30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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admin

Joined:
March 9, 2007

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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June 16, 2015 - 2:28pm

#6631

KeithFan2112

Joined:
August 6, 2014

Speaking of Decline

Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
June 16, 2015 - 2:27pm

#6632

JimInMD

Joined:
June 27, 2011

DearJerry

For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
June 16, 2015 - 2:26pm

#6633

Cousins Of The…

Joined:
September 10, 2009

Mo' Keith

Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
June 16, 2015 - 2:25pm

#6634

PalmerEldritch

Joined:
July 25, 2011

I love the keyboard/era debates!

I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
June 16, 2015 - 2:11pm

#6635

KeithFan2112

Joined:
August 6, 2014

hahahaha What?? He stole Jerry's stash??

No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
June 16, 2015 - 1:55pm

#6636

LoveJerry

Joined:
March 19, 2015

Jim In MD

I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
June 16, 2015 - 1:39pm

#6637

KeithFan2112

Joined:
August 6, 2014

You Know a Rumble Ain't a Rumble Without Me

Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
June 16, 2015 - 1:12pm

#6638

JimInMD

Joined:
June 27, 2011

Re: DearJerry/Keith

Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
June 16, 2015 - 1:02pm

#6639

JimInMD

Joined:
June 27, 2011

Re: Brokedown

I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
June 16, 2015 - 12:54pm

#6640

mbarilla

Joined:
August 8, 2013

Check out JGB live shows from 1978

Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

25 hours since the box arrived ...

25 hours since the arrival of this "boxzilla": - my order status still says "backordered"; - no shipping notice in my inbox yet; - I can still stream the music (may expire sometime in November) - the 10/12/84 Dew seems to be a full soundboard, not audience patch as with the stream; - I downloaded the .pdf of the book, so no trouble there until I delete it from my computer; - I enjoy this box very much; - Keith Godchaux has some very nasty words for "saintstephen1971".

Good to go...

Box unpacked, all discs, book, scroll and swag accounted for. Looks great. I really can't imagine why anyone would want to break it up for $$, but hey that's just me. Box #2076 (no miracle) Tik: 10/30/91 Oakland Coliseum Arena, Oakland CA Pass: 8/21/93 Autzen Stadium, Eugene OR Ah, where to start?

Oh me oh my-oh

Delivered in Ohio. #3901 Stub: 6/27/93 Sacramento, CA Pass: 3/22/95 Charlotte, NC This thing is just amazing. So why can I only focus on the fact that the winter mural on the back is just slightly starting to peel away by the right hinge...

Ripple words

I've always sung (to myself) "If my words did glow/with the cold of sunshine"...and it turns out Jerry was singing "with the gold of sunshine..." Who knew? Even when I saw him sing it at the Warfield with Grisman, I was singing "cold"...no wonder people were laughing at me. Kind of like when my friend was keeping a list at Shoreline and he listed "Tear Up and Station"...well, maybe not exactly the same. So there's one benefit I've received from the box already...the correct Ripple words. Thanks!

g1u2i3 here - "Happy" comment

Dead.net newbie from the Chicago suburbs here . . . I've been reading the forum for awhile, but only joined when I bought the 30 Trips Box Set. I never got to see GD Live, so I really enjoy (and value) the conversations, all of you have, about shows and songs. Hearing from all of you who have done so much more GD Live listening than I have is awesome. So a big thanks! This is a great community (for the most part)! :-) Since this is my first post, I want it to be a positive one. I received the 30 Trips Box Set just now. I didn't listen to any streams, look at the PDF Book or watch the "unboxing" video. The anticipation for these many, many weeks has been so excruciating, I thought I was going to have to seek medical attention! So . . . the Box is beautiful, clever design, really a special piece to own. It's the coolest piece of music "media" I've ever seen. It makes me want to go on a road trip to California, just to listen to these shows in a deserved beautiful setting, the West. "Thank you's" and "high fives" to all involved. By the way, I received . . . #5679 Ticket: 1991-10-31 (Oakland Coliseum, Oakland, CA) Backstage Pass: 1993-06-22 (Deer Creek Music Center, Noblesville, IN)

SOLD OUT?.....

NOT!!!!!!!!!!! Order NOW avoid the wait.

g1u2i3 here - "Sad" comment

I also had to share the down side of the 30 Trips Box that I received. So, I'm opening the packaging for the Box (also nicely done, by the way), get to the actual Box and my heart literally flutters! Very exciting! I open up the cover and see all of the shows . . . amazing. Such a warm feeling came over me, like it's GD "comfort music". It only took a second to find the flip down "name panel" where the book is stored, which is also a very cool touch. So, I thought, well, the rest of the goodies must be behind the back "name panel". As I'm turning the Box around, of course, I'm reading the "name panels". Then, I pause . . . and do a double take. I don't think I saw Jerry's name . . . jeez, or Bob's or Pig Pen's either. I do a full 360 degree look again . . . and what do you know, there is no Jerry Bob Pig (Pen) "name panel". When they assembled it, they attached the T.C Keith "name panel" on each of the sides of the Box. Quickly my ecstatic feeling washes away. I immediately pick up the phone to call Customer Service and start to explain what the situation was. Amazingly, when I initially spoke of the "name panels" around the bottom of the Box, the agent said, "Name panels? What do you mean?" I had to make her go to the website to look at the picture of the Box. She had no idea what this Box looked like. Great start to a customer service conversation. After seeing the picture, the next thing she says (in a completely non-customer service tone) is, "So what do you want me to do about it. This is a limited run product." Holy Sh*t! Really? I said, "I spent $758 on this and expect it to be correct. Especially, since you've made us all wait for you 'to get it just exactly right'". And of all of the "name panels" to be missing, it's the one with Jerry on it, my favorite GD band member. So, she tells me to email her a picture of it and gives me her direct email address. So I do. A few minutes later, I get an "email not delivered" message. And I had read the email address back to her, so I knew it was correct. Now, I'm starting to get nervous. Was that an intentional blow off from a customer service agent? I called back again and this time the agent told me to send it to deadnet at custhelp.com, and I did. I do not have a good feeling about the outcome of this . . . and it saddens my GD heart. While the music is the most important thing, this Box is so cool, I want it be correct. Can you imagine looking at your Box the rest of your living days and not seeing Jerry's, Bob's or PigPen's name on it. I don't even want to think about that possibility. Very sorry, this was so long. I had to tell of my experience, and I know there are some good listeners here :-) Well, I am going to go listen to my first show from the Box . . . fully expecting my ecstasy to return . . . Peace and kindness g1u2i3

@zxtttxz

...I always sing 'Better head back to Tennessee Jeff' (my name is Jeff) and 'Never could read shit, just slips away, but I try. (I am an 'ok' reader, btw ;) Anyone remember Blair's Golden Road blog, and the mondegreen discussion?

They're heeeere....

My box showed up today without any notice. Not even on MyUPS! So, it was nice. I can promise that the numbers have nothing to do with when you ordered...I'm 6196 (or something like that) and I ordered within an hour on the first day. No big. But mine is intact, thankfully. I'll start digging in during the next week. The book looks awesome and the scroll, Miracle-less, is interesting to look through. Hope everyone gets theirs soon!

Got my MIRACLE

Box came today. Ticket from 5/27/93 Pass from 8/22/93 Scroll has a gold MIRACLE on top. Any idea how many of these were sent out?

Surprise delivery, ready for weekend

I started with 1967...blown away at the quality! Is this and 1989 the only multi track? Also, I asked Dave a while back about matrix. He replied...possibly 1983 or 1985? He couldn't remember exactly which one Jeffrey Norman matrixed..or if he had done it at all. Anybody notice one yet? You would think the taper would get credit in notes like Daves 8..but maybe it was bands audience tape? Did they do that ever? Anyways...Happy tunes to all!

g1u2i3

That is awful. Email Dr. Rhino. They always do right, even when dead.net doesn't.

It was all good until....

I opened the lid of the box and the inner piece of wood that surrounds the CDs was glued to the cover that holds the 7" vinyl. Too much weight for those hinges and they ripped off. Yep..the fu*kin lid broke right off. I can't even get to the record. I assume the ticket and backstage pass are near the record but have no clue because of this large piece of wood glued to the cover. Almost forgot..my Albany 1993 show had a box cutter slice down the spine and the box from another show was damaged also. I can't wait to talk to customer service, and if they're no help, I'll be talking to my credit card company. Amazing..just freakin' amazing.

@g1u2i3

I see that Mr. Jack Straw has pointed you to Dr. Rhino, and you should get helped there. You might want to also send Private Message to MaryE, who is an administrator of this site. She has helped many people get issues resolved with purchases. Good luck!

IT IS

NOT WOOD AND THAT IS NOT GOOD!!!!!! I have a choice, be upset or just move on.. I'm just going to move on & be grateful, as it truly is ALL ABOUT THE MUSIC Not what type of box that music is in. Tonight's show 7/3/66 Last night it was 2/21/95 & I must say I was pleasantly surprised, for 1995 I would've went with 6/21 but after listening to 2/21 I can see why TPTB went with it. IT'S FRIDAY IF YOU GET CONFUSED JUST LISTEN TO THE MUSIC PLAY.

@g1u2i3

Sorry about the bummer, man. Maybe someone that is selling the box here a la carte will help you with a kind gesture?? Just a shot in the dark. Don't fret though, persistence pays off with these types of issues I've found. Rhino has always made it right for me when I've run into issues in the past (which thankfully has only been a couple times - recently with the box cutter issue, other times with faulty discs Winterland '73, Egypt glue (remember that??) and a Spring '90 disc)...P.S. Got my shipping email. My box scheduled to arrive Monday end of day! Nice...I have my fingers and toes crossed...

Sorry Dude

@hatch655

Congrats on the Miracle! Nice! :-))))

Dead.net contacted me about the USB

So, I reached out to Rhino about the USB, and someone actually called me back. He was really cool, and very sympathetic. He mentioned something about an issue with production of the chip itself, which is what has been causing delays. More towards the end of the month we should hear more, so hold on tight. As for you folks with the box - congrats! I'll tell you something, it is so awesome to hear how happy everybody is to have the music (except for some of the obvious issues with packaging and missing discs "box cutter blues"). Wish I was there with ya, but my time will come. Have a great weekend on Shakedown Street - you know, it used to be the heart of town ;)

g1u2i3 / Digipaks coming unglued?

Could be worse, you could have had the side with Donna * Brent * Vince Could be worth some money, a defect like that. Kind of like the KISS Alive II that had Hooligan, Take Me, and Do You Love Me I have quite a few of these digipaks that are literally coming unglued (Howie came unglued? NO! HOWIE WAS A ROCK - BEST TAIL GUNNER IN THE OUTFIT! Buddy came unglued!) But seriously, the middle disc of all of these tucks into the middle section / sleeve of the case, and just removing / replacing the CDs has caused the seam to come unglued at the top. Not cool.

the ticket and backstage pass.....

Dude, they are in hidden compartments behind the names on the bottom!!!!

g1u2i3

Sorry that happened bro. You know the irony of it all is that some other unlucky bastard is about to get a box with two Jerry / Bob / Pig panels.

The box is beautiful!

I love it! I got a miracle-less box but that's cool. ticket stub: 5/27/93 Cal Expo Sacramento CA backstage pass: 3/22/95 Coliseum Arena Charlotte NC

Just got a shipping notice!

My box was delivered yesterday. Minutes ago I finally received a shipping notice and a tracking number! When I go to track the order, it tells me it was already delivered. Go figure.

complete chaos

I am starting to laugh (albeit a little nervously).

Thanks rrot!

rrot, thanks for the UPS tip earlier. Glad that everybody is getting their boxes. Looks like it won't hit Nebraska 'til Tuesday but I've waited this long, what's another few days.

Just contacted customer service...

I talked to a very nice person named Amy H. (there's two Amy H.'s working there, but this one works nights I believe) and she was very, very helpful. She actually wanted to send a personal message about my problem to Dr. Rhino herself. Worst case with this box she had heard of yet. Most helpful customer service rep. I've had help me since Marye years ago. Now..hopefully I get some good news from Dr. Rhino. Anyway, at least the CDs are intact (I hope), so I guess I'll start with 1966.

Just got shipping email...

I ordered standard shipping, maybe that's why I have to wait? Oh well, it's ok. Got the shipping email from Dead.net with UPS scheduled delivery this Tuesday here in CA. I've waited this long, what's a few more days right? Glad to hear of so many enjoying their box sets!

@g1u2i3

uh no, this is not cool. Sending you a PM so we can fix this. SO sorry for the awful experience.

Look at it this way

You have the only box with Keithpen as a member.

@ hatch655

WOW that rocks man! IS there any chance you could take a photo of the MIRACLE scroll and post it so all of us here could drool over it?

@hallstallion2005

I new about the compartments on the side, but it wasn't until I looked in the back of the book that I found the ticket and backstage pass. Thanks. ticket: Oct. 27, 1991, Oakland pass: May 15, 1993, Las Vegas

Box set trades

2/21/95 Delta Center Salt Lake City pass (this is a gem, right?) ready for trade.12/12/94 Oakland Coliseum General Admission ticket (wow $27.50?!?!) not for trade

G1u2i3's situation

I'm not making light of the issue, and it looks like it may get addressed satisfactorily, but Keithfan's and Mr. Jack's responses were hilarious.

Shipping notice arrived....

....eta is Wednesday. Read below that someone in LA got theirs already. Weird. I live in Las Vegas....trying to figure out dead.net's shipping protocol is like breaking the DaVinci code. Just gives me a headache. Congrats to all of you lucky first listeners. Empathy to those with damaged boxes / missing discs. Sounds like Oxford '88 is the only offender so far. Oh well.... (sigh)....Guess I need to relisten to my 36 DP's, or my 14 RT's, or my 15 DaP's, or my Spring 90 boxes, or my May '77, or my Winterland '73, or my other 30-odd official releases, or my 20 plus Garcia releases.....man, I'm spoiled....

Gangster of Love.....

Disc 2 '66...just finished Gangster of Love... This is really outstanding that we have this pristine quality (relatively ) from so early in the GD development. Im really psyched to ingest this tribute. Its no longer Boxilla for me, it deserves more respect than that...its is a fine tribute. Well done PTB.... So, #4136 is very satisfied...even with the most overproduced ticket 10/30/91 and a backstage pass for Deer Run, Indiana (from memory...barely looked twice actually) if that means anything to anyone, send me a NY show and its yours! Lol...enjoy this Grateful weekend!

oh!

Oh and its my mom's birthday today! Happy Birthday mom! Thanks for letting me go to my first show at msg in 81 even though you opposed because you heard "they make free-love in the isles" at the shows! Lol...I'll never forget that mom...you're the best! And you were right as usual, the love was free

Marye To The Rescue . . .

Many thanks to those with advice on how to handle my Box situation (Mr. Jack Straw, wjonjd, wilfredtjones). Marye did reach out to me on PM as she said in her post. Which I appreciate so much! She gave me enough confidence that this will be handled satisfactorily, that I was able to laugh out loud at all of the alternative ways suggested to look at the situation (Mr. Jack Straw, wjond, KeithFan2112, MinasMorgul). That was great! Thanks for the lift in spirit . . .

back stage pass swap

I don't know which back stage pass I'll get but would gladly trade mine for a 8/21/93. This was one of my favorite shows I attened (SOTM!!)

TICKETS AND BACKSTAGE PASSES

Also was thiking these backstage passes and tickets could be hints to future releases. Would love the '93 Eugene and 10/27/91Bring'em on!!

Box arrived today

#0963Ticket 10-27-1991 Oakland Coliseum Arena Pass 5-22-1993 Shoreline Amphitheatre Now I have to put the CDs in jewel boxes.

Potential problems to be aware of w/ box before picking it up?

I scheduled pick up of the box set on Monday at the UPS shop. When I get it home, how should I proceed as to avoid damaging any of it, and what might be some flaws to look for? My experience with other releases from dead.net has been variable over the years in terms of quality. I do not even want to go there with Dr. Rhino if there is a problem with the $700 box set.

Just another happy, happy idiot fan!!!!

Wow..... It's so beautiful..... My wife was actually blown away as well..... I am beyond grateful for this band..... How could it be that in all of music history, no other band comes close??? Gawd it's good to be an idiot fan! Right Patagonia? Sucker.........

@DoTheMorningDew

a large rectangular piece of wood (where the bottom of the hinge is attached) from inside the case was glued to the lid on my box, so that when I opened it the lid just broke off. I would just say be careful when opening it. You should see a blue sleeve containing the vinyl single and that is all..anything more and you have a big problem.

Box #848

Ticket 8-15-86Pass 5 -23-93 Pumped. 7-3-66 is on. Harvest time is here. Couple packaging dings, but not enough for me to act on. Hope those with issues get them rectified quickly. My box was missing at the UPS pick up for a short while, now I have 48 hours to enjoy before work Monday. Edit: I concur with the need for jewel (bottomed) cases. For a set of this magnitude it should be a given.

Jewel cases....

....they scratch like other mediums. Plus, the 3 disc jewel cases I'm familiar with have that thin plastic tray holding the 2nd and 3rd disc (i.e. some Phish releases I have). That hinge breaks eventually. That "crack" that occurs is like nails on a chalkboard to my ears.... ....edit. I'm talking about those cases that have same width as a single disc. The double jewel cases are ok.... (but they still crack/scratch on the surface). Too big for this boxes dimensions, I guess....

Alain

Please check your PM.

USB

Has anyone received the USB version yet?

Rpping MP3s?

So I'm trying to rip my box into mp3s so I can take this everywhere. But the Album, Artist, Song information isn't available with Windows Media Player. Has anyone had any luck getting the info populated automatically?

Cases

I don't have my box yet but I am planning on putting the disks in paper sleeves and then putting them back in the cardboard cases. Can't test this but it is possible that once in the paper sleeves they may not fit back in the cases so well but I imagine that they probably will go back in nicely. Anyone else try this yet?

product sku

081227955892