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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • JimInMD
    Joined:
    Multi-Headed Buddha
    I think it was Phil that described the concept of the album art for Anthem as a multi-headed Buddha of the same being. I feel the same way about the different line-ups. Different heads of the same Buddha. You wouldn't have (quite) the thundering crescendo of Terrapin or the driving polyrhythmic beat of Sampson with one drummer, but you don't (quite) get the same turn on a dime jive swing in the Eyes>China doll, DS>MLB, etc. with two drummers. And it wouldn't be the same Grateful Dead without all the incarnations. Great discussion, there's truth in all of it. I love it all and it all appeals to me at different times and places.
  • Ziffle
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    Mickey & 1978
    I'm with Spacebrother on Mickey. Kreutzman is a great drummer, but bringing MIckey back, for me, restored the band musically. As far as 1978 is concerned, my recollection from concerts at the Hartford and Providence Civic Center in particular is that the Dead were incredible, with a huge sound. The problem, I believe, is that none of the recordings (at least that I've heard), capture the sound of the band. What we get from these soundboards (and the scattered audience recordings) is a bare shadow of what was going on musically. The same holds true for the Wall of Sound period. I have never heard a recording that did justice to 1973-1974 and 1978-1979. I am barely able to listen to recordings from those periods. The band played around a lot with the sound of the various arenas and outdoor venues. Particularly Garcia, Lesh, Hart. These sports stadiums (Providence, Hartford) and in 73-74 Roosevelt Stadium (out doors), had extraordinarily long reverb and the band used the sound reflected off the back and sides (in the case of the indoor arenas) as a musical element. I remember during one "drums" segment, Hart riffing off the reverb with his giant hanging drum. I clearly remember Garcia effectively doing double solos by playing off the reflected sound in the area. What we are getting with these little stereo recordings in one half of the music, not what the audience heard. I don't have any of the Dave's series, so I have not idea if those recordings are good or not, but I suspect that the only way to recreate the sound (at least to an extent) would be to play back a perfect soundboard at concert volume in the venue where it was recorded. Maybe someone else who attended those shows can comment.
  • JeffSmith
    Joined:
    Miss you too, John.
    Has it really been 35 years? . . .
  • Vguy72
    Joined:
    I agree....
    ....the eight-limbed monster lifts me up more often than not....it is was it was. The Grateful Dead....welcome to it. ...and yes, Mr. Strang, you are spot on in regards to Jerry's habit I believe.... ...listening to the 11.15.72 OKC Playin right now....excuse me.
  • SPACEBROTHER
    Joined:
    Mickey
    I disagree that the bands sound degraded with Mickey's return. It was a necessary transition for what the Dead were aiming for. A refined approach with tighter vocal harmonies and overall more polish. Blues For Allah is a testament for the bands blend of refinement and still experimental side. Help>Slip>Franklin's, Music Never Stopped, Crazy Fingers and Stronger Than Dirt should never be considered "dumbed down". Ultimately, it's all good to me, but like everybody else, I have my favorite eras. I might listen to the rockier '80's and early '90s more than the earlier stuff, but get back to the older stuff when I'm in the mood. It's all subjective to personal taste.
  • Gr8fulTed
    Joined:
    USB in the mail
    In reference to the forum topic, the elusive 30 Trips thumb drive just might finally show up in my mailbox! Hope it holds up when I plug it into the pc.
  • DaveStrang
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    In Agreement
    Keithfan I'm in agreement with you as well as others that Mickey's return "dumbed down" the band's overall sound. I think Billy K was no longer the powerhouse he was before Mickey's return. I also think Keith's role in the band was diminished by his return. As for 1978 the Dead have always been known to "circle the wagons" when a problem arose. While JG may have been having relationship/personal problems the biggest threat to the band was the big white powered elephant in the room: HEROIN. No ONE, musician or housepainter was ever their most prolific nor productive while using 'junk'. While camping for tickets in March 1977 their was talk as well as concern (even then) that he was using. As anyone who has used even narcotic painkillers will tell you the more you use, the more your tolerance builds, the more you need for the desired effect. A 2-3 week break that March could have provided for one hell of a junk bender that could have affected the band's performances as well as his tolerance/need. I've always felt the back half of 1978 2nd sets always seemed to fall off/apart which I think was JG anticipating hitting the smack pipe. Had the band intervened at that point would it have made a difference? The band always had a "live and let live" attitude so would they have even done anything back then is the million dollar question. There's no way of knowing if he would have even responded to outside interference since JG seemed to be a VERY strong-willed man so it may have made no difference at all. What I do know is the world lost one of it's greatest musicians to that sh*t. The thought that terrifies me is how many more will we lose? I'm signing off on this rant now and wish you all the best.
  • One Man
    Joined:
    Oops
    Yeah, forgot about Rocking the Cradle (Egypt '78). Ouch. Not so good to my ears. I can hear Billy's broken arm all over that thing. I do love the RT From Egypt With Love. It's spotty, with some really good spots.
  • KeithFan2112
    Joined:
    Nice Link Kayak Guy / One Man 1978
    Good article. I've posted here how much Mickey's return in '76 degraded the quality of their music, so it's nice to see this point of view validated by someone close to the band. I am not a fan of what Mickey's return did to the sound, especially in the context of what it did to Keith's ability to contribute. "ROB KORITZ (Musician): The musical quality declined over time, and I think part of that was having two drummers." One Man - I'm on board about DP 25. I revisit once in awhile, trying to get it to grow on me, most recently last week. Also agree about 1978 in general - I like it a lot, although I do have trouble finding anything satisfying in Road Trips '78. I love about half of Rocking The Cradle; the other half (including the bonus disc) suffers from the same thing that DP 25 and RT '78 suffer from. I'm not jazzed about the 30 Trips release from May '78 either - suffers from the same (I admit I've only listened to it 5 or 6 times before "giving up" on it - I would be happy to hear something great about it that reels me back in, as I would be happy to be wrong about what I thought was only a mediocre Dead show). I think Lemieux hit the nail on the head in his liner notes for DaP 15 (which is now one of my all time favorite DaP releases, and really, one of my favorite post-hiatus shows altogether), when he basically said that something big went kaflooey when they came back from a 2-3 week break after 4/24. I think the Closing of Winterland is a redeemer, much more akin to how well they played up through 4/24.
  • mbarilla
    Joined:
    Fare Thee Well commemorative ticket question
    was the ticket for each night (July 3-5) same length and width ? I saw a ticket from 4th of July (Section: Press Pass) that is about a quarter inch shorter in length compared to the sweet final night pass from TheeAmazingAce333. I know the ticket Ace gave me is legit cause it was right before he predicted Unbroken Chain out of space ! Wow good call on that, still cant believe you had that one "Listening for the secret, searching for the sound"
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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17 years 5 months
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Merci, Vguy72 ! Highly tomorrow, for you, for me and others.
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11 years 3 months
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.
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9 years 3 months
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Why are we bombarded every day with sales posts from a certain overseas member, who is using this space for personal gain through commodification. The Terms of Use for this site states it is forbidden to: "Use the Site to advertise or offer to sell or buy any goods or services without our express prior written consent." So why is this continually allowed to go on here? It's unethical and an abuse of what this space is for. Do we need moderators? Or do they need more help? This needs to be addressed. Who do we need to contact to communicate this to the management of this site?
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Although I only comprehend 1/3 of your knowledge, I hear ya about blind loyalty to purchase. But since this isn't technically Rhino selling this anymore you should see if anyone on this site may have some 90's shows for sale. Who knows you may get lucky and someone posts they have these available to purchase. I doubt it though. Good Luck
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13 years 9 months
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Concerning the worst sounding shows on USB vs CD, when they said they used different masters I expect for the USB they didn't do any fadeouts and the slight overlaps that they do for the CD's, plus in order to do the HDCD encoding, the peak amplitude must be under -6db because the HDCD adds 6db (or decoding reduces by 6db - amounting to the same thing). Maybe they applied some dynamic range compression to the CD masters, but if so I bet it would be a very small amount. In the past I posted how it appears they did some dynamic range compression on spring 90 TOO because I compared the 3/29/90 show hi res download to the CD. I realize now that I didn't decode the CD version using hdcd.exe before analyzing those, so it's possible they used absolutely no dynamic range compression on the CD's, I will need to recheck that. In any case, the sound quality of the worst sounding shows (or any of the others) will not be any different on USB vs CD. The hiss on the '82 show and the multi-song aud patch on the '81 show will sound exactly the same. I'd bet the "different masters" only refers to the fadeouts/overlapping, and maybe peak volume level and that's it. I think it's highly unlikely the masters are any different in any other respect at all. Edit: the double blind testing a friend and I were going to do last weekend or this weekend will have to wait a little while. Highly unexpected success of the cubbies (and a couple of other things) has intervened ;)
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"... A few drops of Mr. Ed...." The imagery was nauseatingly hilarious. Also, do NOT repeat over and over and over in your mind the following: I cannot live without Spring '90 TOO, I cannot live without Spring '90 TOO, I cannot live without Spring '90 TOO, I cannot live without Spring '90 TOO, I cannot live without Spring '90 TOO, I cannot live without Spring '90 TOO, I cannot live without Spring '90 TOO, I cannot live without Spring '90 TOO, .......
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I got mine today in the UK. Very nice package. The only negative is that the segues aren't indicated on the packaging, or in the book. When I rip CDs, I join the tracks for all the jams, so I'll have to look up each show elsewhere. But I'm looking forward to listening. I'm going to take this slowly, one show a day. I assume my scroll doesn't say MIRACLE; I guess it would be printed pretty big, but I don't see it anywhere. Has anyone gotten a miracle scroll?
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13 years 6 months
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I promise y'all, this is the LAST time I will acknowledge this problem many of us have called saintstephen1971 (aka thebanditisback on eBay, aka Stephen Gilmore from some hole down under). Let's do this: Simply send a PM to MaryE, our patient moderator, saying something along the lines of: "Despite many, many pleas to stop his commercial posts on this message board, member saintstephen1971 not only has not stopped, he has antagonized everyone who complains. He is blatantly violating the Terms of Use with his advertisements of product purchased on this site expressly for resale at a profit. Many of us find this (and him) offensive. Please moderate his activities on this board if you would be so kind. Thank you." All you have to do is log in, go to your profile, and hit "Write Message". Type "MaryE" in the "To" box and fire away. Thank you to all who take the time to do this. And my apologies to any supporters of saintstephen1971 (if any).
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Number 5759 has landed on my doorstep,red velvet interior and ticket Oakland Coliseum 28th October, 1991,Backstage passs Eugene, Oregon,22nd August,1993. I intend to start listening from the 7" single,through to the rest in order of ascending year,even the wife is beaming!
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Kate's post reminded me of a funny convergence of sorts between Mr Ed and the Grateful Dead (beyond the obvious rhyming.). East Troy, WI that is home to the Alpine Valley Music Theatre, on the weekend of 6/28-29/86 hosted both the Grateful Dead AND a Mr. Ed convention. Did you know there were EdHeads? I bet references to "a few drops of Mr. Ed" would be frowned upon.
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Hi WorldDeadHeads,nice to meet you.I live in JAPAN. DHL called me today that they deliver me Dead BOX tomorrow morning. DHL said please pay 8% consumption tax. I'm SO Excited about recieving BOX tomorrow. maybe I Can't sleep tonight. Thank you very much Dead Staffs to send me BOX so early. I appciciate it from bottom of my heart.
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30 Trips has been scanned into Portland as of 12:41am PST. I can practically smell the balsa wood and globs of "Mr. Ed". Now time to get some sleep for a few hours in bed before I move down to the couch/living room for less comfortable daytime sleep. 3rd shift is uncool.. except being home during package deliveries.
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15 years 7 months
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The good news, my box arrived in Sweden this morning.The bad news, I arrived in Istanbul this morning!
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Besides the funny glue reference (and who doesn't like funny glue references).. I think I used to have a Grateful Ed T Shirt years ago.. but I could be wrong, perhaps I just saw one.
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Wow! Today I received the box (much earlier than I expected it).It's a true wonder. Normally I don't care about the package, but this time I first had to look at this beautiful wooden box in amazement before opening it. The pictures of the four seasons are lovely. And the book is even more beautiful than the pdf file we received on 9/18. What I like especially about this box is the fact that all the CD's have a normal format, so I can put them in my Grateful Dead shelves ordered by date. (With the May 77 box that was not possible). Now there are about 660 Grateful Dead CD's on my shelves, most of them officially released! And finally the content, the heart of the box: All the concerts I had the time to listen to until now are exceptional. This box is a labour of some years and we the fans can do the harvest; thank you David Lemieux and all others involved in this project! So.....da nnn da da, dadahhh ripple in still waters Music is Love Romeo Nathan Bumann (alias Mr. RNB)
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I am also in Japan waiting for the box! And I have no call from DHL today what is going on with my order?? I chose standard shipping when I ordered it what is your shipping method you chose? Anyway it will arrive soon and I hope we both get the miracle scroll beacause I guess we deserve the most distance buyer award.
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17 years 5 months
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My box arrived here one hour, one day before scheduled date. I'll leave my office as soon as possible to finally take possession. I do not know if I'll be able to work this afternoon…
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I wonder if the reason the boxset was priced so high was to offset the stud fee... ...He's no American Pharoah but he's still a celebrity, isn't he?
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11 years 3 months
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looking for 1. Dave's Picks 1 - won't pay more than $75 ,, maybe a $100 ,, Dicks Picks 3 is better anyway Lol 2. Road Trips Denver 1973 - I pay $50 max,, 3. Pure Jerry - both 1978 releases,, Lots to trade, but cash offer will be low.... - Just scored Allman Brothers Band Fillmore East February 1970 recorded by Bear.. Wow !!! What a find !!! Long out of print killer recording from a fantastic venue,, and currently Not for trade,, but lots of other goodness
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comes by DHL half an hour ago and have to pay 155,50 Euro .... Number 4937 ticket 10-28-1991 pass 02-19-1995 undamaged and red velvet inner ... wow
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16 years 2 months
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Box arrived in Zagreb,Croatia!
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17 years 5 months
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My ticket - 5/27/93 General AdmissionMy Backstage pass - 3/22/95 Looks like BertDert has the same combo as me.
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17 years 5 months
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check PM re: Pure Jerry
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9 years 1 month
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I'm curious if any of you serious collectors have compared the sound quality of the shows on 30 Trips to the better boards of the shows in circulation. I gave a quick listen to 2/22/69 Vallejo (one of my favorite shows) and compared it against the Charlie Miller board I have and I'm not convinced the 30 Trips one sounds better. There's a nasty quality glitch between Mountains and Dark Star a dn Dark Star sounds a bit muffled, though less hiss. Anyone else?
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16 years 2 months
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I think Rhino Records or GDP should hire Charlie Miller to work on the Grateful Dead vault for the official releases. The young man with "golden ears". Agree or disagree?
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13 years 4 months
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All my children are named Charlie Miller, even the girls. Goldfish and cat too. Its a bit confusing at times, but the least I could do. He seems to do a better job with the cassette masters, that's for sure. ..but Norman and company have come a long way too, I mean no disrespect.
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12 years 11 months
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IT's concerning to me that within in the 30 TRIPS box set of the 1980s shows, the 1986 show sounds better than any other show in the 1980s decade other than 1989(which has to sound the best, it was multi-tracked)...I'm not a big fan of the 10/26/89 1st set. Anyway, 1986 is often regarded as the "worst" year played by the band, and this show sounds phenomenally played & recorded.....ima a little suspect of the effort than went into the rest on the 1980s decade on this BOX.....Haven't listened yet to any year before 1979, but I bet they sound perfectly recorded & mastered, jus sayn
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Does anyone possibly have 90's shows for sale? I heard they sound great on the stream.....(I've been silent for a while just taking in all the posts but it's hard to take the New Yorker out of me. So forgive me Stephen if you are offended)
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9 years 9 months
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I got one and no I am not selling it. Wondering how many they sent out? Mailing the scroll back today. Let's see what I get.
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9 years 2 months
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Box landed this morning, a day earlier than previously advised. It is sitting unopened in another room while I try and get a full day's work done at my desk. How's that for superhuman restraint?
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12 years
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I've said here before and will say again, there are times I swear Rhino just goes to the archive and downloads a Miller board and releases it as "official". Even the run times are close. In reality, the official ones "most" of the times seem to have a little more "presence", the sound seems a little closer and wider. But I always check against what I've downloaded. I know one of the shows I checked against the streaming stuff sounded a lot better than what I had. Even when some here post about some "great" soundboard on the archive I go check against my copy to see if it's a newer, better copy. But Charlie the man! Anyone remember or have a copy of that youtube cartoon, where the guy is raving to his wife about a new Charlie miller soundboard he just downloaded? When the video of "i married a deadhead" came out I went looking for it and couldn't find.
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I'm sorry but this is even better than the Europe Box Set, I think out of all the box sets ever released this is as good as it gets, thank you Dave for having this idea, and Rhino for supporting it. And if you don't agree that is cool (no need to start some crazy this box set is better than that one), just my thoughts and I felt it so much I wanted to thank the folks for making it happen. I love it even down to the red velvet, leather bound book, etc....just cool all the way. But looking at all 30 shows lined up in the box, looking through them and picking a year and giving it a spin, that is where the real majic is happening. Downtown
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Boxzilla has landed in Paris. Am currently admiring the nifty cardboard box it's sent in. I shall open it at seven bells with a gin and tonic.
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9 years 3 months
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The boxes are out for delivery. Time to move my sleeping carcass down to the living room couch. Will let you all know what I get and what condition it's in. Hopefully it comes before work.
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17 years 5 months
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So why are some getting red velvet and others getting blue? I got blue myself. Is it a Bolos / Bozos thing?
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Charlie is indeed the man. St. Charlie? This one? https://www.youtube.com/watch?v=yfy3uJrfVWo "Charlie Miller is releasing new soundboard sources for a number shows from 1972. I need to download these shows from etree as soon as they are seeded." Classic. In I married a deadhead, the wife says she would rather gargle with drano and shove broken glass and needles in her eyes than listen to more shows. In this one it ends with his wife asking for a divorce. Someone needs to do one of these depicting the moment Boxzilla gets delivered on the doorstep.
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I probably would not return a 'Golden/Miracle/Special' scroll. Are you kidding me? 2 years from now, if I open a sealed shipping box with a 'Golden/Miracle/Special scroll? Cool Beans! It seems as if someone had the idea to make sure all shipping boxes were opened, as they were never sealed beyond the actual shipping box (Many of the shipping boxes have UPS/USPS writing on the boxes, as well, so between the shipping stickers and writing the shipping boxes won't be as pristine/collectible. So, a Golden/Miracle scroll or a 'made up something' to make sure, and I totally get the idea, less resale for $$$$ is what the powers that be wanted, and rightfully so. I dig that. Gratefully, Scroll #3625
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12 years 2 months
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#6314 (I think). I love every square inch of it's blue velvet lined box. Hours of great music waiting for me. I didn't go to the '95 show, though. I was living in Idaho at the time.
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17 years 5 months
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/mod on We have a designated vending area in the Your Own Storefront thread. http://www.dead.net/forum/your-own-storefront Please advertise your wares in that venue and not in other threads. As for cannibalizing OUR wares and hawking them in our house? Really? Please cut it out, as it's a clear TOS violation. Also please refrain from slinging insults at your fellow Heads, as this is not the venue. Thanks. /mod off
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11 years 3 months
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It's gonna be another looong day.
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13 years 4 months
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Thanks MaryE. You rock, and much like my very own mom.. I'm not sure why you put up with us :D
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11 years 5 months
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This issues I am hearing on both the 82 and 83 shows will be worse in hi-res, which is a huge disappointment. The kick drum in 83 will most likely be more prominent. That 89 show will sound incredible though. That's the trade off. I think we all have to take into consideration how we are listening to these shows. If we hear, say, the 89 show, then immediately listen to the 82 show - the difference will be obvious, but if you just listen to the 82 show without hearing any other show the it is quite listenable (even with the hiss). It would be very disappointing if they just put 80s shows in the set that they knew weren't up to par quality wise because they knew those shows wouldn't sell on their own. I mean, for 83 especially - they could have done 10/15 or 10/17.
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12 years
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yes that was the one, I came it across it originally when I was downloading everything from the archive. Drove people crazy with email's saying "you gotta hear this miller".
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11 years 1 month
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I have seen some people mention that the song segues are not denoted with the '>' symbol on the disk sleeves. I put those in as well when entering the info in Google Play. I was a little bummed at first but then noticed that they are denoted on the disks themselves. Hope this helps a few Heads out.
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