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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • #6631
    KeithFan2112
    Joined:
    Speaking of Decline
    Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
  • #6632
    JimInMD
    Joined:
    DearJerry
    For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
  • #6633
    Cousins Of The…
    Joined:
    Mo' Keith
    Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
  • #6634
    PalmerEldritch
    Joined:
    I love the keyboard/era debates!
    I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
  • #6635
    KeithFan2112
    Joined:
    hahahaha What?? He stole Jerry's stash??
    No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
  • #6636
    LoveJerry
    Joined:
    Jim In MD
    I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
  • #6637
    KeithFan2112
    Joined:
    You Know a Rumble Ain't a Rumble Without Me
    Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
  • #6638
    JimInMD
    Joined:
    Re: DearJerry/Keith
    Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
  • #6639
    JimInMD
    Joined:
    Re: Brokedown
    I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
  • #6640
    mbarilla
    Joined:
    Check out JGB live shows from 1978
    Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Submitted by yattazebaby on Wed, 10/14/2015 - 22:25

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Arrived in the morning.ThANK you very much,dEADStaffs! From now I'll listen to All CDs. DOMOARIGATO！！！！！！
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Submitted by Vguy72 on Wed, 10/14/2015 - 21:29

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....but there's a couple of scenes where Mark Watney complains about all the disco music he's stuck with from another astronaut that left him behind. I would have brought this box....any complaints over time? I think not!....
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Submitted by nirktwin2 on Wed, 10/14/2015 - 21:46

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Found it kind of strange they chose a show in 77 before May 5th and then selected a 78 show after the Spring break so no shows with that true 1977 sound which is supposed to be one of the Dead's best tours. Just surprised they didn't find a way to represent the 1977 sound in the box that was supposed to show the major changes over time. My box has some laminate coming unglued from top edge so I need to call customer service. I got #2151 red interior, Oakland Dec 27, 1991 ticket and Noblesville 1993 backstage pass. Other than the laminate coming off, this is a great box set. Now back to ripping CDs.
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Submitted by Alain on Wed, 10/14/2015 - 21:48

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The bottom of the box is actually the rings of a tree. I counted: there seems to have 30 as the age of the Dead in 1995.

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17 years 3 months

Submitted by antonjo on Wed, 10/14/2015 - 22:06

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...when I heard there were blue & red velvets, I hoped for blue. Blue Velvet was waiting, beneath cardboard, when I arrived home this evening. Love this box. Love the scroll. Love the CD covers and packaging (back covers remind me of the '73 box). Love the hiding places for the book and scroll. And the art scenes on each panel are charming ~ my favorite one being just in time for pumpkin season...! Can't listen to anything tonight ~ saw Wayne Shorter last night, and my ears were already still ringing from Neil & the Promise of the Real last week, so they really need a break ~ but I'm just reveling in this treasure chest like Edmond Dantes on Monte Cristo. Ticket, with Steal Your Face graphic, is another from Oakland Coliseum, Oct 30, '91 ~ anniversary coming right up. Ticket price $22.50. (Up from $15.00 in '87.) Stage pass is Vegas Silver Bowl, complete with silver Lightning Bolt, May 15, '93. Ahoy Texas, Nevada, my fellow Portlanders, and Japan.... The Great Pumpkin came through at last!

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17 years 3 months

Submitted by antonjo on Wed, 10/14/2015 - 21:54

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Nice observation on the tree rings. Having only held mine up briefly in soft light, I hadn't realized that yet.
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16 years 5 months

Submitted by snafu on Wed, 10/14/2015 - 21:54

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Got it today at noon. The box is quite nice and the book looks like a fun read. I should have enough space to put the very cool scroll on the wall. The ticket is to a show I went to Oakland 10/30. By the way not sure why it's so hard for some to believe they aren't original. They bought in bulk those they didn't use got put away thus the pristine condition. Whatever. Now the music and the lucky us. I'm a chronologically oriented guy so that's how I'm listening. God are they good shows and good recordings. I'm finishing 1970 tonight and continue to be amazed by the quality. 45+ years old phenomenal. The items are nice, I'm a collector so I want them, but they'd be worthless without great music. I have everything they have released over the past 20+ years and will continue. Probably the main reason I don't have a lot of sympathy for those who want it on their terms, they pick and choose, and then whine when something eventually sells out. I say eventually since outside of the Fillmore box the releases have been around for a while. Thank you GD/Dave/Rhino/everyone making this possible. What's next. I kinda think we'll have to be satisfied with the subscription for a bit. Wait for them to catch their breath
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8 years 11 months

Submitted by Rambler on Wed, 10/14/2015 - 22:04

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Box #160 arrived safely in St. Louis metro on Monday. I was sitting at work when I got the confirmation that it was delivered. A little later some pretty short but intense spot showers popped up, worrying followed. Seems to be hit and miss with UPS at my house. Half the time it's propped up against the garage door, half the time it's on the front porch. The garage door offers no protection from the elements and I've come home to soaking wet boxes on more than one occasion. Delivery notice said front porch, but until I got home I was a little worried inside. Got home and it was on the front porch, dry as a could be. I couldn't wait and tore right into it. The box itself is in decent shape. I haven't gone over it with a fine tooth comb, but no obvious issues with the packaging itself. I'm content with that, it's the music I wanted. But first, a quick peak at the scroll and a peak at the book. Found the extra goodies: 10/27/91 stub and 93 Buckeye Music Center pass. Just finished ripping all the discs. I've been listening to little bits here and there from all shows/discs as I was ripping them to try to make sure I didn't get a bad disc. They all seem to be good to go. I was planning on listening to them in chronological order, but that didn't happen. I gave in a listened to the 75 show today since I was on the road most of the work day and I loved every second of it, even had to go back and play through some selections a second time after I finished it. The only issue I have is that I received 2 disc 2's from the 77 show. Missing disc 1. Sent an email to Dr. Rhine (thanks to whomever posted that information). We'll wait and see what transpires. If by pure chance somebody ended up with 2 disc 1's from the 77 show AND happen to be reading this thread, let's hook each other up. I feel for those that are still waiting and hope all the boxes get home soon. I'm enjoying reading all the happy responses from everybody, puts me in good spirits.
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Submitted by snowball on Wed, 10/14/2015 - 22:44

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Feels like Christmas has come early #5365 Red Felt Ticket: Oakland Coliseum October 30, 1991 Pass: Deer Creek June 22, 1993 Box Condition: Some kind of box cutter like cuts through two of the panels My Condition: Ecstatic
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Submitted by Vguy72 on Wed, 10/14/2015 - 22:59

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....oh wait, I did. Pretty awesome selection. Sounds perfect....they showed up big time that night. That noodling before We Bid You Goodnight is priceless. They teased like, four songs!
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9 years 2 months

Submitted by Willysin4wd on Wed, 10/14/2015 - 23:10

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Yay!!! #6333 has made it home to Mountain View, Ca. Wow, thank you Dave, Dead and Rhino for such a sweet gig, i'm chuffed! ;-)Coincidently i was home early from work today and the box didn't have to spend more than a couple minutes getting acquainted with the front porch. It's exactly perfect, but i did perfect it even further by cutting up a MoFi vinyl record sleeve to fit into the 45 slot, so the record is now protected by an archival anti static record sleeve. As i'm typing 1975 has just finished. What a great show! Blue Velvet Got the Trout and Fly 8/22/90 Eugene Pass, Oakland Coliseum Space Head 10/30/91 #5241 ticket i got to check, i think i went to this show! Cool beans all around. I got lost in the book. Waiting for a Saturday morning with coffee to get into the scroll. Good to hear the worldwide folks from Japan to Europe got the box on the same day as this California boy. All Good Things in All Good Time Indeed! Collective Enjoyment. Peace, Love and Happiness to all
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Submitted by Vguy72 on Wed, 10/14/2015 - 23:09

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....and that Viola Blues smacked my face. Wow!!....I may call in well tomorrow.
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8 years 11 months

Submitted by yattazebaby on Wed, 10/14/2015 - 23:14

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I'm listening 1975 shows now.I go to TRIP ZONE soon. I experienced Unknown touch of Dead Music. I love Dead music more and more than ever. God bless to All Deadheads in the world.
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13 years 8 months

Submitted by wjonjd on Wed, 10/14/2015 - 23:59

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Ok, I just finished the 3/27/93 show. I think my last post about one of the shows was about how great the 91 show with Marsalis was. Well, I really enjoyed the '92 show, solid show, but not quite in the same class (at least this go-round) as either its 91 predecessor or its 93 successor. What a wonderful show the 93 selection is from beginning to end!! Jerry is playing really great, the vibe of the show is tons of fun - very danceable, the sound on this 2-triack is absolutely stellar helping to highlight what a MONSTER Phil is this night. The show just kept making me smile and bop around. Even the perfunctory encore "I fought the law" in this instance fits right in and is sung with gusto. Now, I'll just come out and say it. I'm just not a fan of Vince's keys playing. However, he does a great job in this show. Either this was a one-off (or 6 or 7-off), or else, another possibility: by 1993 he had learned how to fit his keys into the groove, and had just gotten better from a GD music playing perspective. Maybe I didn't notice because I'd already decided I didn't like his playing much. I don't know which it is, and I haven't listened to much post Brent Dead at all. Maybe I'll find out. In any case, I couldn't stop smiling listening to this show. I hope you all enjoy it too. Next up: 10/1/94 in Boston :) Edit: A thought about Jerry's voice. Many complain about how Jerry's voice was shot by this point. Well, while there were a few songs that, vocally, were such a struggle that the singing was a problem (e.g. Dark Star), the fact is that Jerrry's old cracking voice worked great for most of the songs he sang towards the end. I love Jerry's old voice just as much as Jerry's young voice. It frequently cracked in just exactly the perfect spots (the long held Booooyyyyyss in "while the boys sing 'round the fire", for example). I find the frequently forgotten lyrics much more of a problem. But folks who complain that his voice is "shot" should, in my opinion, really give that "shot" voice more of a listen. I love it.
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Submitted by wjonjd on Thu, 10/15/2015 - 00:12

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Lived too much with Star Wars you have :)
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Submitted by snafu on Thu, 10/15/2015 - 00:32

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Ha after I posted I saw that. It wasn't planned . But this deadhead is lucky enough to have received this at the beginning of a 4 day weekend. I'll be in the early 80's by the end
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11 years 1 month

Submitted by dantian on Thu, 10/15/2015 - 00:38

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Enjoy the 4-day weekend (I've got one coming up as well!), and may the force be with you ;)
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Submitted by andrewR on Thu, 10/15/2015 - 01:31

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# 4439 touched down in the U.K. Complete newbie here long time lurkerthe box told me to post .Blue velvet same oakland show as you sir What a thing of beauty in a sometimes ugly world! Surprised nobody mentioned the outer cardboard box which mirrors the logos on the wood box sides and lid and is so well constructed it shows nary a spot of damage.Off on trip number one. peace and love back at you ps my comment was directed at #6333 otherwise it makes no sense newbie poster finding my way around
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Submitted by Europe61 on Thu, 10/15/2015 - 01:28

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Boxzilla #1407 has landed safely in Berlin,Germanyticket 10-28-1991 Oakland,CA backstage pass 8-22-1993 Eugene,OR red felt in perfect condition in and out only complaint is I had to pay an extra 155,55€ to DHL for import taxes and handling with customs for Europe72 dead.net decided to ship the trunks to the Netherlands first so mine arrived in Germany without any extra fee...wish they'd done it again that way...hopefully next time off to work now, Michael
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16 years 2 months

Submitted by ozdh on Thu, 10/15/2015 - 01:37

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No. 5146 arrived in Adelaide red 10/28/91 oakland - ticket, 6/16/93 freedom hall, louisville - backstage pass 'tis in every which way perfect, absolutely!! and folks in oz way lucky - no customs duty...
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13 years 10 months

Submitted by luis on Thu, 10/15/2015 - 02:53

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Scroll 4705.I don't remember ticket and pass, I'll post it later. Blue velvet inside. Book beautiful. I had to pay 193 euros for vat, duties and DHL charges, I remember that I didn't pay nothing for the Trunk since it came from other country on Europe by mail. Scroll fine, but I don't think I shall look too much to it, it's a bit unwieldy. At first look the box was beautiful and ok without flaws. But when I've seen it at night again, just touching one corner of the lid the end of the two wooden strips unglued a bit. Then, I observed too that the drawing just above the T.c and Keith names has a noticeable prominence just in the middle from side to side. Not sure if the drawing is made of paper and bad glued to the wood or the wood has a crack beneath. I'm not sure if it will be worth to say this to customer service, as my guess it's that the box as beautiful as it is also it's very fragile and with time the majority of them will have issues. I think that probably the best thing to do will be to take the Cd's and the book out of the box, and keep the box away as an ornament. The Cd's are all in and on visual inspection without any scratches. I've listened to cd 1 of 66 and it's amazing. Cd 1 of 79 it's great! And after all that has been said of the quality of sound of 82 I've listened a good chunk of the first set and after the first song it's OK. If this is the worst show in terms of quality then we have a very good collection of shows!!
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17 years 3 months

Submitted by wilfredtjones on Thu, 10/15/2015 - 05:03

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Opinions are subjective, but, to me seeds of the '1977 sound' started in Fall of '76 and ended with the second Winterland run in 1977. To me, the '78 monster was born at Englishtown. In my opinion, they did very well with the '77/'78 choices. The Playing sandwich from 4-25 is classic 1977 sound.
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11 years 10 months

Submitted by johnny361 on Thu, 10/15/2015 - 05:22

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My box is blue velvet. Ticket is 12/8/94 Oakland and pass is 3/24/95 Charlotte. Funny thing is, I received 12/8/94 ticket with my GD Scrapbook....I guess I should give it a listen sometime
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16 years 1 month

Submitted by Born Cross Eye… on Thu, 10/15/2015 - 05:32

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Will it sell out before the end of 2015? Will a few copies just sit in stock like the Spring 1990 TOO box or even the Sunshine Daydream "limited edition" box, which is still in stock? I didn't order this one, I'm still into compact discs. NP: 11/14/73
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9 years 3 months

Submitted by drsox on Thu, 10/15/2015 - 05:35

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I bought 2 boxes - 1267 and 5149 (neither miracle ones) - both blue. In BOTH boxes were a backstage pass for June 16, 1993 at Freedom Hall, Louisville AND tickets for October 28, 1991 at Oakland Coliseum Arena AND the tickets were consecutive - 8165 and 8166. How about that ! Well, I really only want the music - so I'll sell the tickets and the passes. Send me PMs with offers if you are interested. I'm away for a week (honestly), so I'll make a decision on Saturday 24th October. PS Both boxes are in fine condition with only a slight veneer lift (half inch) at one of the back corners of one box.
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10 years 10 months

Submitted by efter on Thu, 10/15/2015 - 05:46

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they've got boxes...and here I sit in the great state of Georgia still waiting. How can they possibly make it to Japan before Georgia?!?
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8 years 11 months

Submitted by yonderdawg on Thu, 10/15/2015 - 06:12

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Efter, I'm in the same boat. still waiting here in Georgia
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15 years

Submitted by jerboo22 on Thu, 10/15/2015 - 06:17

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#3924 just been delivered here in Leeds, UK.Ticket: 28 October 1991, Oakland Coliseum, Oakland Pass: 16 June 1993, Freedom Hall, Louisville Red felt. First up (at random): 27 October 1990, Le Zenith, Paris
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9 years 2 months

Submitted by repetewax on Thu, 10/15/2015 - 06:53

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got a notice last thursday that i'd be getting a shipping notice soon.... a week later, I still haven't gotten that shipping notice. talk about setting me up.. geez.. I'm a patient person but this is almost abusive.
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13 years 1 month

Submitted by drshakedown74 on Thu, 10/15/2015 - 06:53

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Thanks for the trade of tickets....you are awesome. Long live the deadheads.
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14 years 11 months

Submitted by dissident1980 on Thu, 10/15/2015 - 07:06

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Let It Grow, Estimated Prophet Excellent
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13 years 8 months

Submitted by wjonjd on Thu, 10/15/2015 - 07:11

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I used a screen capture utility to take the high resolution images of each cd cover that was in included in the PDF distributed, to create 96dpi jpg files of each cd cover. I don't know where I can upload them to so others can get to them, but I will email them to those that want them, - or someone can tell me where I can upload them to where the public can access them. Edit: I corrected the above to state 96dpi, but they are very sharp and clear even when made quite large.
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8 years 11 months

Submitted by kuffdaddy67 on Thu, 10/15/2015 - 07:21

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Congrats to all the box heads. For those of us who went the USB route, has anyone received their stick yet? Patience is a virtue, but I will need an explanation for the lost enamel on my teeth the next time I go to the dentist.
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17 years 3 months

Submitted by masonskids on Thu, 10/15/2015 - 07:48

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Mine arrived today in Bahrain with little fanfare just in time for the Islamic new year! Blue velvet, ducat from 10/30/91, pass from 8/21/93. First up 1978!
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17 years 3 months

Submitted by wilfredtjones on Thu, 10/15/2015 - 17:35

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When I attempt to change the album art in WMP 12, the new art will only apply to the first track of the album. Is anyone else having this issue, know about it, or have a fix for me? Thanks in advance.-edit- duuuuh...got it working ;)
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11 years 1 month

Submitted by mbarilla on Thu, 10/15/2015 - 08:41

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I have been reading many first impressions for the 30 trips box and comparisons to other GD box sets. Would have been cool to get some sort of film,, blu-ray or dvd as an added bonus Hard to beat 30 shows from all the line-ups,, but the add-ons included in 30 Trips $750 box set are a little underwhelming.. The first Spring 90 box went all out and set a very high bar for big boxes.. write up advertised • 60 page hardcover Smyth-Sewn book featuring essays by Dennis McNally, David Lemieux, and Blair Jackson and photos by Jim Anderson & Mike Laurentis • 25th Anniversary Tour Program • Official Band Letters • 6 Ticket Stubs • 6 Cloth Sticker Backstage Passes • 1 Tour Laminate • Official 1990 Band publicity shot • 6 complete shows on 18 discs Box Dimensions: 12-1/8" x 3-1/8" x 12-1/8" Recorded and Mixed Live by John Cutler Mastered by Jeffrey Norman in HDCD Original art by Wes Lang Back to 30 trips,, It is no secret the music is free on the internet, so I am really buying these official releases for the extras, art, add-ons, insight into shows. Maybe a few more add-ons would have set this one over the top for me. The ticket and BS was a super nice gesture,, Kudos on that move Decision Makers !! Also disappointing to hear the scroll is numbered and not really the box. I also read these were not sealed in plastic,, could have been they were originally sealed and had to re-pack them all because of faulty boxes and had to do some TLC.. --Bring on some pro shot video releases !!!!! View From the Vault 5 ? 12.28.83 ? 12.31.83 ? 7.19.89 ?
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11 years 1 month

Submitted by jrf68@hotmail.com on Thu, 10/15/2015 - 08:58

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You're kidding,right?I just received address confirmation for Dave's picks. You can't even deliver the box. Gimmie a break.
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17 years 3 months

Submitted by drpryan on Thu, 10/15/2015 - 09:37

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No shipping notice, no UPS Choice ship date and NO Box here in P-cola yet
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17 years 3 months

Submitted by hbob1995 on Thu, 10/15/2015 - 09:37

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As I open this box and look at the rainbow colors of this cd collection, it hits me that this is one of THE most gorgeous sights I have ever seen! Right up there with any sunrise, sunset or rainbow. I guess THE most beautiful man made object ever? Van Gogh has got nuthin' on this baby! Rock on

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17 years 3 months

Submitted by antonjo on Thu, 10/15/2015 - 09:53

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Reading through nearly all of Dave's liner notes last night, perusing song lengths, and such, the '78 show surprisingly emerged as one I'm intrigued to explore sooner than later. Doesn't hurt that rasberry & green is one of my favorite color combos. May the tie-dyed stork of higher nonsense presently grace the deep South to deliver its bundles for the Georgians & Floridians....
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16 years 10 months

Submitted by TomFreeman on Thu, 10/15/2015 - 10:24

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Thanks to David Lemieux for the amazing box set and including my 3rd Dead show, from Lakeland Florida! Brings back great memories. There is a slight error in the liner notes, which refer to Lakeland as the penultimate show of the southern swing and Atlanta (Fox) as the final show. But I saw a great show in Gainesville the day after Lakeland. What I remember most vividly was waiting at the steps of Alligator Gym all day -- it was general admission as was typical back then -- and watching the Gator Football fan(atics) arriving and departing in their outrageous Gator-wear. They looks at us with quizzical looks--like, "what's up with these unwashed hippies" and "why are they waiting outside the basketball gym all day" -- while we looked at the with . . . recognition of a common impulse to indulge in our entertainment passions (after first thinking, "are these folks (in bright orange and alligators on their heads) nuts").
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