderin, what is going on in there. Edit: LowSpark, you get to bed. Feel for you as I would be freaked out to work 3rd with Christmas Eve starting at 4pm

Thanks Minusmorgal(or whatever)

Got this pleasant message in my box: "you said: Sorry Profiteers.. Looks like you scalpers will have unsealed products to send out. Muah muah. I say: you deserve to be buried under medical bills and to rely on selling CDs to make ends meet, but I wouldn't wish that on anyone, so I forgive you for your malicious intent. But you should have a kinder attitude toward others, especially considering that selling a product is a legal activity, and one that your country is built on. Did you ever consider that one of the generous people on this board who answer your stupid questions all day long might be a re-seller of CDs? You're all class pal, take that ridiculous suit off." Because nobody else has financial woes, apparently. Oh, and I'm wearing athletic shorts and a t-shirt. I guess that would indeed make a ridiculous suit.

#0412

I found my number!! To all you folks waiting, this box is cool. I'm spinning the Midnight Hour from 7/3/66 with Pig screaming ALRIGHT! through the Polks. Life is good...:)

FYI

I didn't receive a shipping notice

Like everyone here, I am so

Like everyone here, I am so looking forward to receiving the box! I warned the guardian of my building a big parcel was sent to me as it takes for me in case I will not be home for delivery.A deadhead in Paris, very excited as a kid at Christmas.

no class

lol - I didn't want to embarrass you by posting that comment, but it appears you have no shame. Or maybe you do, as you didn't publicize your response. Like I said class act all the way. Selling 17 CDs from an era I don't care for from my box set and letting people bid on them to decide their worth is not gauging anybody, and folks in fact were appreciative that I broke up a box set. The irony was, I thought I would reach out to you to burn you some '73 stuff before I realized what a turd you are.

Alain

Been loving your posts the last few weeks, we are for the most part a giddy bunch. Question to all, how much space do you think 6,500 of these boxes takes up? I mean if they ship 1,000 a day, that is pretty impressive. I am sure the Europeans get a pallet or two. Then thousand+ (of boxes, maybe 64 boxes/pallet)to the West of the Mississip. I still bet 50% are in the NE corridor...as even Grateful Dead called it deadhead alley (Boston to Washington D.C.). Edit 1) So maybe the U.S. gets 5000 boxes (?) Europe 1,000 - Aussie 250 and maybe the rest of the world 250? Hmmm I would be absolutely interested in that data.

Landing in CT

No shipping yet notice from dead.net. But just got one from UPS my choice. Looks like it's landing in CT on Friday. Can't wait

Gary

Thank you, Gary. It will be a real celebration when I receive the package. I vividly remember the emotion and the excitement I had upon receipt of Europe '72. My friend had filmed me as I opened the box and I went out in all riches.

+

waiting in Montigny-le Bx , aussi !!!!! Hey, now !!!

+

So how many Aussies do you think are on board. Has to be close to 500. Just a WAG (wild a** guess).

AAUGH!!!

No box set for me today...sigh. It's been tough catching up on all the posts - did anyone mention if the sound quality is better than the streaming shows? (and they sounded pretty good). On a side note - this is a happy day, I would encourage everyone to refrain from antagonistic posts.

Keith

So far only one post on anything about the sound, that was an hour ago, He was listening to Midnight Hour from 66.

#4294 I think Arrived

NO Shipping email showed up on the porch they are NOT packaged like the DaPseries. The pictures or a video DOESN'T DUE IT JUSTICE.

# 6193 arrived in Bethlehem PA ...

@ 5:00 PM ET EXCELLENT! I AM VERY HAPPY! THANK YOU JACK (or at least your estate, may you rest in peace) SPOILER ALERT! Here are the dimensions of the box in US measurements (sorry Alain & others who use metric): 13.75 x 9.25 x 8.50 1st up: 1966

Boxzilla

Never got a shipping notification but Boxzilla just arrived on the east coast in MD. Time to get down to business. Refrained from the streams!

Here's one for One Man

for those needy and grateful heads who cant afford the box and only want one or two shows - the last FEW shows and the LOWEST price i'll ever go - each show $43US by paypal (inc postage from oz) - get in touch asap to reserve. Also if anyone wants 93 94 and 95 shows - 120 for the bundle email me gilmourstephen@hotmail.com remaining shows: 68 82 83 90 92 93 94 95

still wonder

Who wins the Contest. How many remained white as snow...

Now

Getting ready to transfer the discs to jewel cases and then packing this thing back up until I figure out how to display

Gary & All Other Fockers

Gary thanks for the update on the sound bro. Speaking of '66, that Monster song was a nice little 60s ditty, I'm looking forward to giving it the "crank test" (i.e. turn it up full blast in the car). I am so happy for everyone who got it, I can't wait to get mine, hopefully tomorrow...

Miracle?

anyone get a Miracle scroll yet?

Alain

I just received E72 about 90 days ago...had to order the generic version :( So no excitement from opening the Steamer Trunk. Oh well loving the music. Trying to remember which show you saw on E72. Will pay close attention when I get to hear it!

RE: MIRACLE

I had to go back and look at the email. my box has a number so it is not a miracle box. good luck to those still alive

Keith

I think I am going to have a friend who is a sound man come check my stereo this weekend. I mean I need to let everyone hear how good a 66 midnight hour is. Absolutely cannot wait.

Order Status

I was just wondering what the order status is of those that have received the box. Does it still show as backordered?

no communication

I have not received any communication. So there is some sort of Miracle Ticket? Is it Nassau Coliseum or Willy Wonka?

yes

YES IT WAS BACKORDERED THIS MORNING. The MIRACLE EMAIL READS LIKE THIS:Unroll that scroll! Does yours say MIRACLE? Well, we can't gift you with tickets to 78's best show but we ARE going to grant each miracle scroll holder with a personalized Grateful Dead 30 Trips RIAA-certified Gold Record plaque as well as your numbered scroll. To claim your miracle, we'll need you to follow a few simple steps – outlined here – by November 16th, 2015.

Gary Farseer...you mean this?

The Wonka Golden Ticket! http://www.cakebakeandsweets.com/melbourne/wp-content/uploads/sites/3/2…

Order status meaningless

UPS tells me the box has shipped, but order status still says backordered, estimated to ship 10/31/15. I would say, Don't worry about the order status.

mmmm thanks sixtus

would love a Colorado Wanka Bar. I can almost see green chunks in there somewhere. Thanks for the update Fluffua, sorry if I did not get name right.

Sorry

I Hate being a spoiler but whenever most of you guys gets yours please answer this because ultimately it's about the music but to me this is about the BOX. I've owned a steamer and 90 1st box but this BOX takes the CIGAR WARLOCKS BOX to the next level. how do you guys feel? I've dubbed it the cigar dehumidifier

Fluff

sounds incredible! As I stated this morning, as Warlocks were my last shows, I think I will replay those tonight and tomorrow, even if I get the box tomorrow. Egad

@Born Cross Eyed

Thanks for the dimensions. When I saw the video yesterday I could see it was smaller then I originally expected it would be which is a good thing. I have just the perfect spot picked out in my music room for this baby. Glad to see you are in Bethlehem. My daughter went to Lehigh so we spent quite a bit of time down there a few years ago. I downloaded 9/25/81 show from Stabler Arena a couple of years ago. I like to have shows from venues that I know. Go Mt. Hawks! Rock on

Liner notes

Has anyone who has the box spoken about this yet? I haven't seen it. But I know someone else asked. From the quoted length of the book and the way it appears in the video, the liner notes Are Not in the book. So my edumacated guess is, The Liner Notes Are With The Individual Shows.

No Worries

You got it right. Colorado Wonka bars would be awesome Too bad its possibly +1.5 days from the WV. It seems we have Md. and THE WV panhandle covered that's closest to the VA mailing code

@rrot

Yes, someone earlier said each show is sort of like a DaP. Liner notes, photos, news articles, and the set lists are on the back of each show. Rock on

well gotta head east

Congrats to todays winners!

@rrot

I wasn't worried per-say but just curious. I live in the boonies where mail doesn't get delivered and was just trying to figure out if I should take a trip to the post office. I seriously doubt that it will arrive here in AK for a few weeks...which just sucks. :(

hopefully this helps

The CDS I looked at have a message from Dave I tried the last show. I couldn't find anything in the book but I'm probably the guy really answer but there is no booklet to the shows. the book reeads both you read half than have to make the back the cover I thought that was badass

Oh, I missed that

I did see someone post "they are NOT packaged like the DaPseries" But they are?

Got it, thanks.

They are NOT with photos, news, etc in the individual show cases. Just the brief notes we saw in the PDF.

they are NOT

It's kind of like Road trips meets Europe72 with a little bit of 77 in my opinion. So BE CAREFUL disc openings could be at the top of the show you pick out

If you really want to know

If you really want to know when the set will arrive at your door... Get a free UPS.com account (not a Premium, or whatever they call it). It will tell you the scheduled date and the tracking. You don't even have to know your package number, it will find it for you. Just have to make sure your name and address are exactly as dead.net has it.

THE USB

AFTER SEEING THE BOX I WANT TO SEE A UNVEIL OF THE USB PACKAGING

Show notes compared to the 4CD-set

Can anyone give an opinion on the quality of the show notes. I believe in the 4cd truncated set - there were show-by-show reviews and notes. Are these replicated here or would the 4cd box be a good accompaniment to get to also get more detail on shows (as well as be a handy one for thee car).

product sku

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